E-PL1 Instruction Manual (English) (7.05

Total Page:16

File Type:pdf, Size:1020Kb

E-PL1 Instruction Manual (English) (7.05 Basic guide DIGITAL CAMERA Quick task index Table of Contents Basic photography and useful 1. functions Other shooting options and Instruction Manual 2. advanced settings 9am to 9pm (Monday to Friday) ET 3. Flash shooting 4. Shooting and viewing movies 5. Playback options 6. Camera setup 7. Customizing camera settings 8. Printing pictures Connecting the camera to a Instruction Manual 9. computer 10. Shooting tips and maintenance 11. Information Thank you for purchasing an Olympus digital camera. Before you start to use your new camera, please read these instructions carefully to enjoy optimum performance and a longer service life. Keep this manual in a safe place for future reference. We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. The contents in this manual are based on fi rmware version 1.0 for this camera. If there Printed in China VN653501 are additions and/or modifi cations of functions due to fi rmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website. $$$000_S0027_E_Cover.indd$000_S0027_E_Cover.indd 1 22009/12/21009/12/21 119:38:059:38:05 Unpack the box contents The following items are included with the camera. If anything is missing or damaged, contact the dealer from whom you purchased the camera. Body cap Strap USB cable CB-USB6 Camera • Computer software (ib) CD-ROM • Instruction manual AV cable PS-BLS1(BLS-1) PS-BCS1(BCS-1) • Warranty card (Monaural) Lithium ion battery Lithium ion charger CB-AVC3 Attaching the strap 1 Thread the strap in the 2 Lastly, pull the strap tight direction of the arrows. making sure that it is fastened securely. 1 2 3 • Attach the other end of the strap to the other eyelet in the same way. Indications used in this manual The following symbols are used throughout this manual. Important information on factors which may lead to a malfunction # Caution or operational problems. Also warns of operations that should be absolutely avoided. $ Notes Points to note when using the camera. Useful information and hints that will help you get the most out of % Tips your camera. g Reference pages describing details or related information. 2 EN SS0027_E.indb0027_E.indb 2 22009/12/21009/12/21 114:52:354:52:35 Charging and inserting the battery Basic guide 1 Charging the battery. Charging indicator Direction indicating mark 3 BLS-1 Lithium ion battery charging indicator Amber light: Charging in progress Blue light: Charging complete 1 AC wall outlet (Charging time: Up to BCS-1 Lithium approximately 3 hours 30 ion charger Preparations for shooting 2 minutes) AC cable Amber blinking: Charging error 2 Loading the battery. Battery/card compartment cover Direction indicating mark 2 3 1 Battery/card compartment lock Removing the battery Turn off the camera before opening or closing the battery/card compartment cover. To remove the battery, fi rst push the battery lock knob in the direction of the arrow and then remove. $ Notes • It is recommended to set aside a backup battery for prolonged shooting in case the battery in use drains. EN 3 SS0027_E.indb0027_E.indb 3 22009/12/21009/12/21 114:52:364:52:36 Inserting and removing cards Basic guide 1 Loading the card. • Insert the SD/SDHC card (referred to as “card” in these instructions) until it locks in place. g “Card basics” (P. 95) # Caution • Turn off the camera before loading or removing the card. Preparations for shooting Removing the card Press the inserted card lightly and it will be ejected. Pull out the card. # Caution • Do not remove the battery or card while the card write indicator (P. 22) is displayed. 2 Closing the battery/card compartment cover. • Close the cover until you hear a click. # Caution • Close the battery/card compartment cover when using the camera. • Do not remove the battery or card while the card write indicator (P. 22) is displayed. Failure to observe this precaution could result in the loss not only of the images being recorded but also of existing images. 4 EN SS0027_E.indb0027_E.indb 4 22009/12/21009/12/21 114:52:364:52:36 Attaching a lens to the camera Basic guide 1 Remove the body cap from the camera and the rear cap from the lens. 1 2 1 2 Preparations for shooting 2 Attach a lens to the camera. Lens attachment • Align the lens attachment mark mark (red) on the camera with Alignment mark the alignment mark (red) on the lens, then insert the lens into the camera's body. • Rotate the lens in the direction indicated by the arrow until you hear it click. # Caution • Make sure the camera is turned off. • Do not press the lens release button. • Do not touch internal portions of the camera. 3 Remove the lens cap. 1 1 2 Removing the lens from the camera Lens release button While pressing the lens release button, rotate the lens in the direction of the arrow. g “Interchangeable lenses” (P. 97) 2 1 EN 5 SS0027_E.indb0027_E.indb 5 22009/12/21009/12/21 114:52:364:52:36 Power on Basic guide 1 Press the ON/OFF button to turn on the camera. • When the camera is turned on, the (blue) power lamp will light and the monitor will turn on. • To turn off the power, press the ON/OFF button again. 2 Set the mode dial to h. ■ Mode dial Preparations for shooting ■ ON/OFF button • The (blue) power lamp lights when the camera is turned on. Dust reduction function After you turn the camera on, the camera will remove dust from the fi lter in front of the image pickup device. ■ LCD monitor • When you turn on the power, the LCD monitor lights up. Battery level 7 (green): Camera ready to shoot 8 (green): Low battery 9 (blinks red): Charge the battery 6 EN SS0027_E.indb0027_E.indb 6 22009/12/21009/12/21 114:52:374:52:37 Setting the date/time Basic guide Date and time information is recorded on the card together with the images. The fi le name is also included with the date and time information. Be sure to set the correct date and time before using the camera. 1 Display the menus. • Press the MENU button to display the menus. CARD SETUP CUSTOM RESET PICTURE MODE j MENU button K Preparations for shooting IMAGE ASPECT 4:3 BACK SET ’--.--.-- 2 Select [X] in the [d] (setup) tab. X --:-- • Use FG to select [d] and press I. W ENG. s j±0 k±0 REC VIEW 5SEC [d] tab c MENU DISPLAY OFF FIRMWARE BACK SET 3 Set the date and time. X • Use HI to select items. • Use FG to change the selected item. Y MDTIME • Use FG to select the date format. 2010 Y/M/D CANCEL The time is displayed using a 24-hour clock. 4 Save settings and exit. • Press i to set the camera clock and exit to the main menu. • Press the MENU button to exit the menus. EN 7 SS0027_E.indb0027_E.indb 7 22009/12/21009/12/21 114:52:374:52:37 Names of parts and functions Basic guide Camera 1 8 2 9 3 4 0 5 4 Names of parts and functions 6 a b 7 g f h c d e 1 Mode dial................................P. 6, 10 0 Built-in fl ash................................P. 54 2 Shutter button ................ P. 11, 12, 46 a Lens release button .....................P. 5 3 ON/OFF button.............................P. 6 b Lens lock pin 4 Strap eyelet ..................................P. 2 c Tripod socket 5 Self-timer lamp ...........................P. 30 d Battery/card compartment cover 6 Lens attachment mark .................P. 5 .....................................................P. 3 7 Mount (Remove the body cap before e Battery/card compartment lock ....P. 3 attaching the lens.) f Connector cover 8 Microphone ..........................P. 57, 65 g Multi-connector...............P. 67, 84, 87 9 Hot shoe cover h HDMI mini-connector (type C)....P. 67 8 EN SS0027_E.indb0027_E.indb 8 22009/12/21009/12/21 114:52:384:52:38 Basic guide 8 9 1 0 2 3 a b Names of parts and functions 4567 c F(Up)/F(Exposure compensation) button (P. 40) H (Left)/ I (Right)/ P (AF target) # (Flash) button (P. 45) button (P. 54) i button (P. 21) G(Down)/jY(Sequential shooting/Self-timer) button (P. 30) 1 Flash switch ...............................P. 54 8 Hot shoe ...................................P. 100 2 Accessory port 9 </G button ..............P. 80/P. 59, 60 3 LCD monitor .........................P. 22, 23 0 U button ........................P. 59, 60, 62 4 q (Playback) button ...........P. 14, 59 a R (Movie) /0 (Protect) button 5 MENU button ............................P. 21 ........................P. 11, 13, 56/P. 59, 65 6 INFO (Information display) b Speaker button .............................P. 22, 33, 61 c Arrow pad 7 D (Erase) button ............P. 15, 59, 66 EN 9 SS0027_E.indb0027_E.indb 9 22009/12/21009/12/21 114:52:384:52:38 Names of parts and functions Basic guide Mode dial Use the mode dial to select the shooting mode. After choosing the shooting mode, use the shutter button to take photographs and the R (movie) button to shoot movies. ■ Advanced shooting modes Indicator Mode icon P Program shooting (P. 36) Aperture priority shooting A (P. 37) Shutter priority shooting Names of parts and functions S (P. 38) M Manual shooting (P. 39) • For more advanced shooting and greater creative control, you can set the aperture value and shutter speed.
Recommended publications
  • Do Something Important.TM
    2.6X zoom in a cool, compact, capsule design with Advanced Photo System convenience. Do somethingwww.minolta.com important.TM www.minolta.com It’s All Within Your Grasp The VECTIS 260 makes picture-taking more fun for the whole family. The Advanced Photo System means easier operation and higher quality pictures, and a powerful 2.6X zoom expands your photo possibilities. Various automatic functions make it simple for everyone to take great pictures. It’s the compact camera that gives you more. ADVANCED PHOTO SYSTEM Get closer with 2.6X zoom! High-quality zoom lens adds variety to your photos. Powerful 2.6X Zoom A zoom lens this powerful gives you much greater versatility in framing your shots. You can take broad shots of the scenery, then zoom in for close-ups of the kids. The zoom range is a wide 25 — 65mm (equivalent to 31— 81mm in 35mm for- mat). For close-ups, you can move in as close as 1.64 ft. to your subject at any focal length, without having to set a special mode. Best of all, 25mm WIDE your photo will be sharp and clear, thanks to the Minolta high quality 4-element, 4-group zoom lens. 65mm TELE Greater ease and convenience Advanced Photo System makes photography more enjoyable — from start to finish! Index Prints for At-a-Glance Selection Drop-In Loading With photos this good, you’ll want to make reprints ... and now and Film Chamber Lock you can easily select the ones you want. With your pictures The ultimate in film loading you’ll receive an Index Print sheet, making it easy ease.
    [Show full text]
  • Pressreader Magazine Titles
    PRESSREADER: UK MAGAZINE TITLES www.edinburgh.gov.uk/pressreader Computers & Technology Sport & Fitness Arts & Crafts Motoring Android Advisor 220 Triathlon Magazine Amateur Photographer Autocar 110% Gaming Athletics Weekly Cardmaking & Papercraft Auto Express 3D World Bike Cross Stitch Crazy Autosport Computer Active Bikes etc Cross Stitch Gold BBC Top Gear Magazine Computer Arts Bow International Cross Stitcher Car Computer Music Boxing News Digital Camera World Car Mechanics Computer Shopper Carve Digital SLR Photography Classic & Sports Car Custom PC Classic Dirt Bike Digital Photographer Classic Bike Edge Classic Trial Love Knitting for Baby Classic Car weekly iCreate Cycling Plus Love Patchwork & Quilting Classic Cars Imagine FX Cycling Weekly Mollie Makes Classic Ford iPad & Phone User Cyclist N-Photo Classics Monthly Linux Format Four Four Two Papercraft Inspirations Classic Trial Mac Format Golf Monthly Photo Plus Classic Motorcycle Mechanics Mac Life Golf World Practical Photography Classic Racer Macworld Health & Fitness Simply Crochet Evo Maximum PC Horse & Hound Simply Knitting F1 Racing Net Magazine Late Tackle Football Magazine Simply Sewing Fast Bikes PC Advisor Match of the Day The Knitter Fast Car PC Gamer Men’s Health The Simple Things Fast Ford PC Pro Motorcycle Sport & Leisure Today’s Quilter Japanese Performance PlayStation Official Magazine Motor Sport News Wallpaper Land Rover Monthly Retro Gamer Mountain Biking UK World of Cross Stitching MCN Stuff ProCycling Mini Magazine T3 Rugby World More Bikes Tech Advisor
    [Show full text]
  • Shooting Landscapes 1357-Ch04 1/28/06 8:02 PM Page 54
    1357-ch04 1/28/06 8:02 PM Page 53 4 Shooting Landscapes 1357-ch04 1/28/06 8:02 PM Page 54 Digital Nature Photography and Adobe Photoshop h, the feeling of looking miles in any direction, not a soul in sight, awestruck by the natural beauty Aaround you. When you get there, you’ll know it—an epiphany, as nature photographers often get. It’s those moments that make it worthwhile. Getting the shot helps, too—something that causes you to beat your chest like a gorilla after you review it on your LCD. Don’t forget, getting there is half the fun—the other half is shooting the scene with your camera (using good techniques, of course!), and then getting home to fin- ish the images off in Photoshop. The memories don’t end there, either; when reviewing my nature photos and all the landscapes I’ve visited, I’m instantly reminded of the moments and the people I’ve traveled with in those special locations. This chapter is all about shooting grand (and maybe some “little” grand) landscapes. It will cover getting there, knowing the light, composing the shot, and fiddling with all those settings on your digital camera. Remember, getting there is half the battle and half the fun, like climbing a mile and a half of rough, rocky terrain to get to Delicate Arch, shown in Figure 4.1. Figure 4.1 Delicate Arch is within Arches National Park, Utah, but getting to this “Holy Grail” of western outdoor photographers is another story. The hike is not for the faint of heart, consist- ing of a mile and a half of steep ascent in rocky terrain, but it is well worth the shot if you get there at the right time.
    [Show full text]
  • Guide for Managing Contamination at Shooting Ranges
    Guide for managing contamination at shooting ranges Publication 1710 January 2019 Publication 1710 January 2019 Disclaimer The information in this publication is for general guidance only and should not be relied on as a complete statement of your obligations or the law. This guide does not constitute legal or other professional advice. You should obtain professional advice for your specific circumstances. Because it is intended only as a general guide, it may contain generalisations. Environment Protection Authority Victoria (EPA) has made every reasonable effort to provide current and accurate information, but it does not make any guarantees regarding the accuracy, currency or completeness of that information. Other laws and regulations which are not administered by EPA also apply to the operation of shooting ranges and it is your responsibility to ensure your operations comply with all applicable laws. Contents Acknowledgements ....................................................................................................................................................... 2 Glossary ......................................................................................................................................................................... 3 Section 1 – About this guide ........................................................................................................................................ 7 Section 2 – Risks to human health .............................................................................................................................
    [Show full text]
  • Waterfowl/Migratory Bird Hunting Regulations
    2021 - 2022 Migratory Game A Bird Hunting L Regulations A S K Photo by Jamin Hunter Taylor Graphic Design by Sue Steinacher A The 2021 state duck stamp features a photograph by Jamin Hunter Taylor of a male ring-necked duck (Aythya collaris). Jamin is an Alaska-based nature photographer who specializes in hunting Alaska’s diverse avifauna through the lens of his camera. Ring-necked ducks breed throughout much of Alaska and often congregate into large flocks during fall migration. Unlike most other diving ducks, ring-necked ducks are frequently found in relatively small, shallow ponds and wetlands. The appropriateness of the bird’s common name (and scientific name “collaris”) is often questioned because, in the field, the neck ring is rarely visible. However, in hand it becomes obvious that males of the species do exhibit a chestnut-colored collar at the base of the neck. Despite their name, the species is more easily identified based on their pointed head shape and white ring around the bill. The State of Alaska is an Affirmative Action/Equal Opportunity Employer. Contact [email protected] for alternative formats of this publication. 2 LICENSE AND STAMP REQUIREMENTS Resident Hunters All Alaska residents age 18 or older must possess a hunting license to hunt in Alaska and must carry it while hunting. Resident hunters 60 years old or older may obtain a free, permanent identification card issued by the Alaska Department of Fish and Game (ADF&G). This card replaces the sport fishing, hunting, and trapping licenses. Disabled veterans qualified under AS 16.05.341 may receive a free hunting license.
    [Show full text]
  • Shooting Times Serves Extremely Active
    Shooting Times: Key Facts Circulation: 163,675 Frequency: Monthly Total Audience: 1,006,604 Male/Female (%): 85/15 Median Age: 46.0 Average HHI: $88,400 Shootingtimes.com Average UVs/Month: 279,000 Average PVs/Month: 1,390,000 Shooting Times readers and web site visitors represent a powerful and deep cross-section of American consumers. Key facts you may not have know about this influential market include: n 43% of U.S. households own firearms, representing over 200 million guns. n 20 million individuals take part in competitive shooting in the United States – and the 2012 Summer Olympics featured 15 different shooting events for both men and women. n Over 1.4 million Americans used firearms in their line of work – including law enforcement and military personnel. n The U.S. firearms industry includes approximately 200 companies employing about 15,000 individuals with annual revenues in excess of $2 billion. Take advantage of this diverse, active and influential consumer by leveraging the synergies of the Shooting Times brand Independent Research by Dynamic Logic and Millward Brown Shooting Times serves confirmed that the most effective approach to driving consumer ‘purchase intent’ is to rely on media synergy to best drive results. extremely active group Key revelations from 32 studies conducted from 2003 through 2007 include: of dedicated, technically n Three media were better than two, and two media were better savvy shooting and than one in generating results. n The combination of TV and magazines provided more response hunting enthusiasts who form a core group of opinion- (versus TV alone) than did TV plus online.
    [Show full text]
  • Digital Vs 35-Mm Photography to Convert Or Not to Convert?
    ORIGINAL ARTICLE Digital vs 35-mm Photography To Convert or Not to Convert? Mimi S. Kokoska, MD; John W. Currens, MD; Chris S. Hollenbeak, MA; J. Regan Thomas, MD; Brendan C. Stack, Jr, MD Objectives: To compare the quality of images gener- Results: The null hypothesis that there is no difference ated from a conventional 35-mm camera with those gen- between photographs taken with the various cameras was erated from various digital cameras; and to note the costs rejected (P,.001) for each of the image attributes. The im- of the cameras and ease of use. ages produced by the 35-mm camera (Nikon 6006) had the best overall quality, followed by the Olympus D600L, Design: A prospective, randomized, independent analy- Kodak DCS 315, and Olympus D320L digital cameras. Dif- sis of specific facial images taken with a 35-mm camera ferences in individual attributes between several of the cam- and 3 digital cameras by 3 facial plastic surgeons who eras in each category were statistically significant (P,.05). were blinded to camera type. Conclusions: The 35-mm camera produced the best over- Setting: An academic medical center. all image quality and ranked first for each of the indi- vidual attributes analyzed in this study. The Olympus Subjects: Thirteen volunteer subjects ranging from age D600L digital camera placed second in overall quality, 27 to 58 years. but there was no statistically significant difference in fo- cus, distortion, and resolution compared with the im- Main Outcome Measures: The overall quality, fo- ages generated by the 35-mm camera. The Olympus cus, distortion, trueness of color, resolution, contrast, and D600L digital camera also ranked second in color, con- presence of shadows were evaluated for each image.
    [Show full text]
  • ABC Consumer Magazine Concurrent Release - Dec 2007 This Page Is Intentionally Blank Section 1
    December 2007 Industry agreed measurement CONSUMER MAGAZINES CONCURRENT RELEASE This page is intentionally blank Contents Section Contents Page No 01 ABC Top 100 Actively Purchased Magazines (UK/RoI) 05 02 ABC Top 100 Magazines - Total Average Net Circulation/Distribution 09 03 ABC Top 100 Magazines - Total Average Net Circulation/Distribution (UK/RoI) 13 04 ABC Top 100 Magazines - Circulation/Distribution Increases/Decreases (UK/RoI) 17 05 ABC Top 100 Magazines - Actively Purchased Increases/Decreases (UK/RoI) 21 06 ABC Top 100 Magazines - Newstrade and Single Copy Sales (UK/RoI) 25 07 ABC Top 100 Magazines - Single Copy Subscription Sales (UK/RoI) 29 08 ABC Market Sectors - Total Average Net Circulation/Distribution 33 09 ABC Market Sectors - Percentage Change 37 10 ABC Trend Data - Total Average Net Circulation/Distribution by title within Market Sector 41 11 ABC Market Sector Circulation/Distribution Analysis 61 12 ABC Publishers and their Publications 93 13 ABC Alphabetical Title Listing 115 14 ABC Group Certificates Ranked by Total Average Net Circulation/Distribution 131 15 ABC Group Certificates and their Components 133 16 ABC Debut Titles 139 17 ABC Issue Variance Report 143 Notes Magazines Included in this Report Inclusion in this report is optional and includes those magazines which have submitted their circulation/distribution figures by the deadline. Circulation/Distribution In this report no distinction is made between Circulation and Distribution in tables which include a Total Average Net figure. Where the Monitored Free Distribution element of a title’s claimed certified copies is more than 80% of the Total Average Net, a Certificate of Distribution has been issued.
    [Show full text]
  • GLAAD Where We Are on TV (2020-2021)
    WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.
    [Show full text]
  • (OR LESS!) Food & Cooking English One-Off (Inside) Interior Design
    Publication Magazine Genre Frequency Language $10 DINNERS (OR LESS!) Food & Cooking English One-Off (inside) interior design review Art & Photo English Bimonthly .
    [Show full text]
  • Shooting Times Prepares for a Tahr And
    RIFLE SHOOTING Andrew checks his wind meter — the wind was gusting at 15mph to 20mph here A day on the Charlotte Lycett Green puts theory into practice on a long-range rifle shooting day range in preparation for a tahr and chamois hunt here is a place in Mid-Wales where people who for several reasons after noticing a demand from hunters enjoy noisy sports can go and play. On 5,000 acres heading abroad on sporting trips who wanted to practise in of Welsh mountain, with 20 miles of private roads advance. He also aims to reject much of the controversy and tracks, rally car fanatics can fine-tune their attached to “long-range shooters” who brag about shooting Thigh-performance motors amid clouds of dust and the foxes at 500 yards and who “only take head or neck shots” at roar of their turbos, and rifle shooters can practise their deer by proving, on a steel target, just how many variables marksmanship on Andrew Venables’ WMS Steel Challenge. there are to consider at such distances in order to achieve a The WMS Steel Challenge, near Llangurig in Powys, offers humane kill. It’s not as easy as some rifle Shots make out. On rifle shooters the chance to practise at painted life-size steel the other hand, however, he also demonstrates the mid-calibre silhouette targets of corvids, rabbits, foxes, roe and boar at all rifle’s range for those unfortunate occasions when an animal is practical ranges, as well as military targets at ranges of up to wounded — and every stalker knows that this happens on 1,700 yards — a life-size Marco Polo sheep awaits placement occasion, whether or not they care to admit it — or you are and a bison is on order too.
    [Show full text]
  • L E N S E S & a C C E S S O R I
    P. 4 P. 5 P. 6 P. 7 Scott Grant / Hai Tre / Jeff Carter / Gathot Subroto / Canada Vietnam UK Indonesia P. 8 P. 9 P.10 Matt Hart / Bert Stephani / Max De Martino / UK Belgium Italy P.11 P.12 P.13 P.14 Omar Z Robles / Simone Sbarglia / Pål Laukli / LS Trung / U.S.A. Italy Norway Vietnam P.15 P.16 P.17 Yonghui Wang / Supalerk Fabian De Backer / China Narubetkrausee / Belgium Thailand P.18 P.19 P.20 Taeyoung An / Joe Ng / Chalit Padoongcheep / Korea Canada Thailand P.21 P.21 Torwong Salwala / Giulia Torra / Thailand Italy Cover_P.2-3 Jonas Dyhr Rask / Denmark Specifications are subject to change without notice. LENSES & ACCESSORIES For more information, please visit our website: http://www.http://fujifilm-x.com/en/accessories/ c 2016 FUJIFILM Corporation P2-3/P36 The vision of the X Series, the choice for X Series owners A collection of creativity-oriented lenses, which complement the X-Trans CMOS sensor perfectly and eliminate the low-pass filter for ultimate sharpness. X Mount Lenses _ P.4-21 Accessories _ P.23-29 Technology _ P.30-33 Specifications _ P.34-35 2 3 P4-5/P36 XF14mmF2.8 R XF16mmF1.4 R WR X-T2 : F11 1/4 sec. ISO200 Scott Grant / Canada High resolving power across the frame from the centre to the edges. This ultra-wide-angle lens, which has a diagonal angle of view greater than 90°, produces extraordinary images. Distortion has been kept to a measured value of zero, with sharpness right across the frame, even when the subject is near the edges.
    [Show full text]