Music Playlist for Meetings*

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Music Playlist for Meetings* Music to play at the start and end of meetings (virtual or in-person). Can also be played in the background while kids are doing activities or brainstorming ideas. Feel free to add more songs! *Songs listed here are suggestions. Always screen media prior to use to ensure it is appropriate for your club. Brand New by Ben Rector Disney hits Fight Song by Rachel Platten ○ How Far I’ll Go from Moana One Foot by Walk the Moon ○ You’re Welcome from Moana Rollercoaster by Jonas Brothers ○ Belle by Emma Watson from Beauty Keep Your Head Up by Andy Grammer and the Beast Lost Boy by Ruth B. ○ How Does A Moment Last Forever Can’t Stop the Feeling by Justin Timberlake by Emma Watson from Beauty and Happy by Pharrell Williams the Beast Count on Me by Bruno Mars ○ Beauty and the Beast by Emma Home by Phillip Phillips Thompson Best Day of My Life by American Authors ○ A Dream Is a Wish Your Heart Better When I’m Dancin’ by Meghan Trainor Makes by Lily James from Cinderella Songs by Jack Johnson ○ You’ve Got a Friend in Me from Toy ○ Upside Down Story ○ Banana Pancakes ○ Touch The Sky from Brave ○ We’re Going To Be Friends ○ When Will My Life Begin? from Music from The Greatest Showman movie Tangled soundtrack ○ I’ve Got a Dream from Tangled ○ The Greatest Show ○ I See the Light from Tangled ○ This Is Me ○ You’ll Be In My Heart by Phil Collins ○ Rewrite the Stars from Tarzan ○ A Million Dreams ○ Strangers Like Me by Phil Collins ○ Tightrope from Tarzan ○ Come Alive ○ For the First Time in Forever from ○ Never Enough Frozen ○ From Now On ○ Love is an Open Door from Frozen MUSIC PLAYLIST FOR MEETINGS 1 .

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Author-As-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan As Historical Branded Entertainment
53 Chapter 3 Author-as-Franchise-Product: Edgar Rice Burroughs Inc and Tarzan as Historical Branded Entertainment Matthew Freeman University of Nottingham, UK ABSTRACT This chapter explores the historical relationship between the branded media entertainment of Tarzan and the rise of consumer culture in the 1920s and 1930s. It argues that the transmedia licensing of this property across pulp magazines, comics, and radio reflected the growing embrace of brand-franchise logics throughout the business landscape of America at that time. I offer the metaphor of ‘stepping stones’ to understand the brand linkages between these different media products in which consumption of one product led to the consumption of another. More importantly, I analyse the function of Tarzan creator Edgar Rice Burroughs and his company, suggesting that his visibility as franchise-author played a crucial role in constructing these brand linkages between media products. Contextualised as part of the very different cultural landscape of 1920s and 1930s consumer culture, I demonstrate how an autho- rial name operated commercially as much as a corporatised component of the branded entertainment products of Tarzan as the Tarzan character himself. INTRODUCTION By 1975, Edgar Rice Burroughs, Inc., a family-owned corporation founded in March 1923, was reported to be earning in the region of $1 million annually from the sales of texts and products based on the fic- tional character Tarzan. ‘The world-wide gross of Tarzan products sold under license to us is at least $50 million a year,’ asserted Robert M. Hodes, the man in charge of the Tarzan empire at that time (The New York Times, 1975, p.
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Michael Tierney
Sample file Sample file by Michael Tierney Authorized by Edgar Rice Burroughs, Inc. Sample file Copyright © 2018 First Printing, 2018 Mother Was A Lovely Beast cover Copyright © 1974 Philip Jose Farmer The Recoverings Alternate Timeline Dust-jacket design for Tarzan and the Castaways, along with the coloring of the Frank Frazetta cover drawing is Copyright © 2016 Phil Normand & Recoverings. All other artwork Copyright © Edgar Rice Burroughs, Inc. All Text Copyright © Michael Tierney Little Rocket Publications is a Trademark™ of Tierney Incorporated Trademarks Tarzan®, Tarzan of the Apes™, Lord of the Jungle® and Edgar Rice Burroughs® owned by Edgar Rice Burroughs, Inc. and Used By Permission All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, without permission in writing from the publisher. Every effort has been made not to make use of proprietary or Copyrighted material without permission. Any mention of actual commercial products in this book does not constitute an endorsement. Printed in the United States by Chenault & Gray Publishing. First Unabridged Edition Edited by Rus Wornom Cover Design by Peter Bradley and Michael Tierney Cover Art by Frank Frazetta Layout and Design: Michael Tierney, Peter Bradley and Mark Sandy Library of Congress Cataloging-in-Publication Data Michael Tierney Edgar Rice Burroughs 100 Year Art Chronology, Vol. 2 The Books: Literature with Sharp Cutting
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The Tarzan Series of Edgar Rice Burroughs
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Hello Piano Chords Letters
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Songs by Title Karaoke Night with the Patman
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A Description of Metaphor Found in the Greatest Showman's Selected Songs a Paper Written by Sabda Nabila Simanjuntak Reg.No 16
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Tarzan the Censored
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A Study of Figurative Language Found in Bruno Mars’
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