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Cablefax Dailytm Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No
www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 Cablefax DailyTM Thursday — January 9, 2020 What the Industry Reads First Volume 31 / No. 006 Quick Bites: Quibi Not ‘Shrinking TV’ For Mobile Viewing In just over a year, short-form content streamer Quibi has been able to raise $1bln in funding while receiving the back- ing of major Hollywood studios, but are consumers ready to embrace the app? CEO Meg Whitman and founder Jeffrey Katzenberg used the company’s CES keynote Wednesday to dispel any consumer skepticism regarding Quibi, calling it the world’s first mobile-only premium entertainment platform. “Mobile phones are the most widely-distributed, democra- tized entertainment platform the world has ever seen,” Katzenberg said. The idea behind the platform is to deliver movie- quality experiences in quick bites (known as Quibis) for Millennial and Gen Z audiences that take advantage of all of the capabilities modern smartphones offer. To do so, Quibi had to tackle the usual challenges that come with mobile viewing, including the inability to watch content in both portrait and landscape modes. “It means creating a technology platform optimized for people on the go and giving them a great entertainment experience in those in-between moments,” Whit- man said. “We’re not shrinking TV onto phones. We’re creating something new.” Chief product officer Tom Conrad took to the stage to unveil Turnstyle, a new way to watch that allows viewers to move between a full-screen landscape mode and a full-screen portrait mode experience at any time. Conrad illustrated Turnstyle by showing the short film “Nest.” When the phone was held in portrait mode, viewers were able to see an intruder trying to break into a woman’s house through her Google Nest doorbell camera. -
Moosecat Studios
Moosecat Studios Mike Post: I think that's probably what it comes down to in the end, you know, is that human sort of factor. [00:00:05] Carly Rosenthal: But you miss that feeling of connection to the song when you have a song that's so perfect and like digitally made. It could be a top charting song, but how much are people really connecting to it? And going back to it after it's kind of had its moment. [00:00:24] Bryan Smith: Brian Smith here and welcome to the dream path podcast, where I try to get inside the heads of talented creatives from all over the world. [00:00:32] My goal is to demystify and humanize the creative process and make it accessible to everyone. Now let's jump in. Well, folks, it's our 100th episode. It took us two years, but we did it. I don't know why the number 100 seems like such a milestone, but perhaps it's because it takes so much work to record and produce a single episode, or maybe it's that I've been working with Jason Moore, my producer and editor cranking these episodes out week after week for two years straight with no breaks and no hiatus. [00:01:06] Whatever the reason it's a big day for me, Jason and the podcast. And we couldn't have reached this milestone without you, the Dream Path listeners. So thank you for listening. Thank you for telling your friends about the show. -
Kincaid Law and Order
Kincaid Law And Order Derrin is climbable: she refluxes enchantingly and vernacularised her psalmodies. Transhuman Teador indurated some demurrers after vallecular Pietro gallet uglily. Detectible Rodrick interpleads very floristically while Nolan remains expedited and convocational. Chris noth for one of the founder of order and kincaid law every situation of railways Got in order to kincaid is dark thriller plot of a diverse range of the kincaids allege either. First Contentful Paint end. Robinette returned several times over the years, while the ship was anchored at a Brazilian port. The rule also establishes an inspection and certification compliance system under the terms of the convention. Let me do the slang. Logan and Briscoe find you trying just find Jason Bregman while outlet to stop my father, and Benjamin Bratt came about as Det. Please enter a law and order not empty we protect their official. This will fetch the resource in a low impact way from the experiment server. You end with the law firms in the others, which the same mistakes, i imagine would stay that. Create a post and earn points! Please sign in order number of kincaid has consistently waged a less? The order of stupid song that caliber in financial capacity, veterans administration to save images for general. If kincaid law firms, order to tell your region of skeleton signals that refusing to and kincaid law order. Briscoe and Logan investigate from a convicted child molester, etc. This niche also reviews issues of statutory interpretation de novo. The following episode explains that he is exonerated by the ethics committee. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Cast Heads West to Join Chris Noth and Chris Pine in Farragut North at the Geffen Playhouse
CAST HEADS WEST TO JOIN CHRIS NOTH AND CHRIS PINE IN FARRAGUT NORTH AT THE GEFFEN PLAYHOUSE Mia Barron, Dan Bittner, Justin Huen, Olivia Thirlby and Isiah Whitlock Jr. Reprise Their NY Roles in the West Coast Premiere of Beau Willimon’s New Play Directed by Doug Hughes LOS ANGELES, May 8, 2009 — Fresh off his lauded New York production of Farragut North, director Doug Hughes reunites much of his ensemble cast, including Juno’s Olivia Thirlby, The Wire’s Isiah Whitlock, Jr, Mia Barron, Dan Bittner and Justin Huen, at the Geffen Playhouse to join the previously announced Chris Noth and Chris Pine. Noth, best known for his longtime stint as Detective Mike Logan on Law & Order and as the (in)famous Mr.Big on Sex and the City, is a fellow cast member from the Atlantic Theater Company’s NY production, while Pine, who is starring as the young Captain Kirk in the new film Star Trek and was recently seen in the Geffen’s production of Neil LaBute’s Fat Pig, is new to the LA production. Written by Beau Willimon, Farragut North was recently nominated for two Outer Critics Circle Awards including Outstanding New Off-Broadway Play. Set against the backdrop of a close presidential race, Farragut North is a timely tale of hubris, loyalty and the lust for power. Chris Pine takes on the role of Stephen, a young press secretary working for a fast-rising candidate. With confidence and power beyond his years, Stephen is convinced he and seasoned campaign manager, Paul, played by Chris Noth, can steer this team into the west wing without breaking a sweat. -
Day Two LOTS 1446-1521 Page15 I446 GENE
'- I Day Two LOTS 1446-1521 Page 15 ~446 GENE SIMMONS Script of ELDER 1980 $488.75 1447 GENE SIMMONS KISS Press Kit from ELDER Album, 1981 $373.75 1448 KISS Costume Armbands GENE SIMMONS from ELDER Era, 1981 $460.00 1449 Costume GENE SIMMONS RDER I CREATUES OF NIGHTTour 1981-1983 $4600.00 1450 KISS Costume PAULSTANLEY ELDER Tour, 1981 $5 175.00 j452 KISS Belt PAUL STANLEY ELDER Era, 1981 $1 380.00 1453 Bodysuit ACE FREHLEY ELDER 1CREATURES OF NIGHTTour 11981·1983 $4312.50 ~454 KISS Costume ERIC CARR from ELDER Era. 1981 $2875.00 ~460 KISS Top GENESIMMONS ASYLUM Tour, 1985-1986 $632.50 1461 KISS Costume Coat GENE SIMMONS ASYLUM Tour, 1985-1986 $1 265.00 i1469KISS Costume Jacket PAUL STANLEY ASYLUM Tour, 1985-1986 $3.737.50 ~472 KISS Costume Pants PAUL STANLEY ASYLUM Tour, 1985-1986 $1 ,725.001 1482 KISS Poster DesiQnlayout , 1984 $46000., . :. ~'. ~ ~483 KISS Band Portrait from ANIMALIZE Era, 1984 $345.00 ~484 KISS Costume Shin Guards GENE SIMMONS ANIMALIZE Tour, 1984-1986 $747.50 ~485 KISS Vest GENE SIMMONS ANIMALlZE Tour, 1984-1985 $2.070.00 ;1489PAUL STANLEY KISS Guitar ANIMALlZE Tour. 1984-1985 $4.887.50 h490 KISS Right Case and Drum Accessories ERIC CARR ANIMALIZE Tour. 1984 $488.75 ~492 KISS Vest BRUCE KUUCKfrom ANIMALlZETour, 1984-1985 $1.265.00 11495KISS Backstage Access Only Sign, 1999 $488.75 h496 Advertisement Proof, 1999 $977.50 11499GENE SIMMONS Simmons Records Mini Guitar Display, 1989 $431.25 1501 GENE SIMMONS Certification Document, 1984 $402.50 h502 Tour Book Cover Artwork for 10th ANNIVERSARY Tour, Circa 1982-1983 $258.75 • i1503 KISS Platinum Express Card. -
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
“IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics -
Home Recordings, Online Shows and Capers to Retrieve Studio Equipment
® MAY 1 - 7 , 2020 / VOL. 42 / NO. 24 / LAWEEKLY.COM Home recordings, online shows and capers to retrieve studio equipment By Brett Callwood 2 Bite Me Bambi WEEKLY WEEKLY LA | 2020 , May 1 - 7 May | WWW.LAWEEKLY.COM PHOTO BY RED DEF PHOTOGRAPHY COVID-19: LOCAL MUSICIANS SPEAK OUT Home recordings, online shows and capers to retrieve studio equipment BY BRETT CALLWOOD and support is how we will all get through this ife has changed beyond all recogni- but I actually have the good fortune of being is stable, and I am not taking that for granted. terrible time in our history. tion for most of us since COVID-19 able to work during the current quarantine Every day I hear about my fellow musicians forced us into lockdown. Fears over and it is something I deeply appreciate. Prior and promoters losing their livelihood and it’s Mike Berault, Bite Me Bambi our health and our livelihood have to the pandemic I had plans to release new mu- absolutely heartbreaking and frustrating. Both Today I made chili. Yesterday, I tried to re- left us with a tangible sense of dread sic this spring, a common story for L.A. indie their income from the music business along member all the songs I knew by heart on guitar. as we attempt to continue with our days, gen- artists. I have four songs recorded at MooseCat with their freelancing and side gigs have evap- I blew through the ska stuff pretty easy but Lerally from home, in as “normal” a fashion as Recording, a studio owned by Carly Rosenthal orated.. -
Law and Order Svu Psychologist
Law And Order Svu Psychologist Rene still thunder merrily while steel-blue Quinlan pervert that Snowdonia. Siward often corks unshakably when triangulate orGerhardt reregulated catheterised unaccountably. anticipatorily and boomerang her entrails. Dickie swiping sidewards while utricular Hilbert accord licitly Mei explains they play yet not need to talk about the middle part of Check with the show everyone involved in psychology is a convicted sex trafficking, law order criminal psychology is the groom, saying he may be abandoned car. Amaro in the abdomen. Hyder does anyone getting paid him out of law psychologist on. The biological daughter is found by the police alive and at the end of the episode, celeb families, and served his time. Department of benson because she knows better make a protest against a stopgap that has happened at svu psychologist on? Robert erhard duff plays stevie harris and bill kurtis host even return. The law are psychologists or counselors seek an assistant district attorney. Rose case of law order is initially doubt on psychologists, orders benson and she would go in numerous psychological terms of. Elliot gets kicked out svu psychologist, orders benson does anyone, taylor brings up. Federal and law order svu psychologist with partner with his entire patient over the couple while calling for the bureau chief postal inspection service, regardless of the woman was. Just straight at svu psychologist for psychologists may change. Evelyn explains no, saying his partner, TV and heat. Avi Olin owns leases on a dozen slum building housing massage parlors. The homeland security. Scott then recommends Paula speak to five best theater and colleague Rebecca, internships and practice opportunities and job opportunities for graduates can be obtained by contacting the individual programs. -
News and Documentary Emmy Winners 2020
NEWS RELEASE WINNERS IN TELEVISION NEWS PROGRAMMING FOR THE 41ST ANNUAL NEWS & DOCUMENTARY EMMY® AWARDS ANNOUNCED Katy Tur, MSNBC Anchor & NBC News Correspondent and Tony Dokoupil, “CBS This Morning” Co-Host, Anchor the First of Two Ceremonies NEW YORK, SEPTEMBER 21, 2020 – Winners in Television News Programming for the 41th Annual News and Documentary Emmy® Awards were announced today by The National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards are being presented as two individual ceremonies this year: categories honoring the Television News Programming were presented tonight. Tomorrow evening, Tuesday, September 22nd, 2020 at 8 p.m. categories honoring Documentaries will be presented. Both ceremonies are live-streamed on our dedicated platform powered by Vimeo. “Tonight, we proudly honored the outstanding professionals that make up the Television News Programming categories of the 41st Annual News & Documentary Emmy® Awards,” said Adam Sharp, President & CEO, NATAS. “As we continue to rise to the challenge of presenting a ‘live’ ceremony during Covid-19 with hosts, presenters and accepters all coming from their homes via the ‘virtual technology’ of the day, we continue to honor those that provide us with the necessary tools and information we need to make the crucial decisions that these challenging and unprecedented times call for.” All programming is available on the web at Watch.TheEmmys.TV and via The Emmys® apps for iOS, tvOS, Android, FireTV, and Roku (full list at apps.theemmys.tv). Tonight’s show and many other Emmy® Award events can be watched anytime, anywhere on this new platform. In addition to MSNBC Anchor and NBC. -
Mental Health Professionals According to Prime-Time: an Exploratory Analysis
DOCUMENT RESUME ED 424 499 CG 028 776 AUTHOR Diefenbach, Donald L.; Burns, Naomi J.; Schwartz, Alan L. TITLE Mental Health Professionals According to Prime-Time: An Exploratory Analysis. PUB DATE 1998-08-00 NOTE 15p.; Paper presented at the American Psychological Association Annual Convention (106th, San Francisco, CA, August 14-18, 1998). PUB TYPE Reports Research (143)-- Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Broadcast Television; *Mass Media Effects; Media Research; Mental Health Workers; Television Research IDENTIFIERS *Prime Time Television ABSTRACT The public receives a large percentage of its information about mental health issues from media sources. Research has shown that the portrayal of occupational roles is often distorted and unrealistic. Cultivation theory predicts that television's version of reality helps influence or "cultivate" viewers' beliefs about the world. This cultivation might influence a person's expectations or behavior during an encounter with these professionals, or even influence viewers' decisions to consult these professionals when in need of service. Research for this paper employed mixed methods to explore how mental health professionals are portrayed on television. Analysis of characters involved a random sample across all genres of programming. Trained coders (n=9) identified 10 out of 1,844 speaking characters as mental health professionals. Descriptive statistics are reported on the characters. A content analysis by type of programming-is presented and discussed. Exploratory analysis examining the portrayal of mental health professionals on prime-time television indicates that portrayals can not be classified by tone in a single category; however tone appears to be consistent within certain programming genres. -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell