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Appendix

',I '' CONTENTS

Vol. I Acknowledgements Introduction Hi

Chapter 1 Formative years 1 Chapter 2 Other influences a Chapter 3 Williams the man 14 Chapter 4 Arts & Crafts 23 Chapter 5 Other denominations 34 Chapter 6 Rural churches 42 Chapter 7 Suburban churches 48 Chapter 8 The offering of space 57 Chapter 9 Proportion & scale 64 Chapter 10 Furnishings & Craftspeople 69 Chapter 11 Memorials & monuments 84 Chapter 12 Murals 93 Chapter 13 99 Chapter 14 Cathedrals ll3 Chapter 15 Oxford Movement 129 Chapter 16 Historical development 144 Chapter 17 Comments 155 Conclusion 159

Vol. II Appendix:

Buildings 1 Books, booklets & periodicals from LRW's former library 16 Williams's artists and craftspeople 20

Bibliography:

Primary sources 32 Newspapers and periodicals 36 Theses 38 Unpublished material 39 Seronda:ry 80ttreeS 40 Church Booklets 51 Articles on \Villiams 53

List of illustrations Plates: 1-91 APPENDIX 1

Abbreviations

N&W North & Williams LRW Louis R Williams LW&P Louis Williams & Partners LWPJ Louis Williams, Paul & Johnson LWPJAPL Louis Williams, Paul & Johnson Architects Pty Ltd LW&APL Louis Williams & Associates Architects Pty Ltd LW&A Louis Williams & Associates WJD Bill Douglas (Associate) JCP John Paul (Partner) BJ Blyth Johnson (Partner) B&JJ Blyth & Josephine Johnson

BUILDINGS All churches are Anglican unless otherwise noted.

NB The principal source for dates is based on material in the Williams' family collection and in correspondences in his papers in the State Library of .

VICTORIA

1912 All ' Church, Greensborough, church (N&W). demolished (new church by B & JJ 1966). 1913 StPeter's Church, Eastern Hill," school and parish hall (N&W). 1914 Trinity College Chapel, University of , Parkville (N&W). 1914 St Mark's Church, Camberwell, parish hall, (N & W). 1914 Church of the Epiphany, Meredith, church (N&W). 1914 StJames's Church, Ivanhoe, church parish hall and day school (N&W).

St Paul's Cathedral, Melbourne 1914 minor renovations (N&W). 1920 western end north aisle, experimental section of tiling removed & replaced by banded sandstone. 1927 side altar, numerous memorials of timber, marble, brass and bronze include the Grey-Smith and Zelman bronze tablets, modelled by Tranthim-Fryer. 1928 telescopic carved blackwood canopy for font, gifted by the Mothers' Union. 1931 Sir George Turner memorial marble stalls in the sacrarium. 1931 The processional cross designed by Williams and made by William Mark. 1934 children's corner. 1935 Chapter House, alterations LRW in conjunction with Gawler & Drummond, cathedral grounds lay-out, drive, stone walling, wrought iron fence. 1945 bronze memorial tablet to Archbishop F W Head. 1952 memorials to archbishops of the cathedral; Sir Harry Chauvel's bronze plaque, north wall. 1952-5 various bronze memorials. 1967 opus sectile tablet recording names of Deans of Melbourne; bronze memorial tablet to Archbishop Booth. 1971 rood screen removed from chancel, now encloses narthex. 1971-2 new nave altar and rails installed, shortening and relocating pews.

1914 St Paul's Church, Ringwood.. church (N&W). 1915 D White, Elizabeth St, Melbourne, building (N&W). APPENDIX 2

1915 Melbourne Grammar School, South Yarra, organ blower housing at chapel (N&W). 1915 StJames's Church, Point Lonsdale, church (N&W). 1915 Christ Church, South Yarra, extensive carved furniture and fittings (N&W). 1916 St Bede's Church, Elwood, parish hall (N&W). 1916 St Catherine's Church, Caulfield, vicarage (N&W). 1916 St Paul's Church, Ascot Vale, church (N&W). 1916 St Andrew's Church, Clifton Hill, church (N&W), demolished 1975. 1918 The Pizzey Memorial Hall, Diamond Creek (N&W).

StGeorge's Church, Koo-Wee-Rup, 1916 church, design by LRW (N&W). 1958 new sanctuary, tower and vestry.

All Saints' Church, Kooyong 1916 parish Hall (N &W) 1949 memorial chair and prayer desk to Reverend W T Prentice, design LRW. 1958 vicarage renovations.

StJohn's Church, Sorrento, 1917 parish hall (N & W) since demolished. 1927 parish hall, design gifted by LRW.

Melbourne CEGGS, South Yarra 1917 assembly hall (N&W). 1966 divided horizontally to create chapel of St Luke upstairs, L W &A (BJ).

All Saints' Chapel, Grammar Sc4ool, Corio 1917 to a modified design by (N&W). 1928 finished to LRW's design.

1918 StJohn's Church, Diamond Creek, Pizzey Memorial Hall (N &W). 1918 St Faith's Church, Montmorency, Day School (N& W). 1918 Barker's Chemist Shop, Elwood (N&W).

StPeter's Church, Murrumbeena, 1918 Day school and vicarage (N&W). 1924-5 church. 1959-62 completed LW &P.

All Saints' Church, Newtown, Geelong 1918 greatly extended at east end by (N&W). 1928 additions by LRW.

Firbank CEGGS School, Brighton 1918 classrooms, design LRW (N&W), 1922 kindergarten . 1930 junior school block and tuck shop. 1934 chapel. 1935 domestic science block; Atherstone Branch, Sandringham, additions. 1943 classrooms over kindergarten. 1944 assembly hall. 1951 kindergarten extension 'Midhurst'. 1954 craft room. 1958 six new classrooms, LW & P. 1960-70 new tuck shop, library wing, gymnasium, Cameron Wing, science block in conjunction with office of John F D Scarborough. APPENDIX 3

1919 StJohn's Church, Mildura, church, design LRW (N&W). 1919 St Nicholas' Church, Mordialloc, church, design LRW (N&W). 1919-21 All Souls' Church, Sandringham, church (N&W).

Horsley Homes for elderly clergy, Middle Brighton 1919 major alteration. 1935-6 additions to cottages.

St Oswald's Church, Glen Iris 1919 chancel & sanctuary. 1956 completion in conjunction with Wyston Widdows.

1919-22 StJames's Church, Glen Iris, parish hall, design LRW (N&W). 1920 Presbyterian Church, Camberwell, furnishings (N&W). 1920s St Paul's Church, Glen Waverley, small"bush" church. 1920 St Paul's Church, Avenel, furnishings. 1920 St Luke's Church, South Melbourne,WWI memorial chancel screen. 1920-1 StJohn's Church, Merbein, church.

St Luke's Church, Brighton 1920 church, design LRW (N&W). 1940 high altar and riddels, new furnishings.

All Saints' Church, East St Kilda 1920-2 war memorial shrine and narthex carved wooden screens. 1921-2 Gregory Hall and vicarage. 1937 alterations and additions.

St Paul's Church, Geelong 1921 WW1 memorial pulpit. 1929 extensive interior alterations, new centre passageway, pews and resealing to comply with Anglican liturgy.

1921-2 Peace Memorial Methodist Church, East Malvern ( now St Catherine's Greek Church) N&W. 1921 StMartin's Church, Bittern, church, completed 1935.

StJohn's Church, Toorak 1921 alterations. 1923 free standing 1914/1919 war memorial. 1933-4 new carved pews. 1936-7 Angel chapel and cloisters, clergy and wardens' vestries, angel lectern and parclose screens. 1938 carved font cover. 1942 air raid precautions. 1948 memorial opus sectile murals . 1949 collection plates. 1950-1 carved screens. 1956 war memorial hall. 1960-1 re-slating roof, LW&P.

Christ Church Pro-cathedral, Ballarat c1922 restoration. 1938 reredos & panelling.

1922-3 St Nicholas's Church, Mordialloc, church. c1923 St Giles's Presbyterian Church, Glen Iris, church. 1923 S G Freeman, Camberwell, house. APPENDIX 4

1923-4 Christ Church, Warracknabeal, restoration and alterations.

St Stephen's Church, Portland. 1923 canopied reredos cresting. 1975-6 narthex.

Holy Trinity Church, Hastings c1924 construction of east end. 1932-3 alterations to weatherboard nave, furniture & furnishings.

St George's Intermediate Hospital, Cotham Road, Kew 1924 maternity block. 1931 radiology block, 1935 surgical block, alterations of old StGeorge's hospital, nurses and staff quarters. 1937-8 some buildings in conjunction with Leighton Irwin. 1954 chapel at StGeorge's hospital, Kew, removed & re-erected in Ellerslie House, Auburn, home for elderly women, established by sisters of Community of the Holy Name.

1925 St Silas' Church, Albert Park, church. 1925 StGeorge's Church, Flemington, church/ hall. 1925 J Fagan, Hawthorn, house.

St Andrew's Church, Brighton 1922 The organ case a WW1 memorial, incorporated a screen as well as elaborate casing for the organ by W L Roberts. 1925 Sunday school and parish hall. 1927 lych gate. · 1929 alterations. 1930 chancel screen. 1938 chapel furniture and bell-cote. 1952 new toilet block. 1961 old church burnt down. 1962 new church and restoration of nave of old church, LW&P, LRW. 1971 alterations, parish hall. 1976 inner wind screen porch (re acoustics see below).

1926 Methodist Church, Armadale, tower, spire, and renovations. 1926-7 Holy Trinity Church, Stawell, sanctuary, reredos, altar & rails, alterations, &c. 1926-7 St Stephen's Church, Darebin, church, Napier Waller mural1961.

Church of the Epiphany, Northcote, 1926-7 church {won by competition) 1935 renovations.

1927 St Stephen's Church, Gardenvale, church, Napier Waller mural1961. 1927 J Moss & Son.. Melbourne, fruit merchants, offices &c.

Christ Church, Brunswick 1927 prie dieu and stalls. 1939 alterations to sanctuary and chancel.

St Augustine's Church, Shepparton 1927-8 church. 1926 bronze cross and candlesticks. APPENDIX 5

Korowa CEGGS, East Malvern, 1927-8 classrooms. 1935-7 junior school block. 1949-50 domestic science rooms.

1928 Presbyterian Church, Flemington, restoration of church and hall. 1928 Holy Trinity Church, Harrietville, church design (not known if built). 1928 St Aidan's Church, Parkdale, vicarage and kindergarten hall. 1928-9 St Dunstan's Church, East Camberwell, church hall, Sunday school & vicarage. 1928-9 Holy Trinity Church, Ararat, chancel, vestry, tower and porch, destroyed by fire. 1928-9 StJohn's Church, Healesville, two-storey vicarage. 1928-9 Methodist (now Uniting) Church, Canterbury, won by competition.

St Matthew's Church, Geelong East, 1929 church. 1966 furniture, LW&P.

Children's Home, Brighton 1929 Chapel of the Holy Innocents. 1937 additions & alterations. 1949 alterations. 1960 extensions, LW&P.

St Paul's Church, Euroa 1928-30 chancel and tower, Sunday school. 1939 Sunday school. 1962 vestry and baptistry LWP JAPL (BJ).

Ivanhoe CEGGS 1929 six classrooms. 1936 lectern, 1944-5 new classroom block.

StJohn's Church, West Brunswick, 1929-30 church and vicarage. 1946 alterations.

1929 Holy Trinity Church, Surrey Hills, furnishings. 1929 St Ives' Hospital, East Melbourne, Nurses's home, additions, &c. 1929 Dr Keith Doig, Lome, house. 1929 StMary's Church, Sunbury, structural alterations to rectory. 1929-30 Former StMary's Mission, Fitzroy, living quarters. 1929-30 StGeorge's Church, Donald, church.

All Saints' Church, Preston, 1929 church. 1956 tower. 1958 Alice Tribe memorial hall.

St Peter's Church, Eastern Hill, 1929 alterations to chancel, furniture and fittings. 1930 alterations to school buildings. 1937-8 church alterations & additions, west gallery to accommodate organ and choir. 1941 re-roofing church. 1949 confessional, panelling and prayer desk, alterations to Sunday school, conversion of old school block into flat. c1960 bluestone fence and wrought iron gates. APPENDIX 6

1930 St Cuthbert's Church, East Brunswick, church (now Serbian Orthodox Church). 1930 St Paul's, Gisbome, church, not proceeded with. 1930 Third Church of Christ, Scientist, Melbourne (in Elstemwick), church. 1930 Sisters of the Church, Brunswick, Novitiate, alterations. 1930 Anglican Church, Bright, east end.

St Luke's Church, Yea, 1930 timber parish hall repairs to church. 1943 repairs to church.

.St David's Church,Moorabbin, 1930 church 1969 extensions by B&JJ.

StJude's Church, Alphington, 1930-1 vicarage 1962 church extensions, two bays added to nave, narthex and cloisters, LW&P (Bn.

1932 St Paul's Church, Myrtleford, church. 1932 St Nicholas' Church, Werrimull, timber church.

Holy Trinity Church, Pascoe Vale, 1932 church 1962 extensions, LW&P, design (BJ).

StJames's Church, East Malvern (now Glen Iris), 1932 new hall & kitchen block 1939-40 choir vestry and cloister.

StJohn's Church, Co lac, 1933 extensions & alterations. 1955 completed.

1934 Holy Trinity Church, Whitfield, church. 1934 All Saints' Church, Emu, church.

StJames's Old Cathedral, Melbourne, 1933-4 alterations, communion table, retable, altar & rails, choir benches & litany desk, baptistry seat & credence. 1955 completed.

St Margaret's Church, Mildura, 1933 east end and strengthening existing building. 1947 memorial tower.

St Paul's Church, Frankston 1933 church. 1953 extensions to kindergarten & parish hall. 1957 church burnt. 1959 church restoration & completion in conjunction with Joseph Smith, design (WJD). 1961 day school, LW&P. 1963 war memorial parish hall, stage 2, LW&P.

St Matthew's Church, Prahran, 1934 erection & completion of chapel, alterations to church. 1936-7 remodelling of parish hall with four lock-up shops on High Street frontage. APPENDIX 7

Christ Church, Geelong, 1933 furnishings. 1941 organised Christian Waller's mural painting, canopy to protect it, and memorial doors and panels to west end of nave. 1962 liturgical rearrangement, LW&P (BJ).

St Giles's Presbyterian Church, Murrumbeena 1933-4 church. 1953 Sunday school. 1954 Aeneas MacDonald memorial hall. 1960 alterations and additions, LW &P.

St Philip's Church, Rupanyup, 1934-5 church. 1964-5 new vestry, renovations & additions, LWP&J.

Community of the Holy Name, Cheltenham 1935-6 Community House, Cheltenham. 1938 chapel 1949 extensions 1954 extensions to new wing upper storey.

Retreat House, Cheltenham. 1956 additions & alterations. 1963 chapel, sisters' chapel, chaplain's flat, alterations to existing buildings, LW&P (BJ).

St Peter's Church, Brighton Beach, 1935 additions, sanctuary, chancel, clergy vestry, choir stalls, and Sunday school. 1956-7 war memorial parish hall.

1935 All Saints' Pro-cathedral, Bendigo, LRW in conjunction with Gawler & Drummond, partly commenced, not completed. 1935 F Voss Smith, Toorak, house additions. 1935 Woori-Yallock, church hall, plans gifted by LRW.

Former StJames's buildings, Melbourne, Anglican Diocesan property, formerly school, converted into seven separate buildings by Terry & Oakden. 1933-5 LRW in conjunction with Gawler & Drummond, undertook remodelling of building.

St Mark's Church, Red Cliffs, 1935 church. 1953 alterations.

1935-6 Reverend Dr Archibald Law, Frankston, house. 1935-6 C A Holmes, Brighton Beach, house. 1936 Mrs J P Jones, Sassafras, house. 1936 Finlay McQueen Memorial Presbyterian Church, Lang Lang. 1936 StJohn's Church, Epping, sanctuary and additions. 1936 St Paul's Church, Henty, church, gifted by well known Henty family of Portland. 1937 StJohn's Church, Sorrento, parish hall, design gifted by LRW. 1937 St Michael's CEGGS, St Kilda, altar design for chapel, gifted by LRW.

StJohn's Church, Alexandra 1938 church 1958 porte cochere LW&P (BJ). APPENDIX 8

1937 Christ Church, Warrnambool, lych gate, LRW organised & supervised stained glass. 1937-8 St Hilda's Missionary training Hostel, East Melbourne, memorial furnishings to Deaconess Dorothy Champion.

Church of Christ, Ormond 1937 church 1954 war memorial chapel. 1962 completion of tower, LW& P.

StJohn's Church, Footscray, 1937 vicarage, brick hall and clubrooms. 1938 tower.

Brighton District Masonic Hall, Middle Brighton 1937 hall 1965 additions LW&P GCP).

1938 St George's Church, Reservoir, small timber church. 1938 Mentone Girls' Grammar School, Mentone, timber classroom block. 1938 Christ Church, Hamilton (1876 HR Caselli), design only, chancel, vestries, chapel, choir &c (not completed to Williams's design, building restrictions war years). 1938 Christ Church Pro-cathedral, Ballarat, reredos and panelling.

St Paul's Church, Caulfield 1938-40 church. 1957, sanctuary and vestries 1960 chapel (BJ).

StJames's Church, Ivanhoe 1938-40 east end, transepts & chapel, kindergarten, parish hall. 1947-8 alterations and additions.

1939 Anglican Church, Wood's Point, church hall. 1939 Methodist Church, Malvern, furnishings. 1939 Presbyterian Church, Ormond, church. 1939-40 All Saints' Church, Northcote, renovations, alterations and additions to vicarage. ''j 1939-44 Mission House, Spring Street, Melbourne, Community of the Holy Name, ' ' renovations, re-roofing, demolition of old building alongside the above ! building. 1940 E C Robinson, South Yarra, house. 1940 StJames's Church, East Malvern, erection and completion of choir vestry and cloister. 1940 Church of the Good Shepherd, Mount Macedon, organised Christian Waller to make memorial windows at east end.

StJohn's Church, Mansfield 1940 church. 1946 furnishings. 1953 rectory. 1960 parish hall . 1966 underpinning and restoration work LW&A.

1940-1 St Stephen's Church, Warrandyte, church hall (destroyed 1939 bush fire).The church/ cum hall provides nave and platform for church and social purposes, sanctuary can be separated from nave by large screen doors. APPENDIX 9

1940-1 Methodist Church, Echuca, interior renovations and furnishings. 1941 Edith Head Club, Melbourne, furnishing, panelling, &c. 1941 Holy Trinity Church, Oakleigh, vicarage. 1941 Mrs R S Chisholm, Prahran, home renovations. 1941 E G M Gibson, Somerto~ house.

St Mark's Church, East Brighton, 1941 new brick veneer vicarage. 1958-9 church, including tower (WJD).

Scots Presbyterian Church, Collins Street, Melbourne 1941 interior renovations. 1974 oriel window, LRW in conjunction with W M Shields.

1941,43-44 Toorak Presbyterian Church, alterations, additions, &c. 1942 Mrs Robinson & Dr Florence Cooper, South Yarra, air raid shelter. 1942 Mrs Mcinnis, Olinda., house. 1942-3 College Church, Royal Parade, Parkville, renovations to church, furnishings, &c. 1943 St Luke's Church, Yea, renovations and repairs. 1944:-5 StMary's Church, Warburton, parish hall. 1945 Christ Church, Seymour (erected 1865), LRW completed nave & west end. 1945-6 Holy Advent Church, Malvern, renovations. 1946 St Anselm's Church, Middle Park, extensive furniture and furnishings. 1946 Presbyterian Church, Hawthorn, carved font canopy and communion table.

StThomas's Church, Moonee Ponds, 1946 chapel furniture. 1954 war memorial tower.

NB. During the uncertain war years between 1939-45 few new buildings were erected, due to restrictions on materials, and permits were required before any maintenance or additions were carried out. ,,,, 'I., ' St Paul's Church, Kingsville, 1946 restoration work to church hall. 1960 new church, LW&P (BJ).

1947 St Luke's Church, Yarraville, restoration exterior & interior, new furniture. 1948 Christ Church, Tallangatta, additions and furnishings. 1949 Holy Trinity Church, Kew, chancel screen, pulpit & lecter~ balustrades to chancel1949-51. 1949 A W Briggs, Ringwood, house. 1950 StGeorge's Church, Donald, church. cl950 St Andrew's Church, Somerville, minor alterations. 1950 Mrs R T Robinson, South Yarra, house renovations &c. 1952 StJohn's Church, Carisbrook, memorial furniture, altar and rails, credence, riddel posts andcurtains.

Australian Naval War Memorial. Naval Depot, Flinders

St Peter's Church, Box Hill 1953 rebuilt after fire. 1957-9 Peace Memorial hall & Sunday school, new furniture & alterations to existing fittings. 1970 church plate. APPENDIX 10

1955 Mrs Jim Albury, East Brighton, house. 1955 St Andrew's Church, Somerville, minor alterations.

Christ Church, Beechworth 1955 restoration after heavy storm. 1958 stone vestries.

Church of Emmanuel, South Oakleigh 1956 additions 1962-3 parish centre LW&P (BJ).

1956 All Saints', Preston, memorial tower, west wall and baptistry. 1956 St Peter's Church, Brighton Beach, war memorial hall. 1956 St David's Church, Moorabbin, nave . 1956 All Saints' Church, Bright, church additions and completion east end. 1957 Anglican Girls' Hostel, Middle Brighton, alterations, restoration and remodelling, in conjunction with Winston Hall & Associates. I:'I I St Paul's Church, Frankston 'i 1959 church restoration & completion in conjunction with Joseph Smith, design '' (WJD). 1961 day school. 1963 war memorial parish hall, stage 2, L W &P.

St Mary's Church, South Camberwell 1958 new church, LW&P. 1960 restoration of parish hall. 1961 tower.

1958 StJohn's Church, Camberwell, church, including restoration of tower, linked by arcaded cloister. (tower demolished 2000).

All Saints' Church, East Malvern 1958 parish hall and vicarage, renovations and repairs. 1960 church and vestries, BJ.

1958 Sandringham Methodist Church, LW&P (JCP). 1958-9 StJohn's Church, Lang Lang, church, LW&P (WJD). 1958-9 StMary's Church East Preston, additions to hall and parish centre. 1959 Dr B D Vaughan, Portland, surgery. 1959-60 Methodist Church, Nunawading, parsonage (BJ). 1960 A R Clarke Residence, Croydon (BJ). 1960 All Saints' vicarage, Niddrie (BJ). 1961 St Paul's Church, Kingsville, church, LW&P (BJ). 1961 Presbyterian manse, Glenormiston, LW &P (JCP). 1961 St Andrew's Presbyterian Church, Port Fairy, alterations Sunday school, hall, LW&P (JCP). 1961 StGeorge's Church, Numurkah, church, LW&P (WJD). 1961 D N Body, Glen Waverley, house, LW&P (BJ). 1961 St Andrew's Presbyterian Church, St Kilda, maintenance &c LW&P (JCP). 1961 New offices and showrooms for Australian Jersey Herd Society, North Melbourne, LW&P (JCP). 1961 St George's, East Ivanhoe, Sunday school and parish hall kindergarten &c and a master plan, not built. 1961 St Stephen's Presbyterian Church, Caulfield, lectern. 1961 Presbyterian Church, Alma Road, St Kilda, maintenance (JCP). 1961 Presbyterian Church, East Bentleigh, pulpit and lectern (JCP). 1961-2 Presbyterian, manse, Sunshine, LW &P (JCP). APPENDIX 11

1962 Sir Richard Kirby, Toorak, house alterations & renovations, LW&P (JCP). 1962 W J Inglis Pty Ltd, Preston, timber & hardware store, showroom, LW &P (BJ). 1962 St Silas's Church, North Balwyn, LW&P (BJ). 1962 L B Williams, Mount Waverley, house, LW&P (JCP). 1962 Dr McLean, Traralgon, alterations to surgery. 1962 Holy Trinity, Hampton, additions and parish hall, LW &P (BJ).

Methodist Church, Cheltenham 1962 Stage 1 of master plan. 1964 Sunday school, LW&P (JCP).

1962-3 Methodist Church, Glenroy, LW&P (BJ). 1963 H T Rogers flats, Frankston, L W &P (BJ). 1963 Presbyterian Church, South Melbourne, manse, hall, and Christian Education centre, LW&P (JCP). 1963 Methodist Church, Mordialloc, hall, first stage of master plan, LW&P (JCP) 1963 St Matthew's Church, Glenroy, church, LWPJAPL (BJ). Contract admin. B&JJ. 1964 Sea Lake Presbyterian Church, manse, LWPJ (JCP). 1964 St Giles's Presbyterian Church, Caulfield, manse, LWPJ (JCP). 1964 St Silas's Church, South Seaford, church/multi-purpose hall, LWPJ (BJ). 1964 St Aidan's Church, Carrum, church, LWPJ (BJ). 1964 St Philip's Church, Mount Waverley, Waverley Road site, kindergarten and meeting room, LWPJ (BJ). 1964 Fourth Church of Christ Scientist, Melbourne, (in Northcote), church, Sunday school, and meeting rooms, LW&P (BJ). Contract admin. by B & JJ. 1965 Holy Trinity Cathedral, Wangaratta, completion of west end to a new design by Williams, construction in association with Joseph Smith. 1965 St Andrew's Presbyterian Church, Mansfield, Sunday school hall, LWPJAPL(JCP). . 1965 Dennis Freeman, Burwood, house, LWPJAPL. 1968 St Paul's Presbyterian Parish Centre, Mansfield, LW&A (JCP).

More than twenty eight churches designed in Williams' office were built from 1950s onwards. St Paul's Pro-cathedral, Hay, NSW; St Edmund's, Wembley, W A (1953); St Peter's, Box Hill (1958); St Mark's, East Brighton (1957-8); Sandringham Methodist (1958) St Mary's, South Camberwell (1958); St Paul's, Frankston (1933 completed 1959); St Peter's Murrumbeena (1925 completed, 1959); StJohn's, Lang Lang (1959); All Saints', New Lambton Newcastle, NSW. (1959); St Luke's, Woy Woy NSW (1958); St Stephen's, Adamstown, Newcastle, NSW (1959,1973); All Saints', East Malvern (1960); St Paul's, Kingsville (1960); St Mary's, Narromine, NSW; (1961) St George's, Numurkah, (1961); Holy Trinity, Ulverstone, Tasmania (1961); Cheltenham Methodist church and Sunday school (1961); St Boniface's Cathedral, Bunbury, W A (1962); St Nicholas', Floreat Park, W A (1962); St Andrew's, Brighton, (1962); St Silas's, North Balwyn (1962-3); Glenroy Methodist Church (1963); Zion Evangelical Lutheran Church (now St Paul's), Henty, NSW. (1963); Retreat House, Cheltenham (1963); St Aidan's, Carrum (1964-5); Fourth Church of Christ Scientist, Melbourne, in Northcote (1964); Christ Church, Hillston NSW (1965); All Saints', Greensborough (1966); St Peter's, Leeton, NSW (1972-3). APPENDIX 12

NEW SOUTH WALES

1919 StJohn the Baptist Church, Wellington, chancel screen (N &W. 1920s St Paul's Church, Temora, parish hall & church extension, 1920 St Matthew's Church, Cumnock (later sold to Roman Catholic Church). 1920-5 All Saints' Church, Trangie, church, 1935, 1939.

St Mark's Church, Nyngan 1920 concrete church. 1925 riddel posts for chapel altar and other furnishings.

St Andrew's Church, Mayfield, Newcastle 1921 designed for concrete church 1924 later built in brick.

1923 Anglican Church, Waratah, furniture and furnishings. 1922 St Stephen's Church, Adamstown, The Trois Arbres Memorial Hall. 1922-3 Walshaw Memorial Hall (now Soldiers Memorial Hall), Bathurst. 1923-4 Holy Trinity Church, Darbys Falls, church.

St Ambrose's Church, Gilgandra 1922, 1927, 1944 church (War Memorial gift from St.Ambrose's Church, Bournemouth, England). 1959 altar rails. 1964 pulpit.

St Martin's Church, Mullumbimby c1923 church, vestry tampered with de~Jign, 1946 brick fence and memorial gates.

1924 Synod Hall & Diocesan Offices, Bathurst. 1925 StGeorge's, Church, Perthville, church. 1925 completion of St Saviour's Cathedral, Goulbum, in conjunction with Sir , tower and spire (not built until1980s making use of Williams' plans). 1925 Chapel of the Community of the Ascension, Goulbum, now known as the / Goulburn Diocesan Conference Centre (see below for historical details). 1925-6 StJohn's College, Morpeth, NSW, House Block No 1, lodge and service block first portion of master plan. 1926 St Peter's Church, Morongla, church. 1927 StJohn's Church, Boorowa, lych gate. 1927 New England Girls School, Armidale, chapel.

All Saints' Cathedral, Bathurst 1927 east end and Warriors' Memorial chapel. 1951 rectory.

St George's Church, Parkes 1927 church 1956 completed with war memorial west end.

1927-8 StJohn's Church, Young, west end. 1927-8 St Peter's Church, Broken Hill, concrete church, walls rendered inside and roughcast outside. APPENDIX 13

Marsden CEGGS, Bathurst 1927 classrooms and chapel 1950-1 memorial assembly hall, classrooms and library wing. 1957 additions (since sold to Roman Catholic church, now Holy Family School).

All Saints' Church, Canowindra 1927-8 church. 1956 completed.

1928 Holy Trinity Church, Orange, reredos and altar frontal. 1928 Anglican Church, Baradine, church. 1929 Anglican Church, Pilliga, timber church. c1929 StJohn's Church, Cowra, church (not built).

St Mary's Church, Narromine 1928-29 church. 1960 extensions & completion, LW&P.

St Stephen's Church, Peak Hill 1928-29 church. 1949 completed to original design.

Holy Cross Church, Mathoura 1929 church. 1936 completed.

St Paul's Church, Cooma 1934 chancel screen. 1940 memorial pulpit.

St Barnabas's Church, West Wyalong 1936 church 1954 additions 1960 lych gate & brick walling, LW&P.

1938-9 Anglican Church, Barmedman, church. 1938-40 Church of the Holy Innocents, Bourke, church. 1945 St Luke's Church, Gulgong, memorial cross and candlesticks of timber. 1945 St Alban's Church, Woodburn. foundations were laid in 1947, but due to floods in the district the church was not built until 1965, and by another architect. 1945 StJohn the Baptist Church, Nambucca Heads, church, not built. 1947 StPeter's Church, Caragabal, church maintenance work. 1947 St Paul's Church, Byron Bay, not built. 1949 Scout hall buildings, Bathurst, concrete bricks. 1952 Anglican church, Casino, church, east end. 1952 StThomas's Church, Port Macquarie, Grafton, completely renovated church inside and outside, without disturbing its historic importance. 1953 St Bartholomew 's Church, Alstonville, renovations. 1953 All Saints' Church, Munvillumbah, new parish hall. 1953 St Andrew's Church, Lismore, carved reredos and panelling 1954 Anglican War Memorial Youth and Synod Centre, Grafton, caters for travellers on an overnight basis, LW&P. 1954 All Saints' Church, Nowra, new additions and completion of east end. 1955 St Alban the Martyr War Memorial Church, Griffith, church, proclaimed a cathedral in 1984, and now the Cathedral Church of the Diocese of Riverina. 1958 St Luke's Church, Woy Woy, L W &P (BJ) APPENDIX 14

St Paul's Pro-cathedral, Hay c1960 extensive interior refurbishments, LW&P. 1966 canopy and reredos over altar, memorial to Archbishop R C Halse.

St Stephen's Church, Adamstown 1959 church, LW&P. 1973 completed.

All Saints' Church, New Lambton 1959 church, LW&P (WJD). 1973 completed.

1963 Zion Evangelical Lutheran Church, Henty (now St Paul's Lutheran), church, LW&P (BJ). 1965 Christ The King Church, Hillston, church, LWP&J, concrete bricks (white ant district). 1972-3 St Peter's Church, Leeton, church.

ACT

1921 StJohn the Baptist, Canberra, restoration of spire and cross for same (N&W). 1953 Royal Military College, Duntroon, memorial furnishings.

JAPAN

1955 Supplied design for Reverend Frank Coaldrake of the Australian Board of Missions, Ito, Japan. His son, Professor Bill Coaldrake said this church was not built. APPENDIX 15

QUEENSLAND

1919 Anglican Church, Mount Larcom (N&W), not proceeded with.

St Andrew's Church, Lutwyche, Brisbane 1926 church. 1959 Hutton & Newell completed the church to Williams's design.

1952 St Matthew's Church, Mundingburra, , church, not built. 1949 StJohn's Church, Cairns, alterations and additions to east end, reredos and panelling.

StJames's Cathedral, Townsville 1955 completion of western end to a completely new design- nave, tower, crypt. 1958-60 Ford, Hutton & Newell, Brisbane, finished the cathedral to Williams's design.

SOUTH AUSTRALIA

1920s St Cuthbert's Church, Prospect, Adelaide, altar rails, alterations and additions. 1920s StPeter's Chapel, Glenelg, altar, riddels, reredos, vases and copper panels. 1927 Presbyterian Church, Norwood, renovations. 1946 Woodlands CEGGS, Glenelg, chapel, not proceeded with. 1946 St Andrew's Church, Walkerville , blackwood furnishings. 1948 StJude's Church, Brighton, church (not built to Williams's design), furnishings, war memorial panel and pent house roof over crucifix and carving, done to Williams's design in blackwood, by Wally Langcake. · 1948-50 Church of the Emmanuel, Wayville, auxiliary hall and porch for church.

TASMANIA

1929 Holy Trinity Church, Hobart, reredos, memorial to Canon Shoobridge. 1931-2 St David's Church, Cooee, Burnie, church. 1932 St Stephen's Church, Sandy Bay, new dado, &c. 1946-7 St David's Cathedral, Hobart, canons' stalls and other furnishings, memorial to Hay.

StJohn's Church, Devonport, 1951 Chancel, organ chamber, sanctuary, vestries and porch, &c. 1963 Completion of church.

1954 St Bartholomew 's Church, Alstonville, renovations, a very small parish. 1958 Christ Church, Longford, lych gate, completion of clock tower. 1961 Holy Trinity Church, Ulverstone, church, Associate WJD.

WESTERN AUSTRALIA

1952-3 St Edmund's Church, Wembley, Perth, church. c1952 Anglican Chapel, South Bunbury. 1962 St Nicholas's Church, Floreat Park, church, Associate, WJD. 1962 Cathedral Church of St Boniface, Bunbury, L W &P. 1962 Chapel of St Elizabeth of Hungary, Oarke Street, Bunbury. APPENDIX 16

SOME BOOKS, BOOKLETS & PERIODICALS FROM LRWS FORMER LIBRARY

Art in Australia, May 1936 (signed Louis R Williams, Joseph Smith FRAIA architect). Ball, T I, The Congregation in Church, London 1906. Bate, W, A History of Brighton, Melbourne 1962. Belcher, John, Essentials in Architecture :An Analysis of the Principles and Qualities to be looked for in Buildings, London 1907. Benson, A C, Ruskin: A Study in Personality, London 1911. Bond, F, Gothic Architecture in England: An Analysis of the Origin and Development of English Church Architecture from the Norman Conquest to the Dissolution of the Monasteries, London 1906. Bond, F, Font and Font Covers in English Churches, London 1908. Screens and Galleries in English Churches, London 1908. Stalls and Tabernacle Work, London 1910. The Chancel in English Churches, Oxford 1916. Brandon R & JA, An Analysis of Gothic Architecture, London 1847. The Open Timber Roofs of the Middle Ages, London 1848. Parish Churches, Being Perspective Views of English Ecclesiastical Structures, London 1848. Browne, A, Great Buildings and How to Enjoy Them: Norman Architecture, London 1907. Bumpus, T F, London Churches, Ancient and Modern, 2 vols, London 1908. The Cathedrals and Churches of Italy, London 1926. Collings, G, Roof Carpentry, Practical Lessons in the Framing of Wood Roofs, London 1926. Constitution and Canons Ecclesiastical, London 1908. Comper, Sir John Ninian, Further Thoughts on the English Altar, or Practical Considerations on the Planning of a Modern Church, Cambridge 1933. Of The Christian Altar and the Buildings which contain it. Cambridge 1950. Cotton, V E, The Liverpool Cathedral: Official Handbook, Liverpool1924. Cox, J C, English Church Fittings, Furniture and Accessories, Oxford 1933. Bench Ends in English Churches, London 1908. Pulpits, Lecterns and Organs in English Churches, Oxford 1915. APPENDIX 17

Cram, R A, Church Building: A Study of the Principles of Architecture in Relation to the Church, Boston 1914 (3rd edition). Cram, R A, The Substance of Gothic: Six Lectures on the Development of Architecture from Charlemagne to Henry VIII, Boston 1917. Davidson, J M, Floors and Flooring, London 1939. Day, L F, Nature and Ornament I Nature the Raw Material of Design, London 1908. Nature and Ornament II Ornament The Product of Nature, London 1908. Davidson, J M, Floors and Flooring, London 1939. Dearmer, P, The Parson's Handbook, 6th ed with additional matter, Oxford 1907 [1899]. Ditchfield, PH, The Village Church, London 1911. English Domestic Architecture, Illustrated, London, n d. Fletcher Banister, A History of Architecture, London 1905. Freeland, J M, Melbourne Churches, 1836-1851, Melbourne 1963. Architecture in Australia, A History, Melbourne 1968. Architect Extraordinary, The Life and Work of John Horbury Hunt: 1838-1904, Melbourne 1970. Fryer, Alfred C, Ph.F.S.A. Monumental Effigies in Somerset, Part 11, Chain Mail Knights. Monumental Effigies in Somerset, Part 111, 13 & 14 Century Civilians Monumental Effigies in Somerset,Supplement No. 2. A Group of Transitional Norman Fonts (Cornwall). Gloucestershire Fonts, Part 11, Saxon & Early Work Gloucestershire Fonts, Part 111 (a)Norman. Gloucestershire Fonts, Part lV (b) Norman. Gloucestershire Fonts, Part V s(c) Norman Gloucestershire Fonts, Part Vl (e) Norman. Gloucestershire Fonts, Parts Xlll-XlV, 15th Century. British Archaeological Association. Head of an Early Fourteenth Effigy in St Philip's Church, Bristol. Notes on a Leaden Vessel in Gloucester Museum. Gardner, S, A Guide to English Gothic Architecture, Cambridge, 1922. Goodhart-Rende!, H S, Commonsense Church planning, London 1947. Gazier, R A, Manual of Historic Ornament: Treatise upon the Evolution, Tradition, and Development of Architecture and the Applied Arts, London 1914. APPENDIX 18

Haddon, R J, Australian Architecture: A Technical Manual for All Those Engaged in Architecture and Building Work, Melbourne 1908. Halifax, Viscount, Catholic Reunion, A R Mowray & Company, London 1926. Hulme, F E, The History, Principles and Practice of Symbolism in Christian Art, London 1909. Hunter, Mitchell A,''The Burning Bush, Story of the Emblem of the Church' I in The Record of the United Free Church of Scotland (September 1929), pp 361-363. I Julian Smith Memorial Exhibition of International Camera Pictures, held by the Tenth Victorian Salon of Photography, 1950, in the Victorian Artists' Society Gallery, Albert Street, East Melbourne 4 -16 September, 1950. Lethaby, W R, Architecture, Mysticism and Myth, London (1891) c1912. An Introduction to the History and Theory of the Art of Building ,s London 1911. Maynard, Farnham E, A Talk about St Peter's Eastern Hill Melbourne, Melbourne n d. StPeter's, Eastern Hill, Melbourne, Melbourne 1956. Mitchell, C F, Building Construction and Drawing: A Textbook on the Principles and Details of Modern Construction, London 1906. Nangle, J, Australian Building Practice, A Treatise for Australian Students of Building Construction, Builders, Architects, etc, second edition, Sydney 1910. North, Alexander, 'Notes on Tasmanian ferns', reprinted from Tasmanian, 7 November 1901, and later as an offprint. 'The Economic Aspect of Tasmanian Forests', published in Transactions of the Australian Association for the Advancement of Science (Dunedin 1904). 'The Forestry Question' (title page, date and publisher, &c missing) 'Reafforestation' reprinted from Daily Telegraph (February 1913), p 7. 'Rural Churches, Proceedings of the Australasian Association for the !! Advancement of Science, 1902, IX, pp 656-668. Paper read in Section H Ji,, of the 1902 Conference of the Australasian Association for the Advancement of Science. 'The Truthful Treatment of Brickwork', Australasian Association for the Advancement of Science, Hobart, Tasmania, 8 January 1892. Proceedings of sections, Section Architecture and Engineering, pp 12- 13. Nunn, H W, A Short History of the Church of England in Victoria 1847-1947, Melbourne 1947. Paley, F A, A Manual of Gothic Mouldings: with Directions for Copying Them and Determining Their Dates, London 1847. APPENDIX 19

Pugin, A W, The Present State of Ecclesiastical Architecture in England (1843), edition, London, c1913 [1843]. Rickman, T, Styles of Architecture in England, London 1881. Robertson, H, The Principles of Architectural Composition, London 1924. Robson, P A, The Cathedral Church of St. David's: A Short History and Description of the Fabric and Episcopal Buildings, London 1901. Ruskin, J, The Seven Lamps of Architecture, London 1849. Lectures on Architecture and Painting, delivered at Edinburgh in November 1853. Ruskin, J, The Stones of . Introductory chapters and local indices, 8th edition, London 1897. Sabine, W C, Collected Papers on Acoustics, Cambridge 1922. Sherer, John, Europe Illustrated; Picturesque Scenes and Places of Note, Superbly embellished with steel engravings by Turner, Allom, Bartlett, Lectck, and other eminent artists. First series, , Belgium and the Rhine, Vol1, Glasgow, c1880. Stanley, V, The Ceremonial of the English Church, London 1911. British Architect and Northern Engineer, XVI (July to December 1881) London & Manchester. V Van Pelt J, Selected Monuments of French Gothic Architecture, The Library of Architectural Documents, Volume 111, New York, 1924. Weaver, L, Memorials ·and Monuments: Old and New: Two Hundred Subjects Chosen from Seven Centuries, London 1915. Weber, E J, Cathedral Ecclesiology, Pittsburgh 1927. West, G H, Gothic Architecture in England and France, London 1911.

Most of the books from Williams's Library have been placed in the care of the Society of the Sacred Mission (often called the Kelham Fathers after their English house). St. Michael's Priory at Diggers Rest is their principal house in Australia. (Conversation with Blyth Johnson).

Alfred C Fryer who wrote many books found in Williams's library, was the person who sent postcards to him from Europe on his travels. These fill two large cardboard boxes. APPENDIX 20

WILLIAMS'S ARTISTS AND CRAFTSPEOPLE N Reding, Ernie Lenegan, Wally Langcake, and Robert Prenzel, were leading wood carvers in Melbourne, also Gifford Last of South Yarra and Karl Jager in Perth. Joinery was made by C Rouch; Thear & Sons; C W Purnell; furniture workshops of Foy & Gibson and those of Buckley & Nunn. Hadwin & Houghton, T McCarthy & Co, and Fallshaw & Sons, carried out most of his large church commissions. Caslake & Co fashioned wrought iron and other metalwork to Williams's designs. William Bedford, C Crittall & Co. and A E Woffinden, metalworkers and craftsmen, worked to Williams's designs. William Mark made fine pieces of ecclesiastical metalware of gold, silver and bronze, including communion plate. J Tranthim-Fryer specialised in bronze and copper work. Picton Hopkins were true craftsmen, who worked to Williams's special designs and produced his plaster and moulded furnishings, inside and outside, and likewise the Modem Art Company, Derite Pty. Ltd, and W H Brilliant. The Northcote Brick Company supplied most of his bricks, and made many specially designed bricks to order, in particular a special hood mould brick. The Stawell Brick Company and Bathurst Bricks executed country and interstate commissions. The Eureka Tile Company made terra cotta tiles and window heads to his designs; also the Australian Tesselated Tile Company supplied other items to order. W P Hutchings and Mort Godfrey made stone carvings, while foundation stones, fonts and other items, such as marble stalls, marble floors, altar and pulpit steps, were frequently executed by William Train & Company; J Swain & Sons; Lodge Brothers and F Hallett & Son.

Stained glass artists included Mathieson & Gibson; Brooks Robinson, in particular, W Kerr-Morgan, who also made opus sectile panels; William Montgomery; Christian Waller and Napier Waller; William Montgomery and David Taylor-Kellock. Ola Cohn, the renowned sculptress worked on various commissions. Leonard Annois painted murals on specially prepared plaster walls, as too did Christian and Napier Waller on specified surfaces. E L Yencken & Co. and Brooks Robinson supplied most of his leadlight, plain and coloured glass. Interstate and other locally based craftsmen carried out countless commissions to Williams's drawings and specifications.

STAINED GLASS ARTISTS AND SUPPLIERS

Mathieson & Gibson This firm, one time situated in Flinders Street, provided countless churches in Victoria with selected glass, ranging from leadlights to historiated windows. Some commissions for Williams included stained glass for St Paul's Euroa; All Saints' Trangie, NSW; and the warm golden toned window to honour dements Langford, who built the spires on St Paul's Cathedral, Melbourne in 1931, at cost; leadlights for the former St Paul's, Frankston (1933), glass St John's Mansfield (1942) and St Luke's, Yarraville (1947). Alterations to windows Toorak Presbyterian church, during additions &c. by Williams (1943-44); St Paul (1940} is depicted in nave of St Paul's, Caulfield; the firm exhibited in the Centenary Exhibition of Ecclesiastical Art at St. Paul's Cathedral, Melbourne (1947) 'A Display illustrating the Craft and Manufacture of Stained Glass'. Mathieson & Gibson supplied windows for other denominations in Victoria and interstate, but did not survive far into the postwar period, and many former employees transferred to Brooks Robinson.

Brooks Robinson & Company North had employed the firm extensively in Tasmania and Victoria, and Williams continued this patronage. The firm's work is represented in Trinity College Chapel, Parkville; St Philip's, Rupanyup; Holy Trinity, Ulverstone, Tasmania; Holy Trinity, Hobart; St David's Cathedral, Hobart; StJohn's, Devonport; Tasmania; St Edmund's, Wembley, Western Australia; StGeorge's, Parkes, NSW; All Saints' Canowindra, NSW; St Stephen's, Adamstown, NSW; Christ Church, Ormond; All Saints', Preston; All Saints' Newtown, Geelong; Third Church of Christ, Scientist, Melbourne (in Elstemwick); APPENDIX 21

StJohn's, Toorak; Holy Trinity, Wangaratta; St Peter's, Brighton Beach; StJohn's, Colac; St Paul's, Frankston; St Paul's kindergarten and parish hall, Frankston; McQueen Presbyterian Church, Lang Lang; St Margaret's, Mildura; St Giles's Presbyterian church, Murrumbeena; St Alban the Martyr, Griffith, NSW and at St Mark's Chapel, Flinders (Westernport) Naval Depot, glazing all windows not filled with stained glass. But the firm retained many of its old fashioned methods, failing to keep abreast of contemporary styles and new architectural requirements. However under the management of William Kerr Morgan, an English stained glass designer, an improved quality of work evolved. Williams again commissioned stained glass and some very fine opus sectile and murals. from this establishment.

The firm produced some very high quality windows, comparable with the imported glass of Clayton & Bell. Brooks Robinson worked for various architects in Victoria, and Tasmania, and for all denominations, but rarely signed any work. Their windows are represented throughout churches in Victoria, and some impressive domestic commissions, such as the Toorak mansion lllawara (1891), and in public buildings, namely, the Princess Theatre, Melbourne (1901). By the 1960s this once proficient firm was overtaken by more progressive artists, and as commissions declined, this long-enduring business gradually folded. (For further details on the firm see G M Moore, 'Antipodean Gothic', vall, pp 281-286).

Montgomery (1850-1927) The talented English stained glass artist William Montgomery was born in Newcastle­ on-Tyne in 1850. He studied at the local Art School and then at the South Kensington School after winning a National scholarship. He stayed there for two and a half years before joining Oayton & Bell, gaining valuable experience in drawing and stained glass. During 1879-80 he went to Munich for seven years, working mostly for Franz Zettler. He travelled widely and continued studying, fi~ally migrating to Victoria in 1887, where he established himself in business at 164 Flinders Street, Melbourne. He advertised in the Church of England Messenger and Advocate.

William Montgomery having studied Stained Glass with some of the leading firms in England and Germany is preyared to execute work in all branches of the Art. Design and Estimates for Figure and omamenta windows (domestic and Ecclesiastical) Lead Glazing, and all kinds of Church Decorations will be furnished on application ... He formed a partnership with Herbert Grimbly in Adelaide in 1892 and made some fine windows forSt Peter's Anglican and St Francis Xavier's cathedrals. He was a member of the Arts & Crafts Society of Victoria; the T -Square Oub, a member of the Victorian Artists' Society, and a Trustee of the National Gallery and Public Library.

North employed Montgomery in Tasmania, and Victoria during the North & Williams partnership. Williams engaged him for work in St John the Baptist, Canberra; St Mark's Nyngan NSW; All Saints' Canowindra, NSW, and in the sanctuary, chapel and ambulatory of All Saints' Cathedral, Bathurst, NSW; and war memorial windows, Geelong Grammar School chapel, honouring World War 1 students. The two light windows of the chapel are filled as follows:

1. The Angel window, SS Michael & Gabriel 2. The Martyr " S S James & Stephen 3. Patron " S S Andrew & Patrick 4. Soldier S S George & Alban 5. Evangelist S S Matthew & Mark 6. Evangelist S S Luke & John 7. In Vestry St Nicholas and Sir Galahad Montgomery worked for all denominations, and became one of the colony's foremost stained glass artists. His work is represented in cathedrals, churches, convents, private homes and other buildings in Victoria and interstate. He believed that there should be more connection between artists and craftsmen, and subscribed to magazines such as The Studio and Arts & Craft. See also G M Moore. op cit, pp 286-295). APPENDIX 22

Christian Waller (1894-1954) Christian M E C Yandell was born at Castlemaine in 1894, and in 1905 studied art at the Castlemaine School of Mines. In 1909, aged 14, she exhibited a painting, which was reported in the Bendigo Independent and Bendigonian. She enrolled in the National Gallery School in 1910, and studied drawing under Frederick McCubbin. In 1912 she joined the Gallery painting school where she studied under Bernard Hall.

In 1915 she married a fellow student, Napier Waller, who in 1916 enlisted in the AIF. He lost his right arm in battle in 1917, and Christian supported him through her work as a commercial artist. Both artists exhibited works in 1918 at the Victorian Artists' Society Exhibitions, Christian exhibited in 1919, 1920, 1921 and 1922. Under Napier's influence she extended her reading, which included the works of Samuel Taylor Coleridge, Robert Browning, Edgar Allan Poe, Matthew Arnold, Thomas Malory and , and continued her interest in Greek mythology. During the twenties she illustrated several books on fairies and elves, &c. and was recognised as an Australian illustrator. Along with other leading Australians she was involved in Theosophy and was deeply religious. Meanwhile Medieval, Pre-Raphaelite and Art Nouveau interests persisted in her work. Both Christian and Napier went to England in 1929 to study stained glass at Whall and Whall studios, London.

During the thirties Waller turned increasingly, to designing and making stained glass windows. mostly for churches, a great many designed by Williams, with whom she had a great rapport. In 1939 Waller's mystical, religious beliefs led her to USA to study the teachings of the American religious leader Father Divine. While in New York she painted several murals. On returning to Australia in 1940 she lived in increasing isolation, working almost exclusively on stained glass windows until her death in 1959, aged 59.

Waller's stained glass windows and murals <;f.ecorate many of Williams's churches, and other buildings with which he was involved in additions and alterations. These include Geelong Grammar School Chapel, Geelong; Christ Church, Geelong; St Matthew's, East Geelong; All Saints', Newtown; StPeter's, Brighton Beach; StJames's, Ivanhoe; Methodist Church, Canterbury; St Giles's Presbyterian Church, Murrumbeena; St Paul's, Frankston; the Church of the Good Shepherd, Mount Macedon; StJames's Old Cathedral, West Melbourne; St Mark's, Camberwell; St Ambrose's, Gilgandra, NSW; St Barnabas's, West Wyalong, NSW; All Saints', Canowindra, NSW and many others in Victoria and interstate. A delightful window of cherubim by Waller is in the Children's Home, Brighton, where over the years Williams was responsible for various commissions.

Representations of her work are in the Australian National Gallery, Canberra; Art Gallery of ; Art Gallery of South Australia; Ballarat Fine Art Gallery; Bendigo Art Gallery; Castlemaine Art Gallery and Historical Museum; City of Hamilton Art Gallery; Geelong Art Gallery; James Hardy Library of Fine Arts, State Library of ; La Trobe Collection State Library of Victoria; McOelland Gallery, Langwarrin; National Gallery of Victoria; National Library of Australia; Museum and Art Gallery, Launceston; Museum of Art; Warmambool Art Gallery.

Mervyn Napier Waller (1893-1972) Waller was born in 1893 at Penshurst, where he went to school. In 1913 he studied drawing and painting at the National Gallery of Victoria, learning drawing under Frederick McCubbin, and painting under L Bernard Hall. In 1915 he married Christian Yandell, a fellow student at the Gallery, and joined the A.I.F in 1916. His right arm was amputated in 1917, while on active duty in France. He learnt to draw with his left hand, and launched himself by exhibiting in 1918 at the Victorian Artists' Society, a collection of his war paintings and drawings mostly done before he lost his arm. The Waller's house was built in 1922 at Fairy Hills, Ivanhoe, where they lived and worked for the rest of their lives. APPENDIX 23

After the war Napier concentrated mainly on painting in watercolour, but then realised that he was trying to do on a small scale what should be done and could be done far better, on a large scale in wall decorations. He thought of ways in which the artist could work with the architect in stained glass, mosaic and mural paintings. He believed that mural art was a part of architecture which, more than any other sort of art, reflects and is definitely linked to the life of the people.

Napier and Christian Waller travelled abroad in 1929-30 to study stained glass under Veronica Whall, a leading English exponent of the art. They visited Italy, where Napier was deeply impressed by the mosaics in , and studied mosaics in Venice. His large three lancet window, commemorating the New Guinea Martyrs, was installed in St Peter's, Eastern Hill in 1946. Its twelve panels indicate Australia's involvement in the war in New Guinea. His enormous task during 1951-1958 was of mosaic and stained glass for the Hall of Memory at the , Canberra. He was awarded an OBE in 1954, and in 1959 the CMG in recognition of his work. He died in 1972.

Most of Waller's windows were for Anglican churches, the majority of which were ·designed by Williams. Some of the churches in which both architect and artist were involved, were the Methodist Church, Canterbury; Geelong Grammar School Chapel; St Stephen's, Gardenvale; St Nicholas's, Mordialloc; St Matthew's, East Geelong; All Saints', Newtown (Geelong); St Margaret's, Mildura; St Paul's, Frankston; St Mary's, Camberwell; StJohn's, Camberwell; St Stephen's, Darebin; St Andrew's, Brighton; Christ Church, Geelong; St Peter's, Eastern Hill; St Giles's, Murrumbeena; Holy Trinity Cathedral, Wangaratta and St Alban the Martyr, Griffith, NSW. His painted murals are greatly admired in St Matthew's, East Geelong, All Saints', Newtown, Geelong, St Stephen's, Gardenvale and St Andrew's, Brighton. A small mosaic is on the lectern at Holy Trinity cathedral, Wangaratta. His work is represented in churches and chapels in Victoria and interstate. · David Taylor-Kellock David Taylor-Kellock of Edinburgh, was a Fellow of the British Society of Master Glass Painters and associate of the Stained Glass Association of America. In Scotland ·he specialised in stained glass, textiles, fabric printing, dye mixing and pottery work, including glass mixing. He studied in Edinburgh and worked at the Victoria and Albert Museum, London, before coming to Australia in the 1930s. He was appointed head of the Art Department, Hobart Technical College and examiner in history of architecture for the R.A.I.A. in Tasmania between 1939 and 1941. He was in charge of the Art School, Geelong Grammar School, and moved to Ballarat in 1946, where he began his stained glass business. He was art teacher at the Ballarat School of Mines. In the staff list of the 1957 issue of the S.M.B. Students' Magazine he is listed as being a Fellow of the Royal Society of Arts, London, and was on the staff lists for the Arts department up until 1978, but not in 1979, and retired before the Art Department moved to the Mt Helen Campus.

He carried out a wide range of commissions for Williams in his churches, chapels and schools, with fifty-five windows for St Mark's chapel, Flinders Naval Depot (Westernport); seventeen windows St John's Camberwell; St Giles' Murrumbeena; Geelong Grammar school chapel; All Saints' Newtown, Geelong; St Andrew's, Brighton; Anglican, Waubra; St Mark's, Red Cliffs; St George's, Parkes, NSW; All Saints' Canowindra, NSW and St Stephen's, Adamstown, NSW; St Edmund's, Wembley, W A; St David's Cathedral, Hobart; StJohn's, Devonport, Holy Trinity, Ulverstone, Tasmania, and elsewhere.

He worked for other architects and his memorial windows are in Littlejohn Chapel, Scotch College, Melbourne Grammar School Chapel, St John's, Beaufort; St Augustine's, Moreland; St Paul's Ballarat; St John's, Balian, Christ Church Cathedral,Grafton, NSW, Methodist church, Albury, NSW and windows in Brisbane and Tasmania. APPENDIX 24

Vetrart Studios Rex Jones Pty Ltd, through the initiative of Rex Jones expanded their leadlighting work about the time St Andrew's, Brighton (1961) was getting under way. They were an old firm in Sydney Road Brunswick, and still had an old leadlighter on their staff. Rex Jones and Reine Slagmolen formed a partnership to set up Vetrart Studios for the purpose of designing and making windows and other art works. It is believed that Slagmolen had a background in chemical research, leading to the making of such materials as the 'Polylite' panels and a matrix for concrete glass windows.The latter, he claimed, was dimensionally stable and overcame the problem of these windows leaking because of the shrinking of the concrete matrix. Slagmolen was also an artist. (information from Blyth Johnson).

Williams designed the three 'Polylite' panels for the high altar frontal at St Boniface's Cathedral, Bunbury, Western Australia, and the four panels of the pulpit at St Andrew's, Brighton, depicting the evangelists, Matthew, Mark, Luke and John. These 'Polylite' panels were made by Reine Slagmolen ofVetrart Studios.

MURAL PAINTERS

Len Annois (1906-1966) William Leonard Lloyd Annois was born in Malvern in 1906. His mother, who was very artistic, and painted in oils, encouraged her son's interest in all forms of art. Annois was one of Melbourne's best known artists, mainly of watercolours and murals, also a graphic artist. In 1958 he was honoured as the first Australian ever to be appointed a full member of the Royal Watercolour Society in Britain, the watercolourists' equivalent of the Royal Academy.

Annois won all the major watercolour prizes in Australia, more than once, and his watercolours and lithographs are in every state gallery including most provincial galleries in Australia, and National and the State Universities. He exhibited in London twice a year since 1932, as well as Glasgow, Tokyo, Los Angeles and New York and produced eighteen one-man exhibitions of watercolours and drawings in Australia, since his first one-man show in 1941. His work is in collections of the Commonwealth Government, British Government, and H M Queen Elizabeth the Queen Mother. He devoted much of his time to the advancement of art in Victoria, where he was a council member of the Victorian Artists' Society, founder of the magazine the Australian Artist, and president of the National Gallery Society of Victoria, and had few rivals in Victoria as a watercolourist working in the English traditions.

Before commencing the mural for the reredos above the altar in St John's, Qunberwell Annois informed Williams of his requirements 'in curing' the plaster of the east wall of the sanctuary. He advised that special lime putty was obtainable from Picton Hopkins, Richmond, and the sand from Fergon Brothers, Oakleigh, and Williams included these requirements in his specification for the plasterer. Re mixing the mortar The excess water which covers the lime putty in the drums should be poured off before the putty is used. It is essential in mixing the mortar that no water is added at any stage and that only absolutely dry sand is used. The object of this is to prevent the cracking which may occur due to excess water drying out. Base Coat The surface of this coat should be scored with crossing diagonal lines while wet to give the second coat a good bond Before laying the second coat the dry surface of the base coat should be brushed down with a stiff wire brush to remove the fine layer of carbonate of lime, which will have formed there. If this is not removed the adherence of the final coat may be lessened. APPENDIX 25

Final Coat Just prior to commencing the drawing the surface of the final coat should be given the same wire brushing.

The 'Adoration' mural 16 x 10 ft (4.8 m x 3 m) has as its theme 'Worship', depicting the Madonna and Child, the white Dove with vivid halo, and white rays of light, symbolising the Holy Spirit. The shepherds with their gifts, a shepherd's crook and a lamb, and the Three Wise Men bearing symbolic gifts. Contemporary figures in the lower foreground represent human figures, from artisan to scholar. While animals and birds are included, along with a flourishing grape vine, representing the Holy Eucharist. Above this in the sky is a vision of the Risen Christ, and in His hands an Orb and a cross. Annois's other small, but equally well executed mural, 'Fishers of Men', is placed above the western door, and is representative of the everyday life of the people as they leave the church. Christian Waller Williams arranged for the mural at the west end in Christ Church, Geelong, which was painted by Christian Waller for the 1943 centenary of the church. This impressive Art Deco oil on canvas painting depicting 'The Adoration of the Christ Child' is among her finest works. It depicts the Christ Child with the Virgin Mary and St Joseph, together with the Magi from the East and the shepherds, and angels with wings of glorious colours. For this memorial to Walter Kemot, Christian wrote the accompanying text, which gives some understanding of her spirituality. Napier Waller. Working in cooperation with Williams, Napier Waller executed several painted murals, including the 'Annunciation' and 'Crucifixion' on the east wall flanking the chancel arch, and some stained glass at All Saints' church, Newtown (1928); the altarpiece of 'The Good Shepherd' for St Matthew's Church, East Geelong (1946); the altar piece St Stephen's church, Gardenvale, depicts Christ, St Stephen and StJohn the Divine (1961). The large mural in the Pioneers Chapel, St Andrew's, Brighton (1962) fittingly honours the early parishioners who founded this church.

TILERS & CERAMICS

Australian Tesselated Tile Company The founder of the Company, Edgar Edwardes Walker, was born in Northcote in 1862. He began his apprenticeship with H A Cawkwell, a leading tile manufacturer, and after exhibiting work in the Melbourne International Exhibition of 1880-2 was approached by five businessmen interested in creating another tile company, which was formed in 1885. About May 1887, Tesselated could tell its customers 'that it would manufacture tesselated tiles in any pattern, colour or sizes at moderate prices, as well as 6"x 6" [150 x 150 mm] tiles. During the 1888-9 Centennial International Exhibition in Melbourne the company was producing tesselated tiles, encaustic and geometrical paving tiles, terracotta vases and mosaic tiles.

Tesselated tiles matched the world's best and competed admirably with Maws and Mintons. As the local trade had preference over imported goods, most government buildings were tiled by Tesselated and it enjoyed a virtual monopoly both in Victoria and also in NSW. The firm kept fully abreast of the latest trends, imported the most sophisticated machinery and increased their range of tiles. The firm carried out many commissions for Williams, first in the North & Williams partnership, especially terra cotta work, drip stones &c. and later in Williams own practice, to furnish his hospital floors and walls and supply terra cotta work; roofing tiles, ridging, terra cotta roof ornaments, crosses and finials in Victoria, and Tasmania, and Moravian tiles for the tower room at the Naval Chapel, Flinders (Westernport). Tesselated tiles were used in almost every type of building from churches, convents, food processing establishments to swimming pools, breweries &c. Other architects were employing Tesselated to furnish their APPENDIX 26 buildings at the same time. (see also G M Moore op cit).

STONE AND PLASTER MODELLING

Derite Pty Ltd, The firm based in Port Melbourne, was expert in creating stone, especially in ecclesiastical work, and executed commissions for Williams in Victoria and interstate. In St Andrew's Brighton the company supplied synthetic stone for restoration work to Charles Webb's original design of eleven windows, and six corbels of the old bluestone nave (now the Pioneers' Chapel). Derite worked on the new portion, which included the window 34 ft, x 8 ft 9 inches (10.4 m x 2.6 m) over the south entrance made in sixty­ seven pieces, and the 12 ft. diameter (3.6 m) in fifty-two pieces, also the cross and base on the south gable. Working to Williams's drawings, the method was to make up a full size model in plaster. This was then cut into sections, and the moulds made from them carefully filled with a rather dry sand and cement mixture, which after smoothing out were water-cured. The firm's work is represented in Wembley, W A (1952); the pressed cement gable cross and base forSt Paul's Frankston (1959); pressed cement windows forSt Peter's, Murrumbeena (1959) and StMary's, Narromine, NSW (1960).

Jack Mortley, of Picton Hopkins, Preston (formerly Richmond), worked for over fifty years with this firm, which employed numerous modellers and carvers who executed major commissions for Williams, and not only made special items for his churches, but worked in conjunction with other trades, doing trims, panels over doors, window architraves, &c. The firm made plaster and moulded capitals, baffles and vents, decorative plaster mouldings for interiors and exteriors, cornices, corbels, tracery for windows, architraves, centre panels, crosses, finials, architectural and synthetic stone, as well as Gothic and Georgian ornaments for inside and outside. Wood carver Ernie Lenegan, was on the staff, and others were epgaged in mosaic work.

Mortley said how much he admired Williams, 'who was a very knowledgeable man, who was able to adapt to the wishes of his client and design according to time and requirements; whether it be for new work, restorations or alterations, and he always provided the craftsmen with comprehensive detailed drawings'. Working to his designs, the firm made the pressed cement canopy to protect the mural painting, by Christian Waller for Christ Church, Geelong. The firm's work is represented in St Paul's Cathedral, Melbourne; St John's, Toorak; St Peter's, Box Hill; Toorak Presbyterian Church; Holy Trinity Cathedral, Wangaratta; and St Boniface' Cathedral, Bunbury, Western Australia, to name just a few.

This well-known firm executed many important secular projects in Melbourne, and worked for other architects. Some of these included the coat of arms placed on more than half the Shire Offices in Victoria, the Royal coat of arms on the ; plaster related work on the Regent, Metro, State, Princess and Capitol theatres, inside and outside; Wilson Hall, Melbourne University, new and old buildings, as well as the Engineering and Architecture Schools, Melbourne University; Tullamarine Airport; Spencer Street Railway Station; Eastern Hill Fire Station; and a wide range of other commissions in Victoria and interstate {conversations with Jack Mortley and Mrs Picton Hopkins).

J Swain & Sons, This establishment supplied stonework, for marble flooring in the sanctuary, and other areas of the church, altar steps, pulpits, marble stalls, tablets, &c. The firm made tracery for the new windows, one each side of the apse walls above the porches in Toorak Presbyterian Church, when Williams was involved in alterations. The company executed the three splendid memorial marble stalls to honour Sir George Turner, in St Paul's cathedral, Melbourne {1948). There were numerous other occasions where Williams called upon this firm to execute commissions, similar to those done for him by Picton Hopkins. APPENDIX 27

Lodge Brothers Williams chose only the top practitioners in their field to work in his churches. Lodge Brothers was frequently requested to supply foundation stones, altar steps, marble flooring and other items, such as the block of Maroubra stone ordered for the font, carved by Ola Cohn for the Australian War Memorial, Naval Base, Flinders (Westernport). Maroubra stone from NSW, was used by Hammond (sculptor for the lions at the salient angles of the South African memorial opposite the Shrine). Lodge Brothers were the builders of the and the spires at St. Patrick's Cathedral, Melbourne.

Modern Art Company The Modem Art Company, Clifton Hill, was frequently used by Williams for stone and modelling work. Among these commissions were the white stonework on the memorial reredos honouring Canon Shoobridge, Holy Trinity, Hobart (1929), which surrounds the three panels of mosaic opus sectile work. The firm made the Presbyterian emblem for the Finlay McQueen Memorial Presbyterian church, Lang Lang (1936); the pressed cement shield to hold the opus sectile mosaic of the 'Burning Bush' at St Giles's Presbyterian church, Murrumbeena (1939); cement surrounds for mosaic panels, St John's Toorak (1939) and gable crosses, corbels, and pressed cement for the windows and grilles, St Mark's Chapel, Flinders {Westernport), 1951.

METALWORKERS

J R Tranthim-Fryer (1858-1928) John R Tranthim-Fryer was a sculptor and technical educator who studied at East Sydney Technical School under Lucien Henri between 1886 and 1889, graduating with honours. He was involved in Arts & Crafts activities and was sought after in technical education. He was art master at Hobart Technical School during 1890-95, and taught art and modelling at Hobart until 1895. He travelled to London and worked for Farmer & Brindley, learning marble carving. He studied at the Lambeth Art School, and in 1897 was awarded a scholarship for free tuition, and worked under Onslow Ford, R A. in 1897-8. He returned to Australia in 1900 and taught at Sale School of Mines. He was director of Horsham Workingmen's College in 1904-6 and Art Master at Gordon Technical College, Geelong in 1907. He attended meetings of the T-Square Oub and judged many of their decorative art competitions. When Swinburne Technical College was established in 1908 he was appointed its first director, a post he held until his death in 1928. He frequently lectured at educational and other institutions.

He was a founder Council member of the Arts & Crafts Society of Victoria and president between 1912 and 1917. He exhibited with the Victorian Artists' Society, of which he was a Council member, and with the Yarra Sculptors' Society. He was an ardent exhibitor, chiefly of sculpture and metalwork. An early North and Williams commission was the copper repousse plaque of G W Torrance, Trinity College Chapel, Melbourne University. Some of his commissions for Williams included work on the pulpit, lectern, reredos and honour board at All Saints' Church, Newtown, Geelong; the Grey-Smith and Zelman tablets he modelled for St Paul's Cathedral, Melbourne, and the honour roll for members of the Choir Boys' Association killed in World War 1; also the bronze relief on the freestanding war memorial outside the west door of St John's Church, Toorak.

Some of his other commissions included the Baron von Muller medallion for the Australasian Association for the Advancement of Science; the war memorial, Doncaster, and the war memorial at Sale High School, Victoria. None of his works were signed or dated, but are mentioned in a page of biographical information prepared by J Tranthim­ Fryer. William Mark (1858-1956) William Mark was born in Scarsdale in 1868 and commenced his career apprenticed to J APPENDIX 28

R Rowland, a Melbourne gold and silversmith. After working in South Africa and England he received commissions from royalty and examples of his work are in British museums. He returned to Australia, and set up a studio in Gardenvale, exhibiting frequently with the Victorian Arts and Crafts Society. His specialty was enamel work and whilst at the Guild of Handicraft, he was recognised for metalwork. This is featured in the Studio XLIV, 1903. He was employed by various architects, and one of his major commissions was the church plate he made for Christ Church Cathedral, Newcastle. His ecclesiastical work comprised the major part of his commissions, with fine examples of his craftsmanship represented in churches of various denominations throughout Australia.

He worked in the Arts & Crafts style, and was considered by many as undoubtedly the most accomplished metalsmith in Australia. The silver memorial wafer box, in the Anglican Diocese of Adelaide, comprises four enamel medallions, which separately depict a kangaroo, dolphins, birds and fire. He made fine pieces of ecclesiastical metalware of gold, silver and bronze, including communion plate for the altar. Williams employed him for some of his prestigious work, and the splendid processional cross designed by him forSt Paul's Cathedral, Melbourne, c1931, made by Mark, was featured as the front cover of Treasures from Australian Churches, National Gallery of Victoria, Exhibition Catalogue, Melbourne 1985.

Mark made the processional cross, chalice and paten for All Saints' Cathedral, Bathurst, NSW, when Williams completed the east end and Warriors' Chapel in 1927, tabernacle and crucifix (1949) candlesticks and cross for St Barnabas's, West Wyalong, NSW (1937). Mark also fabricated the gold, enamel and jewel work for the Book of Remembrance, made by the Arts & Crafts Society for the Bathurst Cathedral. In 1946 Mark made the metal sconces for two wooden candlesticks, designed by Williams for St Peter's, Eastern Hill.

Mark made a cross and candlesticks of silver and ebony, an alms dish of gilt and enamel for the Community of the Holy Name, Cheltenham, which were featured in the Exhibition of Ecclesiastical Art, Exhibition catalogue, St Paul's Cathedral, 1847-1947, Melbourne, 1947. Other items exhibited by Mark were the chalice and paten for St Peter's, Eastern Hill.

Charles R Caslake C R Caslake, of South Yarra, was a foremost craft metalworker who worked to Williams's designs, in furnishing his churches and other buildings, with which he was involved. Some of this work included wrought iron lanterns, memoriallych gates, grilles to protect shrines, and others to divide off certain areas in the church, organ screens, chapel gates, altar rails and gates, hand rails, balustrades for pulpits, metal sconces for candlesticks, finials and crosses on spires, &c. He made the main entrance gates at Firbank CEGGS and the school coat of arms to go on them. The wrought iron grille to the front entrance of the Third Church of Christ Scientist, Melbourne (in Elsternwick). Wrought iron gates and other furnishings for Williams at St Peter's, Eastern Hill; St Thomas's, Moonee Ponds; St Paul's Cathedral buildings; Christ Church, Seymour; lych gate Christ Church, Longford, Tasmania; St David's, Cooee, Burnie, Tasmania; St Jude's, Brighton, South Australia; All Saints', Nowra NSW; lych gate and wrought iron gates, St Stephen's, Peak Hill NSW; Holy Trinity Wangaratta; StJames's Cathedral, Townsville; St George's, Nurmurkah; Other works included wrought iron hand rails, security doors and balustrades for outside steps, and staircase balustrades for private residences in the suburbs and country, including work in Williams's own home.

Williams considered Caslake 'one of the best wrought iron craftsmen in Australia', and his work is widely represented in churches, chapels, schools and private residences in Victoria and interstate. Caslake was commissioned by other architects and is known to have made the main gates for the Methodist Ladies College, Hawthorn, and many of the wrought iron screens, security doors &c in Ivanhoe, and numerous double gates to schools and mansions in Toorak and elsewhere.C R Caslake's firm, was awarded a APPENDIX 29

silver medal in the Franco-British Exhibition, London, 1906 (This is noted on the firm's letterhead). William Bedford William Bedford, brass and bronze metalworker made the superb Harry Chauvel memorial tablet on the north wall in St Paul's Cathedral, Melbourne, to Williams's design with the modelling executed by Ernie Lenegan. The firm executed other bronze memorials in the cathedral between (1950-1954) and a large cross for Williams's St Augustine's Church, Shepparton.

STONE SCULPTORS OlaCohn Ola Cohn was born in Bendigo in 1892, attended the School of Mines, Bendigo, at the same time as Christian Waller, and studied at Swinburne Technical College with J R Tranthim-Fryer. Cohn studied at the Royal College of Art, London, learning stone carving and sculpture from lecturer Henry Moore, and studied bronze casting and wood carving in London. She travelled extensively in Europe and in 1929 was made an Associate of the Royal College of Art, and Associate of the Royal College of Sculpture. On returning to Australia in 1931 she established her studio at 9 Collins Street, Melbourne. She taught art at Geelong Grammar School and from 1940-54 was a part time lecturer in art at the Kindergarten Training College. Her commissions included two two metre figures for the portico, Royal Hobart Hospital, Hobart (1938); memorial drinking fountain to Councillor J H Curnow, Bendigo (1938); Pioneer Women's memorial, Adelaide (1940-1); two angels forSt Peter's Church, Eastern Hill (1957} and two 1.8 metre wood carvings forSt Paul's Church, Bendigo (1964).

She belonged to many societies concerned with sculptor and painting, and was a member of the Lyceum Oub, Melbourne. She married H J Green in 1953. Some of her commissions for Williams included the spectacular font in St Mark's chapel at Flinders (Westernport) Naval Base (1953}; sculptured panel in font for St Alban the Martyr Church, Griffith, NSW (1954); sculptured panel in font, Christ Church, Ormond (1955) sculptured panel in font, St Peter's Church, Box Hill (1957). She worked for other architects, executing nineteen panels for Bates, Smart & McCutcheon to be placed in the Mutual Life and Citizens Building, Sydney.

Cohn entered several pieces in 1947 at the Exhibition of Ecclesiastical Art, St. Paul's Cathedral, Melbourne: 'Madonna and Child'; 'Immortality'; Head of Moses; Head of Christ; Head of the Adolescent Christ; 'Adam and Eve': (original in the Adelaide National Gallery) and a terra cotta shrine of 'The Adoration'. Her sculptures in wood included a figure of an angel carved and gessoed, a carved wooden figure of 'Abraham and one of 'Hagar'. Her bronze work was of the 'Madonna and Child' and 'Immortality' (G G Ewing, Exhibition of Ecclesiastical Art, Exhibition catalogue, St Paul's Cathedral1847- 1947s, Melbourne 1947).

Her work is represented in national galleries and universities in Australia, but she is possibly better known to most Victorians for 'The Fairy Tree', in the Fitzroy Gardens, which she donated to the children of Melbourne in 1934, for Victoria's centenary. The idea originated whilst in London when she saw the Elfin Tree in Kensington Gardens, London, and this inspired her to create one for Australian children. This has now been placed on the National Trust register. Cohn won many awards, in particular the Crouch prize in 1952, which was the first time it had been given for sculpture. In 1964 she was awarded the OBE for 'services rendered in the service of art, especially sculpture'.

WOOD CARVERS

Robert Prenzel (1886-1941) Prenzel was born at Kittlitztreben, Prussia, in 1866, and after receiving a thorough training with Ernst Gebauer, where he learnt every phase of carving, modelling in clay, APPENDIX 30 wax and plaster, freehand drawing and draughtsmanship and basic carpentry. He travelled extensively for four years, chiefly working on church furniture and fittings, finally arriving in Australia in 1888, at the time of the Centennial Exhibition in Melbourne. He settled in Melbourne and established himself as a cabinet-maker, forming a partnership with J Treede, a fellow German cabinet maker, which lasted about six years. They used lavish ornament, which featured formalized leaf motifs, grotesque masks and griffins. Their work was used by Perrin in Arts and Crafts in 1895 to illustrate the beauty of Australian trees for use in artistic decorative work.

Prenzel worked on North & Williams Trinity College Chapel, carving the bench ends and canopy frieze of the stalls in the Arts & Crafts tradition using Tasmanian oak, depicting exquisite flora and fauna. He carved the fine font cover in St John's Church, Merbein, which was one of Williams's early churches. Prenzel also carved the splendid altar and pulpit in Christ Church Hamilton. He was responsible for work on the reredos, panelling and hymn boards chancel tablets and other furnishings in the sanctuary in St John's Anglican church Toorak, where Williams was for many years church architect. He carved the honour rolls for St James's old cathedral, Melbourne, and the elegant Gothic reading desk in St Peter's, Eastern Hill. He worked for other architects and supplied furnishings to churches of diverse denominations throughout the State.

He carded out prestigious commissions, notably the exquisitely carved chair and screen, which were presented to the Duchess of York by Lady Madden, on behalf of the Women of Victoria in May 1901, at the time of Federation. He carved panels of the coat of arms of the six Australian states. He had a studio at South Yarra and his papers reveal the names of many well known families for whom he made large quantities of furniture. His work is represented in the National Galleries of Victoria and Canberra, State Parliamentary Library of Victoria, 'Ripponlea', Elsternwick, the McClelland Art Gallery. Langwarrin, private residences and other locations in Victoria. He promoted the use of Australian grown timbers, and his carvings are in two Melbourne cathedrals and churches state wide.

N Reding. Reding of West Melbourne was a wood carver who worked for Williams in the twenties, carving the reredos, screens, chairs, &c in St John's, Merbein (1920), chancel screen, St Luke's, South Melbourne (1920) screens, All Saints', East St .Kilda to protect the shrine and baptistry (1920), and the extensive narthex screens (1920-1). St Peter's chapel, Glenelg, South Australia; altar, reredos, riddels, &c (1921-1). All Souls' Church, Sandringham (1921); carved candlesticks in Manchurian oak for St Mark's Nyngan, NSW (1926); All Saints', Geelong (1928); carved reredos, Holy Trinity Stawell (1927); all carvings in Warriors' Chapel, and parclose screens in ambulatory arches and choir, east end All Saints' Cathedral, Bathurst, NSW (1925-6), also other furnishings designed by Williams.

JErnest Lenegan. Ernie Lenegan, who was on the staff of Picton Hopkins, had been thoroughly trained in England, and was well versed in heraldry, and an expert on coats of arms. He worked to Williams's designs during three decades. He carved the new pews, depicting fauna and flora at St John's, Toorak {1933); angel lectern in the chapel (1934) and the richly carved screens which fill the arches between the chapel, nave and chancel at St John's, Toorak (1938); memorial altar, Deaconess House, Fitzroy, (1935-6); carved chair, Firbank CEGGS assembly hall (1938); font cover and inscriptions on furniture StJames's, Ivanhoe (1938); font, Methodist church, Malvern (1939); fun1ishings, Presbyterian church, Ormond (1940) pulpit, St Paul's, Cooma, NSW (1940); altar, credence table, panelling, cross and candlesticks at Edith Head Club (1941). carvings for Williams during renovations at Scots Church, Melbourne (1941); memorial choir rail, panels for pulpit and lectern, communion table, apse panelling, College Church, Royal Parade, Parkville (1941); communion table and font top, Presbyterian Church, Hawthorn {1941); altar rails, St Andrew's, Brighton {1942); tracery panels in doors Christ Church, Geelong APPENDIX 31

(1944); ceremonial mallet, Christ Church Seymour (1945); memorial cross and candlesticks made entirely of wood for St Luke's Gulgong, NSW (1945); prayer desk, screens, and twenty memorial choir stalls at St Anselm's, Middle Park (1946); high altar, riddels and prayer desk, St Luke's, Brighton {1946); furniture and furnishings, St Thomas's, Moonee Ponds (1946); choir stall terminals, reader's chair, and steps and balustrade to the pulpit, during refurbishments for Toorak Presbyterian Church {1946); StJohn's, Mansfield; delicate figure of St Cecilia; Holy Trinity cathedral, Wangaratta (1947-8); altar table, two stools, baptistry panelling and seat in the children's corner, St John's, Camberwell (1951); candle standards, Community of the Holy Name (1951); Modelled memorial plaque to General Sir Harry Chauvel (1952),.memorial prayer desk and stall, Royal Military College Duntroon, ACT (1953). Lenegan was considered one of the very best carvers in the whole of Australia. In 1946 he informed Williams that he was working on five of his churches at the same time.

Wally Langcake Wally Langcake of South Melbourne was an extremely talented woodcarver on the staff ofT McCarthy & Company, whose firm made church furniture to Williams's designs for over fifty years. Some of Langcake's commissions included carvings in Holy Trinity, Hastings (c1924, 1932-3); blackwood font cover, St Paul's cathedral, Melbourne (1928). All Saints', Preston (1930); St Silas's, Albert Park (1931); St David's, Cooee, Burnie, Tasmania (1932); chancel screen, St Paul's, Cooma, Tasmania (1934); St John's Colac, cresting and 2 ceremonial mallets (1934) carved pedestal for casket, &c, Hawthorn Town Hall (1932); communion rails, All Saints', Bendigo; Christ Church Seymour (1945); St Andrew's, Walkerville, South Australia (1945); St Jude's, Brighton, South Australia; Christ Church Tallangatta, sanctuary chair and pulpit (1948); chancel screen, Geelong Grammar school chapel {1950); memorial chair and prayer desk, All Saints', Kooyong (1950); StJohn's, Toorak (1951) crucifix, All Saints', Canowindra, NSW (1951); lectern, All Saints', Nowra, NSW (1954); bishop'~ throne, canons' stalls, screens and other furnishings, StJames's, Cathedral, Townsville (1957); furniture and furnishings, StJohn's Camberwell (1957); and all the furniture made entirely of black bean, for the prestigious Australian Naval War Memorial chapel at Flinders Naval Base now Westernport (1953). These and other commissions were executed to Williams's designs. Langcake, was according to Williams, 'thoroughly experienced and reliable and a very good carver, who understands Gothic carving, which few carvers do!, and poor carvers can make a real hash of a work!

T McCarthy & Company This furniture manufacturing firm worked for Williams over many years furnishing more than forty of his churches. Williams considered the firm to be excellent contractors for this type of work. The firm was experienced in church furniture and generally the lowest tenderers when competitive tenders were sought.

F Fallshaw & Sons Pty Ltd Church furniture specialists of 134 Northern Road,West Heidelberg was established in 1872, and is reputedly the oldest furniture manufacturing company in Australia. It is now in the third generation of the Fallshaw family, and still operating. The firm first made church furniture in 1955 and is specialising in that field. This company furnished many of Williams's churches over the years, and was highly regarded for the excellent quality of workmanship.

Clifford Last

Clifford Last born in England, 1918 came to Australia in 1946. He studied in England, and also here at Sydney and Melbourne Technical Colleges. His sculpture has been acquired for the national galleries of Victoria, Kuala Lumpur (Malaya) and the art galleries of Mildura, Newcastle, Launceston and Castlemaine. He carves mainly in wood. see plate 85, Retreat House, Cheltenham. (Also Ken Scarlett's Australian Sculptors, Melbourne, 1988, pp 358-363). APPENDIX 32

BIBLIOGRAPHY

Primary Sources Private papers belonging to L R Williams and photographs of his buildings taken by LRW and in possession of sons Geoffrey and Brian. Also numerous conversations with the family at Airey's Inlet. Photograph album compiled by L R Williams illustrating churches he had designed. (Brian & Geoffrey Williams' collection). Photograph album of family pictures showing his three sons, Geoffrey, Neville and Brian, also numerous other family members and friends. Family bible, entries on inside cover date from 1854. Manila folder containing personal letters over many years, papers, death certificate, marriage certificate, articles on various topics, &c (possession of Williams's family, Melbourne). L R Williams collection in the State Library of Victoria containing sketches, drawings, photographs and plans of his buildings. L R Williams collection in the State Ljbrary of Victoria, MS10990, Australian Manuscripts Collection. Photographs taken by Williams of North's Launceston churches, Holy Trinity and StJohn's (possession of Williams's family, Melbourne). Photographs and slides taken by Williams of the churches he designed, and alterations and additions to existing buildings (possession of Williams's family, Melbourne). Scrapbook of cuttings illustrating Williams's churches, taken from church newspapers, compiled by him (possession of Williams's family, Melbourne). Scrapbook of newspaper cuttings from all parts of Australia, compiled by L R Williams, and placed by him in 1977 in the State Library of Victoria. Archives Dean and Chapter, St Paul's Anglican Cathedral, Melbourne. Archives of Ivanhoe Girls Grammar School, Ivanhoe. Archives of Firbank Girls Grammar School, Brighton. Archives of The Lyceum Club, Melbourne. Minutes of St Mark's Chapel, the Flinders Naval Depot Building Committee. Personal tapes made in 1976 by author in conversations with Williams. Conversations with Roy Prentice, his only articled pupil. Conversations and interviews with the late Roy Simpson, AO, who was trained in Williams's office in the early 1930s, and was awarded the Royal Australian Institute of Architects' gold medal in 1997. APPENDIX 33

Conversations with Hugh Moore, who trained in Williams's office for several years. Conversations and interviews with Peter E Newell, who trained in Williams's office. Numerous papers, photographs and other material passed on to author by Newell. Conversations, interviews, correspondence and photographs passed on to author by Blyth Johnson (L Williams & Partners in the 50 & 60s). Conversations with Bishop Grant, former Dean of Melbourne. Conversations and correspondence with the late Archbishop Sir Frank Woods, who worked closely with Williams over many years. Conversations with Father Geoffrey Taylor, former incumbent of St Peter's Church, Eastern Hill. Conversations and correspondence with Frank Adams (Robert Frenzel's grandson, who lived with his grandfather for 17 years). Archives of Third Church of Christ Scientist, Melbourne (in Elsternwick), containing Minutes and original letters between the Building Committee of the Church and L R Williams . Archives, and correspondence with Father Dr Colin Holden, assistant priest and archivist of St Peter's Church, Eastern Hill. · Conversations and interviews with Brian McCarthy, whose firm made church furnishings to Williams's drawings and specifications, over many decades. Conversations and interviews with David Fallshaw whose firm made church furnishings to Williams's drawings and specifications for many years. Conversations with Jack Mortley, formerly of Picton Hopkins, Richmond, who worked on commissions for Williams for more than forty years, and Mrs Picton Hopkins. Arts and Crafts , 1 (October 1895). Eastlake, C L, The History of the Gothic Revival , London 1872 new edition J M Crook [ed] Leicester 1970. Ecclesiologist, London, 1841-68. Ferguson, James, A History of the Modern Styles of Architecture, 3rd ed, London 1891. 'Garryowen' (Finn, Edmund), Chronicles of Early Melbourne, 1835-1853 , 2 vols, Melbourne 1888. Hope, A J B, The English Church of the Nineteenth Century, London 1861. Instrumenta Ecclesiastica, London, first series 1847, second series 1856. Mayes, C B, The Australian Builders' Price -Book, 4th ed., Sydney 1883. Melbourne Commercial Directory ; compiled. by P W Pierce, Melbourne 1853. APPENDIX 34

Montgomery, William, 'Glass Painting', paper read by W Montgomery on 7 October 1889 before the Victorian Architectural and Engineering Association, Australasian Builder & Contractors News , 19 October 1889, pp 368-370. 'Stained Glass', Arts and Crafts, Vol1, (October 1895) pp 23-27. 'The Art of Glass Painting' paper read by W Montgomery before the Royal Victorian Institute of Architects on Tuesday, 28 August 1894, Australasian Builder & Contractors News, 8 September, 1894, pp 101- 103. 'Painted Glass Windows'The Year Book of Victorian Art 1922-23 , A Colquhoun (ed), Melbourne, n.d. 'Glass', paper read by W Montgomery at the Royal Victorian Institute of Architects, 22 October 1907,Royal Victorian Institute of Architects Journal, 5, 1907, pp 140-157. Mozley, T, Reminiscences, chiefly of Oriel College and the Oxford Movement II, London 1882. New Quarterly Melbourne Directory, 1853. Paley, FA, A Manual of Gothic Mouldings, 2nd ed London 1847. Petit, J L, Remarks on Architectural Character, Oxford 1846. Poole, G A, A History of Ecclesiastical Architecture in England.: .1848. Prenzel, Robert, Archives, National Gallery of Victoria. Pugin, A W, Contrasts or a Parallel between the Noble Edifices of the Fourteenth and Fifteenth centuries and similar buildings of the Present Day, showing the Present Decay of Taste, London 1836. An Apology for the Revival of Christian Architecture in England, London 1843. Designs for Gold and Silver Smiths, London 1836. Ecclesiastical Architecture In England, London 1841. On the Present State of Ecclesiastical Architecture tn England, Republished from the Dublin Review, London 1843. Pocket Notebooks, (Victoria & Albert Museum, London Library, MS No86MM61). The True Principles of Pointed or Christian Architecture: Set forth in two lectures at St Marie's Oscott, London 1841. The British Architect and Northern Engineer, Vol. XVI (July to December 1881) London & Manchester. Tracts for the Times (3 vols) By members of the University of Oxford, London 1839. Viollet-le-Duc, E E. Lectures on Architecture, translation Entretiens sur l' architecture (1854-1868) by Benjamin Bucknall, 2 vols, London 1877. APPENDIX 35

Walker, Edgar Edwardes, Private papers, photograph albums, note books, formula books, price lists, collection of tiles, minute books, letter books, in connection with the Australian Tesselated Tile Company, Mitcham (possession of Walker family, Melbourne). Waring, J N, Masterpieces of Industrial Art and Sculpture at the International Exhibition, 1862, London 1863. Warrington, W, The History of Stained Glass from the Earliest Period of the Art to the Present Time &c. London 1848. Westlake, N H J, A History of Design in Painted Glass, 4 vols, London 1881-9. Wharton Thomas, et al, Essays on Gothic Architecture, London 1802. Williams, L R. 'An Appreciation of the Winning design for the Sydney cathedral competition', Australian Church Quarterly (September 1938) p45. Book Review, 'Architect Extraordinary: The Life and Work of John Horbury Hunt, 1838-1904', by F M Freeland, in Victorian Historical Magazine, 166th issue, 42,4 (November 1971) pp 705-6. 'Church Architecture in Australia', Victorian Historical Journal, 154th issue, vol39, no 4, (November 1968) pp 181-196. 'Some Phases of Church Architecture in Australia', Australian Church Quarterly (December 1929) pp 18-22. 'The Offering of Space', Australian Church Quarterly , Xll, 4 (December 1932) pp 32-34. 'The Spirit of its Architecture', Church Chronicle (Brisbane Diocese) May 1933, Article No XV, to commemorate centenary of the Oxford Movement in 1933. Williams, L R. Papers kindly passed on to me by Peter Sorel, from the Royal Australian Institute of Architects (Victorian chapter). Winston, C, Memoirs Illustrative of the Art of Glass-Painting, London 1865 Wyatt, MD, Metalwork and its Artistic Design, London 1852. Parish Churches, Being Perspective Views of English Ecclesiastical Structures, London 1848. Wyatt Papworth {ed] Dictionary of Architecture, 9 vols, London 1852-1892. APPENDIX 36

Newspapers and Periodicals

Age, Melbourne, 1854 to date Architect (Melbourne), 1967 to date. Architectural Review, London, 1890-1900. Argus, Melbourne, 1846-1957. Arts and Crafts, 1895-1898. Arts and Crafts Society of Victoria Exhibition Catalogues :December 1908,9; October 1912; September 1917; November 1919; November 1921. Australian Builder, Melbourne, 1855-59. New series (1860-61). Australasian Builder and Contractor's News, Sydney, vols. 1-16 (1887-1895). Australian Churchman, Sydney, 1867-70. Australasian Decorator & Painter, Sydney, 1905-1970. Ballarat Star, Ballarat, 1855-1923. Bendigo Advertiser, Bendigo, 1853 to date. Brisbane Courier, Brisbane, 1846-1933. · Builder, London, 1842-1890. Building (later Building and Engineering ) Sydney, 1907-50. Building and Engineering Journal of Australia and , Melbourne, 1890-95. Building News, London, 1856-88. Church Chronicle (Diocese of Brisbane) May 1933. Church Gazette, Melbourne, 1862-1866. Church News, Melbourne, 1866-1870. Church of England Chronicle, Sydney, vols 1-10 (1856-1865). Church of England Messenger, Melbourne, 1869-1966. Cross-Section, 1952-71. Decoration and Glass, 1936-49. Ecclesiologist, Cambridge and London, 1841-1868. Goulburn Herald & Chronicle, Goulburn, 1848-1927. Goulburn Evening Penny Post, Goulburn, 1870-1940. Herald, Melbourne, 1855 to date (now Herald Sun ). Historic Environment, 1980 to date. APPENDIX 37

Mercury, Hobart, 1854 to date. Heritage Australia, 1976 to date. Illustrated London News, London, 1842 to date. Illustrated Sydney News, London, 1842 to date. Royal Institute of British Architects Journal, 1894- RoyalVictorian Institute of Architects Journal and Proceedings 1903-1941 continues as Bulletin, 1948-1963; Architect (Melbourne) 1967 to date. LaTrobe Library Journal, Melbourne 1968 to date. Melbourne Morning Herald, Melbourne, 1849-1855. South Australian Advertiser, Adelaide, 1858-1899. Sydney Morning Herald, 1831 to date. Tablet, London, 1840 to date. The Times, London, 1785 to date. Trust News, Sydney 1959 to date. Trust News, Melbourne 1959 to date. Victorian Architectural Student's Society Journal of Proceedings, 1908-13 {new series 1926-32). West Australian Perth, 1833 to date. APPENDIX 38

Theses consulted

D H Alsop, 'Rodney Howard Alsop, Faculty of Architecture, University of Melbourne, 1970. D H Alsop, 'Walter Richmond Butler, Architect', Faculty of Architecture, University of Melbourne, 1971. G M Down, 'Nineteenth Century Stained Glass in Melbourne', M A, University of Melbourne, 1975. D J Dunbar, 'Lloyd Tayler FRIBA: His Life and Work' Faculty of Architecture, University of Melbourne, 1969. E L Errey, 'Victorian Architectural Ornament 1880-1920', M A, University of Melbourne, 1972. D I Giedraityte, 'Stained and Painted Glass in the Sydney Area, c1830-1920', M A, University of Sydney, 1983. R Hunter, 'Robert Joseph Haddon Architect, 1866-1919', Faculty of Architecture, University of Melbourne, 1981. J Kerr, 'Designing a Colonial Church: Church Architecture in New South Wales 1788-1888', PhD, University of York, 1978. M Lewis, 'Tradition & Innovation in Victorian Building 1801-1865 (3 vols), Ph D. University of Melbourne, 1972. D S Lyall, 'The Architectural Profession in Melbourne 1855-1860', M Arch, University of Melbourne, 1965. A Macpherson, 'That Uncomfortable Genius William Butterfield', M A, University of Melbourne, 1980. C Miley, 'The Arts Among the Handicrafts: The Arts & Crafts Movement in Victoria (1889-1929)', PhD, LaTrobe University, 1993.

G M Moore, 'Antipodean Gothic' (2 vols), M ~University of Melbourne, 1984. . P Y Navaretti, 'Architects of Melbourne and their Work- 1900-1940', Faculty of Architecture, University of Melbourne, 1971. P Stanton, 'Welby Pugin and the Gothic Revival', Ph D, University of London, Courtauld Institute of Art, 1950. J A Trimble, J A, 'Louis R Williams, Ecclesiastical Architect: Tradition and Innovation' (Honours Thesis), Monash University, 1976. APPENDIX 39

Unpublished Material

Bradshaw, E J (nee Drape). 'David Relph Drape, artist, architect and glass stainer' Biographical notes, MS11107, Australian Manuscripts Collection, LaTrobe Library, Melbourne.

Hazell, T, 'Pugin Australia', Melbourne Diocesan Historical Commission.

Hazell, T, 'Church Architecture in Melbourne', Lecture given on 9 December 1971 in the School of Architecture and Building, University of Melbourne.

Lewis, Miles [ed], Australian Architectural Index, microfiche edition, Melbourne, 1990.

Maidment, John, manuscript, 'Gothic Visionary: Alexander North 1858-1945', Melbourne, 1981.

Saunders, D. Architectural History: Domestic Architecture: A Bibliography for Research being carried out in Sydney and Melbourne. Sydney, Power Institute of Fine Arts, 1969. APPENDIX 40

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APPENDIX 52

Law, A Reverend, The Parish of StJohn the Evangelist 1860-1940, Melbourne 1940. MacDougall, RJ, History of St John's, Camberwell, Melbourne 1963. McKeering, B K, St Andrew's Anglican Church, Lutwyche 1866-1991 : (The diary of a parish) Brisbane 1991. McLaren, IF, All Saints' Church East St Kilda 1858-1958, Melbourne 1958. McPherson, A Reverend, St Paul's Cathedral, Melbourne, Australia, n.d. Maynard, FE Maynard Reverend Canon, A Talk about St. Peter's, Eastern Hill Melbourne, n d. The Historic Anglican Parish Church of Melbourne, Melbourne, n.d. StPeter's, Eastern Hill Melbourne 1956. Maddick, VA, Reverend, StJohn's Toorak 1862-1972, ,Melbourne 1972. Reed, Andrew and Associates, 'An Historical and Architectural Survey of St Andrew's church, Clifton Hill', Collingwood 1973 n p. St Andrew's Cathedral Sydney, The Cathedral in the Square, 1819-1980, Sydney 1980. Saint James' Cathedral, A Portfolio of Drawings, Photographs and Notes on the occasion of the Consecration of the Cathedral, 24 June 1978. Townsville. StJohn's Toorak 1862-1972, Melbourne 1972. StJohn's, Colac, Diamond Jubilee 1870-1930. Short, W G Pugin's Gem - A History of St Giles' Catholic Church, Cheadle, Staffordshire 1981. Skeggs, Bruce, St George's Anglican Church East Ivanhoe, A Golden Jubilee History 1929-1979, Melbourne 1979. Souvenir Jubilee of the Cathedral Church of St Boniface Bunbury, Western Australia 1961. The Cathedral Church of the Holy Trinity, Wangaratta, Victoria. The Cathedral Church of St Alban the Martyr, Griffith, 1996 (Diocese of Riverina). The Cathedral Church of St Boniface Bunbury Western Australia. The J L Walker Memorial Brochure, 1972. The Record of the United Free Church of Scotland, September 1929. Williams, R, The Parish Church of St Peter, Eastern Hill, Melbourne n d. Wischer, J [ed].The Presbyterians of Toorak, A Centenary History of Toorak Presbyterian Church 1876 to 1976, Melbourne 1976. Wynd, I, Churches of Geelong, Geelong Historical Society, n.d. Zion Lutheran Church, Henty, Henty, New South Wales, 1963. APPENDIX 53

ARTICLES ON WILLIAMS

'Architect Retires', Southern Cross, March 31, 1976.

Cable, K J, 'Louis Reginald Williams' in J A Moses, [ed] From Oxford to the Bush: Catholic Anglicanism in Australia (Canberra 1997), pp 117-119.

Harris S, 'Church Architect Signs Off', Age, March 20 1976.

Landells R, 'Biography- Louis Williams', Architect, May 1976.

Prentice Roy R, 'The Biography of Louis R. Williams, LFRAIA, Ecclesiastical Architect', 1974 (with some photographs taken by Williams of his buildings) one copy in the State Library of Victoria, other copies with his family.

'Space and Light were His Gift to Many Parishes', Church Scene, July 15 1976.

Trimble, J A, 'Louis R. Williams, Ecclesiastical Architect: Tradition and Innovation' (Unpublished Honours Thesis), Monash University 1976.

'Louis R. Williams, A Lifetime of Contribution', in Victorian Historical Journal, 154, 53 (May 1982) pp 152-158. APPENDIX 54

ILLUSTRATIONS

A Word from Louis Williams, taken from Architect, 1976, p 25. Louis Williams in his library. Photo: Brian Williams. Signing a contract. L R Williams's family collection. Mary and Louis Williams at Airey's Inlet: Photo: Brian Williams. Louis Williams: Photo: Brian Williams. Louis Williams on 'Bon Accord Track'. Photo: Jim Albury. Louis Williams, with friends and staff setting off for 'Lake Mountain': L R Williams's family collection. Airey's Inlet lighthouse, cottage, and cliffs at sunset. Photos: Wendy Currie.

PLATES

1. Trinity College Chapel, Parkville, University of Melbourne, 1914-17. Photos: L R Williams's family collection. Trinity College Chapel, Parkville, bridge between the ante-chapel & chapel, from E G Robertson & J Robertson, Parkville, 1975. 2. Firbank CEGGS, Brighton. Photos: (school Archives). 3. Ivanhoe GGS, classrooms, 1929, junior school, 1949 (school archives). St Philip's kindergarten, Mount Waverley, 1964. Photos: Blyth Johnson. MCEGGS chapel, South Yarra, 1966. L R Williams's family collection. Marsden CEGGS, Bathurst, New South Wales, 1927. Photo: L R Williams. 4. St Philip's kindergarten, Mount Waverley, master plan: Blyth Johnson. 5. St Andrew's Church, Clifton Hill, 1914 (demolished 1975) Courtesy of Blyth Johnson. StPeter's Church, Eastern Hill (hall), 1914. L R Williams's family collection. StGeorge's Church, Koo-Wee-Rup, 1916. Photo: John Maidment OAM. Holy Trinity Church, Launceston, east gable and Heche, 1888-1902. Photo: L R Williams. StJohn's Church, Launceston, 1891-1938. Photo: L R Williams. 6. Old Trinity, Hobart, Tasmania, now Criminal Court, 1831. Photo: Hugh Moore. Holy Trinity Church, Hobart, west facade, 1841. Photo: Wendy Currie. Congregational Church, Newtown, Tasmania, c1840. Photo: Hugh Moore. StGeorge's Church, Battery Point, Hobart, 1847. Photo: Hugh Moore. St Paul's church, Westmeadows, J Blackburn Sr, 1850. Courtesy of National Trust (Victoria). APPENDIX 55

Old StJames's, King Street, West Melbourne, 1847-51, from J M Freeland, Melbourne Churches 1836-1851, Melbourne, 1963, fig 10. Holy Trinity Church, Maldon, designed by DR Drape, 1861, from The Essential Maldon, 1983. Text: Miles Lewis. Illustrations: G H (Mick) Morton. North Goulburn Church, E T Blacket c1880, from Joan Kerr, Our Great Victorian Architect Edmrmsd Thomas Blacket (1817-1883), Sydney, New South Wales, 1983, National Trust of Australia. 7. St Patrick's Cathedral, Melbourne, spires c1939, from F M Chamberlin, St Patrick's Cathedral, A Colour Pictorial_ Melbourne, 1973. St Paul's Cathedral, Melbourne, from St Paul's Cathedral, Melbourne, Australia A Visit to St Paul's Cathedral, n d. Christ Church, South Yarra,1868-1936. spire. Photo: L R Williams. St David's Cathedral, Hobart, 1868-1936. Photo: Wendy Currie. Liverpool Cathedral (1903-) from Banister Fletcher, A History of Architecture, Eighteenth edition, 1975. Liverpool Cathedral (1903-), choir, from Recent English Architecture 1920-1940, London 1947. 8. Church of the Epiphany, Meredith, 1914. Courtesy of National Trust (Victoria). StJames's church, Point Lonsdale, 1915. Courtesy of National Trust (Victoria). All Saints' Church, Newtown, 1918, 1928. L R Williams's family collection. St Nicholas's Church, Mordialloc, 1919. sketch, L R Williams. StGeorge's Church, Flemington. Phot9: Courtesy of the National Trust (Victoria). All Saints' Church, Emu, 1924. Photo: Miles Lewis. St Stephen's Church, Darebin, 1926-7. Photo: Courtesy of National Trust (Victoria). St Stephen's Church, Darebin, bellocte, 1927. Photo: Courtesy of National Trust (Victoria). 9. Peace Memorial Methodist (Uniting) Church, Malvern, 1921-2. Photo: Courtesy of National Trust (Victoria). Methodist (Uniting) Church, Canterbury, competitive design, built 1928-9. Photo: L R Williams. Glenroy Methodist Church, 1962-3. Photos: Blyth Johnson. Sandringham Methodist (Uniting) Church, 1964. L R Williams's family collection. Cheltenham Methodist (Uniting) Church, 1962. Photo: Blyth Johnson. Thomson Memorial Presbyterian Church, Ormond, 1939. Photo: L R Williams. Finlay McQueen Memorial Presbyterian Church, Lang Lang, 1936. Photo: L R Williams. 10. St Giles's Presbyterian Church, Murrumbeena, 1933-4. Photos: Reverend Rosalie Raymond Hewitt. 11. St Giles's Presbyterian Church, Murrumbeena, 1933-4. Photos: Reverend Rosalie Raymond Hewitt. 12. Third Church of Christ Scientist, Melbourne (in Elsternwick), 1930. Archives, courtesy of Mrs Lois Kennedy. Fourth Church of Christ Scientist, Melbourne (in Northcote), 1961. Photos: Courtesy of Blyth Johnson. Zion Lutheran Church (now St Paul's), Henty, New South Wales, 1961. Photos: Blyth Johnson. ~------~~---

APPENDIX 56

13. Sketch for Anglican "bush" churches, 1925. L R Williams's family collection. St Mark's Church, Nyngan, New South Wales, 1920, perspective, L R Williams's family collection. StJohn's Church, Merbein, 1920-1. Photo: L R Williams's family collection. St Peter's Church, Broken Hill, New South Wales, perspective. L R Williams's family collection. StJohn's Church, Alexandra, 1938. L R Williams's family collection. Holy Trinity Church, Whitfield, 1934. Photo: L R Williams. St Nicholas's Church,Werrimull, 1932. Photo: L R Williams's family collection. StMartin's Church, Bittern, 1921, 1935, sketch design. L R Williams's family collection. St Paul's Church, Myrtlefield, 1932-4. Photo: L R Williams. 14. St Paul's Church, Euroa, 1929, 1965. Photos: Blyth Johnson. L R Williams. ) StMary's Church, Narromine, New South Wales, 1927, 1960, sketch design. L R Williams. StJohn's Church, Mansfield, 1940-2. Photos: L R Williams. StJohn's Church Lang Lang, 1958. Photo: L R Williams's family collection. St Stephen's Church, Portland, narthex, 1975-6. L R Williams's family collection. 15. Holy Cross Church, Mathoura, New South Wales, 1929. Photos: Blyth Johnson. St Margaret's Church, Mildura, 1933, 1949, perspective, L R Williams. St Martin's Church, Mullumbimby, New South Wales, sketch design, built 1923-4. L R Williams. St Stephen's Church, Peak Hill, New South Wales, 1928-9. L R Williams's family collection. St Andrew's Church, Mayfield, New South Wales, 1921, 1924. Photo: L R Williams. All Saints' Church, Canowindra, New South Wales, William Montgomery, 1927. Photos: Audrey Farley. St Barnabas's Church, West Wyalong, New SouthWales, 1936, 1954. Photo: L R Williams. 16. Church of the Holy Innocents, Bourke, New South Wales, 1939. perspective, L R Williams. StThomas' Church, Port Macquarie, New South Wales (c1830s) Extensive renovations inside and outside, 1952, from A Nichols et al, Historic Churches of New South Wales, Terrey Hills, New South Wales, 1978. All Saints' Church, New Lambton, New SouthWales, 1959. Photo: Bill Douglas. St Luke's Church, Woy Woy, New South Wales, 1958, facade, Photos: Reverend Rosemary Gillham. StGeorge's Church, Numurkah, 1961. Photo: L R Williams. 17. St Andrew's Church, Lutwyche, Queensland. Photos: Peter Newell. 18. Christ the King Church, Hillston, New South Wales, 1965. Photos: Reverend Ian Kerboeuf. The Trois Arbres Hall, St Stephen's, Adamstown, New South Wales, perspective, built 1922. L R Williams. St Stephen's Church, Adamstown, New South Wales, 1953, 1959, 1973. Photos: L R Williams. 19. Ferguson & Urie windows in nave, StPeter's Church, Eastern Hill, c1865. Photo: Hugh Moore. StPeter's Church, Eastern Hill, 1929, showing the raised level of the sanctuary, lengthened altar &c. from Colin Holden, Tories at Prayer to Socialists at Mass, Melbourne, 1996. St John's Church, Cairns, Queensland, east end, reredos, panelling, &c, 1949. Photo: L R Williams's family collection. APPENDIX 57

Christ Church, Geelong, after liturgical changes. Courtesy of Blyth Johnson. StJohn's Church, Devonport, Tasmania, east end, 1951. Photo: L R Williams. St Paul's cathedral, Melbourne, photos: Wendy Currie. 20. St Paul's Church, Ascot Vale, 1916. Courtesy of Blyth Johnson. St Stephen's, Portland, canopied cresting, 1923. Photo: L R Williams. StJohn's vicarage, Healesville, 1928-9. L R Williams's family collection. St David's Church, Moorabbin, 1930. Photo: L R Williams. Christ Church, Ormond,1937. Photo: L R Williams. StJames's Church, Ivanhoe, 1938-40, 1947-8. L R Williams's family collection. 21. St Stephen's Church, Gardenvale, 1927,Photo: L R Williams. St Paul's Church, Caulfield, facade, vista, 1938. Photos: L R Williams. St Paul's Church, Caulfield, sketch design, highlighting cross. L R Williams. St Paul's Church, Caulfield, 1961, chapel, 1961. Photo: L R Williams. St Silas's Church, Albert Park,1925. Photos: L R Williams. 22. StPeter's Church, Murrumbeena, 1924, 1962. Photos: L R Williams. St Oswald's Church, Glen Iris, 1956. Photo: L R Williams. StPeter's Peace Memorial Church, Box Hill, 1952-3. Courtesy of Mrs Irene King. 23. StJohn's Church, Camberwell, 1958. Photos: Wendy Currie 24. St Mark's Church, East Brighton, 1958 .. Photos: Blyth Johnson. St Paul's Church, Frankston, 1959. Photos: L R Williams. St Silas', North Balwyn, facade, 1962. Photos: Blyth Johnson. 25. All Saints' Church, East Malvern, 1960. Photos: Blyth Johnson. Church of Emmanuel, South Oakleigh, additions, 1956, parish centre, 1962. Photo: L R Williams. St Jude's Church, Alphington, extensions, 1962. Photos: Blyth Johnson. 26. Holy Trinity Church, parish hall, Hampton, 1962. Photos: Blyth Johnson. Holy Trinity Church, Pascoe Vale, facade, 1962. Photos: Blyth Johnson. St Aidan's Church, Carrum, 1964. Photos: Blyth Johnson. Glenroy Methodist Church, 1962-3. Photo: Blyth Johnson. St Matthew's Church, Glenroy, 1963. Photo: Blyth Johnson. 27. St Andrew's Church, Brighton, 1962, exterior. Photos: Hugh Moore. 28 St Andrew's Church, Brighton, 1962, interior. Photos: Hugh Moore. 29. St Andrew's Church, Brighton, 1962, furnishings. Photos: Hugh Moore. 30. St Stephen's Church, Gardenvale, 1927. Photo: L R Williams. St Luke's Church, Brighton, 1927, sketch design, and photo. L R Williams. St Nicholas' Church, Mordialloc, 1919. perspective, L R Williams. StGeorge's Church, Parkes, New South Wales, 1927, 1956. Photo: Blyth Johnson. St Andrew's Church, Brighton, 1962, side elevation. Photos: Hugh Moore. St Andrew's Church, Brighton, 1962, detail of rose. Photos: Hugh Moore. Canopy over mural painting, memorial doors & panels to west end of nave, Christ Church, Geelong, 1942. Photos: Hugh Moore. ------

APPENDIX 58

St Silas' Church, North Balwyn, 1962. Photo: Blyth Johnson. StJohn's Church, Camberwell, 1958. Photo: Wendy Currie. StMary's Church, South Camberwell, 1958, perspective, L R Williams. 31. StJohn's Church, Toorak, sanctuary, panelling, c1939. Photo: Hugh Moore. Reredos & panelling in Frenzel's studio, from Prenzel archives, n d. Photo: Hugh Moore. StJohn's Church, Merbein, font cover, 1922. Photo: Frank Adams (Frenzel's grandson). StPeter's Church, Eastern Hill, c1918. Gothic double sided lectern. Photo: Hugh Moore. 32. Reredos, prieu dieu, stalls, hymn board, detail of hymn board (Frenzel archives) n d. Photo: Hugh Moore. 33. StJohn's Church, Toorak, pews, 1933-4. Photos: Wendy Currie. 34. StJohn's Church, Toorak, furnishings. Photos: Wendy Currie. 35. StJohn's Church, Toorak, Angel chapel, 1936-7. Photos: Wendy Currie. 36. St Mark's chapel, Flinders Naval Base, 1953. Photos: Wendy Currie. Australian Tesselated Tile Company, Catalogue and some surviving tile samples. Courtesy of G Walker, Australian Tesselated Tile Company Archives. 37. St Paul's Cathedral, Melbourne, Processional cross and verger's mace. Photos: Wendy Currie. 38. All Saints' Church, East St Kilda, shrine 1920, and narthex screens, 1921-2, from All Saints Church, East St Kilda 1858-1958. Melbourne, 1958. Holy Trinity Church, Hobart, Tasmania, west facade. Photo: Hugh Moore Holy Trinity Church, Hobart, Tasmania, east end. Photo: Hugh Moore. Holy Trinity Church, Hobart, Tasmania, detail of memorial reredos to Canon Shoobridge, 1929. Photo: Hugh Moore. 39. StJohn's Church, Toorak, War Memorial, 1923. Photos: Wendy Currie. StJohn's Church, Toorak, War memorial parish hall, 1956. Photo: L R Williams. 40. StJohn's Church, Toorak, 1940, opus sectile panels. Photos: Wendy Currie. 41. St Ambrose Church, Gilgandra, New South Wales, sketch design. L R Williams. St Ambrose Church, Gilgandra, New South Wales, 1922-3. Photos: L R Williams. St David's Church. Cooee, Tasmania, 1932, perspective, L R Williams. St Paul's Pro-cathedral, Hay, New South Wales, canopy and reredos, memorial to Archbishop R C Halse, 1966. Photo: L R Williams. All Saints' Church, Preston, memorial tower added 1956 to Williams' 1929 church. Photo: L R Williams. 42. St Paul's Cathedral, Melbourne: Photos:Wendy Currie.

43. St Paul's Cathedral, Melbourne: Photos~ Wendy Currie. 44. Geelong Grammar School Chapel, Corio, 1928. Photos: Courtesy of National Trust (Victoria). 45. St Mark's Chapel, Flinders Naval Base, 1953. Exterior & interior. Photos: Wendy Currie. 46. St Mark's Chapel, Flinders Naval Base, 1953. furnishings. Photos: Wendy Currie. 47. St Mark's Chapel, Flinders Naval Base, 1953, furnishings. Photos: Wendy Currie. 48. St Mark's Chapel, Flinders Naval Base, 1953, pews. Photos: Wendy Currie. 49. St Mark's Chapel, Flinders Naval Base, 1953, side chapel. Photos: Wendy Currie. 50. C'lnopy over mural painting, memorial doors and panels to west end of nave. Christ Church, Geelong, 1942. Photo: Hugh Moore. Mural, 'The Adoration', Christ Church, Geelong, cl942, from The Art of Christian Waller, Exltibitiott Catalogue, Bendigo Art Gallery, 1992. APPENDIX 59

51. Murals by Napier Waller, All Saints', Geelong, 1928, from All Saints', Newtown 1862-1987, Newtown, 1987. Mural by Napier Waller, St Andrew's, Brighton, 1962. Photos: Hugh Moore. 52. Murals by Len Annois, StJohn's, Camberwell, 1958. Photos: Wendy Currie. 53. All Saints' cathedral, Bathurst, New SouthWales, Soldiers' Memorial Hall, 1922 and Warrior's chapel, 1927. Photos: Barbara Fallow. 54. All Saints' cathedral, Bathurst, New South Wales, East end, 1927. Photos: Barbara Fallow. 55. St Saviour's Cathedral, Goulbum, New South Wales, 1925, perspective of proposed tower and spire, not built until1980s, making use of Williams' plans. perspective, L R Williams's family collection. All Saints', Pro-cathedral, Bendigo, partly commenced 1935, not completed, perspective by Roy Simpson, L R Williams's family collection. StJames's Cathedral, Townsville, Queensland, 1955, 1958-60. sketch design: L R Williams. StJames' Cathedral, Townsville, Queensland, 1955, 1958-60. Courtesy of Peter Newell. 56. Holy Trinity Cathedral, Wangaratta, 1958-62. Photos: Blyth Johnson. 57. St Alban the Martyr cathedral, Griffith, New SouthWales, 1955. Photos: Blyth Johnson. 58. St Boniface Cathedral, Sunbury, Western Australia, 1962. Photos: Jim Cunniffe. 59. St Boniface Cathedral, Bunbury, Western Australia, 1962. Photos: Jim Cunniffe. 60. St Boniface Cathedral, Sunbury, Western Australia, 1962, Chapel of St David and St Paul. Photos: Jim Cunniffe. 61. All Saints' Cathedral, Bathurst, New SouthWales, Warriors' Chapel, 1927, Christ with Mary and StJohn, above the altar. Detail of centre light, Christ. Photos: Barbara Fallow. 62. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, St Paul. Photo: Barbara Fallow. 63. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, Bishop Cranmer. Photo: Barbara Fallow. · 64. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, Florence Nightingale. Photo: Barbara Fallow. 65. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, Edith Cavell. Photo: Barbara Fallow. 66. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, St Michael. Photo: Barbara Fallow. 67. All Saints' Cathedral, Bathurst, New South Wales, Warrior's Chapel, 1927, StGeorge. Photo: Barbara Fallow. 68. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, Heroes of the Lonely Way, Captain Cook. Photo: Barbara Fallow. 69. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, Heroes of the Lonely Way. Pioneers and Explorers. Photo: Barbara Fallow. 70. All Saints' Cathedral, Bathurst, New South Wales, east end sanctuary over main altar, 1927, 'Te Deum Laudamus'. Photo: Barbara Fallow. 71. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, 'Ascension'. Photo: Barbara Fallow. 72. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, South East. Photo: Barbara Fallow. 73. All Saints' Cathedral, Bathurst, New South Wales, Warriors' Chapel, 1927, South East. Photo: Barbara Fallow. APPENDIX 60

74. StJames's Church, Ivanhoe, Christian Waller stained glass windows, c1940s. Photos: Wendy Currie. 75. StJames's Church, Ivanhoe, Christian Waller stained glass windows, c1940s. Photos: Wendy Currie. 76. StJames's Church, Ivanhoe, Christian Waller stained glass windows, c1940s. Photos: Wendy Currie. 77. Christ Church, Geelong, Revelation window, Christian Waller, 1948, fromThe Art of Christian Waller, Exhibition Catalogue, Bendigo Art Gallery, 1992. 78. All Saints' Church, Newtown, 'The Visitation', Napier Waller, 1929. Photo: L R Williams. St Paul's Church, Frankston, Napier Waller, 1959. Photos: L R Williams. St Stephen's Church, Gardenvale, Napier Waller, 1964, from Nicholas Draffin, The Art of M Napier Waller, South Melbourne, 1978. All Saints' Church, Canowindra, New South Wales, William Montgomery, 1927. Photo: L R Williams. 79. St Mark's chapel, Flinders Naval Base, stained glass, Taylor-Kellock, 1953. Photos: Wendy Currie. 80. St Mark's chapel, Flinders Naval Base, stained glass, Taylor-Kellock, 1953. Photos: Wendy Currie. 81. St Mark's chapel, Flinders Naval Base, stained glass, Taylor-Kellock, 1953. Photos: Wendy Currie. 82. St Mark's chapel, Flinders Naval Base, stained glass, Taylor-Kellock, 1953. Photos: Wendy Currie. 83. St John's Church, Camberwell, 1958, stained glass, Taylor-kellock, 1957-8. Photos: Wendy Currie. St John's Church, Camberwell, 1958, war memorial windows, Napier Waller, 1961. Photos: Wendy Currie. 84. Houses of the Ascension, Goulburn, New South Wales, before restoration. Photo: L R Williams. Houses of the Ascension, Goulburn, New South Wales, after restoration, 1925. Photo: L R Williams. Chapel of the Ascension, Goulburn, New South Wales, design, L R Williams. Chapel of the Ascension, Goulburn, New South Wales, east end, 1925. Photo: L R Williams. I. Community of the Holy Name, Cheltenham, House of Mercy, 1935, and chapel1938.Photos: L R Williams. Community of the Holy Name, Cheltenham, House of Mercy, chapel 1938, design. L R Williams. Community of the Holy Name, Cheltenham, House of Mercy, extensions, 1950s. L R Williams. 85. Retreat House, Cheltenham. Photo: L R Williams. New chapel added to Retreat House, Cheltenham. Photos: Blyth Johnson. 86. Retreat House, Photo: L R Williams . StJohn's Theological College, Morpeth, New South Wales, master plan stage one, built 1925. L R Williams. StGeorge's Maternity Hospital, Kew, 1924, perspective, L R Williams. Youth & Synod Centre, Grafton, New South Wales, perspective. L R Williams. Youth & Synod Centre, Grafton, New South Wales, 1954. Photo: L R Williams. APPENDIX 61

87. StJames's Buildings, Williams Street, Melbourne, 1933-5. L R Williams's family collection. St Matthew's, Prahran, parish hall, converted into four lock up shops on High Street, Prahran, 1934. Herald, December 16, 1936. W J Inglis, warehouse, 1962. Photo: Blyth Johnson. W J Inglis, office and showroom, 1962. Photo: Blyth Johnson. Williams's own brick used to identify his buildings. Photo: Blyth Johnson. 88. St Edmund's Church, Wembley, Western Australia, 1952-3. Photos: John Adeney. 89. StGeorge's, Parkes, New South Wales, 1919,1956. Photos: Blyth Johnson. St Nicholas' Floreat Park, Western Australia, 1962. Photos: Blyth Johnson. St Paul's, Kingsville, 1961. Photos: Blyth Johnson. 90. Holy Trinity, Ulverstone, Tasmania, 1961. Photos: L R Williams. 91. StPeter's, Leeton, New South Wales, 1973. Photos: Blyth Johnson. PLATE 1

(d)

(e)

(b)

(f)

(c) (a) west facade, (b) detail of carved canopy frieze to nave stalls. (c) copper plaque in memory of G W Torrance (g) (d) east end. (e) spire Trinity College Chapel, University of Melbourne, 1914-17. (f) interior. (g) bridge between ante-chapel and chapel. - --

PLATE 2

(a)

(d)

(e) (a) Firbank crest, 1945. (d) Cameron wing, 1960. (b) school gates, 1945. (e) gymnasium, 1960. (c) Chapel, 1934. (c) Cameron Wing, 1960. Firbank CEGGS, Brighton. (a) (e)

(f)

(b)

(g)

(c)

(h)

(d)

(a) Ivanhoe GGS, classrooms, 1929. (b) Ivanhoe GGS, classrooms, 1929. (c) Ivanhoe GGS, junior school, 1949. (d) St Philip's kindergarten, MtWaverley.1964. (e) St Philip's kinder. and meeting room, 1964. (f) MCEGGS, South Yarra, 1966. (g) MCEGGS, chapel, South Yarra, 1966. (h) MCEGGS, chapel, sanctuary, 1966. (I) Marsden CEGGS, Bathurst, NSW, 1927. ( i) PLATE 4

...... ,.. _...... -~ .... ,... lk.c- f. # . 'f"lll l tCA ..-~

II.~-­ :1 •~ .• ~. -~ j . · ~ r (Ji. .· ' . -- - -- . -- -.. . ,.~.. .. '2.. ,._ ~ ~ ...:.,.. -· li .. ...,#,... ~R:j $o'T:16o .... • It~ ,_. • • •• • "'. ····1-----1 .. .. ~ .._. I .. 4' ...· • •• ---1.1· h.n'1l ... ·... ,. .... ·----i ·~.r tJ HM\.... .,. #.. il ···---~ . _, , ~-' ~ I!J.. J.KA;~ • · ~·, II .,. * ···~---~ 7 ...... ·· ,.• \ ,,..~,. .,·s , ...... It-----~ ':'iA~1E. '?LAN ...... ,. . •;...... , . •. • ..'!' .. • .•. • ...... • •• . _.'I.·

..~ _,...... ,...... ,...... - ..., ..CPWill••••l"''l'li"" --

St Philip's Mount Waverley, Master Plan PLATE 5

(a) (e)

(b)

(f)

(c) (g)

(d)

(a) StAndrew's Church, Clifton Hill, 1914, since (h) demolished. (b) St Andrew's Church, Clifton Hill, 1914. (c) StAndrew's Church, Clifton Hill, Arts & Crafts windows. (d) StAndrew's Church, Clifton Hill, altar& reredos. (e) StPeter's Church, Eastem Hill (hall),1914. (~ StGeorge's Church, Koo-Wee-Rup, 1916. (g) Holy Trinity Church, Launceston, east gable and fleche. (h) StJohn's Church, Launceston, 1891-1938. ------

PLATE 6

(a)

(e)

(b)

(f)

(c) (g)

(a) Old Trinity, Hobart, now Criminal Court, 1831. (b) Holy Trinity, Hobart, westfacade, 1847. (c) Congregational Church, Newtown, Tas. c1840. (d) st George's Church, Battery Point, Hobart, 1847. (e) st Paul's Church, Westmeadows, 1850. (f) stJames' Old Cathedral, King street, Melbourne. (g) Holy Trinity Church, Maldon, DR Drape, 1861. (h) North Goulburn Church, NSW, E Blacket, 1880.

(h) PLATE 7

(a)

(d)

(e) (b)

(f)

(a) St Patrick's cathedral, Melbourne, spires c1939. (b) St Paul's, Cathedral, Melbourne,1931 . (c) Christ Church, South Yarra, spire c1885. (d) St David's cathedral, Hobart, G F Bodley. (c) (e) Liverpool Cathedral, England, 1903- (f) Liverpool Cathedral, England, choir. PLATE 8

(e)

(b) (f)

(c)

(g)

(d)

(a) Church of the Epiphany, Meredith, '1913. (b) StJames' Church, Point Lonsdale, 1915. (c) All Saints' Church, Newtown, 1918, 1928 .. (d) St Nicholas' Church, Mordialloc, sketch design, built, 1919. (e) StGeorge's Church, Flemington, 1925-6. (h) (f) All Saints' Church, Emu, 1934. (g) St Stephen's Church, Darebin, 1926-7. (h) Ststephen's Church, Darebin, bellcote detail. ------

PLATE 9

(c)

( i)

•w•

• (d)

(j)

(a) Peace Memorial Methodist (Uniting) Church, Malvern, 1921-2 . (b) Methodist (Uniting) Church, Canterbury. competitive design, built 1928-9. (c) Glenroy Methodist (Uniting) Church, 1962-3. (d) Glenroy Methodist (Uniting) Church, 1962-3. (e) Glenroy Methodist (Uniting) Church, interior. (f) Sandringham Methodist (Uniting) Church, 1958. (g) Cheltenham Methodist (Uniting) Church,1964. (h) Cheltenham Methodist (Uniting) Church,1964. (i) Thomson Memorial Presbyterian Church, Ormond, 1939. (j) Finlay McQueen Memorial Presbyterian Church, Lang Lang, 1936. PLATE 10

(d)

(a)

(b) (e)

(c)

(f)

(a) west facade. (b) view to the south west (c) view to the south east (d) emblem of the burning bush. (e) sanctuary. (f) Aeneas MacDonald memorial windows.

St Giles' Presbyterian Church, Murrumbeena, 1933-4. PLATE 11

(d)

(a) (b)

(e) (c)

(a) west porch containing St Giles' window, (b) detail, S Giles', stained glass, Christian Waller. (c) memorial window to those who served in the 191411918 and 1939/1945wars. (d) memorial window to William Robert Gilbert (e) triple light stained glass window. (f) Margaret MacDonald memorial window.

(f)

St Giles' Presbyterian Church, Murrumbeena, 1933-4. - - -- -

PLATE 12

(a)

(f)

(b)

(g)

(h)

(a) Third Church of Christ Scientist, Melbourne, (d) (in Elsternwick), 1930. (b) Third Church of Christ Scientist, Elsternwick, (c) Third Church of Christ, Elsternwick, east end. (d) Third Church of Christ, Elsternwick, west end. (e) Zion Lutheran Church, Henty, NSW, 1961 . (f) Fourth Church of Christ Scientist, Melbourne, (in Northcote), 1960. (g) Fourth Church of Christ, Melbourne (in Northcote), interior. (h) Zion Lutheran Church, Henty, NSW, 1961 . PLATE 13

(f)

(a)

(g)

(b)

(h)

(c)

(d) (i)

(a) Sketch for Anglican bush churches, c1920s. (b) St Mark's Church, Nyngan, NSW, 1920, sketch design. (c) StJohn's Church, Merbein, 1920-1 . (d) StPeter's Church, Broken Hill, NSW, sketch design, built 1927-8. (e) StJohn's Church, Alexandra, 1937, porte- cochere, 1958. (f) Holy Trinity Church, Whitfield, 1934. (g) St Nicholas' Church, Werrimull, 1932. (h) StMartin's Church, Bittern, 1935. ( i) St Paul's Church, Myrtleford, 1932-4. (e) PLATE 14

(e)

(b) (f) ~· / !' I

(g)

(h)

(a) St Paul's Church, Euroa, 1928,1962. (b) St Paul's, Euroa, 1928, 1962. (c) StMary's Church, Narromine, NSW, sketch design, built 1927, 1960. (d) StJohn's Church, Mansfield, 1940-2. (e). StJohn's, Mansfield, 1940-2. (f) StJohn's Church, Lang Lang, design, built 1958. (g) StJohn's, Lang Lang, view from the north, 1958. (h) St Stephen's Church Portland, narthex, 1975-6. ------

PLATE 15

(f)

(g)

(c)

(h)

(e) ( i)

(a) Holy Cross Church, Mathoura, NSW, 1936. (f) stAndrew's Church, Mayfield, NSW, 1921, 1924. (b) Holy Cross Church, Mathoura, 1935. (g) All Saints Church, Canowindra, NSW, 1927, 1956. (c) St Margaret's Church, Mildura, 1933. (h) All Saints Church, Canowindra, NSW, 1927, 1956. (d) StMartin's Church, Mullumbimby, NSW, ( i) St Barnabas Church, West Wyalong, NSW, sketch design, built1923-4. 1936,1964. (e) st Stephen's Church, Peak Hill, NSW, 1928-9. PLATE 16

(a) (e)

(f)

(g)

(d)

(a) Church of the Holy Innocents, Bourke, NSW, 1939. (h) (b) StThomas' Church, Port Macquarie, NSW, renovations inside and outside, 1952. (c) All Saints' Church, New lambton, NSW, 1959. (d) All Saints', New lambton, NSW, interior. (e) St Luke's Church, Woy Woy, NSW, 1958. (f) StLuke's, WoyWoy, NSW, 1958. (g) St Luke's, Woy Woy, NSW, 1958. (h) StGeorge's Church, Nurmurkah, 1961. PLATE 17

(e)

(b) (f)

(c)

(g)

(d)

(a) west facade. (e) view of triangular buttresses. (b) detail of tower. (f) interior. (c) east end. (g) foundation stone, 1925. (d) tower and buttress detail. (h) consecration stone, 1960.

St Andrew's Church, Lutwyche, Queensland, 1925, 1960. ------

PLATE 18

(e) (a)

(b) (f)

(g) (c)

(d)

(h)

(a) Christ The King Church, Hillston, NSW, 1965. (e) Christ The King, Hillston, NSW, west end. (b) Christ The King, Hlllston, NSW. (f) The Trois Arb res Hall, St Stephen's, Church, (c) Christ The King, Hlllston, NSW, cement bricks Adamstown, NSW, sketch design, built 1922. (d) Christ The King, Hillston, NSW, east end. (g) St Stephen's Church, Adamstown, NSW, 1959, 1973. (h) St Stephen's, Adamstown, interior, 1973. PLATE 19

(f)

(e)

(g)

(b)

(h)

(c)

(i)

(a) StPeter's church, E Melbourne, showing raised level of the sanctuary, and lengthened altar, 1929. (b) StJohn's church, Cairns, reredos, &c. 1949: (c) Christ Church, Geelong, after liturgical changes. (d) StJohn's church, Devonport, east end, 1951. (e) Ferguson & Urie windows, StPeter's church, E Melb, c1866. (f) St Paul's Cathedral, Melbourne, narthex screen and gates, 1971. (g) St Paul's Cathedral, Melbourne, looking east. (h) St Paul's Cathedral, Melbourne, nave altar, 1971. ( i) St Paul's Cathedral, Melbourne, nave altar rail detail. (d) ----- ~ ------

PLATE 20

(a)

(e)

(b)

(c)

(g)

(d)

(a) St Paul's church, Ascot Vale, 1916. (h) (b) · St Stephen's church, PorUand, canopied cresting, 1923. (c) StJohn's vicarage, Healesville, 1928-9. (d) St David's church, Moorabbin, 1930. (e) Christ Church, Ormond, 1937. (f) StJames' church, Ivanhoe, 1938-40, 1947-8 (g) StJames', Ivanhoe, interior. (h) StJames', Ivanhoe, font cover. PLATE 21

(a)

(d)

(e)

(c)

(g)

(a) St Stephen's church, Gardenvale, 1927. (b) St Paul's church, Caulfield, 1938. (c) St Paul's church, Caulfield, vista along Glenferrie Road . (d) St Paul's church, Caulfield, sketch design .showing cross. (e) St Paul's, church, Caulfield, chapel, 1961. (f) St Silas' church, Albert Park, facade, 1925. (g) St Silas' church, Albert Park, rsised cross in gable. PLATE 22

(e)

(a)

(f)

(g)

(h)

(a) StPeter's church, Murrumbeena, 1924. (b) StPeter's, Murrumbeena, sketch, 1959. (c) StPeter's, Murrumbeena, plan. (d) StPeter's, Murrumbeena, 1962. (e) StPeter's, Murrumbeena, interior. (f) St Oswald's church, Glen Iris, 1956. (g) StPeter's Peace Memorial Church, Box Hill, 1952-3. (h) StPeter's Peace Memorial, Box Hill, 1952-3. PLATE 23

(e)

(c)

(d)

(a) view from Camberwell junction. (h) (b) west facade facing Bourke Road. (c) north east ( i) (d) west end. (e) west window. (f) interior. (g) altar frontal. (h) pelican in her piety, Children's corner, 1962. (i) lectern. StJohn's church, Camberwell, 1958. ------PLATE 24

(e)

(f)

(b)

(g)

(c)

(h)

(a) St Mark's church, East Brighton, 1958, facade, . (b) St Mark's church, East Brighton, 1958, facade. (c) St Mark's church, East Brighton, 1958, interior. (d) St Paul's church, Frankston, 1959, facade. (e) St Paul's church, Frankston, 1959, interior. (f) St Silas' church, North Balwyn, facade, 1962. (d) (g) St Silas' church, North Balwyn, interior. (h) St Silas' church, North Balwyn, east end. ---- ~ ------

PLATE25

(a)

(e)

(b)

(f)

(c)

(g)

(a) All Saints' church, East Malvern, sketch design. (d) (b) All Saints' church, East Malvern, 1960. (c) All Saints' church, East Malvern, interior. (d) StMary's church, East Preston, additions tohall and parish centre, 1958-9. (e) Church of Emmanuel, South Oakleigh, additions, 1956, parish centre, 1962. (f) St Jude's church, Alphington, extensions, enlarging nave, adding narthex and cloisters, 1962. (g) St Jude\! church, Alphington, 1962. PLATE26

(a) (e)

(f)

(b)

(g)

(c)

(h)

(a) Holy Trinity, parish hall, Hampton, 1962. (b) Holy Trinity, parish hall, Hampton, 1962. (c) Holy Trinity church, Pascoe Vale, facade, 1962. (d) Holy Trinity church, Pascoe Vale, 1962. (d) (e) Holy Trinity church, Pascoe Vale, interior, 1962. (f) St Aidan's church, Carrum, 1964. (g) StAidan's church, Carrum, detail. (h) St Matthew's church, Glenroy, 1963. PLATE27

(a)

( f)

(b)

(g)

(c)

(a) model, 1956. (b) surviving bluest.one part of original church. (c) cross from gable of old bluestone church. (d) (d) lettering on cross. (e) view of church with old bluestone portion (f) west facade. (g) new brick portion joined to bluestone part. (h) cloisters. ( i) long slender nave windows. StAndrew's Church, Brighton, 1962. PLATE28

(a)

(f)

(a) reredos, 1962. (b) reredos, bronze sculpture added 1987. (c) west end. (d) group of three twin windows. (e) (e) group of three twin windows. (f) south wall, sanctuary. (g) south wall, sanctuary, detail of windows. St Andrew's Church, Brighton, 1962. (h) detail of twin windows. PLATE29

(e)

(a) Bishop's chair and stalls. (b) pewend. (c) stalls. (d) rose window. (e) long narrow windows in nave walls. (h) (f) pews edged with gold lines. (g) pulpil (h) tapestry, since stolen.

StAndrew's Church, Brighton, 1962. ------

PLATE30

(a)

..

(h)

(d)

( i)

(f) , (a) st Stephen's church, Gardenvale, 1927. (j) (b) St Luke's church, Brighton, sketch design. (c) Stluke'schurch, Brighton, 1927. (d) St Nicholas' church, Mordialloc, 1919. (e) StGeorge's church, Parkes, NSW, 1926-55. (f) StAndrew's, Brighton, side elevation, 1962 . . (g) StAndrew's church, Brighton, detail of rose. (h) Canopy over mural painting, memorial doors & panels to west end of nave, Christ Church, Geelong, 1942. (i) StSilas'church, North Balwyn, 1962. (j) st John's church, Camberwell, 1958. (k) (k) st Mary's church, South Camberwell, 1958. PLATE 31

(c)

(a)

(d)

(b)

(a) StJohn's Church, Toorak, sanctuary panelling c1939. (b) Reredos & panelling in Prenzel's studio, (Prenzel archives) n.d. (c) StJohn's Church, Merbein, font cover, 1922. (d) Gothic double sided lectern, StPeter's church, East Melbourne, c1918. PLATE 32

(d) (a) Reredos. (e) (b) Prieu dieu. (c) stalls. Robert Prenzel Archives (d) Hymn board. (e) Detail of hymn board. PLATE33

(g)

(h)

(a) pew arm, Major Mitchell Cockatoo. (b) pew head, hakea. (c) pew head, hymenosporum. (d) pew head, Christmas bells. (e) pew arm, Eastern Shrike Til (~ pew head, Queenland kauri. (d) (g) pews, detail. (h) rows of pews.

StJohn's Church, Toorak, 1933-4. PLATE34

(e) (d)

(a)

(f) (g)

(b)

(c) (h)

(a) Cloisters, 1936-7. (e) Font cover, 1938. (b) Prayer desk, showing misere seat folded, (f) An archangel rising from a corbel attached to angel chapel, 1936. oak beams, joined to ceiling, angel chapel. (c) M isere seat detail, angel chapel,1936. (g) Pilgrim's progress, detail of font cover, 1936. (d) Font and dado in baptistry. (h) Chapel screens closing off chancel arches, 1938 . • StJohn's Church, Toorak. PLATE35

(h)

(e) (j)

(a) statue in chapel, Raphael. (f) altar in chapel. (b) angel figure. (g) angels supporting altar & angel faces on (c) explorers in the outback. ends of altar rails. (d) the drover. ( i) font in chapel, face of the littlest angel. (e) Manasseh. ( j) lssachar.

StJohn's Church, Toorak, angel chapel, 1936-7. ------

PLATE36

(b)

(a) baptistry. (b) font detail (c) font supported on dolphins. (d) dolphins supporting altar rails.

(a)

(c) St Mark's chapel, Flinders Naval base, 1953,

------I

J~- ...... - ---....

(e)

Australian Tesselated Tile Company, Catalogue and some surviving tile samples. PLATE37

(a)

(b)

(a) Processional cross, c1931 . (c) (b) Processional cross, reverse side. (c) Verger's mace.

St Paul's Cathedral, Melbourne. ------

------PLATE38

(a)

(c)

(b)

(d)

(e)

(a) All Saints' Church, East St Kilda, Shrine, 1921 . (b) All Saints', East St Kilda, narthex screen, 1921-2. (c) Holy Trinity, Hobart, west facade. (d) Holy Trinity, Hobart, east end, showing memorial reredos to Canon Shoobridge, 1929. (e) Holy Trinity, Hobart, detail of reredos memorial to Canon Shoobridge, 1929. PLATE39

(c)

(d)

(e) (b) (a) War Memorial monument, 1923. (b) War Memorial, near west porch, 1923. (c) dying digger handing a banner to Victory. StJohn's church, Toorak, War Memorial, 1923. (d) detail of cresting on monument (e) War memorial parish hall, 1956. PLATE40

(a)

(b)

(a) First Service in Australia, opus sectile, detail. (b) First Service in Australia, opus sectile panel. (c) W Caxton Printing Press, opus sectile panel, 1940. (d) Elijah on Mount Carmel, opus sectile panel, 1940.

(d) StJohn's church, Toorak, 1940. PLATE41

(a) (e)

(f)

(c)

(g)

(h)

(a) StAmbrose church, Gilgandra, NSW, sketch design. (b) St Ambrose, Gilgandra, NSW, west face, 1922-3. (c) St Ambrose, Gllgandra, interior, 1922-3. (d) StAmbrose, Gilgandra, Tower, 1922-3. (e) St David's church, Cooee, Tasmania, 1932. (f) St Paul's Pro-cathedral, Hay, NSW, canopy and reredos over altar, memorial to Archbishop R C Halse, 1966. (g) St Paul's Pro-cathedral, Hay, NSW, detail of canopy and reredos. (h) All Saints' church, Preston, memorial tower added 1956 (d) to Williams' 1929 church. ------~--~ PLATE42

(a)

(d)

(c)

(b)

(a) Alberto Zelman, Founder of the Melbourne Symphony Orchestra, 1906. (b) John Essex Grey Smith, Lieutenant Commander Royal Navy, who lost his life on active service 17th March 1917, while serving in H.M.S. Cambrian. (c) Harcourt granite font and carved canopy. (d) Blackwood carved font canopy, 1928. (e) Font canopy, detail (f) Pelican in her piety, detail.

(f) St Paul's Cathedral, Melbourne. ------PLATE43

(e)

~ ~ (a) and Archbishops of Melbourne. (d) Archbishop Frederick W Head, 1929-1941 . (b) Opus eectile tablet recording names of Deans (e) Archbishop Joseph John Booth, 1942-1956. of Melbourne, from 1879-1999. (f) General Sir Harry Chauvel, G. C. M.G., K. C.B. (c) Sir George Turner marble stalls in sanctuary, (g) Looking west from nave. 1931. St Paul's Cathedral. Melbourne. ------~~~~ PLATE44

(e)

(a)

(f)

(g)

(d) (h)

(a) facade (e) cloisters, interior view. (b) Memorial screen. (f) cloisters, exterior. (c) view to the east (g) gallery, west end. (d) rose window. (h) east end.

Geelong Grammar School Chapel, Corio, 1928. (a) perspective. (b) western facade. (c) view to east end, Interior. (d) apse. (f) (e) view to north side (f) west end, Interior. St Mark's Chapel, Flinders Naval Base, 1953. PLATE 46

(a)

(c) (b)

(a) memorial plaque for those Navy personnel who gave their lives for this country in wartime. (b) litany desk. (c) shield on desk.

St Mark's Chapel, Flinders Naval Base, 1953. ------

------PLATE47

(f)

(g) (c)

(a) eastend. (b) altar & rails. (c) pulpil (d) lectern (e) open timber ceiling. (f) rose, HMAS Perth memorial. (g) sea horse.

(d)

St Mark's chapel, Flinders Naval Base, 1953. ------48

St Mark's Chapel, Flinders Naval Base, Pews, 1953. ------PLATE49

(a) (b)

(c)

(e) (d)

(a) view to side chapel. (b) side chapel, wave like cresting, 1972. (c) Hobart crest on wave-like carving, 1972. (d) Hobart crest detail, 1972 , side chapel. (e) Hobart crest detail, 1972, side chapel. (f) side chapel, westend.

st Mark's chapel, Flinders Naval Base, 1953. (f) PLATE 50

(a)

(c) (a) canopy over mural painting, memorial doors & panels to west end of nave. (b) detail of canopy. (c) detail of mural.

Christ Church, Geelong, 1942. PLATE 51

(b)

(a)

(a) All Saints' church, Gee long, Napier Waller mural , 'Annunciation', 1928. · (b) All Saints' church, Gee long, Napier Waller (d) mural, 'Crucifixion', 1928. (c) St Andrew's church, Brighton, view into the Pioneers' Chapel with font in foreground, and mural high on the west wall, 1962. (d) St Andrew's church, Brighton, Napier Waller mural, in the Pioneers' Chapel, 1962. PLATE 52

(a)

(b)

(a) Mural over altar, eastend, Len Annois, 1958. (b) Mural over west door, Len Anno is, 1958.

StJohn's church, Camberwell, 1958. ------·

PLATE 53

(a)

(e)

(b)

(c) (f)

(d) (g) (a) Walshaw (now Soldiers Memorial Hall), 1922. (b) Soldiers Memorial Hall ~ (c) Glastonbury chair & desk, Warriors' chapel. (d) Communion rails, Warriors' chapel. (e) Screen with view Into Warriors' chapel , 1927. (f) Parclose screen, view into Warriors' chapel. (g) last Supper above altar, Warrior's chapel, signed 'DDV', usual signature of Velasquez, dated 1650.

All Saints' cathedral, Bathurst, NSW, Soldiers Memorial Hall, and Warriors' Chapel.. PLATE 54

(b)

(a) perspective. (b) plan showing proposed additions and recasting of East End. (c) east end and Warriors' Chapel, 1927. (d) view from north easl (e) east end, interior. ( ~ parclose screen and archbishoop's throne. (g) Archbishop's throne. (h) parclose screens.

All Saints' Cathedral, Bathurst, New South Wales, 1927. ------~

PLATE 55

(a) (b)

(c)

(e)

(a) St Saviour's Cathedral, Goulburn, 1925, perspective of proposed tower and spire not biuilt until1980s, making use of Williams' plans. (b) All Saints', Pro-' cathedral, Bendigo, partly commenced 1935, not completed. (c) StJames' Cathedral, Townsville, sketch. (d) StJames' Cathedral, Townsville, 1955. (e) StJames' Cathedral, Townsville, 1958-60. (f) StJames' Cathedral, Townsville, archbishop's throne. (d) (f) PLATE 56

(a)

(d)

(g)

(a) sketch. (b) west facade. (c) apse. (d) great west door. (e) north side. (f) interior. (g) aisle.

Holy Trinity Cathedral, Wangaratta, 1958-62. PLATE 57

(a)

(e)

(b)

(f)

(c)

(g)

(a) westfacade. (b) interior, east end .. (c) interior, west end (d) view to the south. (e) aisle. (f) baptistery. (g) side view and east end. (d)

St Alban the Martyr cathedral, Griffith, New South Wales, 1955. -- ·- -

------

PLATE 58

(e)

(b)

(c) (~

(d)

(a) facade, wesl (b) facade, side, showing slope & retaining wall. (c) facade, easl (d) interior, west end. (g) (e) Archbishop's throne. (~ Archbishop's throne, canopy detail. (g) Archbishop's throne, angels detail.

st Boniface Cathedral, Sunbury, Western Australia, 1962. PLATE 59

(a)

(b)

(e)

(c)

(f) (d) (a) east end. (b) main altar frontal. (c) main altar frontal detail. (d) pulpit. (e) baptistry, with stained glass windows. (f) font cover.

St Boniface cathedral, Bunbury, Western Australia, 1962. -- --·--· PLATE60

(a)

(b) (c)

(a) Chapel of St David and st Paul. (b) St David. (c) st Paul.

st Boniface Cathedral, Sunbury, Western Australia., 1962. PLATE 61

Christ with Mary and St John, above the altar

Detail of centre ligh~ Christ

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 PLATE62

St Pllul

All S.lnts C1thedr1l, Blthurst NSW, W1rrlors' Ch•pel1927 PLATE63

Bishop Cr1nmer

All Stints C.thedl'll, Blthurst NSW, W1rrlors' Ch.lpel1927 PLATE64

.,

Florence Nightingale

All Saints Cathedral; Bathurst NSW, Warriors' Chapel1927 PLATE 65

Edith Cavell

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 -- PLATE 66

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 PLATE 67

StGeorge

All S.lnts C1thedr11, Blthurst NSW, W1rrlors' Ch•pel1927 PLATE 68

Heroes of the Lonely Way Captain Cook

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 - - -- - .-~~- -- - PLATE69

Heroes of the Lonely Way Pioneers and Explorers

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 -~-~ ------PLATE 70

"Te Deum Laudamus"

All Saints Cathedral, Bathurst NSW, PLATE 71

Ascension

All Saints Cathedral, Bathurst NSW, Warriors' Chapel 1927 PLATE72

South East

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 PLATE 73

South East

All Saints Cathedral, Bathurst NSW, Warriors' Chapel1927 PLATE 74

(b)

(e) (f) (a) I am the Bread of life, Christian Waller, 1940s. (b) I am the light of the World, Christian Waller, 1940s. (c) I am the Good Shepherd, Christian Waller, 1940s. (g) (d) I am the Resurrection, Christian Waller, 1940s. (e) St Cecilia, Christian Waller, 1940s. (f) StAgnes, Christian Waller, 1940s. (g) I am the Vine, Christian Waller, 1940s. StJames' Church, Ivanhoe. PLATE75

(a)

(d)

(e) (g) .. ... I f ~ I 1 -' (f) .. (a) Hope, Christian Waller, 1940s. (b) Faith, Christian Waller, 1940s. (c) Dorcas, Christian Waller, 1940s. (d) Jesus, Christian Waller, 1940s. (h) (e) Memorial to J Knorr, Christian Waller, 1940s. (f) Three lights, Christian Waller, 1940s (g) Twin windows, angels, Christian Waller, 1940s. (h) Bede, Christian Waller, 1940s. StJames' s Church, Ivanhoe . PLATE 76

(b) (a)

(c)

(f) . (d) (e)

(a) Isaiah, Napier Waller, 1965. (b) Baptism, Smith window, Napier Waller, 1963. (c) St Luke, MacGeorge window, N Waller, 1962. (d) F H Chambers' window, Christian Waller, c1940s. (e) nave windows, Christian Waller, c1940s. StJames' Church, Ivanhoe. (f) nave windows, Christian Waller, c1940s. ------~-- _ - ·------~- PLATE 77

Christ Church, Geelong, Revelation window, Christian Waller, 1948. ------~ - PLATE 78

(c)

(d) (f)

(a) All Saints' church, Newtown, 'Visitation', (e) St Stephen's chuch, Gardenvale, Napier Waller, NapierWaller,1929. 1964. (b) St Paul's church, Frankston, Napier Waller, (f) All Saints',Canowindra, New South Wales, 19U, 1959. William Montgomery. (c) St Paul's, Frankston, Napier Waller, 1959. (d) St Paul's, Frankston, Napier Waller, 1959. PLATE79

(a)

(d)

(c) (a) windows from old chapel in drill hall. inserted in side chapel. (b) Last Supper from old chapel altered to fit into new chapel. (c) rose, side chapel. (d) angels, sanctuary.

St Mark's chapel, Flinders Naval Base, 1953. PLATE 80

(a) (b) (c)

(d) (e)

(a) Flinders, HMAS, Paramatta windows. (d) Flinders, HMAS Cerberus Naval Base, 1921 ~ 1928 .. (b) Flinders, memorial by Wrans of HMAS Cerberus. (e) Memorial to small ships. (c) Flinders, HMAS Yarra memorial window.

St Mark's Chapel, Flinders Naval Base, 1953. PLATE 81

(c)

(d)

(a)

(a) Great west window, HMAS Sydney. (b) Memorials to small ships. (c) Crucifix. (d) Memorial to Commodore Morrow. (e) Memorial to various ships.

St Mark's Chapel, Flinders Naval Base, 1953. (b) (e) PLATE 82

(d)

(b)

(c) (e) (a) Memorials to members of Small Ships, II World War. (b) Memorials to members of Small Ships, II World War. (c) sailor, sanctuary. (d) St Edmund, sanctuary. (e) St Andrew.

St Mark's chapel, Flinders Naval Base, 1953. PLATE83

(e)

(f)

(d) (e) (g)

(a) windows above altar, D Taylor-Kellock, 1957. (e) narthex, south wall, T-K, 1958. (b) War memorial windows, N Waller, 1961. (f) detail, St Alban, (c) narthex, Holy Family, T-K, 1958. (g) Chapel windows, eastend, T-K, 1957. (d) angels and trumpets, T-K, 1958.

StJohn's church, Camberwell, 1958. ------~

PLATE84

. .. '! I ,.. . I

(h)

(a) Houses of The Ascension, Goulburn, before. reconstruction. (f) (b) Houses of The Ascension, after, 1925. (c) Chapel of The Ascension, Goulburn, design. (d) Chapel of The Ascension, Goulburn, east end,1925. (e) Community House, Cheltenham, 1935-6 (f) Community House, 1935, and chapel1938. (g) Chapel for the Community of the Holy Name. (h) House of Mercy, Cheltenham, aerial view from north east of proposed extensions, 1950s for the Community of the Holy Name ..

( g) ------

------

PLATE 85

""i ·'

(j)

(a) Retreat House from the west, showing new chapel. (b) Retreat House, north wesl (c) Laying foundation stone of new chapel, 1963. (d) New chapel, added to one corner of Retreat House. (e) New chapel interior, east end. (f) New chapel featuring vertically subdivided colour glass window walls. (g) 'Christ in Majesty', by Clifford Last, Narthex. (h) Detail of carving. I i) Interior of new chapel. (j) Plan of chapel, chaplain's flat, vestry, &c.

(ij Retreat House, Cheltenham. ------PLATE86

(a)

(c)

(d)

(e)

(a) Retreat House. (b) StJohn's Theological College, Morpeth, NSW, master plan, stage one , built 1925. (c) StGeorge's Maternity Hospital, Kew, perspective, built 1924. (d) Youth & Synod Centre, Grafton, perspective. (e) Youth & Synod Centre, Grafton, 1954, ------PLATE87

(d)

(a)

(b) (e)

(c)

(a) StJames's Buildings, Williams Street, Melbourne, remodelled for Church of England, 1933-5 (b) St Matthew's, Prahran, parish hall, converted into four lock up shops on High Street, 1934. (c) W J Inglis, warehouse, 1962. (d) W J Inglis Office, showroom, 1962. (e) Williams's own brick used to Identify his buildings. PLATE 88

(e)

(h)

(a) sketch of proposed church. • (b) westfacade,. (c) interior, view to east end. (d) bishop's chair. (d) (e) facade. (f) facade. (g) interior, view to west end . (h) rose window, Taylor-Kellock.

St Edmund's Church, Wembley, Western Ausralia, 1952-3. ------~- ~----~ PLATE 89

(f)

(c)

(h)

(d) (a) StGeorge's church, Parkes, NSW, sketch design, buil~ 1929, 1956. (b) StGeorge's, Parkes, NSW, (c) StGeorge's, Parkes, NSW, detail of tower. (d) St Nicholas' church, Floreat Park, W A, 1962. (e) St Nicholas', Flo real Park, W A, 1962. (f) St Paul's church, Kingsville, perspective. (g) St Paul's, Kingsville, 1961 . (h) St Paul's, Kingsville, Interior. PLATE 90

(a) (e)

(b) (f)

(c) (g) IIII II llllll 1"11 HIDJ IHIII lllll lUUI IUfll I IIHIJ II If WI; Ii . ,. .. ; ; I I III ~ (d) (h)*

(a) Facade. (e) Interior. (b) Facade. (f) Interior, esst end. (c) Facade. (g) Alan Sumner, stained glass. (d) Interior. (h) Alan Sumner, stained glass.

Holy Trinity Church, Ulverstone, Tasmania, 1961. PLATE 91

(b)

(c)

(a) Side view. (b) West door. (c) East end. (d) (d) Westend.

StPeter's Church, Leeton, NewSouth Wales, 1973.

Minerva Access is the Institutional Repository of The University of Melbourne

Author/s: Moore, Gladys Marie

Title: Louis Reginald Williams

Date: 2001

Citation: Moore, G. M. (2001). Louis Reginald Williams. Masters Research thesis, Faculty of Architecture, Building and Planning, The University of Melbourne.

Publication Status: Unpublished

Persistent Link: http://hdl.handle.net/11343/38261

File Description: Louis Reginald Williams (v.2)

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