TPTV Schedule March 8Th to March 14Th
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Peter Freeman
First Assistant Director Peter Freeman 30 Birch Grove Windsor, Berks SL4 5RT Tel : +44 (0)1753 862226 Mobile: +44 (0)7774 700 747 SA Mobile: +27 (0)76 4377 963 e-mail: [email protected] Languages: Greek, Basic French Over 12 years experience with Movie Magic Scheduling. South African ResidenceVisa. Advanced Production Safety Certificate, BBC Total Concept Safety Certificate Recent credits include: FEATURES “Gulliver’s Travels” Jack Black as Gulliver in modern retelling of classic tale. (Additional Assistant Director) Cast Inc: Jack Black, Jason Segel, Billy Connolly, Emily Blunt. Directors: Chris O’Dell (2nd Unit), UPM/1st AD: Terry Bamber (2nd Unit), “Broken Thread” Modern day ghost story. Shot in India, Isle of Man and London. Cast inc: Linus Roache, Saffron Burrows Director: Mahesh Matai Producer: Deepak Nayar A.P: Paul Sarony “These Foolish Things” Romantic comedy set in 1920’s theatre-land. Shot in and around Cheltenham. Cast inc: Angelica Huston, Lauren Bacall, Terence Stamp, Andrew Lincon. Director: Julia Taylor-Stanley Producers: Julia Taylor-Stanley, Paul Sarony “Spirit Trap” Horror/ghost story. Shot in Romania and the UK for Archangel Productions. Cast inc: Luke Mably, Sam Troughton, Emma Catherwood and Billy Piper. Director: David Smith Producer: Susie Brooks-Smith A.P: David Higginson / Cathy Lord “Chasing Liberty” Second unit Czech Republic. Cast inc: Mandy Moore, Mark Harmon Director: Andy Cadiff (main unit) Line Prod: Cathy Lord A.P: Hilary Benson “Jane Eyre” Retelling of classic tragic love story. Derbyshire & London Cast inc: William Hurt, Charlotte Gainsburg, Elle Macpherson Director: Franco Zeffirelli Producer: Dyson Lovell A.P: Ray Freeborn Page 2 “Soft Sand, Blue Sea” Film Four. -
Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
Popeye: Lets You and Him Fight! Volume 3 Free
FREE POPEYE: LETS YOU AND HIM FIGHT! VOLUME 3 PDF E. C. Segar | 168 pages | 02 Dec 2008 | Fantagraphics | 9781560979623 | English | Seattle, United States Popeye - Wikipedia This article is about the franchise as a whole. For the character, see Popeye. For other meanings, see Popeye disambiguation. Popeye the Sailor was created by E. Segar as a supporting character in the daily King Features comic strip Thimble Theatreappearing on January 17, The character has since continued to appear in comics and animated cartoons, in the cinema as well as on television. Popeye also became the strip's title in later years. Even though Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut inthe sailor quickly became the main focus of the strip and Thimble Theatre became one of King Features's most popular properties during the s. Thimble Theatre was continued after Segar's death in by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip, now titled Popeyecontinues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories. These cartoons proved to be among the most popular of the s, and the Fleischers — and later Paramount's own Famous Studios — continued production through Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video gameshundreds of advertisements and peripheral products, and a live-action film directed by Robert Altman starring comedian Robin Williams as Popeye. Differences in Popeye 's story and characterization show up depending upon which medium he is presented in. -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
Desk Set VOT V13 #1
Carl Denham presents THE BIRTH OF KONG by Ray Morton ing Kong was written by explorer and the brainchild naturalist W. Douglas Kof filmmaker Burden called THE Merian C. Cooper, DRAGON LIZARDS OF one of the pioneers of KOMODO. In 1926, the “Natural Drama” Burden led an expedition – movies created by to the Dutch East Indian traveling to exotic island of Komodo, lands, shooting home of the famed documentary footage Komodo Dragons, a of the native people species of large, vicious and events, and then, lizards thought to have through creative editing been extinct since (and by occasionally prehistoric times until staging events for the the living specimens camera), shaping that were discovered in 1912. footage into a dramatic narrative that had all of the Borrowing the idea of an expedition to a remote island thrills and excitement of a fictional adventure film. for his story, Cooper also decided that the Dragons A former merchant seaman, newspaper reporter and would make ideal antagonists for his ape and began military aviator, Cooper and his partner, former combat dreaming up scenes in which the creatures would fight cinematographer Ernest B. Schoedsack, traveled to Persia --scenes he planned to realize by filming the animals and Thailand to produce two classic Natural Dramas separately in their natural habitats and then intercutting – Grass: A Nation’s Battle for Life (1925) and Chang the footage. Learning that Burden had captured two (1927) -- and used their talents to create unique location Dragons, brought them to New York, and exhibited them footage for Paramount’s 1929 African-set adventure The at the Bronx Zoo until they died, Cooper decided to do Four Feathers. -
The Dr. Demento Show #91-04 - January 27, 1991
The Dr. Demento Show #91-04 - January 27, 1991 --- Playlist --- Topic: cartoon songs Playlist Generated on 09/24/21 by www.madmusic.com So Long, Mom (A Song For World War III) - Tom Lehrer M-80 - The Colon Sphincter Band A K-Tel Comedy Commercial - Roseanne Barr The Yellow Rose Of Texas - Stan Freberg The Walter Brennan Blues - Limbo Drive-In Hello Mom - Tom Geer It Makes A Fellow Proud To Be A Soldier - Tom Lehrer Hockey Here Tonight - Archie Campbell The Bumble Bee Invaded A Nudist Colony - Billy Mitchell Running Bare - Looney Larry Easterday Friday The 13th: The Musical - Open Season The Bingo Song - Court Dock Johnson They Drive Me Brady - Guns N' Moses The Brady Bunch - "Weird Al" Yankovic Little Animals In Heat - Dave Drazin Burning Down The (Cartoon) House - Bob Rumbaugh & Basketcase Betty Boop theme - Mae Questel I'm Popeye The Sailor Man - Billy Costello The Wise Little Hen - Donald Duck When I See An Elephant Fly - Cliff Edwards & The Hall Johnson Choir I Tawt I Taw A Puddy Tat - Mel Blanc Jetsons Theme - TV Soundtrack Hey Rocky! - Boris Badenough Look at All Those Idiots - Mr. Burns & Smithers (From The Simpsons) Les Poissons - The Little Mermaid Soundtrack Wappin' - Darrell Hammond & Christopher Snell - If Santa Was A Hoosier - The Ricky Rydell Review from The Bob & Tom Show #5 - Sister Mary Elephant - Cheech & Chong #4 - Uncle Jack Sez Relax - Charles Webb & Tom Bolton #3 - Sahra Cynthia Sylvia Stout Would Not Take The Garbage Out - Shel Silverstein #2 - Mack The Knife - Bill Smith Tin Soldier (Audio Torture Chamber) - Roseanne Barr #1 - Kick Ass USA - Milo Tremley Next week: computers. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
TPTV Subtitles March 22Nd to March 28Th
nd th TPTV Subtitles March 22 to March 28 Date Time Programme Synopsis Mon 22 00:15 The Fan 1981. Thriller. Directed by Edward Bianchi. Stars Lauren Bacall, Michael Biehn, James Garner Mar 21 & Maureen Stapleton. An actress is stalked by a violent, deranged fan, who begins killing those around her. (SUBTITLES AVAILABLE) Mon 22 14:00 Enemy At The Door After The Ball. 1978. Stars: Alfred Burke, Bernard Horsfall & Emily Richard. Reinicke organizes Mar 21 a dance for soldiers and local girls to attract good publicity. (SUBTITLES AVAILABLE) Mon 22 15:00 Talking Pictures TV Talking Pictures talks exclusively to Joss Ackland. Star of stage and screen. We discuss his Mar 21 with Joss Ackland life in film, on stage and TV- a life filled with 'tragedy, farce and fate'. (SUBTITLES AVAILABLE) Mon 22 15:40 Call Northside 777 1948. Drama. Directed by Henry Hathaway. Stars James Stewart, Richard Conte & Helen Mar 21 Walker. A Chicago reporter looks into an old murder and realises the man jailed for the crime is innocent. (SUBTITLES AVAILABLE) Mon 22 18:00 Interpol Calling The Long Weekend. 1959. Stars Charles Korvin, Edwin Richfield, Roland Bartrop & George Mar 21 Pastell. The body of a man lost at sea washes up in Dover stopping Duval starting his holiday. Mon 22 18:30 The Green Man 1956. Comedy. Stars Alastair Sim, Raymond Huntley, George Cole & Terry-Thomas. A Mar 21 watchmaker turns out to be an assassin whose target is a leading politician but his plans are stalled. (SUBTITLES AVAILABLE) Mon 22 20:05 The Canadians 1961. -
Fighting the Elements
bear island fighting the elements Setting up while there's still some daylight left y Philip McPhedran What was it like to crew the most expensive Canadian feature ever made? And to be thousands of miles from home? And to find the ice forming around your mouth and nose as you waited for something to happen? And when it happened, to find out it was not what you were expecting after all? Philip Mc Phedran put in time with the crew of Bear Island. Cinema Canada/ 13 The 39 Steps. Sharp also brought you the stunning boat chase through the canals of Amsterdam in Puppet on a Chain. Sharp, David Butler (Voyage of the Damned) and Murray Smith collaborated on the script. With Maclean's agreement, they changed the story from one about a film crew, to one about a NATO expedition plagued by strange occurrences while on a mission at Bear Island. Snell explained the change this way , "We liked the story line but felt another mm about film makers would be boring. After all, Day for Night really was the definitive movie about filmmaking. " There had been a few doubts expressed about the capabil ities of a Canadian crew after some earlier co-production fias cos, but Bear Island followed in the footsteps of Coup d'Etat (later renamed Power Play for all you hockey fans) proving that Canadians rank second to none in filmmaking expertise. A lot of credit has to go to the west coast IATSE, who An icy Donald Sutherland under the enlightened leadership of John Bartley showed once It's thirty-five degrees below centigrade in Stewart, B.C., again that flexibility and common sense encourage a producer and the cast and crew are huddled on the side of a glacier. -
CHRISTOPHER LEE L’Attore Dietro La Maschera
CHRISTOPHER LEE L’attore dietro la maschera Prima del Cinema Christopher Frank Carandini Lee nasce a Londra il 27maggio del 1922 da una famiglia che, da parte di madre, vanta origini italiane. Il padre, colonnello dell’esercito inglese, programma per il figlio una lunga carriera di studi che prende il via alla Summerfields Preparatory School, la stessa dove, in quel momento, sta studiando un’altro futuro attore, Patrick Macnee. Ma Christopher ha in mente delle idee diverse e, sebbene mostri una certa predilezione per le materie classiche, preferisce fare altro, recitare per esempio. A nove anni compie infatti la sua prima apparizione su un palcoscenico teatrale interpretando la parte di Cassio nei Giulio Cesare di William Shakespeare. Giunge quindi il momento del college e Lee viene mandato al Wellington che abbandonerà presto per lavorare come apprendista in un ufficio della City londinese. L’arrivo del secondo conflitto mondiale gli fa rompere gli indugi. Si arruola volontario nella Royal Air Force dove viene addestrato come pilota e spedito in basi strategiche, in Sud Africa e Rodesia. Dalla Raf passa in seguito ai servizi segreti dell’Intelligence Service nel comparto delle operazioni speciali. Poi, la guerra finisce e Lee, ventitreenne, si trova nell’Inghilterra della vittoria senza un lavoro e con un pensiero fisso, quello di recitare. Comincia allora a fare di tutto, il mimo, il ballerino, il cantante lirico, Peregrinando per gli studi, incontra produttori e registi che mortificano le sue ambizioni. Un manager abbastanza influente arriva ad apostrofarlo duramente, «non sarai mai un buon attore, sei troppo alto, Mi stupisce che ci sono agenti disposti a perdere tempo mandando in giro persone che come te». -
Arrow Video Arrow Vi Arrow Video Arrow Video Arrow Video Arrow Video Arrow Video Arrow Video Arrow Video Arrow Vi
VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO ARROW 1 VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO PSYCHOMANIA ARROW 2 VIDEO ARROW CAST George Sanders … Shadwell Beryl Reid … Mrs Latham Robert Hardy … Chief Inspector Hesseltine Nicky Henson … Tom Mary Larkin … Abby Roy Holder … Bertram ARROW Director of PhotographyCREW Ted Moore B.S.C. Screenplay by Arnaud D’Usseau and Julian Halevy Film Editor Richard Best Stunt SupervisorArt Director Gerry Maurice Crampton Carter Music by John Cameron Produced by Andrew Donally Directed by Don Sharp 3 VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW VIDEO CONTENTS 4 ARROW 6 Cast and Crew VIDEO An Outstanding Appointment with Fear (2016) 12ARROW by Vic Pratt The Last Movie: George Sanders and Psychomania (2016) VIDEO 18 by William Fowler Psychomania – Riding Free (2016) ARROW 26 by Andrew Roberts VIDEO Taste for Excitement: An Interview with Don Sharp (1998) 38 by Christopher Koetting ARROW VIDEOAbout the Restoration ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO ARROW 4 VIDEO ARROW ARROW 5 VIDEO VIDEO ARROW The thing is, kids, back before cable TV, Netflix or the interweb, old horror films were only AN OUTSTANDING APPOINTMENT WITH FEAR shown on British telly late at night, in a slot clearly labelled ‘Appointment with Fear’, or, for VIDEO the absolute avoidance of doubt, ‘The Horror Film’.