Antiques & Collectables

Total Page:16

File Type:pdf, Size:1020Kb

Antiques & Collectables Antiques & Collectables Monday 5th March at 10.00am Antiques & Collectables Monday 5th March at 10.00am Sale to be held in Upstairs Saleroom Viewing (Downstairs Saleroom) Index Glass and Ceramics 1 - 130 Oriental 130A - 225 Blue John 226 - 314 Collector’s Items 315 - 503 Toys 504 - 525 Box Lots 526 - 547 Pictures 548 - 705 Clocks and Furniture 706 - 827 Viewing Times Thursday 1st March 10.00am to 4.00pm Friday 2nd March 10.00am to 4.00pm Saturday 3rd March 11.00am to 4.00pm Monday 5th March 8.30am to 10.00am Please be aware that you will be asked for photographic proof of identification to be allowed access to the viewing. Featured Lots Lot 687 (detail) Lot 252 (detail) Augusta House | 19 Augusta Street | Birmingham B18 6JA | Tel 0121 212 2131 | www.fellows.co.uk | [email protected] Company No. 09264165 General Information Antiques & Collectables Why Buy Why Sell Monday 5th March at 10.00am COMPETITIVE buyer’s premium HIGH PRICES consistently achieved Sale to be held in Upstairs Saleroom LIVE online bidding FLEXIBLE commission rates FULLY illustrated catalogue FREE valuations with no obligation to consign Viewing (Downstairs Saleroom) EASY to use, functional website RAPID turnaround for your goods ACCURATE condition reports TARGETED advertising to a global audience SPECIALISTS on hand to offer advice SUPERIOR quality catalogues FULLY integrated website Follow Us n... Contact the Antiques Department Kevin Jackson Mark Huddleston Dannielle Blackledge MA (Hons) MA (Hons) Specialist & Auctioneer Specialist & Auctioneer Administrator 0121 212 2131 0121 212 2131 & Junior Cataloguer facebook.com/fellowsauctions fellowsauctions [email protected] [email protected] 0121 212 2131 [email protected] @fellowsauctions youtube.com/fellows1876 Further Information Additional Images Telephone Bidding is available Live Bidding and Condition Reports if you cannot attend an auction. via the internet is available at can be found online at our Please ring 0121 212 2131 to www.the-saleroom.com/fellows website www.fellows.co.uk arrange a telephone line. Download our catalogue app today and view our printed catalogues on your device. Buyers Premium Important Notice Key to Symbols The buyer’s premium is 23% (+ VAT) or 27.6% (VAT inclusive) on the first £100,000 of Neither Fellows nor the Vendors are responsible Item may have export restrictions for any individual lot. For any individual lot in excess of £100,001, the buyer’s premium is for any reference as to the condition of lots listed. customers outside of the EU. 15% (+ VAT) or 18% (VAT inclusive). Lots prefixed with * will carry VAT at 20% on the The absence of such reference does not imply hammer price. that a lot is in good condition or free from faults or imperfections. All weights and dimensions are approximate. Purchasers are advised to carefully Live nline Bidding Charges inspect lots and make their own opinion as to the condition. Please see section 7 under ‘Bidders’ in Buyers will pay on the-saleroom.com an additional charge of 3% +VAT of the hammer our full terms and conditions. View Fellows price and for Live Auctioneers a 5% additional charge +VAT. With Easy Live Auction, Important Notices in full and full terms and buyers can choose whether to pay a live bidding charge of 3% (plus VAT) of the hammer conditions at the back of the catalogue price, or a fixed fee of £3 per sale. Normal buyer’s premium applies. Sellers Commission Shipping Sellers will pay a commission charge of 12.5% (+ VAT) on items which have a hammer Due to the size and vulnerability of some of the price over £3,001 or more. Items sold for £3,000 or under will have a commission rate of items in this auction, we are unable to ship these 15% (+ VAT). Please view our terms and conditions for further detail. items “in house”. Please contact us to discuss shipping of these items before bidding. For any further enquiries please call 012 21 2131 1 A Geoffrey Baxter for Whitefriars textured glass ‘Banjo’ pattern vase in aubergine, 12.75” (32.5cm) high. £500-800 (plus 27.6% BP*) BP* - Buyer’s Premium of 23% (plus VAT) or 27.6% (VAT included) 2 Condition reports available for all these lots at www.fellows.co.uk GLASS AND CERAMICS 5 8 2 A cut glass decanter and stopper, of rectangular form with A Whitefriars knobbly straight sided glass bowl, internally applied London 1971 hallmarked silver collar, the angular decorated with green swirls, 8.75” (22cm) diameter, 5” shaped stopper with facetted decoration, 9.75” (24.5cm) (12.5cm) high. £30-50 (plus 27.6% BP*) high. £40-60 (plus 27.6% BP*) 3 9 A cut glass decanter and stopper, of mallet shaped form with applied silver collar, the stopper of globular fl uted form, 11.75” (30cm) high. £40-60 (plus 27.6% BP*) 10 A pair of cut glass decanters, each with applied London A ruby fl ashed glass tankard with silver mounted lid 1963 hallmarked silver collars and associated stoppers, hallmarked London 1889 Edward Barnard & Sons, the together with a similar smaller example with applied tapered cylindrical body cut with quatrefoils, 6.75” (17cm) Sheffi eld 1995 hallmarked silver collar. (3).£60-80 (plus high. £50-80 (plus 27.6% BP*) 27.6% BP*) 6 11 A late 19th century oil lamp, the Bristol blue glass reservoir A reproduction Galle cameo style glass vase decorated upon a spreading pierced, cast metal base, with globular with roses, 12.5” (31.5cm) high, another similar example blue glass shade and clear glass chimney, 22” (56cm) decorated with fruits, etc. £100-150 (plus 27.6% BP*) high. £40-60 (plus 27.6% BP*) 4 12 A 19th century yellow metal-topped glass scent bottle. The body of facetted teardrop form, the unmarked hinged cover engraved with foliate scrollwork, enclosing glass stopper, 4”, (10cm) long. £50-80 (plus 27.6% BP*) 13 A cranberry glass decanter, the shaped body of pinched form, with applied silver plated collar and globular clear glass stopper, 11.75” (30cm) high. £50-80 (plus 27.6% BP*) 7 A Victorian hallmarked silver gilt topped scent bottle, the cylindrical cut glass body with hinged cover opening to reveal glass stopper, the silver gilt top decorated with relief foliate scroll work, hallmarked SM for Sampson Mordan, London 1889, 2.5” (6.5cm) high, in oval morocco leather fi tted box.£80-120 (plus 27.6% BP*) 14 A Bohemian overlay white glass goblet, the wheel cut and gilt scroll decorated bowl with hand painted panels A Victorian green and white overlay glass vase with wheel depicting a bust portrait study of a young lady wearing a cut and painted gilded decoration, 14” (35.5cm) high, a A 19th century miniature opaque glass scent bottle, of green mantilla and blue dress, the opposing panel hand pair of Victorian opaque glass vases, the blue painted circular form, the collar, shoulder, back and front with painted with fl owers, upon spreading base with conforming bodies decorated with fl owers each 9.25” (23.5cm) high, applied pierced gilt metal decoration depicting birds within hand painted decoration, (s/d), 10.25” (26cm) high. and a small overlaid glass vase. (4). £100-150 (plus scrolls, the whole upon chain supports, 1.75” (4.5cm) £150-200 (plus 27.6% BP*) 27.6% BP*) diameter. £50-80 (plus 27.6% BP*) BP* - Buyer’s Premium of 23% (plus VAT) or 27.6% (VAT included) Condition reports available for all these lots at www.fellows.co.uk For any further enquiries please call 0121 212 2131 3 15 19 24 A group of eleven Royal Doulton character jugs. comprising three large, The Poacher D6429, The Falconer D6533, and Trapper D6609, plus eight small, Long Five Lladro fi gurines. Comprising: a goose girl; another John Silver D6386, Aramis D6454, Merlin D6536, North A pair of Lladro pottery fi gurines, The Young Travellers, similar with duck drinking from a pail; a seated lady with American Indian D6614, Lobster Man D6620, Old Salt (one a/f), two Luigi Fabris fi gurines and a pair of bird; a chick or duckling observing a frog, numbered 8025, D6654, Mr. Tonsil The Town Crier D6713, and The Wizard continental fi gurines, their bases marked L P. (6).£50-80 and a young boy yawning, largest (fi rst) 9.5”, (24cm) high. D6909, (11). £50-80 (plus 27.6% BP*) (plus 27.6% BP*) £80-120 (plus 27.6% BP*) 16 20 25 A collection of fourteen Royal Doulton fi gurines, comprising Daydreams HN1731, Top O’ The Hill HN1834, Rebecca HN2805, Adrienne HN2304, Karen HN2388, Lily HN3626, Stephanie HN2807, Sweet Sixteen JN3648, April HN3693, Elaine HN3741, Flowers of love - forget me nots HN3700, Elyse HN2429, Ninette HN2379, and The Foaming Quart HN2162, together with a Royal Worcester A large Lladro fi gure group, ‘Ride in China’, modelled as Two large Lladro fi gurines, Country Life, a young bone china fi gurine A Royal Presentation, and another a male fi gure pulling a rickshaw containing a lady holding shepherdess with two lambs, numbered 6964, similar fi gurine 1855 The Crinoline, etc.£80-120 (plus a parasol, maker’s mark to base, 11.75” (30cm) high. 11.75”,(30cm) high, and Shepherdess with Goats, 9.75”, 27.6% BP*) £150-250 (plus 27.6% BP*) (24.5cm) high, (2). £100-150 (plus 27.6% BP*) 17 21 26 A Royal Doulton fi gurine and a Royal Worcester fi gurine. Doulton ‘Giselle’ HN2139 and Worcester ‘Masquerade’, (2). £30-50 (plus 27.6% BP*) 18 Three Lladro fi gurines modelled as dogs, the largest example modelled as four hounds peering out from under A set of six Sitzendorf porcelain Turkish band fi gures, each a blanket within a wooden basket, 9”, (23cm) high, the fi gure modelled standing playing a different instrument, other two modelled as puppies in crouched positions, each wearing a turban and gilt enriched uniform, each 5.5” with maker’s mark to base.
Recommended publications
  • January to March 2018
    SOUTHERN CERAMIC GROUP NEWSLETTER www.southernceramicgroup.co.uk/ Email : [email protected] Contents Editorial • Group & Members News Welcome to the January/March edition of the SCG Newsletter. The • What’s On newsletter is published electronically quarterly to members of the South- • Hey Clay ern Ceramic Group and is more widely distributed to associated pottery • Clay Group groups. • AGM • Glaze Group Meeting Notes We always welcome your contributions to the newsletter from events to • Members Profile technical articles to profiles. This edition is a great example of the varied • Demonstrations interests of the group, we hope you enjoy the newsletter and will consider • SCG Committee contributing in the future. Keith Menear Group & Members News New Members A very warm welcome to new members: Gael Emmett from Chichester Francheska Pattisson of Winchester Trish Marshall also from Chichester Nigel Hobbs from Bordon Membership is now 152 Next Committee Meeting. The committee meets every few months or so and our next meeting will be on Next meeting. 5th March 2018, 7.15 pm at Neil’s house. "Hilston House" Hambledon Road, Denmead, Waterlooville, Hampshire PO7 6HB . If you have anything you would like to bring to our attention please contact Sandie Dixon [email protected] or any other member of the committee. 1 SOUTHERN CERAMIC GROUP NEWSLETTER What’s On Su Cloud Ceramics. Workshops January-June 2018. The beginning of a new year and the perfect time to start a new project. Is your garden in need of a focal point? I have some new workshops on offer and some old favourites, which I hope will inspire you to come and create, in my purpose built ceramic studio.
    [Show full text]
  • Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5
    MSDS for #23884 - ALEENES TACKY GLUE Page 1 of 5 Item Numbers: 23884-1004, 23884-1008 Page 1 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 2 of 5 Item Numbers: 23884-1004, 23884-1008 Page 2 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 3 of 5 Item Numbers: 23884-1004, 23884-1008 Page 3 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 4 of 5 Item Numbers: 23884-1004, 23884-1008 Page 4 of 5 MSDS for #23884 - ALEENES TACKY GLUE Page 5 of 5 Item Numbers: 23884-1004, 23884-1008 Page 5 of 5 MATERIAL SAFETY DATA SHEET Issue Date: 01/16/2008 ========================================================================================================== SECTION I - PRODUCT IDENTIFICATION ------------------------------------------------------------------------------------------------------------------------------------------------ Product Name: Anita’s Acrylic Yard & Garden Craft Paint Product Nos: 11801- 11832 Product Sizes: 2 fl. oz, 8 fl. oz. Product Class: Water Based Paint ========================================================================================================== SECTION II - HAZARDOUS INGREDIENTS ------------------------------------------------------------------------------------------------------------------------------------------------ None ========================================================================================================== SECTION III - PHYSICAL & CHEMICAL DATA ------------------------------------------------------------------------------------------------------------------------------------------------
    [Show full text]
  • Grand Tour of European Porcelain
    Grand Tour of European Porcelain Anna Calluori Holcombe explores the major European porcelain centres Left: Gilder. Bernardaud Factory. embarked on a modern version of the 17th and 18th century Grand Limoges, France. Tour of Europe in summer of 2010 and spent two months researching Right: Designer table setting display. porcelain (primarily tableware) from historical and technical per- Bernardaud Factory. Limoges, France. Photos by Anna Calluori Holcombe. Ispectives. The tradition of Grand Tour promoted the idea of travelling for the sake of curiosity and learning by travelling through foreign lands. On a research leave with a generous Faculty Enhancement Grant A factory was started in 1863 by some investors and, at about from the University of Florida (UF), I visited factories and museums in that time, an apprentice was hired 10 major European ceramics centres. named Léonard Bernardaud. He Prior to this interest in investigating European porcelain, I spent time worked his way up to become a studying Chinese porcelains with fascination and awe. On one of my partner, then acquiring the company in 1900 and giving it his name. many trips to China and my first visit to the famous city of Jingdezhen, I In 1949, the factory introduced climbed Gaoling Mountain, where the precious kaolin that is essential to the first gas-fuelled tunnel kiln in the Chinese porcelain formula was first mined more than 1000 years ago. France operated 24 hours a day, a Soft paste porcelain, which does not have the durability and translu- standard in most modern factories today. Although they had to cut 15 cency found in hard paste porcelain was in popular use in Europe prior percent of their employees in recent to their discovery of hard paste porcelain.
    [Show full text]
  • HO060710 Sale
    For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others.
    [Show full text]
  • 123 Catalog Lowres.Pdf
    GENERAL TERMS OF SALES & POLICIES Order Requirements Freight Terms u Minimum order is $250.00 per order. u All prices are F.O.B El Monte, California. u Minimum order per item is by box pack. u All freight charges are the responsibility of the cus- u All orders must be signed by the buyer and include tomer. complete company and contact information. u We ship by UPS Ground or common carrier of our Payment Terms choice, unless a specific carrier is requested by the u All first order customers are prepaid. customer. u We accept Cash, Check, Money orders, Cashier’s u Freight charges are determined by the weight and ship- checks, Credit cards (Visa, MasterCard, Discover and ping destination of the order. American Express). u We do not guarantee freight rates. u If payment is not received within 30 days, your order will be automatically cancelled. Claims & Returns u Customers may be eligible to receive Net terms u Upon receipt of merchandise, customer must inspect upon Credit Department approval. To process a delivery. Any damages or shortages must be noted on credit application, it must be submitted with a the trucker’s delivery receipt. minimum order of $1,000.00. Credit application must u Claim form for shortages & damages must be include at least three trade references, a bank informa- submitted to your sales representative within 72 hours tion with the account number, and the owner’s signa- of receiving order. ture to obtain bank information. Credit card informa- u Prior approval is required before any returns can be tion is required in case order purchased is not paid.
    [Show full text]
  • 77E19 Arete Rollerball Pen Kit Instructions
    77E19 Arete Rollerball Pen Kit Product : #163763 1/16/2018 Gluing Blanks to Tubes: Rough the entire surface of the tube using 180-grit paper. Next, using either a thick CA or 5 Minute Epoxy, apply adhe- sive to both the tube and the inside of the blank. To secure the brass tube be sure to rotate the tube as you insert it into the blank. This will help ensure even coverage of the adhesive and a much more secure bond. From Setup To Sanding: Squaring the Blank to Length: These are the supplies we suggest you have on hand to com- When squaring the blanks work only to the brass. Removing plete this pen kit: brass will affect the overall length of the blank which is 27 /64 " Pen Maker’s Bit critical to the proper operation of the pen. If using a barrel 3 3 5 27 /4 " x /4 " x 2- /16 " Pen Blank trimmer/pen mill use a /64 " diameter (153200). Pen Mandrel Arete Pen Kit Bushings (163764) Thick CA or 5 Minute Epoxy Sand Drill or Drill Press Sandpaper/Micro-Mesh 27 Drill Barrel Trimmer / Pen Mill Pilot Shaft /64 " Diameter (153200) Pen Press Eye & Ear Protection Dust Mask Mandrel Preparation: Cutting & Drilling Blanks: Note: Additional length has been added to the overall length of the blank to accommodate for 27 squaring the ends of /64 " the blank. .521" .477" Turning & Finishing the Blanks: Turn the blank to your desired profile, leaving the blank slight- 3 ly proud of the bushings. With the lathe spinning, begin sand- /4" ing with 120-grit paper, progress through the finer grits, fin- ishing at 320-grit.
    [Show full text]
  • European Art & Decorative Arts Wall Text and Extended Labels
    European Art & Decorative Arts Wall Text and Extended Labels FIRST FLOOR The Morgan Memorial The construction of the Morgan Memorial, completed in two sections in 1910 and 1915, more than doubled the size of the original Wadsworth Atheneum that opened in 1844. The building is dedicated to Junius Spencer Morgan, whose bust by William Wetmore Story stands at the top of the western stairs. Morgan was a Hartford man who founded a banking empire, and his son, J. Pierpont Morgan, chose to build the museum’s new wing as a tribute to his father. The total cost of the Memorial—over $1,400,000—represents the largest of J. Pierpont Morgan’s generous gifts. He spent over twelve years purchasing the several properties on which the Memorial stands, and was involved in its construction until his death in 1913. Benjamin Wistar Morris, a noted New York architect, was selected to design what was to be a new home for the Wadsworth Atheneum’s art collection. It was built in the grand English Renaissance style, and finished with magnificent interior details. Four years after J. Pierpont Morgan’s death, his son, J. Pierpont Morgan Jr., followed the wishes outlined in his father’s will and gave the Wadsworth Atheneum a trove of ancient art and European decorative arts from his father’s renowned collection. Living in the Ancient World Ordinary objects found at sites from the countries surrounding the Mediterranean Sea and the Middle East reveal a great deal about daily life in the ancient world. Utensils for eating and drinking, glassware, lamps, jewelry, pottery, and stone vessels disclose the details of everyday life.
    [Show full text]
  • 9. Ceramic Arts
    Profile No.: 38 NIC Code: 23933 CEREMIC ARTS 1. INTRODUCTION: Ceramic art is art made from ceramic materials, including clay. It may take forms including art ware, tile, figurines, sculpture, and tableware. Ceramic art is one of the arts, particularly the visual arts. Of these, it is one of the plastic arts. While some ceramics are considered fine art, some are considered to be decorative, industrial or applied art objects. Ceramics may also be considered artifacts in archaeology. Ceramic art can be made by one person or by a group of people. In a pottery or ceramic factory, a group of people design, manufacture and decorate the art ware. Products from a pottery are sometimes referred to as "art pottery".[1] In a one-person pottery studio, ceramists or potters produce studio pottery. Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae. There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures. Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics. 2.
    [Show full text]
  • Movers & Shakers in American Ceramics
    A Ceramics Monthly Handbook Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics Movers & Shakers in American Ceramics: Defining Twentieth Century Ceramics A Collection of Articles from Ceramics Monthly Edited by Elaine M. Levin Published by The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, Ohio 43082 USA The American Ceramic Society 600 N. Cleveland Ave., Suite 210 Westerville, OH 43082 © 2003, 2011 by The American Ceramic Society, All rights reserved. ISBN: 1-57498-165-X (Paperback) ISBN: 978-1-57498-560-3 (PDF) No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher, except by a reviewer, who may quote brief passages in review. Authorization to photocopy for internal or personal use beyond the limits of Sections 107 and 108 of the U.S. Copyright Law is granted by The American Ceramic Society, provided that the appropriate fee is paid directly to the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923 U.S.A., www.copyright.com. Prior to photocopying items for educational classroom use, please contact Copyright Clearance Center, Inc. This consent does not extend to copyright items for general distribution or for advertising or promotional purposes or to republishing items in whole or in part in any work in any format. Requests for special photocopying permission and reprint requests should be directed to Director, Publications, The American Ceramic Society, 600 N.
    [Show full text]
  • Philippa H Deeley Ltd Catalogue 17 Oct 2015
    Philippa H Deeley Ltd Catalogue 17 Oct 2015 1 A Pinxton porcelain teapot decorated in gilt with yellow cartouches with gilt decoration and hand hand painted landscapes of castle ruins within a painted botanical studies of pink roses, numbered square border, unmarked, pattern number 300, 3824 in gilt, and three other porcelain teacups and illustrated in Michael Bertould and Philip Miller's saucers from the same factory; Etruscan shape 'An Anthology of British Teapots', page 184, plate with serpent handle, hand painted with pink roses 1102, 17.5cm high x 26cm across - Part of a and gilt decoration, the saucer numbered 3785 in private owner collection £80.00 - £120.00 gilt, old English shape, decorated in cobalt blue 2 A Pinxton porcelain teacup and saucer, each with hand painted panels depicting birds with floral decorated with floral sprigs and hand painted gilt decoration and borders, numbered 4037 in gilt landscapes with in ornate gilt surround, unmarked, and second bell shape, decorated with a cobalt pattern no. 221, teacup 6cm high, saucer 14.7cm blue ground, gilt detail and hand painted diameter - Part of a private owner collection £30.00 landscape panels - Part of a private owner - £40.00 collection £20.00 - £30.00 3 A porcelain teapot and cream jug, possibly by 8A Three volumes by Michael Berthoud FRICS FSVA: Ridgway, with ornate gilding, cobalt blue body and 'H & R Daniel 1822-1846', 'A Copendium of British cartouches containing hand painted floral sparys, Teacups' and 'An Anthology of British Teapots' co 26cm long, 15cm high -
    [Show full text]
  • The Future of Derby Museums Service a Review of Alternative
    Ab Derby City Council The Future of Derby Museums Service A Review of Alternative Governance Models August 2011 CONTENTS 1. PURPOSE OF THE REVIEW ..................................................................................................1 2. INTRODUCTION AND BACKGROUND TO THE REVIEW ....................................................2 3. APPROACH AND METHODOLOGY ......................................................................................5 4. EXECUTIVE SUMMARY .........................................................................................................7 5. POLICY BACKGROUND ......................................................................................................13 6. LOCAL AUTHORITY MUSEUMS IN THE NATIONAL CONTEXT .......................................17 7. OVERVIEW OF DERBY MUSEUMS SERVICE ....................................................................22 Deleted: 30 8. ALTERNATIVE GOVERNANCE MODELS...........................................................................24 Deleted: 40 9. FEEDBACK FROM KEY STAKEHOLDERS.........................................................................24 Deleted: 45 10. EVALUATION OF GOVERNANCE MODELS.......................................................................24 Deleted: 46 11. FINANCIAL OVERVIEW .......................................................................................................24 Deleted: 50 12. THE NDPO GOVERNANCE MODEL....................................................................................24 Deleted: 59
    [Show full text]
  • Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method)
    Etch Imitation System for Porcelain and Bone China (One-Fire-Decal-Method) 1 General Information Etched decorations belong to the richest, most valuable precious metal designs to be found on tableware. However, etched decorations are not only work-intensive and expensive but they also require working with aggressive acids. Instead, producers work with etching imitation systems in which first a decal with a matt underlay and a bright relief on top is produced, applied onto the substrate to be decorated, and fired. Secondly, a liquid precious metal is applied by brush on top of the relief and the item is fired for a second time. With this Technical Information, Heraeus Ceramic Colours introduces a one-fire-etch imitation system for decals. The new decoration system consists of carefully adjusted components: special underlay, special medium, relief, precious metal paste. The perfect harmony of these components allows the production of an imitation etching in one decal, which only needs to be transferred and fired once! 2 Firing Conditions Substrate Firing Condition s Porcelain 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Bone China 800 - 820°C (1470-1508°F), 2 to 3 hours cold/cold Worldwide there are many different glazes. The firing conditions differ from producer to producer. Pre-tests under own individual conditions are absolutely necessary. 3 Characteristics of the Products The product composition and the production process determine the major product characteristics of the components of the decoration system. Testing each production lot guarantees a constant product quality. With regard to the bright precious metal pastes of the system we regularly check the viscosity, the printing characteristics, the outline of printed test decorations as well as the precious metal colour shade and the brightness of the decoration after firing on a defined test substrate.
    [Show full text]