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MNUCHIN GALLERY CHURCH & ROTHKO Sublime SEPTEMBER 30 - MARCH 13, 2021 FIRST FLOOR | FRONT GALLERY MARK ROTHKO Untitled 1968 tempera on paper drawing board mounted on canvas 28 5/16 x 21 1/4 inches (71.9 x 54 cm) © 2020 by Kate Rothko Prizel and Christopher Rothko FREDERIC EDWIN CHURCH Marine Sunset (The Black Sea) 1881-1882 oil on canvas 30 1/8 x 42 inches (76.5 x 106.7 cm) MARK ROTHKO Browns and Blacks in Reds 1957 oil on canvas 91 x 60 inches (231.1 x 152.4 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko FIRST FLOOR | BACK GALLERY FREDERIC EDWIN CHURCH New England Lake 1853 oil on canvas 20 x 30 inches (50.8 x 76.2 cm) FREDERIC EDWIN CHURCH Scene on the Magdalena 1854 oil on canvas 28 1/4 x 42 inches (71.8 x 106.7 cm) 45 East 78 Street New York, NY 10075 T: +1 212.861.0020 F: +1 212.861.7858 mnuchingallery.com MARK ROTHKO No. 5 (Untitled) 1964 oil on canvas 90 x 69 inches (228.6 x 175.3 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko FREDERIC EDWIN CHURCH In the Tropics 1856 oil on canvas 25 1/4 x 36 1/4 inches (64.1 x 92 cm) MARK ROTHKO Untitled (Brown and Black) 1968 acrylic on paper mounted on board 33 1/4 x 25 3/4 inches (84.5 x 65.4 cm) © 2020 by Kate Rothko Prizel and Christopher Rothko ROTUNDA FREDERIC EDWIN CHURCH Sunset on July 26, 1870 1870 oil on paper mounted on artist’s board 8 1/4 x 13 inches (21 x 33 cm) MARK ROTHKO Untitled 1960 oil on canvas 92 1/2 x 81 inches (235 x 205.7 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko FREDERIC EDWIN CHURCH Mountainside Downpour 1871 oil on paper laid down on canvas 6 1/2 x 10 inches (16.5 x 25.4 cm) FREDERIC EDWIN CHURCH Icebergs and Wreck in Sunset 1860 oil on paperboard mounted on canvas 8 1/4 x 12 1/4 inches (21 x 31.1 cm) 45 East 78 Street New York, NY 10075 T: +1 212.861.0020 F: +1 212.861.7858 mnuchingallery.com SECOND FLOOR | FRONT GALLERY FREDERIC EDWIN CHURCH Coast Scene, Mount Desert 1852 oil on canvas 20 x 30 inches (50.8 x 76.2 cm) FREDERIC EDWIN CHURCH Above the Clouds at Sunrise 1849 oil on canvas 27 1/4 x 40 inches (69.2 x 101.6 cm) MARK ROTHKO No. 10 1963 oil on canvas 69 x 64 inches (175.3 x 162.6 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko FREDERIC EDWIN CHURCH July Sunset 1847 oil on canvas 29 x 40 1/2 inches (73.7 x 102.9 cm) FREDERIC EDWIN CHURCH Lake Scene in Mount Desert 1851 oil on canvas 20 11/16 x 30 7/8 inches (52.5 x 78.4 cm) SECOND FLOOR | BACK GALLERY FREDERIC EDWIN CHURCH After the Rain Storm 1875 oil on canvas mounted on panel 22 1/2 x 33 1/2 inches (57.2 x 85.1 cm) MARK ROTHKO Orange, Red, Yellow 1956 oil on canvas 79 x 69 inches (200.7 x 175.3 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko 45 East 78 Street New York, NY 10075 T: +1 212.861.0020 F: +1 212.861.7858 mnuchingallery.com FREDERIC EDWIN CHURCH Oil Study for Cotopaxi 1861 oil on canvas 7 1/2 x 12 inches (19.1 x 30.5 cm) FREDERIC EDWIN CHURCH North Lake 1847 oil on canvas 12 x 19 inches (30.5 x 48.3 cm) FREDERIC EDWIN CHURCH Autumn in the Catskills 1856 oil on canvas 15 x 22 inches (38.1 x 55.9 cm) MARK ROTHKO No. 1 1949 oil on canvas 78 1/4 x 39 ⅝ inches (198.8 x 100.6 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko FREDERIC EDWIN CHURCH Sunset 1860 oil on canvas 11 3/4 x 18 3/4 inches (29.8 x 47.6 cm) FREDERIC EDWIN CHURCH Syrian Landscape 1873 oil on panel 15 1/2 x 22 1/2 inches (39.4 x 57.2 cm) MARK ROTHKO Untitled 1954 oil on canvas 91 1/8 x 59 1/2 inches (231.5 x 151.1 cm) © 1998 by Kate Rothko Prizel and Christopher Rothko 45 East 78 Street New York, NY 10075 T: +1 212.861.0020 F: +1 212.861.7858 mnuchingallery.com MARK ROTHKO Untitled 1959 oil on paper mounted on board 30 x 22 inches (76.2 x 55.9 cm) © 2020 by Kate Rothko Prizel and Christopher Rothko 45 East 78 Street New York, NY 10075 T: +1 212.861.0020 F: +1 212.861.7858 mnuchingallery.com.

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The Effect of War on Art: the Work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 The effect of war on art: the work of Mark Rothko Elizabeth Leigh Doland Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Doland, Elizabeth Leigh, "The effect of war on art: the work of Mark Rothko" (2010). LSU Master's Theses. 2986. https://digitalcommons.lsu.edu/gradschool_theses/2986 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE EFFECT OF WAR ON ART: THE WORK OF MARK ROTHKO A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Elizabeth Doland B.A., Louisiana State University, 2007 May 2010 TABLE OF CONTENTS ABSTRACT…………………………………………………………………iii CHAPTER 1 INTRODUCTION……………………………………………........1 2 EARLY LIFE……………………………………………………....3 Yale Years……………………………………………………6 Beginning Life as Artist……………………………………...7 Milton Avery…………………………………………………9 3 GREAT DEPRESSION EFFECTS………………………………...13 Artists’ Union………………………………………………...15 The Ten……………………………………………………….17 WPA………………………………………………………….19
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Breaking the Box: the Alternative, Libertarian Exhibition Spaces Created by Rothko & Judd
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Artist Resources – Mark Rothko (American, 1903 – 1970)
Artist Resources – Mark Rothko (American, 1903 – 1970) Rothko was the first painter of his generation to be offered a solo exhibition at the Museum of Modern Art in New York in 1961. Fifty-four works dating from 1945 to 1961 flooded MoMA’s galleries in the artist’s largest exhibition to date. Eleven murals (1958-59) completed for Rothko’s recent commission for the Seagram Building and the new Four Seasons Restaurant, from which he withdrew and retained possession of the paintings, were included, visible for public consumption for the first time. Rothko gifted the murals to the Tate Modern in 1970. Between 1964 and 1967, Rothko created 14 murals commissioned by Dominique and John de Menil for a non-denominational chapel in Houston. Rothko also helped design that space to hold them, creating an immersive and deeply affecting environment fondly known as the Rothko Chapel. The series was showcased in the Tate Modern’s 2008 thematically-driven exhibition, the first on British shores in twenty years. Extensive digital resources include a tour of the galleries, a trio of music compositions inspired by the murals, an interview with contemporary artist Brice Marden about Rothko’s enduring influence, and a history of the red pigment made famous by Rothko in the Seagram murals. Watch Tate curator discuss the exhibition, and Tate conservation team complete an 18-month restoration on Rothko’s Black on Maroon (1958), which was vandalized in 2012. Rothko’s daughter Kate spoke to The Guardian in 2008 about the embattled aftermath of her father’s death, fighting for Rothko, 1960 Photograph: Regina Bogat control of his estate, and coming to peace with his legacy.
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Mark Rothko Moved Through Many Artistic Styles Until Reaching His Signature 1950S Motif of Soft, Rectangular Forms Floating on a Stained Field of Color
"If you are only moved by color relationships, you are missing the point. I am interested in expressing the big emotions - tragedy, ecstasy, doom." SYNOPSIS A prominent figure among the New York School painters, Mark Rothko moved through many artistic styles until reaching his signature 1950s motif of soft, rectangular forms floating on a stained field of color. Heavily influenced by mythology and philosophy, he was insistent that his art was filled with content, and brimming with ideas. A fierce champion of social revolutionary thought, and the right to self- expression, Rothko also expounded his views in numerous essays and critical reviews. KEY IDEAS Highly informed by Nietzsche, Greek mythology, and his Russian-Jewish heritage, Rothko's art was profoundly imbued © The Art Story Foundation – All rights Reserved For more movements, artists and ideas on Modern Art visit www.TheArtStory.org with emotional content that he articulated through a range of styles that evolved from figurative to abstract. Rothko's early figurative work - including landscapes, still lifes, figure studies, and portraits - demonstrated an ability to blend Expressionism and Surrealism. His search for new forms of expression led to his color field paintings, which employed shimmering color to convey a sense of spirituality. Rothko maintained the social revolutionary ideas of his youth throughout his life. In particular he supported artist's total freedom of expression, which he felt was compromised by the market. This belief often put him at odds with the art world establishment, leading him to publicly respond to critics, and occasionally refuse commissions, sales and exhibitions. ARTIST BIOGRAPHY Childhood Born in Dvinsk, Russia (in what is now Latvia), Marcus Rothkovich was the fourth child born to Jacob and Anna Rothkovich.
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