Research Assistant in Informal Learning, Science Gallery Dublin
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												  Public Engagement07 Public Engagement Engaging wider society is The highly successful Inside Trinity documentary series trended encapsulated in Trinity’s mission on Twitter each night it aired on RTÉ in September and October 2016. Filmed throughout the 2015/16 academic year, the series and Strategic Plan, and happens offered a fascinating glimpse of a great Irish institution at work. on a number of different levels The cameras captured the whole gamut of life: study, teaching including organising public and learning, research, sports and much more. lectures and events, making On-going annual synergies with national events include Trinity welcoming the public on campus for Culture research available online, media Night, Open House Dublin, and Front façade lighting up green coverage, social media activity, and to celebrate St Patrick’s Day, and red to welcome in the Chinese welcoming the public on campus. New Year in February. ‘PROBE: Research Uncovered’, a pop-up festival returned in September with a packed programme of talks, experiments, and interactive workshops showcasing the best of Irish research. In Front Square, over 3,000 visitors contributed to live research experiments and joined workshops dealing with a range of topics, from perception and intimacy to food security and global migration. PROBE, a collaboration between Trinity and Science Gallery Dublin, was part of European Researchers’ Night, taking place in cities across the continent. RIGHT – The Volunteers by Joe Caslin commissioned as part of the Trinity Creative Challenge Trinity College Dublin – The University of Dublin ≥ Sponsored by the Provost and unveiled in May 2015, the Trinity Creative Challenge award was established to catalyse the creative and cultural arts in Dublin city and to support the development of the creative and cultural industries.
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												  Constellations Creative Arts Practice at Trinity College DublinCONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine.
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												  Trinity College Dublin Reports To: Prof Wolfgang Schmitt Appointment Will Be Made on the Appropriate Point of the IUA Salary: Research Assistant ScaleN.B. PLEASE DO NOT ADJUST THE TEMPLATE OR FONT Post Specification Post Title: Postdoctoral Researchers Post Status: 1 year contract – Full Time Research AMBER/CRANN/School of Chemistry Group/Department/School: Location: Main Campus, Trinity College Dublin Reports to: Prof Wolfgang Schmitt Appointment will be made on the appropriate point of the IUA Salary: Research Assistant scale. €33,975 - €42,394 gross per annum Closing Date and Time: 12 Noon on XXXXX Post Summary Two postdoctoral researchers are required for an industry driven project exploring the reversible capture and release of carbon dioxide using new supramolecular coordination complexes and metal-organic frameworks (MOFs). The project investigates the synthesis, the structural and physicochemical characterization of compounds that regenerate during the release process to provide a ‘green’ and cost-effective carbon capture technology. The research activities aim to assess the techno-economic feasibility of reversible chemical/physical adsorption and desorption of CO2 using these new materials. The positions are supervised by Professor Wolfgang Schmitt (School of Chemistry) within the Advanced Materials and BioEngineering Research (AMBER) Centre and is closely associated with a recently established Trinity College Campus company. Vacancies arise for highly motivated researchers with strong experience in Physical and/or Inorganic Chemistry or Materials Science. Standard duties and Responsibilities of the Post The successful candidate will be required to perform industry-driven research on developing novel CO2 adsorption/release materials (chemisorption and physi-sorption). The candidate will be required develop instrumental approaches that effectively characterise the CO2 adsorption & release performances. The research activities will involve the evaluation and improvement of the kinetic and thermodynamic parameters that characterise the CO2 adsorption and release processes of coordination compounds and related supramolecular systems.
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												  IADT Dun Laoghaire Institute of Art, Design and TechnologyIADT Dun Laoghaire Institute Of Art, Design and Technology Annual Report 2013/2014 1 This is the Annual Report for the Dun Laoghaire Institute of Art, Design and Technology The Annual Report covers the period 1st September 2014 to 31st August 2015 Contents Section 1 Chairperson’s and President’s Statement 3 Section 2 Introduction 4 Section 3 Governance 7 Section 4 Academic and Student Matters 11 Section 5 Research and Development Activities 31 Section 6 Personnel 40 Section 7 Financial Report 47 1 Section 1 Chairperson's and President's Statements 1.1 Chairperson’s Statement On behalf of the Governing Body, it is with great pleasure that I present the annual report for the academic year 2014 – 2015. I wish to take this opportunity to thank the former members of the 5th Governing Body, whose Terms of Office concluded in March 2016. As a new Governing Body, we are grateful to them for their stewardship of the Institute over their five year period. The Governing Body approved a new Strategic Plan for the Institute at its meeting on 18th June 2014. On behalf of the Governing Body, I wish to thank Heather Humphreys TD, Minister for the Arts, Heritage and the Gaeltacht for launching the Plan on our behalf. The Institute entered into a new performance Compact with the HEA in which the Institute has agreed a range of performance metrics for the Institute. Finally, I wish to thank the staff of the Institute for their commitment and dedication to the Institute and I wish to congratulate them on their achievements, which are outlined in this Report.
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												  WILLIE DOHERTY BWILLIE DOHERTY b. 1959, Derry, Northern Ireland Lives and works in Derry EDUCATION 1978-81 BA Hons Degree in Sculpture, Ulster Polytechnic, York Street 1977-78 Foundation Course, Ulster Polytechnic, Jordanstown FORTHCOMING & CURRENT EXHIBITIONS 2020 ENDLESS, Kerlin Gallery, online viewing room, (27 May - 16 June 2020), (solo) SOLO EXHIBITIONS 2018 Remains, Regional Cultural Centre, Letterkenny, Ireland Inquieta, Galeria Moises Perez de Albeniz, Madrid, Spain 2017 Galerie Peter Kilchmann, Zurich, Switzerland Remains, Art Sonje Center, Seoul, South Korea No Return, Alexander and Bonin, New York, USA Loose Ends, Matt’s Gallery, London, UK 2016 Passage, Alexander and Bonin, New York Lydney Park Estate, Gloucestershire, presented by Matt’s Gallery + BLACKROCK Loose Ends, Regional Centre, Letterkenny; Kerlin Gallery, Dublin, Ireland Home, Villa Merkel, Germany 2015 Again and Again, Fundaçao Calouste Gulbenkian, CAM, Lisbon Panopticon, Utah Museum of Contemporary Art (UMOCA), Salt Lake City 2014 The Amnesiac and other recent video and photographic works, Alexander and Bonin, New York, USA UNSEEN, Museum De Pont, Tilburg The Amnesiac, Galería Moisés Pérez de Albéniz, Madrid REMAINS, Kerlin Gallery, Dublin 2013 UNSEEN, City Factory Gallery, Derry Secretion, Neue Galerie, Museumslandschaft Hessen Kassel Secretion, The Annex, IMMA, Dublin Without Trace, Galerie Peter Kilchmann, Zurich 2012 Secretion, Statens Museum for Kunst, National Gallery of Denmark, Copenhagen LAPSE, Kerlin Gallery, Dublin Photo/text/85/92, Matts Gallery, London One Place Twice,
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												  Philanthropy and Alumni Engagement13 Philanthropy and Alumni Engagement Philanthropy and alumni This year Trinity celebrated two crucial capital development engagement have played a crucial projects made possible through philanthropy: the comple- tion of the Trinity Business School and a new Engineering, role in the university since Trinity’s Environment and Emerging Technologies development known foundation, empowering lasting as the E3 Initiative. With both these projects, exceptionally global impact in research and generous philanthropy enabled the leveraging of significant education. state investment and loans. In 2019 Trinity will publicly launch its first ever comprehensive philanthropic campaign which will be the most ambitious fundraising campaign ever undertaken on the island of Ireland. The focus of the Campaign will be on the two ‘umbrella’ areas for which philanthropy is essential: investment in staff and students through a series of transformative pro- fessorships and scholarships; and investment in major capital development and research infrastructure projects, including the Trinity St James’s Cancer Institute, E3 Institute, the Trinity Business School, and the Library and its unique collections. RIGHT – Dr Martin Naughton, Trinity STEM student Aedin McAdams (Zoology) and Provost Patrick Prendergast at the announcement of the new E3 initiative Trinity College Dublin – The University of Dublin ≥ The Naughton Foundation announced the single largest private philanthropic donation in the history of the state to Trinity, a gift of €25 million, paving the way for Trinity’s ambitious new E3 Initiative... Annual Review 2017–2018 94 | 95 13.0 Provost’s Council 13 The Naughton Foundation and E3 support Computer Science and Engineering students through In 2018 we continued to witness the transformative contribution the Student Hardship Fund.
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												  Education and Outreach Forum 2021 18Education and Outreach forum 2021 Presented by the Irish Museums Association (IMA) in partnership with Ni Museums Council (NIMC) for 2021. 18 – 21 May 2021 SCHEDULE In Brief Day One: CO-PRODUCTION Tuesday 18 May. 09:30 – 11:15 Chair: Tadhg Crowley, The Glucksman Opening Remarks: Dr Audrey Whitty, IMA Chair, and Siobhan Stevenson, NIMC Director The Our Irish Women exhibition: Cultural democracy in practice. Presented by Lorna Elms, Project Development Officer, Irish Community Archive Network (iCAN), National Museum of Ireland and Frances Holohan, Abbey & District Heritage Group, Irish Community Archive Network. Meitheal – Community Co-Production in the CINE project. Presented by Judith McCarthy, Curator, Donegal County Museum TY Project at the Douglas Hyde Gallery: Young adults as creators and consumers. Presented by Dr Fernando Sanchez, Learning & Engagement Curator, The Douglas Hyde Gallery Video, featured project: Indigenous Programming and Collaboration: Museums by the Sea and the Acadia Fist Nation - Mi’kmaq partnership building in Nova Scotia, Canada. Submitted by Shauna Allen, Museum Educator / PhD Candidate (UCC) __________________________________________________ DAY 2: ACCESS AND INCLUSION Wednesday 19 May. 09:30 – 11:15 Chair: Rachel McCance, NI Museums Council IMMA’s Online Art and Ageing programme Spring 2021. Presented by Catherine Abbott, Curator Art and Ageing, Irish Museum of Modern Art Connecting at home: Dementia Friendly workshops. Presented by Elaine Hill, Heritage Development Officer, Mid Antrim Museum Something From There: promoting inclusion and empowerment through democratic museum practices. Presented by Brina Casey, Education Officer, National Gallery of Ireland Improving Access and Inclusion Through Multi-User-Friendly Children’s Animations. Presented by Sinéad Fox, Education Officer, The Book of Kells and Old Library Exhibition, Trinity College Dublin.
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												  Download It in PDF Format© DARAGH SODEN, YOUNG DUBLINERS, 2014-16. SODEN, YOUNG © DARAGH 2016.photoireland.org 1 PhotoIreland Festival is brought to you CONTENTS thanks to our very kind sponsors, partners, and volunteers. 6 New Irish Works 8 » Mandy O’Neill, Promise 9 » Daragh Soden, Young Dubliners 10 IDEALS 11 Youngdon Jung, Blank Verse 12 Flâneur By Dublin 14 » Rik Moran, Stray Dogmas 15 » Esther Teichmann, The Seaweed Collector 16 How To Flatten A Mountain 18 Photobooks Exhibitions Irish 19 Featured Exhibitions Georgian LIBRARY, BOOKSHOP & GALLERY Society 22 Open Programme Exhibitions 26 What’s on today? Flâneur Network 28 List of Venues 30 Map of Venues Celebrating the 7th edition of PhotoIreland Festival, Volunteers: Alisha Doody, Carmen Sant Angelo, Clare Davies, Clare Steele, Ellie Berry, Ireland’s International Festival of Photography & Frank Brennan, George Voronov, Hanna Zajac, Jamin Keogh, Josef Kovac, Julia Ptak, Karine Murta, Katarzyna Michalak, Kaylah Benton Byrne, Kostas Epidis, Leyre Vicente, Pablo Jean, Pamela Doyle, Silvia Elorduy, Steven Maybury, Tim Kovar Image Culture. Vibrant, friendly, all-inclusive: Strategic Partnership Technical Team - Eoin Ghoulihan, Jamin Keogh, Frank Brennan A festival for all to enjoy! Julia Gelezova - Arts Administrator Moritz Neumüller - Curatorial Advisor Ángel Luis González Fernández - PhotoIreland Founder & Director 2 3 CULTUREFOX.IE GET NEVER READY MISS OUT The Arts Council’s new, upgraded CULTUREFOX events guide 24-27 Nov 2017 is now live. Free, faster, easy to use – and personalised for you. 4 Never miss out again. Organised by PhotoIreland and hosted at The Library Project. Check details at halftone.ie 5 MAIN EXHIBITIONS » NEW IRISH WORKS Selected by an international panel of 23 Robert McCormack, Roseanne Lynch, Shane Lynam, New Irish Works The Library Project professionals, New Irish Works 2016 brings you and Yvette Monahan.
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												  Post Specification Post Title: MonasticPost Specification Monastic Ireland: Landscape and Settlement Post-doctoral Post Title: Research Fellow Post Status: Contract up to 30th August, 2016 Department/Faculty: History of Art and Architecture Location: Arts Building Salary: €40,885 per annum Closing Date: 12 Noon on 24th January, 2014 Interviews will be conducted on Thursday 6th February, and the Note: successful candidate should be in a position to take up the post on 1st March, 2014 Post Summary The Monastic Ireland: Landscape and Settlement Post-doctoral Research Fellow will be a full- time appointment, starting 1 March 2014. The duration of the post is 2.5 years, terminating 30 August 2016. The successful candidate will be based in the Department of History of Art and Architecture in Trinity College Dublin, working under the direction of the project PI, Dr. Rachel Moss and project Associates, Dr. Edel Bhreathnach and Dr. Malgorzata Krasnodebska- D’Aughton. The candidate will ideally be early career, holding a doctoral degree in History of Art, Archaeology, Historical Geography, Medieval History or closely related subject. In collaboration with other members of the research group, the Postdoctoral Research Fellow will contribute to the planning and delivery of the research project, including dissemination of research findings through the delivery of conference papers and publication. Work will focus on the interpretation of monastic and mendicant order buildings within their historic landscapes in Ireland within a wider European context and will include an original piece of research relative to the project theme. The successful candidate will have ability and willingness to work as part of a research team, an interest in the specific objectives of the project, practical experience in working with historical sources and historic buildings, experience of following and adapting research methodologies, a willingness to systematically collect, and input, project data and excellent communication skills.
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												  02:02:08—01:01:0902:02:08—01:01:09 RE 01: JOINT REPORT BY CHAIRMAN & DIRECTOR 03 02: MISSION & VISION 04 03: THE NUMBERS 06 04: 2008 IN REVIEW 08 05: MEDIA COVERAGE 22 06: PLANS FOR 2009 26 07: SUPPORTERS 33 08: FINANCIAL REPORT 36 09: GOVERNANCE & LEADERSHIP 40 SCIENCE GALLERY ANNUAL REVIEW 2008 :VIEW Since its opening on 02:02:08, 01: JOINT REPORT BY CHAIRMAN & DIRECTOR A vibrant social space in the heart of the capital, We do not charge an entrance fee, which is Science Gallery is an initiative of Trinity College a important component of our success. Our Science Gallery has been an Dublin with a unique combination of players: costs are met by a combination of sponsorship a circle of innovative businesses; a dynamic and support. We are extremely grateful to network of universities; a curious, inventive and our Founding Partners: Ulster Bank and the energetic student population and a partnership of Wellcome Trust; the members of the Science incredible success, welcoming government agencies and non-profit organisations Circle: Dell, Google, ICON, PACCAR and Wyeth; with a passion for science and technology. and our media partner, The Irish Times, for their In 2008 we held five major, cutting-edge engagement and support of Science Gallery. We exhibitions on topics from Light to Fashion, and would also like express our appreciation to Dr 120,000 visitors through the over 90 events from theatre and film to talks and Beate Schuler and Dr Martin Naughton who have workshops. Particularly targeting young adults, been supportive from the outset. visitors have been getting involved on many levels: Government is a critical partner and we are over 5,000 people signed-up as members, many very grateful to the Department of Arts, Sport and doors and creating extraordinary students and colleagues from industry are helping Tourism and the Department of Enterprise, Trade as Mentors and Mediators in the Gallery and and Employment.
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												  Trinity and the Rising Commemorating the 1916 Centenary Trinity and the Rising Commemorating the 1916 CentenaryTrinity and the Rising Commemorating the 1916 centenary Trinity and the Rising Commemorating the 1916 centenary Soldier and poet, Francis Ledwidge This booklet was produced by Katie Strickland Byrne in the Office of Public Affairs and Communications. TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Contents John Boland 02 Introduction by the dean of Research eunan o’halpin 04 Lest we forget: Trinity College and the decade of Commemorations Jane ohlmeyer 07 an unstoppable process Ruth Barton 14 screening 1916 davis Coakley 16 small town – high walls estelle gittins 19 ‘all changed, changed utterly’: Commemorating the 1916 easter Rising at the Library of Trinity College dublin sarah smyth 21 Translations Iggy mcgovern 23 alliterations gerald dawe 24 an affirming Flame andrew o’Connell 26 Radio Rising Caoimhe ní Lochlainn 29 Trinity’s public engagement and media interest Patrick geoghegan 31 Vision for the future – appeal to the past page 01 TRInITy and The RIsIng CommemoRaTIng The 1916 CenTenaRy Introduction by the dean of Research Collected in this book, are reflections from leading academics and staff across our community. Eunan O’Halpin from the School of History outlines some of the events hosted by Trinity in the years leading up to 2016 that sought to look beyond the confines of the Rising and to place it in a broader historical context. Jane Ohlmeyer, director of the Trinity Long Room Hub Arts and Humanities Research Institute (TLRH), traces elements of this broader historical context in her analysis of how the Rising impacted on the British Empire, paying particular attention to how it was received in India, and notes the current day issues surrounding the fate of Northern Ireland in the wake of the recent Brexit vote.
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												  Research Fellow in Separation TechnologiesPost Specification Research Fellow in Separation technologies– Only approved titles may be used – for further information please see the Academic Post Title: Titles Document https://www.tcd.ie/hr/assets/pdf/Academic_Titles.pdf 2 years with possible extension for year 3:Specific Purpose Contract Post Status: – Full-time Research Group Polymeric Materials & NanoComposites (PMNC) Group, AMBER/School of Physics, Trinity College Dublin, the University of /Department/School: Dublin CRANN Institute, Main Campus Location: Trinity College Dublin, the University of Dublin College Green, Dublin 2, Ireland Reports to: Dr Ramesh Babu P (Principal Investigator) Appointment will be made on Points 2-6 of the IUA Post-Doctorate Researcher Level 2 salary scale, (€37,013-€ 42,181 per annum) at a Salary: point in line with Government pay Policy and experience. Please use the relevant IUA Researcher Salary Scales – further information is available at http://www.iua.ie/research-innovation/researcher- salary-scales/ Closing Date and Time: 12 Noon (GMT) on 31 January 2018 Post Summary Background Polymeric Materials and NanoComposites (PMNC) group (http://physics.tcd.ie/pmnc/) at TCD led by Dr. Ramesh Babu. The mission is to provide world-class research in Polymeric Materials and separation sciences, to act as an intellectual powerhouse and a catalyst for the development of a smart, globally competitive industry sector in Ireland and Europe. The overarching performance target of the group is to provide the R&D capability that will allow industries to become involved in the use of the most advanced polymeric materials and tools to create smart products and technology to compete effectively in all markets.