Thesischapter 5

Total Page:16

File Type:pdf, Size:1020Kb

Thesischapter 5 This file is part of the following reference: Pearson, John (2009) The role of the 40 foot Schaeberle camera in the Lick Observatory investigations of the solar corona. PhD thesis, James Cook University. Access to this file is available from: http://eprints.jcu.edu.au/10407 CHAPTER 5 THE LICK OBSERVATORY STUDIES THE SOLAR CORONA AND PARADIGM SHIFTS IN SOLAR PHYSICS 5.1 Introduction This chapter reviews coronal studies at the Lick Observatory which began with the first eclipse expedition and continued through to the last expedition. The LO accumulated the world’s finest archive of direct photographic eclipse plates over their expedition time-frame. The fine quality and large image scale of plates made coronal structure, form and motion analysis possible at a more complex level. The year 1889 was when the Lick Observatory initiated its eclipse expeditions. It was a year of several firsts in the quest for knowledge about the solar corona. The Observatory contributed significantly to the breadth of knowledge and new ideas gained during this first year. It was the first eclipse that the nation’s astronomical community produced an abundance of fine quality eclipse images (Clerke 1908: 185). The LO and the Harvard College Observatory, accounted for a majority of the images. Just the Harvard plates alone, numbered more than had ever been produced at previous solar eclipses on an international basis (Turner 1889b: 108). Previously, photography could not record the furthest coronal streamers as could be produced by skilled drawers who managed to visually observe and show a wealth of detail in their drawings. Using photography, comparison of the coronal images from three different eclipse stations clearly demonstrated for the first time, that major coronal features coincided. This was the first definitive photographic proof that the corona was not an artifact of the Earth’s atmosphere. Pritchett and Bigelow both remarked that the coronal extensions looked as though electrical or magnetic forces could be present. As the year of 1889 ended, Schaeberle produced his Mechanical Theory of the solar corona (Bigelow 1891: 50-52; Pritchett 1891: 158-160). Interest in the use of photography in all aspects of an observer’s work to record and reveal coronal secrets was rapidly gaining favor as the first Lick expeditions were in progress in 1889. Solar investigator H.S. Pritchett (1891: 161) brought to the table a couple of his ideas regarding coronal photography: 1. The desirability of obtaining photographs of the outer coronal streamers, whose delineation would go far towards a real knowledge of the structure of the corona. This involved the problem of designing the photographic outfit especially for this work. 160 2. The desirability of photographing the corona from points as widely separated as possible. The progress of the use of spectrographic instruments in the advancement of coronal science during the expeditions by the LO scientists was of paramount importance as will be witnessed by the discussion of Menzel’s chromospheric research that resulted in a paradigm shift in astrophysics. Because the thesis is focused on the direct photographic work, especially from the 40 foot Camera, the spectrographic work will be referenced to only on an occasional basis. The testing of the Einstein’s general Theory of Relativity was the primary focus of the three Lick Observatory expeditions sent out in 1914, 1918, and 1922. A brief discussion of the testing and results is presented showing how the LO came close to being first to secure the definitive star deflection measurements called for by the Theory. Additional information on the Einstein cameras is included in Appendix 2. 5.2 The Constitution of the Solar Corona The brightness of the corona was figured to be 10-6 as bright as the Sun and nearly as bright as the full Moon, yet the corona could not be detected by the unaided eye outside of a total eclipse. This was due to its faintness, fainter than the overall daylight. However, early experienced eclipse viewers, some using small telescopes, such as F. Arago in 1842, G.P. Bond in 1851, M.F. Petit in1860, N. Lockyer and A.R. Dawson in 1871, and S.M. Baird Gemmill in 1905, reported seeing the corona moments before and after totality (O’Meara 2005: 75-76). 5.2.1 Coronal Structure and Form The appearance of the solar corona was broken down into general structural elements and boundary conditions by the Lick staff, who used terms that were in common use by earlier investigators. By the eclipse of 1893, the Lick Observatory had adopted a couple of new terms with two new coronal features being defined by Schaeberle – the ‘arch’ and ‘streamer.’ Several of the features are discussed in more detail in Schaeberle’s Mechanical Theory of the solar corona; see Section 5.4 (Schaeberle 1895: 99-102). 1. Streamers – If an arch disappears, before reaching its aphelion point, it is called a ‘streamer.’ Streamers are subject to a variety of descriptive terms; heavy, stubby, parallel, rectilinear, curved, radial, well or sharply-defined. 2. Arches – An ‘arch’ is a visible streamer made of ejected particles traced beyond its aphelion. 161 3. Rays – A ‘ray’ is defined as the visual apparition caused by the overlapping of streamers seen in projection. Rays can take the appearance of ‘false’ streamers. 4. Beams – The term ‘beam’ was commonly found in the nineteenth century eclipse reports. The mid- to late-nineteenth century drawings and woodcuts for publication images gave the clear impression of large ‘beams’ of bright coronal light radiating from the surface of the Sun. It was replaced with the term ‘streamer’ or even by a well defined ‘ray.’ 5. Polar Rays – Polar rays, if they exist, were considered by Schaeberle to be caused by unknown forces within the solar surface. There are few rays or originating streamers in the pole regions because of the lack of sunspots. They may be just intersections of overlapping equatorial streamers viewed from a viewer’s perspective of above and below the poles. 6. Rifts – Dark areas among the rays are known as ‘rifts,’ which result from inactivity on the surface of the Sun. Rifts were commonly observed in the polar regions of the corona. 7. Gaps – ‘Gaps’ are the darker areas between the wings. 8. The coronal ‘Wings’ and the ‘Trumpets’ describing the ‘great wings’ extend to several lunar diameters. 9. Polar Gaps or Rifts – The rays are brightest near the poles and the apparent extinction of the polar rays occurs at increasing polar distances appearing as polar gaps or rifts. 10. A ‘Boundary’ describes several observed conditions – The border between two regions of unequal density – A number of different streamers having slightly different inclinations, but tangential to each other at various distances from the Sun – Osculating streamers appearing as a single streamer – A darker area marking the shape of a wing – Or in a general way, describes an area between close groupings of structure. 5.2.2 The ‘Inner’ – ‘Middle’ – ‘Outer’ Corona Basic terminology was used by Schaeberle after the 1893 eclipse to describe what appeared in the ‘inner’ corona. Found in the inner corona were streamers, arches, boundaries, and gaps. The area of the ‘middle’ corona contains extensions of the structures originating at, near or within the surface of the chromosphere. It is not uncommon for some of the large structures such as the rays to seem to originate within the ‘middle’ corona. In describing the outer corona, Schaeberle included the extensions of the features in the ‘inner’ corona. He found no characteristic differences between the ‘inner’ and ‘outer’ coronal forms other than they became fainter, more diffused and lose their sharp boundaries with 162 increasing distance from the solar limb. The wings formed whenever the streamers were most numerous in projection. Many of these streamers crossed one another. The mostly parallel wing boundaries tended to converge at a point. The diverging areas of rays would become too faint to distinguish against the background sky at their furthest extensions (ibid.). 5.2.3 Coronal Matter Coronal matter existed in a gaseous state, incandescent particle state, solid particle state, and at the atomic and ionized atomic level. Coronal matter was believed to contain unknown elements not found in laboratories though spectroscopy by the end of the LO expeditions. When the Lick Observatory expeditions began in 1889, the corona was believed to consist of hot and cold solid particles. Some attributed these particles to incoming swarms of meteorites or meteoritic clouds in orbit about the Sun. The nature of the coronal particles during the expeditions, is presented in Section 5.11. 5.2.4 Chromospheric Surface Features In the last half of the nineteenth century, the chromosphere was thought of as a thin layer separated by a small boundary area (reversing layer) from the photosphere. Airy labeled this layer ‘sierra’ in 1842. Some likened it to ‘stuff that dreams are made of’ or referred to chromosphere as a ‘coronal atmosphere.’ Frankland and Lockyer coined the term chromosphere in 1869. At the base of the chromosphere was a very bright region that appeared in what Langley referred to as ‘like a prairie on fire’ (Young 1910: 192). The red color was attributed to large concentrations of hydrogen flames. 1. Protuberances and Prominences – Large cloud-like masses that appeared above and from the surface of the chromosphere were labeled in 1842 as ‘protuberances’ and ‘prominences’ with no apparent differences noted between the terms. Within the corona, these features were described as being like floating clouds being ‘torn to pieces.’ It was believed that prominences were the result of the splash up of photospheric material from matter falling into the Sun.
Recommended publications
  • Shohola Property Rights Legal Battle by FRITZ MAYER
    Your Award-Winning News Source for the Upper Delaware River Valley Region Since 1975 Vol. 43 No. 24 AUGUST 24-30, 2017 www.riverreporter.com $1.50 Shohola property rights legal battle By FRITZ MAYER HOHOLA, PA — Amelia and William Pearn own a home in a neighborhood known as Maple Park, which is located next Sdoor to a community called Walker Lake, which is governed by a homeowners’ association called Walker Lakeshores Land- owners Association (WLLA). Since 2010, WLLA has been trying to get the Pearns to pay them thousands of dollars in “dues” or “assessments,” even though their property is not a part of Walker Lake and is not subject to WLLA assessments. That is essentially what two different judges have found. Amelia has recorded this battle in a very detailed manner at the website www.shoholapa.com. One entry that points to the confus- ing relationship between WLLA and Maple Park is this: “Most of Maple Park [about 30 homes] gets some form of ‘billing’ from this HOA [homeowners association]. Some pay, some don’t. Some get sued, some don’t.” The Pearns took title to the property in 2007, and the first billing from WLLA came in 2010; it was for “nonpayment of association dues, $5,440.90 plus attorney’s fees.” The matter went to Magis- terial District Court, where Magistrate Alan Cooper determined that the couple owed $15 per year to WLLA for “water mainte- TRR photo by Amanda Reed nance.” Given the three-year period under consideration, late fees This picture was taken during the solar eclipse on August 21 on the Pennsylvania side of the Upper Delaware River, across the and court costs, the judge ruled that the Pearns owe WLLA $235.
    [Show full text]
  • The Society of the Third
    PROLOGUE THE SOCIETY OF THE THIRD MILLENNIUM New Narratives Of A Reimagined Future Synthesized As The Integral Vision Of S3K “Because of the interconnectedness of all minds, affirming a positive vision may be about the most sophisticated action anyone of us can take.” —Willis Harmon, Global Mind Change “A developing brain is a sort of snowballing cognitive leviathan that adapts to everything and anything close to it. Learning is one aspect of extreme plasticity, and creativity another. Any species that can do such things as play with the world, imagine it, remember it, and expand its cir- cles of experience…will ultimately start to experiment.” —Merlin Donald, A Mind So Rare “If we can reimagine possibility it can result in an entirely new vision of how to create lasting change in our communities. Not in a dreamy, wish- ful, [naïve] sense, but rather through a bold and courageous commitment to practical and specific measures grounded in the daily experience of what has been proven to work over and over again but has not been tried on a large enough scale.” —Bill Shore, Revolution of the Heart “We need visions these days. Not the prognostications of cybergeeks and marketers and statisticians and trend-mongers who try to tell us where we’ll end up if we continue in the direction we’re going. Useful as these predictions may be, we’ve got plenty of those kinds of visions. What we need are visions of society the way we want it to be. Creative, seemingly impractical, catalytic visions of human possibility and achievement can inspire and motivate us to change our lives and the world.” —Eric Utne, Visionaries: People and Ideas to Change Your Life.
    [Show full text]
  • 2018 Poets House Showcase
    Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2018 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artist’s books, and multimedia works published in the United States and abroad. W This year marks the 26th anniversary of the Poets House Showcase and features over 3,400 books from more than 750 different presses and publishers. For 26 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2017 and the first part of 2018. Books have been contributed by the entire poetry community, from the poets and publishers who send on their newest titles as they’re released, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. Poets House provides a comprehensive, inclusive collection of poetry that is free and open to the public. The Poets House Showcase is the mechanism through which we build our collection, and to make it as comprehensive as possible, the library staff reaches out to as many poetry communities and producers as we can. To meet the different needs of our many library patrons, we aim to bring together poetic voices of all kinds.
    [Show full text]
  • A Visit to North Spain at the Time of the Eclipse of 1860
    422 VACATION TOURISTS, AND [Spain and Eclipse. 12. A VISIT TO NORTH SPAIN AT THE TIME OF THE ECLIPSE. BY EKANCIS GALTON, F.RS. A direction was given to my summer rambles by the desire of witnessing the solar eclipse of last June, and by the fact that the path of its totality, where nearest to England, lay across a country which I ardently longed to visit. The result was, that I applied for permission, and obtained it, to form one of the party of astronomers who, under the leadership of the Astronomer-Eoyal, were taken by H.M.S. Himalaya to Spain. The Himalaya is truly a noble vessel, and we were right imperially treated. Those whose experience has been drawn from coasting passenger-steamers, in English or Mediterranean waters, would hardly credit that anything floated comparable in spaciousness and luxury to this magnificent ship. And she is as fast and as easy, excepting a tendency to roll, as she is spacious and comfortable ; for we steamed out of Plymouth Sound on a Saturday forenoon, so steadily, that I hardly knew we were moving ; and on the Sunday night we were going at half-power, because we were too near the Spanish coast, whose bold outlines lay in full view on the early Monday morning. It was therefore with one of those feelings of contrast so often enjoyed by travellers, that I, with my eyes still toned to that dim English daylight in which we had just bade fare- well to our shores, found myself paddling up the Bilbao river in a small shore-going craft, under a full flood of southern F.
    [Show full text]
  • Korn Highlights a Comprehensive List of Accomplishments While Brian "Head" Welch Was a Member of Korn
    Korn Highlights A comprehensive list of accomplishments while Brian "Head" Welch was a member of Korn AWARDS Won a Grammy for Best Metal Performance – 2003 Won a Grammy for Short Form Music Video – 2000 Won a MTV Video Music Award for Best Rock Video – 2000 Won a MTV Video Music Award for Best Editing – 1999 Won a MTV Video Music Award for Best Heavy Metal / Hard Rock Video – 1999 NOMINATIONS Grammys Best Metal Performance – 2004 Hard Rock Performance – 2000 Best Metal Performance – 1997 MTV Video Music Awards Best Rock Video – 2002 Best Art Direction – 1999 Video of the Year – 1999 Best Direction – 1999 Best Special Effects – 1999 Best Cinematography – 1999 Best Breakthrough Video – 1999 Viewer’s Choice – 1999 MTV Europe Awards Best Live Act – 2002 SALES HISTORY 16 Million albums sold to date in the US 32 Million albums sold worldwide as of 2009 ALBUMS Life Is Peachy (1996) Sold more than 106,000 copies its first week Follow The Leader (1998) Sold 268,000 copies its first week Certified 5x Platinum by RIAA and sold 10 million copies worldwide Issues (1999) Sold 573,000 copies Certified 3x Platinum SALES HISTORY (continued) Untouchables (2002) Sold 434,000 copies Certified Platinum Paradigm Shift (2013) Sold 113,000 DISCOGRAPHY Korn (1995) #1 on Heatseekers #72 on The Billboard 200 Life Is Peachy (1996) #3 on The Billboard 200 Follow the Leader (1998) #1 on The Billboard 200 #1 on Top Canadian Albums Issues (1999) #1 on The Billboard 200 #2 on Top Canadian Albums #2 on Top Internet Albums Untouchables (2002) #2 on The Billboard 200 #2 on Top Internet Albums #3 on Top Canadian Albums Take a Look in the Mirror (2003) #9 on Top Internet Albums #9 on The Billboard 200 Greatest Hits Vol.
    [Show full text]
  • Korn All Albums Download Korn – Discography (1994 – 2014) UPDATE
    korn all albums download Korn – Discography (1994 – 2014) UPDATE. Korn – Discography (1994 – 2014) EAC Rip | 19xCD + 4xDVD | FLAC Image & Tracks + Cue + Log | Full Scans included Total Size: 11.2 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUMS | COMPILATION | EP Label: Various | Genre: Alternative Rock, Nu Metal. Korn’s cathartic alternative metal sound positioned the group among the most popular and provocative to emerge during the post-grunge era. Korn began their existence as the Bakersfield, California-based metal band LAPD, which included guitarists James “Munky” Shaffer and Brian “Head” Welch, bassist Reginald “Fieldy Snuts” Arvizu, and drummer David Silveria. After issuing an LP in 1993, the members of LAPD crossed paths with Jonathan Davis, a mortuary science student moonlighting as the lead vocalist for the local group Sexart. They soon asked Davis to join the band, and upon his arrival the quintet rechristened itself Korn. After signing to Epic’s Immortal imprint, they issued their debut album in late 1994; thanks to a relentless tour schedule that included stints opening for Ozzy Osbourne, Megadeth, Marilyn Manson, and 311, the record slowly but steadily rose in the charts, eventually going gold. Its 1996 follow- up, Life Is Peachy, was a more immediate smash, reaching the number three spot on the pop album charts. The following summer, they headlined Lollapalooza, but were forced to drop off the tour when Shaffer was diagnosed with viral meningitis. While recording their best-selling 1998 LP Follow the Leader, Korn made national headlines when a student in Zeeland, Michigan, was suspended for wearing a T-shirt emblazoned with the group’s logo (the school’s principal later declared their music “indecent, vulgar, and obscene,” prompting the band to issue a cease-and-desist order).
    [Show full text]
  • Historical and Social Aspects of Solar Eclipse Occurrences
    Sri Lanka Journal of Social Sciences 2018 41 (1): 25-37 DOI: https://dx.doi.org/10.4038/sljss.v41i1.7604 REVIEW ARTICLE Historical and social aspects of solar eclipse occurrences K. Tennakone* 55 Amberville Road, North Andover, MA 01845, United States. Abstract: The eclipses of the sun and moon are generally consideration of obvious consequences of something considered a part of astronomy irrelevant to other affairs of the happening to the sun, made people to assume solar society. The study reported here explores the contrary, showing eclipses an evil. They seemed to appear once in a way that, eclipses of the sun have had a significant impact on society just as social calamities. Many cultures attributed latter in terms of associated superstitions and counter arguments to deities. Likewise, the former was also believed to be of rationality, regional conflicts, decision making by rulers, a result of their involvement. In Hindu mythology, the advancement of science and scientific politics. The history and social implications of eclipse prediction and eclipse expeditions legend that has transcended to Sri Lanka as well, eclipses are discussed highlighting situations relevant to Sri Lanka. Solar are caused by the bodiless deity Rahu who devours the eclipse events, particularly important to Sri Lankan history, are sun. Chinese thought that a sky dragon attempts to eat examined in comparison with theoretically calculated dates of the sun (Shylaja & Madhusudan, 1999). Widely different occurrence given in the NASA World Atlas of Eclipses. Results ancient cultures, attribute solar eclipses to engulfing provide new insights into some historical events, especially of the sun by evil celestial beings.
    [Show full text]
  • Flaming Lips'
    WILL CALHOUN’S DRUMSET $ WIN VALUED OVER 5,900 PINK’S MARK SCHULMAN GEARS UP MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERNOVEMBER 2013 FLAMING LIPS’ DROZD AND SCURLOCK LIGHT OUR FIRE AGAIN ILAN RUBIN HOT PARAMORE AND 10 NEW REGIME BEATS ’SREAL-DEAL RAGER PREPARATION, MEET OPPORTUNITY MODERNDRUMMER.com + TONY THOMPSON’s POWER STATION + IN THE STUDIO SPECIALTY MIC APPLICATIONS + KENNY WASHINGTON AND DAFNIS PRIETO ON BACKING SOLOISTS + REVIEWED: MAPEX SATURN IV MH EXOTIC KIT paiste.com THE NEW ALTERNATIVE FOR SIGNATURE PLAYERS Scan the QR Code to see Sutter Jason Vanderbilt, Franklin (pictured), Dean Butterworth and John Robinson demo the new Signature «Precision» series. The new Signature «Precision» series is created using Paiste’s proprietary Signature Alloy, and features the typical hallmarks of Paiste’s original Signature sound - brightness, fullness, strong presence and projection, with brilliant musicality. A particular quality of the Signature «Precision» is its clean and focused character in combination with a very articulate, straight-ahead sound. The goal for the Signature «Precision» was to create a more affordable Signature sound. Part of the success of this project is the incredible sound potency that already exists within the Signature Alloy. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND • 830 Series Hardware • Demonator Bass Pedal • OptiLoc Tom Mounts • Blended Shell Construction • Exclusive Lifetime Warranty THE BEST SELLING DRUMSET OF ALL TIME. INTRODUCING THE ALL NEW EXPORT SERIES Welcome to Ground Zero for a legion of pro drummers. From Joey Jordison of Slipknot and Mike Wengren of Disturbed to Ray Luzier of Korn and Will Hunt of Evanescence, this is where it all began.
    [Show full text]
  • Metal Music Since the 1980S
    Marrington, Mark ORCID: https://orcid.org/0000-0001-5404-2546 (2017) From DJ to djent- step: Technology and the re-coding of metal music since the 1980s. Metal Music Studies, 3 (2). pp. 251-268. Downloaded from: http://ray.yorksj.ac.uk/id/eprint/2328/ The version presented here may differ from the published version or version of record. If you intend to cite from the work you are advised to consult the publisher's version: http://dx.doi.org/10.1386/mms.3.2.251_1 Research at York St John (RaY) is an institutional repository. It supports the principles of open access by making the research outputs of the University available in digital form. Copyright of the items stored in RaY reside with the authors and/or other copyright owners. Users may access full text items free of charge, and may download a copy for private study or non-commercial research. For further reuse terms, see licence terms governing individual outputs. Institutional Repository Policy Statement RaY Research at the University of York St John For more information please contact RaY at [email protected] Mark Marrington, From DJ to djent-step: Technology and the re-coding of metal music since the 1980s Mark Marrington trained in composition and musicology at the University of Leeds (M.Mus., Ph.D.) and is currently a Senior Lecturer in Music Production at York St John University. He has previously held teaching positions at Leeds College of Music and the University of Leeds (School of Electronic and Electrical Engineering). Mark has published chapters with Cambridge University Press, Bloomsbury Academic, Routledge and Future Technology Press and contributed articles to British Music, Soundboard, the Musical Times and the Journal on the Art of Record Production.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • October 2017 Issue
    ROYAL ASTRONOMICAL SOCIETY OF CANADA - VICTORIA CENTRE SKYNEWS Photo by John McDonald Photo by Lauri Roche Photo by Remi Odense Sketch by Dorothy Paul Photo by David Lee IN THIS ISSUE NEXT MEETING Presidents Report RASCal Eclipse Anecdotes: Total Recall Next Meeting AGM Sat Nov 18th 2017 East of the Cascades Memories Surrounding In the Willamette Valley 6:00 PM at The Total Eclipse of the Sun The Victoria Perspective Cedar Hill Golf Course Floating the Plaskett Telescope August 21, 2017 1400 Derby Road www.victoria.rasc.ca SKYNEWS OCTOBER 2017 ISSUE #391 PAGE 1! On the Cover Every evening there were great conversations about what we were seeing, the night sky, Total Recall travel, life in the universe, etc. There were many Graphics by John McDonald, Lauri Roche, gasps of amazement especially when we were David Lee, Remi Odense and Dorothy Paul looking at Saturn. Saturn really is a highlight of the night sky; it was the first object I recall The images and sketch on the cover display seeing through a telescope when I was in high some of the visual highlights of the August school. I still enjoy looking at it all these year later! 21st Solar Eclipse. The collection of Many of the visitors were amazed to learn the RASCal anecdotes assembled in this issue telescopes they were looking through are however provides a much richer insight into personally owned. So many said how much they the experience. There are detailed appreciated the opportunity to see the night sky descriptions of the physical event as well as and our generosity.
    [Show full text]
  • Mso in Miami March 2012 ***Ultra Music Festival
    MSO IN MIAMI MARCH 2012 ***ULTRA MUSIC FESTIVAL*** ***’CAN U FEEL IT – THE UMF EXPERIENCE’ EXCLUSIVE WORLD PREMIERE*** ***HARD PRESENTS** MOOMBAHTON MASSIVE HARD MIAMI ***AUDREY NAPOLEON***BORGORE***CALVIN HARRIS***DATSIK***DESTRUCTO*** ***DROP THE LIME***FEED ME***FELIX CARTAL*** ***PAUL VAN DYK***STEVE AOKI*** AUDREY NAPOLEON www.audreynapoleon.com www.twitter.com/audreynapoleon www.facebook.com/AudreyNapoleon www.msopr.com/n/client-roster/audrey-napoleon Energetic talent and grace like hers are rare in any profession. Match it with a keen instinct for electronic music, edgy personal style and a playful personality to arrive at one of today’s most gifted new stars. AUDREY NAPOLEON is simply electric. While working at Hollywood hot-spot Geisha House, she discovered her passion for DJing. From there came producing original tracks, two national residencies in Los Angeles (Avalon, Music Box) and continual invitations to play parties throughout Europe. AUDREY NAPOLEON made her global debut in December 2011 in Heineken®’s “Sunrise Belongs To Moderate Drinkers” international campaign, an 85-second film that has received almost 3 million views on YouTube set to her original production “#mysunrise,” now available through Beatport. Today, AUDREY NAPOLEON’s sought-after music style reveals roots that are deep, dark, anthemic and techno based. Her buoyant signature sound, which she describes as a dark romance, and her lively stage presence is what sets AUDREY apart when spinning at top clubs around the world and sharing the stage with an array of massive talent from techno legend Richie Hawtin, deadmau5, Wolfgang Gartner and Nic Fanciulli to Umek, Joris Voorn, Simian Mobile Disco, M.A.N.D.Y.
    [Show full text]