Fall 2013 Alumni Calumet 37
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Alumni Calumet Newsletter Winter 34
32 Students Receive A fabulous decade $48,000 in Alumni Scholarships at the helm of the WHS Alumni Association By Phil Yourish, 1964 Have you ever been presented with an opportunity that you never anticipated? Have you ever observed the circuitous paths we follow to explore new possibilities - and then discover Sparkle Moore Dekontee Gunone that sometimes those paths lead Ronald G. Stone Fund Sharon Nicely Boose Fund us right back to where we start- ed? At age 54, I didn't expect to return to Weequahic High School again - certainly not as the founding Executive Direc- tor of its fledgling Alumni As- sociation in 2001. Many alumni describe their Weequahic High experience as “the best time in their life.” However, for me, my high school years were a struggle - Paris Solomon Felicia Davis a real challenge for an average Reida & Harry Jellinek Fund Walter Hastreiter Fund kid trying to survive in a highly competitive educational setting, while also adjusting to the precarious transition from child to teenager, and the social dynamics of everyday high school life. As a shy, awkward kid with not enough self-confidence, I sometimes felt lost as I tried to navigate my way through a Cleopatra Jone s Jane Asante high school that was synony- Class of 1963 Fund ϐ mous with academic achieve- ment and success. With much consternation and some accomplishment, I sur- vived my Weequahic years - and soon returned in a more promising role as a student teacher. Then it took more than 30 years for me to step into the high school again - under new and exciting circum- stances - that provided me with Imani Taylor Christopher Wilkins the chance to do it better the Phyllis & Donald Kalfus Fund Carolyn Parm Fund second time around. -
One to One Performance a Study Room Guide on Works Devised for an ‘Audience of One’
One to One Performance A Study Room Guide on works devised for an ‘audience of one’ Compiled & written by Rachel Zerihan 2009 LADA Study Room Guides As part of the continuous development of the Study Room we regularly commission artists and thinkers to write personal Study Room Guides on specific themes. The idea is to help navigate Study Room users through the resource, enable them to experience the materials in a new way and highlight materials that they may not have otherwise come across. All Study Room Guides are available to view in our Study Room, or can be viewed and/or downloaded directly from their Study Room catalogue entry. Please note that materials in the Study Room are continually being acquired and updated. For details of related titles acquired since the publication of this Guide search the online Study Room catalogue with relevant keywords and use the advance search function to further search by category and date. Cover image credit: Ang Bartram, Tonguing, Centro de Documentacion, Ex Teresa Arte Actual, photographer Antonio Juarez, 2006 Live Art Development Agency Study Room Guide on ONE TO ONE PERFORMANCE BY RACHEL ZERIHAN and OREET ASHERY FRANKO B ANG BARTRAM JESS DOBKIN DAVIS FREEMAN/RANDOM SCREAM ADRIAN HOWELLS DOMINIC JOHNSON EIRINI KARTSAKI LEENA KELA BERNI LOUISE SUSANA MENDES-SILVA KIRA O’REILLY JIVA PARTHIPAN MICHAEL PINCHBECK SAM ROSE SAMANTHA SWEETING MARTINA VON HOLN 1 Contents Page No. Introduction What is a “One to One”? 3 How Might One Trace the Origins of One to One Performance? 4 My Approach in Making -
TO: Members of the Authority FROM: Michele Brown Chief Executive
MEMORANDUM TO: Members of the Authority FROM: Michele Brown Chief Executive Officer DATE: January 14, 2014 SUBJECT: Agenda for Board Meeting of the Authority January 14, 2014 Notice of Public Meeting Roll Call Approval of Previous Month’s Minutes Chief Executive Officer’s Monthly Report to the Board Bond Projects Loans/Grants/Guarantees Incentive Programs Board Memorandums Real Estate Public Comment Adjournment NEW JERSEY ECONOMIC DEVELOPMENT AUTHORITY December 5, 2013 MINUTES OF THE SPECIAL MEETING Members of the Authority present: Al Koeppe. Chairman; Commissioner Kobylowski of the Department of Banking and Insurance; and Public Member Rich Tolson. Present via conference call: State Treasurer Andrew Sidamon—Eristoff; Colleen Kokas representing the Commissioner of the Department of Environmental Protection; Public Members: Joseph McNamara, Vice Chairman; Charles Sarlo. Brian Nelson; and Harold Imperatore, Third Alternate Public Member. Also present: Michele Brown, Chief Executive Officer of the Authority; Timothy Lizura, President and Chief Operating Officer; Deputy Attorney General Bette Renaud; and staff. Absent: Melissa Orsen representing the Executive Branch; Fred Zavaglia representing the Commissioner of the Department of Labor and Workforce Development; Public Members Larry Downes, Marjorie Perry, Jerry Langer, Ray Burke, First Alternate Public Member; Elliot M. Kosoffsky, Second Alternate Public Member; and Rodney Sadler. Non-Voting Member. Chairman Koeppe called the meeting to order at 12pm. In accordance with the Open Public Meetings Act, Ms. Brown announced that notice of this meeting has been sent to the Star Ledger and the Trenton Times at least 48 hours prior to the meeting, and that a meeting notice has been duly posted on the Secretary of State’s bulletin board at the State House. -
NEWSLETTER PLUS! November 2011 Published Bi-Monthly PO Box 68, Chatham, N.J
New Jersey Association of Railroad Passengers NEWSLETTER PLUS! November 2011 Published Bi-Monthly PO Box 68, Chatham, N.J. 07928-0068 www.NJ-ARP.org FEATURED IN THIS EDITION OF NJ-ARP NEWSLETTER PLUS! 1) In the battle of the Superheros, NJ-ARP’s intrepid Vice President Jack May takes on Batman and NJ Transit, masquerading as the Gotham Transit Authority (see Pages 2, 3, 5, and 6). Highlights of his battle were published by both the Star-Ledger and the Asbury Park Press. 2) Elsewhere, NJ-ARP ART Award-winning Representative Joe Versaggi battles arch nemesis PANY/NJ as he asks them why PATH has no emergency reciprocity with New York City’s Metropolitan Transportation Authority (see Page 4). 3) In a similar vein, NJ-ARP Director and Publications Manager Les Wolff asks why NJ Transit treats its Light Rail Lines like they were operating in a foreign country with a different currency when it comes to an integrated fare structure for rail-LRT intermodal travel (see below). 4) Some great news from Rose Heck (see Page 4). There may fi nally be some “B” in HBLRT. The long-awaited (3 years??) DEIS for the Northern Valley extension is expected in January. 5) Our web links directory this month (see Page 5) has articles dealing with subjects as diverse as the removal of garbage cans from New York’s subway stations to Amtrak securing the right-of-way from Poughkeepsie to Schenectady. Memo to NJ Transit: Light Rail Lines ARE Part of Your Network As users of all three NJT Light Rail Lines (Hudson-Bergen, Newark, and RiverLINE), we fail to understand why it is not possible to buy through-tickets from one of NJT’s rail stations to an NJT light rail station (and reverse). -
Law, Ethics, and Experiential Theatre
Vanderbilt Journal of Entertainment & Technology Law Volume 15 Issue 3 Issue 3 - Spring 2013 Article 2 2013 The Disappearing Fourth Wall: Law, Ethics, and Experiential Theatre Mary LaFrance Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Legal Ethics and Professional Responsibility Commons Recommended Citation Mary LaFrance, The Disappearing Fourth Wall: Law, Ethics, and Experiential Theatre, 15 Vanderbilt Journal of Entertainment and Technology Law 507 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol15/iss3/2 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. The Disappearing Fourth Wall: Law, Ethics, and Experiential Theatre Mary LaFrance* ABSTRACT The cutting edge of experiential theatre blurs the lines between performer and audience. Both the performer and the audience are vulnerable. Audiences may be subject to assaultive or disturbing behavior or images. The performance may take place in an unconventional venue that poses safety hazards. A single audience member may be alone with a performer, who may engage in provocative or shocking behavior, including verbal abuse or touching. The performer may invite similar conduct from the participant. Typically, the participant does not know in advance what will take place and does not sign a waiver. While the performer has a script or a set of instructions, the performer knows nothing about the mental or emotional state of the participants and thus may undertake some personal risk as well. -
Download the Issue
Autumn 2011 Volume 23 Issue 03 totaltheatre.org.uk IMMERSE YOURSELF IN PROTO-TYPE’S FORTNIGHT IN BRISTOL INTERACT WITH ADRIAN HOWELLs – aLWAYS A PLEASURE! INTERROGATE THE ROLE OF THE AUDIENCE AT THE EDINBURGH FESTIVAL FRINGE COMMUNE WITH LIKE-MINDED CITIZENS OF THE WORLD AT THE INTERNATIONAL COMMUNITY ARTS FESTIVAL HEAR THE CASE FOR VERNACULAR ARTS VOICED BY JOHN FOX PLUS: TOTAL THEATRE AWARDS 2011, FUN AND GAMES AT THE NORFOLK & NORWICH FESTIVAL, THE LiFE AND DEATH OF MARINA AbRAMOVIC, BE, BRIGHTON, AND NEAT FESTIVAL REPORTS THE BASEMENT Operation Greenfield, Little Bulb Theatre HOME OF THE ODD See what’s coming up at: www.thebasement.uk.com The Basement, 24 Kensington St. Brighton, BN1 4AJ 01273 699733 TOTAL TOtaL THEatRE MAGAZINE THEATRE TOtaL THEatRE MAGAZINE Editor Autumn 2011 Volume 23 Issue 03 Dorothy Max Prior MAGAZ [email protected] Remarking on the shows seen on the Total Theatre Awards shortlist for Innovation and Deputy Editor Experimentation, one of the judges commented that sitting down in an auditorium to watch a I John Ellingsworth NE piece of theatre presented on a stage seemed to be so rare as to be almost innovative in itself! [email protected] Autumn 2011 Volume Autumn23 Volume Issue 2011 03 Perhaps a tipping point has been reached with ‘interactive’ and ‘immersive’ theatre work, Reviews Editor which is now everywhere, including all over Edinburgh in this year’s Fringe. The list of Award Beccy Smith winners reflects this, with four of the six shows chosen being ‘offstage’ productions. See the [email protected] Total Theatre Awards report in this issue for full details of winners and shortlist, and see our brand new ‘reviews and news’ website at www.totaltheatrereview.com for full reviews of Editorial Assistant winning and shortlisted shows amongst more than seventy shows reviewed at this year’s Fringe. -
Maroon 2007/2008 the Year Book of the Old Bordenian Association
TheThe MaroonMaroon 2007/2008 The Year Book of the Old Bordenian Association CONTENTS The President’s Letter 7 Football Report 28 Annual General Meeting 2006 8 Retirement of Ann Wood 30 Notice of AGM 2007 11 Anyone for Tennessee? 31 Accounts 2006 12 Interview techniques 32 Officers and Committee 13 Cat-snapping 34 Obituaries 14 A biology lesson in Brazil 36 We will remember them 17 Fifty years on 38 OBA Website & Editorial 20 Notes from a small island 40 Annual Dinner 2006 22 Latina memoranda 42 Sheppey Reunion Dinner 2006 24 From the Head’s files 43 Free Beer 25 Wanted! 46 Hockey Club Report 26 Membership List 47 Front Cover designed and executed by Fred Clouter, Head of Art at Borden Grammar School 1 The Maroon The Maroon 2 The Maroon 4 Providers of a professional commercially minded approach to dispute resolution in the construction industry Serving Main contractors Developers Local Authorities Solicitors Architects Providing Dispute management Forensic delay analysis Extension of time submissions Adjudication service Project audits Arbitration and litigation support Expert witness in planning and quantum Project planning services Commercial management Offices at:- Wokingham Tel: 01189 775819 Faversham Tel: 01795 597637 Bishops Stortford Tel: 01279 755880 Leeds Tel: 01924 495335 Web site: www.crmanagement.co.uk The Maroon 6 THE PRESIDENT’S LETTER Dear Old Bordenian The past twelve months have seen a number of plans to improve facilities for pupils and staff come to fruition. Support from the Local Authority has enabled a significant modernisation process to begin. This includes the construction of a larger library leading to a Sixth Form study area, a Sixth Form common room, a final phase of disability access to the Hardy building and the creation of a suitable area for a drama studio. -
Faculty of English the CONSTRUCTION of SKILL in CONTEMPORARY EXPERIMENTAL THEATRE Giacomo Giuseppe Belloli Queens' College U
Faculty of English THE CONSTRUCTION OF SKILL IN CONTEMPORARY EXPERIMENTAL THEATRE Giacomo Giuseppe Belloli Queens’ College University of Cambridge This dissertation is submitted for the degree of Doctor of Philosophy, in August 2018 i Declaration This thesis is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit for the relevant Degree Committee. i ABSTRACT The construction of skill in contemporary experimental theatre Giacomo Giuseppe Belloli A concern with ‘skill’ – the embodied process of becoming accustomed to, and getting better at, particular practices – underpins the work of a range of recent experimental theatre-makers in the UK. While Tom Cornford has proposed that the theatre has not experienced a ‘turn to the crafts’ to match the concurrent one in the visual arts, I argue that theatrical practice is caught within this turn. The encounters that occur in theatrical auditoria become sites for the construction of skill, where the skilled practice of performers and audiences can be developed and celebrated, but also where the implications of what that means can be interrogated. -
A Visitor's Guide to Glasgay
Heddon, D. (2007) A visitor's guide to Glasgay. In: Godiwala, D. (ed.) Alternatives Within the Mainstream II: Queer Theatres in Post-War Britain. Cambridge Scholars Press, Cambridge, pp. 339-361. ISBN 9781847183064 http://eprints.gla.ac.uk/6487/ Deposited on: 22 July 2009 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Launched in Glasgow in 1993, Glasgay! has proved to be an enduring lesbian, gay, bisexual and transgender arts festival. Given the surprising longevity of Glasgay! it seems imperative that this important queer festival, whose survival is always precarious, is documented. ‘A Visitor’s Guide to Glasgay!’ is part of that documentation, offering an account of the festival from each of its producers and mapping their different aims and agendas, alongside their shared frustrations. A Visitor’s Guide to Glasgay! In 1993, the lesbian and gay cultural landscape of Glasgow was changed dramatically with the launch of the first Glasgay! festival. As I write this, plans are well underway for the launch of Glasgay! 2006. It is unlikely that co-founders Cordelia Ditton and Dominic D’Angelo could have predicted the longevity of the festival when they began planning the first one in 1991, particularly given the sustained political and financial obstacles that each festival producer has had to face. The survival of Glasgay! seems a necessary act of wilful obstinacy, a refusal to counter the possibility that the festival has (ever) had its proper time and place. I very much hope that in 2016, someone else (or even an older me) is recording the continued history of Glasgay! The ‘record’ that follows is primarily produced from interviews with each of the directors/administrators. -
CLINICAL REVIEW Guillain-Barré Syndrome
For the full versions of these articles see bmj.com CLINICAL REVIEW Guillain-Barré syndrome John B Winer University Hospital Birmingham, Guillain-Barré syndrome is a peripheral neuropathy é Queen Elizabeth Hospital, that causes acute neuromuscular failure. Misdiagnosis Box 1 Differential diagnosis of Guillain-Barr syndrome Edgbaston, Birmingham B15 2TH is common and can be fatal because of the high Hypokalaemia [email protected] frequency of respiratory failure, which contributes to Polymyositis Cite this as: BMJ 2008;337:a671 the 10% mortality seen in prospective studies.1 Our Lead poisoning doi:10.1136/bmj.a671 understanding of the wide spectrum of the disease and Porphyria its pathogenesis has increased enormously in recent Transverse myelitis and neuromyelitis optica years. Several high quality randomised controlled trials have established the effectiveness of early treatment. What are the clinical features? All types of Guillain-Barré syndrome present with What is the spectrum of Guillain-Barre´ syndrome? acute neuropathy, defined as progressive onset of limb é The clinical spectrum of Guillain-Barr syndrome is weakness that reaches its worst within four weeks. — varied at least three different types have been Limb weakness is usually global14—both proximal and identified. In Europe and North America about 95% distal—unlike that of dying back axonopathy, such as of cases are acute inflammatory demyelinating poly- neuropathy associated with drug toxins or alcohol, radiculoneuropathy and the other 5% are acute axonal which is -
Redefine, Repurpose, and Renew
MARAC SPRING 2017 • NEWARK, NEW JERSEY ADAPTABLE ARCHIVES: REDEFINE, REPURPOSE, AND RENEW • APRIL 20-22, 2017 • Newark Panorama, 1957. Charles F. Cummings New Jersey Information Center, Newark Public Library. The Local Arrangements and Program Committees welcome MARAC to Newark, New Jersey for the Spring 2017 Conference. The renaissance city of Newark offers cultural and historical sites, arts, entertainment, and fine dining that conference attendees are sure to enjoy. Our conference hotel, the Robert Treat Best Western, named for the original settler of Newark, opened in 1916 and has hosted American presidents and other dignitaries. It is conveniently located within walking distance of the New Jersey Performing Arts Center, the Newark Museum, Newark Public Library, and Rutgers University–Newark. Take advantage of the spring season and tour the spectacular Branch Brook Park cherry blossoms that bloom in April and the Basilica of the Sacred Heart, the fifth- largest cathedral in the United States. See the historic mansions in the Forest Hill section, as well as the Newark Museum and Institute of Jazz Studies at Rutgers- Newark. Going it on your own? Explore Newark with “Newark Walks,” an interactive and engaging pedestrian tour of the city available to you via your smartphone. We hope you brought your appetite! Newark’s Ironbound District is home to over 170 fine restaurants and eateries, many specializing in Brazilian and Iberian cuisine, and is within easy transportation of the hotel. Just like our terrific lineup of program offerings, the conference theme of “Adaptable Archives: Redefine, Repurpose, and Renew” fully expresses the dynamic, present-day Newark. Friday night’s reception will be at 15 Washington Street, a 1920s skyscraper that first served as the headquarters for the American Insurance Company and later became Rutgers’ S.I. -
Voters Head to the Polls Storm Soaks State
Carriage Park A developer is planning to build 130 townhouses on the site of the Wheatena plant in Rahway. Page 12 LINDEN, N.J WWW.LOCALSOURCE.COM 75 CENTS VOL. 90 NO. 15 THURSDAY APRIL 19, 2007 Voters head Country dance night planned in Rahway The Rahway’s Division of Senior Services will host a Country Dance to the polls Night at the Rahway Senior Center, 1306 Esterbrook Ave. on April 28, from 6:30 to 10:30 p.m. Linden elects two newcomers Rahway’s own dance profession By Dan Burns didates who failed to win a seat with al, Ruth Hardy, will host this dance Staff Writer his tally of 877. Debora Smith-Ben event and music will be by D.J. Sil LINDEN — Incumbent Susan nett, the running mate of Ormon and ver Spurrs. Hudak and newcomers Lisa Ormon Beviano, received 726 votes. Tickets are limited. For informa and Dawn Beviano were elected Tues Bryan Heasman DaCruz received tion, call the Rahway Senior Center day to the Board of Education. The 698 votes, Leonard Williams received at 732-827-2016. public also passed the school district’s 434 and Peter Brown received 363. budget by 18 votes. Beviano said Tuesday she was Petraitis graduates Beviano received 1,077 votes, “shocked she received more than 100 basic training Hudak earned 968 and Ormon gar votes more than the second place fin Air Force Airman Nathaniel S. nered 964 in the election. Incumbent isher. She is grateful for the opportuni Petraitis has graduated from basic Bryan Tomko also won a seat with 945 ty to serve on the board.