Deity, Love, Punishment, Rage, and Mythonyms from Head to Toes. a Brief History of Some Medical Terms

Total Page:16

File Type:pdf, Size:1020Kb

Deity, Love, Punishment, Rage, and Mythonyms from Head to Toes. a Brief History of Some Medical Terms Revista Română de Medicină de Laborator Vol. 29, Nr. 3, Iulie, 2021 327 Course notes DOI:10.2478/rrlm-2021-0023 Deity, love, punishment, rage, and mythonyms from head to toes. A brief history of some medical terms Adrian Naznean* Department 1 of Science and Letters, George Emil Palade University of Medicine, Pharmacy, Science, and Technology of Targu Mures, Romania Abstract Although it is undoubtful that today’s Medical English is rooted in Greek and Latin, it is particularly interesting that figures from Greek mythology are the roots of words to describe conditions, body parts, feelings, substances, etc. While there are numerous medical terms that are derived from the names of Greek mythological figures, this paper will only investigate words ranging from A to H and will try to justify the relationship between the concepts and the choice of terminology. Keywords: deity, gods, goddesses, Greek mythology, medical mythonymy Received: 25th June 2021; Accepted: 7th July 2021; Published: 9th July 2021 Introduction mythological elements is brought about by their visual interpretation on various objects such as Storytelling is an important part of every cul- amphorae, sculptures, statues, etc. While the sto- ture. It functions as lessons and examples to ries depict imaginary situations and events, what be followed, it instils various moral and ethical is particularly intriguing is the impact they had values within a community. But because these on language. lessons are handed down by word of mouth, they oftentimes become embellished, distorted, Mythonyms rooted in Greek mythology or augmented by many details. Whenever one turns to Greek myths, they will get the eternal Achilles, the greatest warrior of all Greek myth and endlessly entertaining feeling of the stories. and the son of Thetis and Peleus, was named The world of Greek mythology brings onto page such by Chiron because the child had never been hundreds of characters: immortals, heroes, vil- breastfed. Etymologically, the name of Achilles lains, mortals, titans, or hideous creatures come is the combination of the privative a- and chei- to life in the stories of Homer or Hesiod. An los, meaning lips, thus, the one without lips (1). additional value which ensures the survival of His mother, the sea nymph Thetis, wanting to * Corresponding author: Adrian Naznean, Department 1 of Science and Letters, George Emil Palade University of Medicine, Pharmacy, Science, and Technology of Targu Mures, Romania. E-mail: [email protected] 328 Revista Română de Medicină de Laborator Vol. 29, Nr. 3, Iulie, 2021 make her son immortal, dipped him into the river cord that lies between the dura mater and the Styx. The heel from which the mother held him pia mater. Undoubtedly, her name is the root for was the only vulnerable point of his body, and other words as well such as: arachnid, arachnid- the target of Paris’s poisoned arrow which killed ium, arachnoiditis, arachnology, Arachnomor- him. The name of the mythological figure is as- phae, arachnophobia, to name a few. sociated with several anatomical parts and con- The Titan Atlas, the brother of Prometheus ditions: Achille’s heel, Achille’s tendon, Achille’s among others, was the son of Iapetus and Cly- rupture, Achille’s region, Achille’s tendinitis, or mene (3). He was a second-generation Titan and Achille’s tendinopathy. one of the generals in the war against the Olym- Aphrodite, one of the most famous goddesses pians which the Titans lost. Consequently, Atlas of Greek mythology, was renowned for her un- was punished to stand at the western end of the matched beauty and her ability to arouse sexual Earth and hold up the sky. In his attempt to get desire. She was born from foam when the sev- the golden apples form the Hesperides, Heracles, ered genitals of Ouranus (Uranus) fell into the who was cautioned not to pick the apples him- sea. According to some legends, she arrived at self, relied on the help of Atlas convincing him Cythera, but floated on to reach Cyprus. Ac- to hold the sky while Atlas would pick the apple. cording to Homer, Aphrodite was the daughter After getting the apple, Atlas was reluctant to re- of Zeus and Dione. In Plato’s view, there were turn to his duty as the holder of the sky, but Her- two Aphrodites, a heavenly one, the one born acles fooled him once more pretending to place from the sea, and an earthly one, the daughter a cushion on his shoulders to ease the burden and of Zeus and Dione. Nevertheless, the goddess of making his getaway. It may be due to the posi- love and the embodiment of desire, had multiple tion of the sky resting on the back of the Titan’s love affairs with both gods and Anchises. Proba- neck that atlas came to mean the first vertebra bly it is no surprise that her name is the root for of the neck. It may or may not be hazardous that aphrodisiac to denote a food or drug that arouses the same term atlas denotes a collection of maps sexual instinct and increases pleasure. The word or a male figure used like a caryatid as a support- has an antonym, that is anaphrodisiac. The veil ing column or pilaster to symbolise the heavy of Aphrodite is the superficial membrane on the burden of holding the upper, and probably, most anterolateral surface of the prostate gland (2). important part. Moreover, Aphrodite is also responsible for the Chimera was a monstrous-looking beast with the term hermaphrodite which will be detailed later head and body of a goat, the legs of a lion, and on. had a snake as the tail. The beast wreaked havoc Although not a goddess, Arachne was the daugh- in Lycia, Asia Minor, and King Iobates sought a ter of Idmon of Colophon. She was an expert hero to destroy the monster. Bellerophon, the son weaver who committed suicide following the of Glaucus, king of Corinth, was very skilled with competition with Athena because the goddess of weaponry and was commissioned by Iobates to war and many crafts and skills tore her perfect kill the monster. In order to help him, Poseidon, tapestry refusing to admit to Arachne’s superior- who was rumoured to be Bellerophon’s actual ity and to lose. Athena changed Arachne’s rope father, offered his winged-horse, Pegasus. The into a cobweb and Arachne into a spider, an in- lead arrow that the handsome and brave warrior sect which the goddess despised. Arachne is rep- shot in the mouth of the beast was melted by the resented in medical terminology as arachnoid to flaming breath of Chimera and burnt the body refer to a thin membrane of the brain and spinal of the monster (4). While in common language Revista Română de Medicină de Laborator Vol. 29, Nr. 3, Iulie, 2021 329 the adjective chimeric, or chimerical, means vi- sion of the father. The concept can be put down sionary, fantastic, unreal, or wildly improbable, to mythological events. Clytemnestra was the in medical terminology it refers to an organism sister of Helen, daughter of Zeus, and the wom- composed of cells from two or more different an Leda, a princess of Sparta before she married zygotes. (5, 6). It is also used in phrases such as Agamemnon, and queen of Mycenae. Clytem- chimeric antigen-receptor-modified T cells, chi- nestra and Agamemnon had three children: Ip- meric mouse, or chimeric antibody. higenia, Orestes, and Electra (4). According to While few medical professionals wound wonder some other accounts, the two had four children, about the origin of a word they use on a daily ba- Chrysothemis being another daughter (1). At a sis, the adjective chronic is rooted in mythology. relatively young age Iphigenia was sacrificed by Cronus (Kronos) was the Titan who emasculated Agamemnon. Following the Trojan War, Agam- his father (7), Ouranos (Uranus), and was also emnon returned with a woman as his slave, Cas- notorious for swallowing his own children with sandra, princess of Troy. During Agamemnon’s Rhea, daughter of Ouranos and his own sister. He absence, however, Clytemnestra developed a re- was the son of Ouranos and Gaia and according lationship with Aegisthus, Agamemnon’s cousin to a prophecy he was to be overthrown by one of and archenemy. Agamemnon was murdered by his own children. In order to save one of them, the two lovers. Orestes and Electra disagreed Rhea handed Cronus a stone wrapped in cloth to with their mother’s decision and sought revenge. swallow, and the child, none else but Zeus, was There are various versions of the story belong- thus saved and brought up on the island of Crete. ing to Aeschylus, Euripides, or Sophocles, but Zeus had grown into a powerful god and with they all come down to the two brothers planning the help of his mother he made Cronus vomit and carrying out the murder of Clytemnestra and the swallowed children. Thus, Poseidon, Hades, Aegisthus. Hera, Demeter, and Hestia were reborn from The first description of the disease entity called Cronus’s bellows (4), Cronus was imprisoned, hebephrenia is attributed to Ewald Hecker (1, and the generation of Olympians was born. 10). In 1871 he defined hebephrenia as a disor- Another term which should be under investi- der with a very specific and predictable course gation is cyclopia, also called cyclocephaly or always occurring between the ages of 18 and synophthalmia, which refers to the condition of 22. A type of schizophrenia, hebephrenia, or a foetus to fail to develop two orbits (5, 8). As hebephrenic schizophrenia, has symptoms the term denotes, the origin of the word is rooted such as disorganised behaviours and thoughts, in the Cyclopes, a group of one-eyed giants (3).
Recommended publications
  • H-Diplo ARTICLE REVIEW 1021 24 February 2021
    H-Diplo ARTICLE REVIEW 1021 24 February 2021 Stephen Buono. “Merely a ‘Scrap of Paper’? The Outer Space Treaty in Historical Perspective.” Diplomacy & Statecraft 31:2 (2020): 350-372. DOI: https://doi.org/10.1080/09592296.2020.1760038. https://hdiplo.org/to/AR1021 Article Review Editors: Thomas Maddux and Diane Labrosse | Production Editor: George Fujii Review by David T. Burbach, U.S. Naval War College1 longside the technological achievements of the Apollo era was a related diplomatic achievement: the 1967 Outer Space Treaty,2 an American-initiated, globally-negotiated treaty prohibiting nuclear weapons in space and A establishing a basic framework of international law that to this day guides the exploration and exploitation of outer space. In this article Stephen Buono offers a timely historical analysis and reassessment of the Treaty. Buono provides the best available account of Treaty negotiations and the U.S. ratification debate, and he shows that ‘North-South’ diplomacy was an often-overlooked but important part of those negotiations. The article better connects discussions of the Treaty in the diplomatic history literature, which is mostly limited to its arms control aspects, with the much wider discussions about it in space law, political science, and contemporary policy debates. Buono’s basic argument is that the Outer Space Treaty has been misunderstood in several ways (352). First, that the Treaty has often been viewed – when it is considered at all – merely as a nuclear arms control treaty, and a minor one at that. Buono also argues the Treaty has been misunderstood in that evaluations tend to either extreme of dismissing it as a ‘scrap of paper’ that imposed nothing meaningful, or to exalt it as if it were a successful Kellogg-Briand pact of the heavens.
    [Show full text]
  • Winter Constellations
    Winter Constellations *Orion *Canis Major *Monoceros *Canis Minor *Gemini *Auriga *Taurus *Eradinus *Lepus *Monoceros *Cancer *Lynx *Ursa Major *Ursa Minor *Draco *Camelopardalis *Cassiopeia *Cepheus *Andromeda *Perseus *Lacerta *Pegasus *Triangulum *Aries *Pisces *Cetus *Leo (rising) *Hydra (rising) *Canes Venatici (rising) Orion--Myth: Orion, the great ​ ​ hunter. In one myth, Orion boasted he would kill all the wild animals on the earth. But, the earth goddess Gaia, who was the protector of all animals, produced a gigantic scorpion, whose body was so heavily encased that Orion was unable to pierce through the armour, and was himself stung to death. His companion Artemis was greatly saddened and arranged for Orion to be immortalised among the stars. Scorpius, the scorpion, was placed on the opposite side of the sky so that Orion would never be hurt by it again. To this day, Orion is never seen in the sky at the same time as Scorpius. DSO’s ● ***M42 “Orion Nebula” (Neb) with Trapezium A stellar ​ ​ ​ nursery where new stars are being born, perhaps a thousand stars. These are immense clouds of interstellar gas and dust collapse inward to form stars, mainly of ionized hydrogen which gives off the red glow so dominant, and also ionized greenish oxygen gas. The youngest stars may be less than 300,000 years old, even as young as 10,000 years old (compared to the Sun, 4.6 billion years old). 1300 ly. ​ ​ 1 ● *M43--(Neb) “De Marin’s Nebula” The star-forming ​ “comma-shaped” region connected to the Orion Nebula. ● *M78--(Neb) Hard to see. A star-forming region connected to the ​ Orion Nebula.
    [Show full text]
  • Naming the Extrasolar Planets
    Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named.
    [Show full text]
  • Read Ebook {PDF EPUB} Shipmates by Rick Jackson Shipmates
    Read Ebook {PDF EPUB} Shipmates by Rick Jackson Shipmates. Sign up for our newsletter for a chance to win $50 in free books! Collecting the Civil Rights Movement. The Civil Rights Movement of the 1960s and '70s was an explosive time in American history, and it inspired explosive literature. From Malcolm X to Martin Luther King, Jr., browse some of the most collectible books from and about that era. What did people buy in 2020? Plague journals, escapist literature, political history: explore our year in review, where we share rare book trends and a gallery of some of the most beautiful and interesting books sold in 2020. Shipmates by Rick Jackson. Robbers? he wondered. Bandits? Pirates? Polyphemus ran to get Hercules. Together they searched the area. Hercules was so distraught about his missing sidekick that he forgot all about his mission, the Argo and his crewmates, who were waiting. Back at the beach, Jason started to get worried. The sun was going down and the landing team still wasn’t back. He sent out a search party, but all they found were pottery shards by a stream. There were no signs of Hercules, Polyphemus or Hylas. The next day, the Argonauts searched again for their comrades. They had no luck. The ship’s prow had no advice to offer. Finally, as the sun was setting, Jason announced that the Argo would have to leave in the morning. ‘We have to assume that Hercules and the others are lost. We must keep sailing.’ The crew didn’t like that. You don’t just sail away from Hercules.
    [Show full text]
  • THE OLYMPIAN GODS Student Worksheets
    CLIL COURSE MATERIALS CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS Student worksheets Pilar Torres Carmona December 2008 CLASSICAL MYTHOLOGY: THE OLYMPIAN GODS STUDENT WORKDHEETS UNIT 1. MYTH AND MYTHOLOGY What is a myth? A myth is a story about gods and other supernatural beings and how they made or shaped the world and humanity. The events told in these stories happened in a very remote past. Myths are a part of religion, and they give an explanation of the world from a moral point of view; there is an ideology under every myth. Myths are also metaphorical; they do not try to explain the world in a logical or scientific way, but through imagination. However, we can still use myths to understand and explore culture: its viewpoints, activities and beliefs. Who made up Myths are very old stories. They are so old, that we do not know who myths? made them up: they are anonymous. People told these stories over the years and this is why we have many versions of them. Sometimes these stories –or parts of them—were written down and now we can enjoy them. Where does the The word ‗myth’ comes from the ancient Greek word μῦθος ―mythos‖. It word ‗myth‘ means ―word, story‖ and it reveals the oral origin of these stories. come from? ‗Mythology’, from the Greek words μῦθος ―mythos‖ story and λόγος What is ―logos‖ collection or study means both collection of stories/myths and study mythology? of the myths. Why classical Every civilization has its myths. We call classical mythology the body of mythology? myths of ancient Greece and Rome.
    [Show full text]
  • A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans
    DOCUMENT RESUME ED 112 438 CS 202 298 AUTHOR Smith, Ron TITLE A Guide to Post-Classical Works of Art, Literature, and Music Based on Myths of the Greeks and Romans. PUB DATE 75 NOTE 40p.; Prepared at Utah State University; Not available in hard copy due to marginal legibility of original document !DRS PRICE MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTORS *Art; *Bibliographies; Greek Literature; Higher Education; Latin Literature; *Literature; Literature Guides; *Music; *Mythology ABSTRACT The approximately 650 works listed in this guide have as their focus the myths cf the Greeks and Romans. Titles were chosen as being (1)interesting treatments of the subject matter, (2) representative of a variety of types, styles, and time periods, and (3) available in some way. Entries are listed in one of four categories - -art, literature, music, and bibliography of secondary sources--and an introduction to the guide provides information on the use and organization of the guide.(JM) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makes every effort * * to obtain the best copy available. Nevertheless, items of marginal * * reproducibility are often encountered and this affects the quality * * of the microfiche and hardcopy reproductions ERIC makes available * * via the ERIC Document Reproduction Service (EDRS). EDRS is not * responsible for the quality of the original document. Reproductions * * supplied
    [Show full text]
  • Worksheet 4. Orpheus and Eurydice (Teacher)
    Ovid’s Metamorphoses: A Common Core Exemplar Worksheet 4. Orpheus and Eurydice (teacher) Comparing two versions of the Orpheus and Eurydice story (teacher version) Directions: Use the space below to identify the main similarities of the Orpheus and Eurydice story in the accounts by Ovid and H.D. The basic plot is the same: Orpheus has gone down to the underworld to rescue his wife Eurydice. Because he looks back as they are climbing up, contrary to the mandate of the god, she must return. Now list their differences, using the criteria in the chart below. Under the column headed “So What?” explain why each difference is significant. Additional cells have been included to allow students room to add their own criteria. Ovid’s “Orpheus and Criterion Eurydice” H.D.’s “Eurydice” So What? Begins with the wedding Begins with Eurydice’s Ovid tells the full story Opening of the poem and failure of Hymen to bitter anger at Orpheus from beginning to end. bless it for his arrogance Hymen’s appearance and actions are a foreshadowing of what will happen. H.D. is more focused, telling only a few minutes of the story. Ovid is the omniscient Eurydice speaks in first Ovid is classical, Narrator narrator, telling the story person, clearly expressing relatively restrained in in a measured, her anger and frustration emotion, even in a tale unemotional tone. and using elaborate, involving the underworld, heartfelt descriptions. death, and lost love. H.D. exhibits more of a modern, romantic tone, bursting with resentment and feeling. Orpheus is loving and Orpheus’s personality is Good example of how Attitude of Eurydice brave; he even declares only conveyed through point of view can radically his willingness to die Eurydice’s eyes, and she alter the interpretation of himself if he can’t have views him as “arrogant” a narrative.
    [Show full text]
  • Aspects of the Demeter/Persephone Myth in Modern Fiction
    Aspects of the Demeter/Persephone myth in modern fiction Janet Catherine Mary Kay Thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy (Ancient Cultures) at the University of Stellenbosch Supervisor: Dr Sjarlene Thom December 2006 I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any university for a degree. Signature: ………………………… Date: ……………… 2 THE DEMETER/PERSEPHONE MYTH IN MODERN FICTION TABLE OF CONTENTS PAGE 1. Introduction: The Demeter/Persephone Myth in Modern Fiction 4 1.1 Theories for Interpreting the Myth 7 2. The Demeter/Persephone Myth 13 2.1 Synopsis of the Demeter/Persephone Myth 13 2.2 Commentary on the Demeter/Persephone Myth 16 2.3 Interpretations of the Demeter/Persephone Myth, Based on Various 27 Theories 3. A Fantasy Novel for Teenagers: Treasure at the Heart of the Tanglewood 38 by Meredith Ann Pierce 3.1 Brown Hannah – Winter 40 3.2 Green Hannah – Spring 54 3.3 Golden Hannah – Summer 60 3.4 Russet Hannah – Autumn 67 4. Two Modern Novels for Adults 72 4.1 The novel: Chocolat by Joanne Harris 73 4.2 The novel: House of Women by Lynn Freed 90 5. Conclusion 108 5.1 Comparative Analysis of Identified Motifs in the Myth 110 References 145 3 CHAPTER 1 INTRODUCTION The question that this thesis aims to examine is how the motifs of the myth of Demeter and Persephone have been perpetuated in three modern works of fiction, which are Treasure at the Heart of the Tanglewood by Meredith Ann Pierce, Chocolat by Joanne Harris and House of Women by Lynn Freed.
    [Show full text]
  • Names of Botanical Genera Inspired by Mythology
    Names of botanical genera inspired by mythology Iliana Ilieva * University of Forestry, Sofia, Bulgaria. GSC Biological and Pharmaceutical Sciences, 2021, 14(03), 008–018 Publication history: Received on 16 January 2021; revised on 15 February 2021; accepted on 17 February 2021 Article DOI: https://doi.org/10.30574/gscbps.2021.14.3.0050 Abstract The present article is a part of the project "Linguistic structure of binomial botanical denominations". It explores the denominations of botanical genera that originate from the names of different mythological characters – deities, heroes as well as some gods’ attributes. The examined names are picked based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012. The names of the plants are arranged in alphabetical order. Beside each Latin name is indicated its English common name and the family that the particular genus belongs to. The article examines the etymology of each name, adding a short account of the myth based on which the name itself is created. An index of ancient authors at the end of the article includes the writers whose works have been used to clarify the etymology of botanical genera names. Keywords: Botanical genera names; Etymology; Mythology 1. Introduction The present research is a part of the larger project "Linguistic structure of binomial botanical denominations", based on “Conspectus of the Bulgarian vascular flora”, Sofia, 2012 [1]. The article deals with the botanical genera appellations that originate from the names of different mythological figures – deities, heroes as well as some gods’ attributes. According to ICBN (International Code of Botanical Nomenclature), "The name of a genus is a noun in the nominative singular, or a word treated as such, and is written with an initial capital letter (see Art.
    [Show full text]
  • Greek and Roman Mythology and Heroic Legend
    G RE E K AN D ROMAN M YTH O LOGY AN D H E R O I C LE GEN D By E D I N P ROFES SOR H . ST U G Translated from th e German and edited b y A M D i . A D TT . L tt LI ONEL B RN E , , TRANSLATOR’S PREFACE S Y a l TUD of Greek religion needs no po ogy , and should This mus v n need no bush . all t feel who ha e looked upo the ns ns and n creatio of the art it i pired . But to purify stre gthen admiration by the higher light of knowledge is no work o f ea se . No truth is more vital than the seemi ng paradox whi c h - declares that Greek myths are not nature myths . The ape - is not further removed from the man than is the nature myth from the religious fancy of the Greeks as we meet them in s Greek is and hi tory . The myth the child of the devout lovely imagi nation o f the noble rac e that dwelt around the e e s n s s u s A ga an. Coar e fa ta ie of br ti h forefathers in their Northern homes softened beneath the southern sun into a pure and u and s godly bea ty, thus gave birth to the divine form of n Hellenic religio . M c an c u s m c an s Comparative ythology tea h uch . It hew how god s are born in the mind o f the savage and moulded c nn into his image .
    [Show full text]
  • Worshipping Virtues
    Worshipping Virtues Personification and the divine in Ancient Greece ISBN: 9780715630440 (hb) by Emma Stafford 9781914535246 (pdf) DESCRIPTION: PRICE: The Greeks, in Dr. Johnson's phrase, 'shock the mind by ascribing effects to non-entity'. The culture $80.00 (hb) of ancient Greece was thronged with personifications. In poetry and the visual arts, personified $64.00 (pdf) figures of what might seem abstractions claim our attention. This study examines the logic, the psychology and the practice of Greeks who worshipped these personifications with temples and PUBLICATION DATE: sacrifices, and addressed them with hymns and prayers. Emma Stafford conducts case-studies of 31 December 2000 (hb) deified 'abstractions', such as Peitho (Persuasion), Eirene (Peace) and Hygieia (Health). She also 31 December 2000 (pdf) considers general questions of Greek psychology, such as why so many of these figures were female. Modern scholars have asked, Did the Greeks believe their own myths? This study BINDING: contributes importantly to the debate, by exploring widespread and creative popular theology in the Hardback & PDF eBook historical period. SIZE: TABLE OF CONTENTS: 6 x9 List of illustrations Acknowledgements Abbreviations and conventions 1. Personification, allegory and belief 2. Themis: archaic personification and the epithet theory 3. Nemesis: 'myth into logos?' 4. PAGES: Peitho: the seductive power of rhetoric 5. Hygieia: 'not a goddess but a gift of God'? 6. Eirene: 274 propaganda and allegory 7. Eleos: the Athenian 'altar of Pity' and its god 8. Conclusion Appendix: bibliographic note Bibliography Index ILLUSTRATIONS: 27 b/w pls, figs. CONTRIBUTORS BIOGRAPHIES: Emma Stafford is the author of numerous papers on Greek mythology and iconography, and is PUBLISHER: currently preparing a source book on Greek religion.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]