MALTESE E-NEWSLETTER 376 June 2021
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'Ilo') Conventions, the Fair Work Act 2009 (Cth
84 UNSW Law Journal Volume 39(1) 3 GIVING MEANING TO ‘SOCIAL ORIGIN’ IN INTERNATIONAL LABOUR ORGANIZATION (‘ILO’) CONVENTIONS, THE FAIR WORK ACT 2009 (CTH) AND THE AUSTRALIAN HUMAN RIGHTS COMMISSION ACT 1986 (CTH): ‘CLASS’ DISCRIMINATION AND ITS RELEVANCE TO THE AUSTRALIAN CONTEXT ANGELO CAPUANO* I INTRODUCTION Australia has two Acts which prohibit discrimination on the basis of ‘social origin’ yet these provisions are not utilised frequently. Section 351 of the Fair Work Act 2009 (Cth) (‘FW Act’) prohibits an employer from taking adverse action against an employee or prospective employee on the basis of a number of grounds including that person’s ‘social origin’. Section 772 of the FW Act prohibits termination of employment on the basis of a number of grounds including ‘social origin’. In outlawing this type of discrimination in Australian labour law, the Commonwealth Parliament relied on Convention (No 111) concerning Discrimination in respect of Employment and Occupation (‘ILO 111’).1 Litigants have, however, made little use of provisions in the FW Act which prohibit discrimination on the basis of ‘social origin’. Additionally, the Australian Human Rights Commission Act 1986 (Cth) (‘AHRC Act’) prohibits discrimination in employment on the basis of a number of grounds including ‘social origin’.2 The Commonwealth Parliament derived the meaning of discrimination within section 3 of the AHRC Act, which includes ‘social origin’, from ILO 111. However, very few complaints of ‘social origin’ discrimination have been made to the Australian Human Rights Commission (‘AHRC’). This article seeks to unpack ILO jurisprudence on the concept of ‘social origin’ discrimination to show that it has the potential to play a broader role in Australian labour law and anti-discrimination law. -
SBS 2 May 17
Program Guide Week 21 Sunday May 17th, 2015 5:20 am Latin American News - News via satellite from Television National de Chile, in Spanish, no subtitles. 5:50 am Urdu News - News via satellite from PTV Pakistan in Islamabad, in Urdu, no subtitles. 6:20 am Weatherwatch And Music - A continuously updated weather report, bringing viewers the latest weather conditions from around Australia, and featuring a selection of quality music. 6:30 am Tour of California 2015 - Stage 7: Ontario to Mt. Baldy - Live coverage of the Amgen Tour of California, a cycling road race created and presented by AEG that challenges the world’s top professional cycling teams to compete along a demanding course that traverses hundreds of miles of California’s iconic highways, byways and coastlines each spring. The teams chosen to participate have included Olympic medallists, Tour de France contenders and World Champions. Riders will begin in Sacramento and make their way across the Californian terrain over 8 stages to the finish line in Pasadena. (Cycling) **Live Eastern States Only** 8:30 am Macedonian News - News via satellite from public broadcaster MRT in Skopje, in Macedonian, no subtitles. 9:00 am PopAsia - Features back-to-back videos from artists across Asia and all the latest news and interviews from the Korean, Japanese, Mandarin and Cantonese pop scenes. Hosted by Jamaica dela Cruz and Andy Trieu. (An SBS Production) (Entertainment Series) PG 11:00 am Portuguese News - News via satellite from RTP Portugal (Lisbon), in Portuguese, no subtitles. 11:30 am Croatian News - News via satellite from HRT Croatia, in Croatian, no subtitles. -
Annual Report 2014/15 Report | Annual
Screen Australia | Annual Report 2014/15 Screen Australia Annual Report 2014/15 www.screenaustralia.gov.au Published by Screen Australia October 2015 ISSN 1837-2740 © Screen Australia 2015 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2014/15. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. TV ratings data Metropolitan and National market data is copyright to OzTAM. The data may not be reproduced, published or communicated (electronically or in hard copy) in whole or part without the prior consent of OzTAM. All Annual Report enquiries should be addressed to: Regional market data is copyright to RegionalTAM. The data may not be reproduced, published or communicated Communications Unit (electronically or in hard copy) in whole Screen Australia or part without the prior consent of Level 7, 45 Jones Street RegionalTAM. Ultimo NSW 2007 This Annual Report is available to download Toll free: 1800 213 099 as a PDF from www.screenaustralia.gov.au Phone: 02 8113 5800 Front cover image from Mad Max: Fury Road. -
Book Now Brisbanecomedyfestival.Com
BRISBANE POWERHOUSE + BRISBANE CITY HALL + SUNPAC BOOK NOW BRISBANEPAGEC OMED1 YFESTIVAL.COM Canned laughter. Brisbane Comedy Festival Partner newsteadbrewing.com.au Powerhouse Comedy Fest Ad.indd 1 15/11/18 5:16 pm Celebrate in Style! See our 5 new collections Bloom Breeze Cresence Outline Casablanca NSW | QLD | VIC Valiant.com.au | valiant.events PAGE 2 CONTENTS Brisbane Comedy Queerstories 29 Festival Opening Gala 02 Nath Valvo 30 Ross Noble 03 Alex Ward 30 Frocking Hilarious 04 Rhys Nicholson 31 Felicity Ward 05 Around the Campfire 37 Danny Bhoy 06 CONTENTS Class Clowns 38 Damien Power 07 Whimpy Chimpy 38 Tim Ferguson 07 The World According Ronny Chieng 08 to Farts 39 Mel Buttle 09 Stinky Silly Show 39 Welcome to Nazeem Hussain 09 Jeff Green 40 Dave Hughes 10 Georgie Carroll 41 Brisbane Comedy Luke Heggie 11 Breakout Showcase 41 FESTIVAL COMEDY BRISBANE Jan van de Stool 11 Neel Kolhatkar 42 Festival 2019 Lawrence Mooney 12 Nikki Osborne 43 DeAnne Smith 13 Ivan Aristeguieta 44 Brisbane Comedy Festival is turning double Dave Thornton 13 Brisburned 45 digits, and just like any pre-teen, we are Demi Lardner 14 The Elvis Dead 45 growing up before your very eyes…minus Corey White 14 Guy Montgomery 46 the awkward haircut and Justin Bieber Daniel Sloss 15 Charity Werk 46 fascination. We’re celebrating hitting the big Scared Weird Little Guys 16 Michael Shafar 46 1-OH with 75 hilarious comedy acts. From Paul Foot 17 ImproMafia 47 stand-up, sketch, improvisation and cabaret, Double Denim 17 Dusty Rich 48 we’re inviting you to get skit-faced with Becky Lucas 18 New in Town 48 Australia’s fastest growing comedy festival. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
Representations of Arab Men on Australian Screens
Heroes, Villains and More Villains: Representations of Arab Men on Australian Screens BY MEHAL KRAYEM Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology, Sydney December 2014 ii CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Name of Student: Mehal Krayem Signature of Student: Date: 5 December 2014 iii ACKNOWLEDGEMENTS There are many (too many) people to whom I owe a great deal of thanks. The last five years, and indeed this body of work, would not have been possible without the support and dedication of my wonderful supervisor, Dr Christina Ho. I thank her for taking a genuine interest in this research, her careful consideration of my work, her patience and her words of encouragement when the entire situation felt hopeless. I would also like to thank Professor Heather Goodall for her comments and for stepping in when she was needed. Much gratitude goes to my research participants, without whom this project would not exist – I thank them for their time and their honesty. Great thanks goes to Dr Maria Chisari, Dr Emma Cannen, Kelly Chan, Dr Bong Jong Lee, Jesica Kinya, Anisa Buckley, Cale Bain, Zena Kassir, Fatima El-Assaad and Chrisanthi Giotis for their constant support and friendship. -
Terror Nullius (2018) and the Politics of Sample Filmmaking
REVENGE REMIX: TERROR NULLIUS (2018) AND THE POLITICS OF SAMPLE FILMMAKING by Caitlin Lynch A Thesis SubmittEd for the DEgreE of MastEr of Arts to the Film StudiEs ProgrammE at ViCtoria University of WEllington – TE HErenga Waka April 2020 Lynch 2 ACKNOWLEDGEMENTS Thank you to my supervisors, Dr. Missy Molloy and Dr. Alfio LEotta for their generous guidancE, fEEdbaCk and encouragemEnt. Thank you also to Soda_JErk for their communiCation and support throughout my resEarch. Lynch 3 ABSTRACT TERROR NULLIUS (Soda_JErk, 2018) is an experimEntal samplE film that remixes Australian cinema, tElEvision and news mEdia into a “politiCal revenge fablE” (soda_jerk.co.au). WhilE TERROR NULLIUS is overtly politiCal in tone, understanding its speCifiC mEssages requires unpaCking its form, contEnt and cultural referencEs. This thesis investigatEs the multiplE layers of TERROR NULLIUS’ politiCs, thereby highlighting the politiCal stratEgiEs and capaCitiEs of samplE filmmaking. Employing a historiCal mEthodology, this resEarch contExtualisEs TERROR NULLIUS within a tradition of sampling and other subversive modes of filmmaking, including SoviEt cinema, Surrealism, avant-garde found-footage films, fan remix videos, and Australian archival art films. This comparative analysis highlights how Soda_JErk utilisE and advancE formal stratEgiEs of subversive appropriation, fair usE, dialECtiCal editing and digital compositing to intErrogatE the relationship betwEEn mEdia and culture. It also argues that TERROR NULLIUS Employs postmodern and postColonial approaChes -
Australian Multicultural Policy and Television Drama in Comparative Contexts
Australian multicultural policy and television drama in comparative contexts Harvey May BA (Comm), BA, B Bus (Hons)(Comm), Post Grad Dip Ed A thesis submitted in 2003 for the award of Doctor of Philosophy Creative Industries Research and Applications Centre Creative Industries Faculty Queensland University of Technology Key Words Multiculturalism, Cultural Diversity, Television, Drama, Casting, Minorities, Australia, United Kingdom, New Zealand, United States. Abstract This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia’s multicultural population. The way in which these actors are portrayed on- screen has also shifted from one of a ‘performed’ ethnicity, to an ‘everyday’ portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming. -
Annual Report 2014-2015
AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL Building 130, The Entertainment Quarter, Moore Park NSW 2021 PO Box 2286, Strawberry Hills NSW 2012 Tel: 1300 131 461 Tel: +61 (0)2 9805 6611 Fax: +61 (0)2 9887 1030 www.aftrs.edu.au © Australian Film, Television and Radio School 2015 Published by the Australian Film, Television and Radio School ISSN 0819-2316 The text in this Annual Report is released subject to a Creative Commons BY-NC-ND licence, except for the text of the independent auditor’s report. This means, in summary, that you may reproduce, transmit and otherwise use AFTRS’ text, so long as you do not do so for commercial purposes and do not change it. You must also attribute the text you use as extracted from the Australian Film, Television and Radio School’s Annual Report. For more details about this licence, see http://creativecommons.org/licenses/by-nc-nd/3.0/ deed.en_GB. This licence is in addition to any fair dealing or other rights you may have under the Copyright Act 1968. You are not permitted to reproduce, transmit or otherwise use any still photographs included in this Annual Report, without first obtaining AFTRS’ written permission. The report is available at the AFTRS website http://www.aftrs.edu.au Cover Image: Production still from AFTRS student film Foal 2014. Photo courtesy of Vanessa Gazy. LETTER FROM THE CHAIR 28 August 2015 Senator the Hon Mitch Fifield Minister for the Arts Parliament House Canberra ACT 2600 Dear Minister It is with great pleasure that I present the Annual Report for the Australian Film, Television and Radio School (AFTRS) for the financial year ended 30 June 2015. -
Serena Resume
Serena Hunt Director/Assistant Director Ffunkymunky Productions M: !"#$ %"$ &'& E: ffunkymunky@gmail(com Top Technicians Management Ph: (!&)%%)* #'## crew@toptechsmanagement(com(au Serena Hunt has been fortunate enough to have worked in film and TV for over 20 years in Sydney, Vancouver and London on anything from corporates, shorts and music videos to TV series, TVC’s and feature films. Ffunky Munky is the business name Serena uses for freelance work in film/TV production as well as events and other projects she may find herself involved with. She is currently developing a number of personal projects with various collaborators. Equipment: Macbook pro, Suzuki Vitara (94 wagon SXM 883) Skills: Programmes including MS Office, Movie Magic Scheduling, Final Draft. Senior First Aid Certificate (Aug 2012), CPR (Nov 2014) Class C, R - NSW drivers license with a clean record FEATURE FILMS st 2015 1 AD / RABBIT (WORKING TITLE) No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone nd 2014 2 AD APPRENTICE (SINGAPORE) Birdcage Films (Aust. Unit) Aust Prod: Rachel Higgins, Dir: Boo Junfeng st 2014 1 AD / FAT PIZZA VS HOUSOS No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone nd 2013/14 2 AD TERMINUS Terminus Productions 1st AD/Prod: Marc Ashton, Dir: Marc Furmie st 2013 1 AD MANIFESTATION (TEASER) Green Light Productions Prod: Jonathon Green Dir: Josh Groom 2012 1st AD HOUSOS VS AUTHORITY No Authority Films Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2011 1st AD FORBIDDEN GROUND Rebellion Films 2013 release (US TITLE – BATTLE GROUND) Prod: Johan Earl, Denai Gracie, Dir: Johan Earl, Adrian Powers 2011 1st AD THE FIFTH SHADOW Aqua Cow Productions Prod: Paul Nunes, Dir: David Sparx 2003 1st AD THE LAST HORROR MOVIE (UK) Prolific Films Dir: Julian Richards 2000 1st AD SALVIDOR’S DELI (CANADA) Meridian 1998 3rd AD, PA SYDNEY: THE LIVING CITY Samson Productions (IMAX) Dir: Bruce Beresford 1st AD: Carolyn Cunningham, Jamie Crooks 1996/97 Prod. -
Serena Resume
Serena Hunt Producer/Assistant Director Ffunky Munky Productions M: 0413 943 262 E: [email protected] Serena Hunt is an accomplished film maker who has taken her passion to Sydney, Vancouver and London; providing production support on everything from corporates, shorts and music videos to TV series, TVC’s and feature films. Ffunky Munky is the business name Serena uses for freelance work in film/TV production as well as events and other projects she may find herself involved with. She is currently developing a range of projects from short film drams, comedy series and genre features. Equipment: Macbook pro, Suzuki SX4 (CG70GH) Skills: Programmes including MS Office, Movie Magic Scheduling, Final Draft. Provide First Aid Certificate (Aug 2018) Class C, R - NSW drivers license (6162FY) FEATURE FILMS 2017 1st AD CHOIR GIRL Nexus Productions Dir: Michael Wormald, Prod: Lucinda Bruce, Ivan Malekin 2015 1st AD (2nd unit) KILLING GROUND Hypergiant Films Prod: Joe Weatherstone, Dir: Damien Power 2015 1st AD (SFX Unit) THE OSIRIS CHILD Storm Vision Entertainment Add. 2nd AD Producers: Mat Graham, Brett Thornquest, Sidonie Abene, Shane Abess. 2015 1st AD / DUMB CRIMINALS Rabbit Productions Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2014 2nd AD APPRENTICE (SINGAPORe) Birdcage Films (Aust. Unit) Aust Prod: Rachel Higgins, Dir: Boo Junfeng 2014 1st AD / FAT PIZZA VS HOUSOS No Authority Films Assoc. Producer Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2013/14 2nd AD TERMINUS Terminus Productions 1st AD/Prod: Marc Ashton, Dir: Marc Furmie 2012 1st AD HOUSOS VS AUTHORITY No Authority Films Prod/Dir: Paul Fenech, Prod: Joe Weatherstone 2011 1st AD FORBIDDEN GROUND Rebellion Films 2013 release (US TITLE – BATTLE GROUND) Prod: Johan Earl, Denai Gracie, Dir: Johan Earl, Adrian Powers 2003 1st AD THE LAST HORROR MOVIE (UK) Prolific Films Dir: Julian Richards 1998 3rd AD, PA SYDNEY: THE LIVING CITY Samson Productions (IMAX) Dir: Bruce Beresford 1st AD: Carolyn Cunningham, Jamie Crooks 1996/97 Prod. -
PREPARE YOUR CONGRESS Advance Programme
HELP SHAPE THE FUTURE OF RESPIRATORY SCIENCE AND MEDICINE PREPARE YOUR CONGRESS Advance Programme TAKE PART IN ERS LONDON 2016 ERSCONGRESS. ORG PROGRAMME AT A GLANCE REGISTRATION FEES Early bird (until 12 Standard (13 July to Onsite (from 3 July 2016) 2 September 2016) September 2016) Postgraduate courses € 95 € 125 € 140 Full day postgraduate course € 155 € 200 € 220 Challenging clinical cases € 70 € 90 € 100 Meet the expert € 70 € 90 € 100 Educational skills workshops € 70 € 90 € 100 Professional development € 25 € 35 € 40 worshops ERS International Congress 2016 OUTLINE PROGRAMME SATURDAY 03 SEPTEMBER, 2016 SATURDAY 03 SEPTEMBER 2016 EPIDEMIOLOGY/ START END TYPE SESSION TAG IMPORTANT INFORMATION ENVIRONMENT 08:00 10:20 Skills workshop SW1 Inhaler techniques Clinical Registration for this session is additional to the congress registration fee and is €100 on site, €90 INFECTION standard or €70 for early bird registration. INTENSIVE CARE 10:40 13:00 Skills workshop SW2 Inhaler techniques Clinical Registration for this session is additional to the congress registration fee and is €100 on site, €90 ONCOLOGY standard or €70 for early bird registration. PAEDIATRIC 14:30 16:50 Skills workshop SW3 Inhaler techniques Clinical Registration for this session is additional to the congress registration fee and is €100 on site, €90 PHYSIOLOGY standard or €70 for early bird registration. 09:30 17:30 Postgraduate PG1 Asthma and chronic Clinical Registration for this session is additional to the SLEEP Course obstructive pulmonary disease Translational congress registration fee and is €220 on site, €200 standard or €155 for early bird registration. An update in assessment and INDUSTRY treatment 09:30 17:30 Postgraduate PG2 Advanced thoracic Clinical Registration for this session is additional to the Course ultrasound congress registration fee and is €220 on site, Enhance your sonography €200 standard or €155 for early bird registration.