May 31-June 3 FREE

Total Page:16

File Type:pdf, Size:1020Kb

May 31-June 3 FREE FREE ADMISSION May 31-June 3 Historic Downtown Herndon THANKS TO OUR PRODUCED BY TITLE SPONSOR Quick Links to Content 2 3 Festival Schedule At-A-Glance 20 Arts & Crafts Vendors 4 Welcome 22 Business Expo 6 Herndon Festival Music Genres 23 Saturday Headliners 7 Herndon Festival Tips 25 10K/5K Race & Fitness Expo 8 Downtown Businesses 26 Sunday Headliners 8 Festival Map 27 Children’s Hands-On Art 9 Getting to the Festival 28 Souvenirs 10 Entertainment Schedule 29 Festival Committee 11 Entertainment Highlights 30 Volunteer Groups 12 Festival Highlights 31 Sponsors & Partners Featuring Kids Car Creations 33 Visit our Sponsors & Partners Glow Party 34 Excited to Move 13 Carnival 14 Thursday Headliners 16 Saturday Fireworks 17 Food Vendors Bold blue text links to websites. Bold pink text links internally. 18 Friday Headliners Festival Schedule At-A-Glance back to quick-links 3 Thursday, May 31 Sunday, June 3 6PM Festival Opens and 7:30-9AM 10K/5K Races and Shuttle Bus starts Fitness Expo @ HCC 6-10PM Carnival Rides 10AM Festival Opens and starts 6-10PM Bike Valet Service Shuttle Bus 10AM-6PM 6-9:30PM Food Vendors Bike Valet Service 10AM-6PM 6:30-7:30PM Café Stage Carnival Rides 10AM-5:30PM 7:30-9:30PM HMC Stage Food Vendors 10AM-5PM 7:30-9:30PM Depot Stage Business Expo 10AM-6PM Arts & Crafts Show Friday, June 1 11AM-4PM Children’s Hands-On Art Produced by Arts Herndon 5PM Festival Opens and Kids’ Alley Performers Shuttle Bus starts 11AM-6PM Café Stage 5-11PM Carnival Rides 12-6PM Depot Stage 5-11PM Bike Valet Service 2-5PM Kids’ Rock the Green 5-10:30PM Food Vendors 5:30-6:30PM Kids Car Creations & Puppet Show Town Hall Green 6-9PM Arts & Crafts Show 6:30-7:30PM Café Stage 7:30-9:30PM HMC Stage 8-9:30PM Depot Stage Saturday, June 2 10AM Festival Opens and Shuttle Bus starts 10AM-10PM Bike Valet Service 10AM-11PM Carnival Rides 10AM-5PM Business Expo 10AM-10:30PM Food Vendors 10AM-6PM Arts & Crafts Show select vendors stay open until 9pm 10AM-5PM Children’s Hands-On Art Produced by Arts Herndon Kids’ Alley Performers 11AM-4PM 10K/5K Races Packet Pick-Up @ HCC 11AM-9PM Café Stage 10AM-9:30PM Depot Stage 7:30-9:30PM HMC Stage 9:30PM Fireworks 9:45PM Glow Party Café Stage All-You-Can-Ride Special: Thursday 6-10PM, Saturday 10AM-2PM, and Sunday 10AM-6PM back to quick-links 4 So Glad It’s Herndon Festival Time! The Herndon Festival is the perfect reason to get together with your friends and family. Use that phone to text, email, or post on social media and let everyone know to join you in downtown Herndon. The 38th annual Herndon Festival is sure to have something fun for all ages and interests. This time-honored tradition is a four-day festival filled with carnival games & rides, music, and vendors for all ages to enjoy. The Herndon Festival Digital Brochure will provide you with a comprehensive guide to all the Festival’s activities and highlights. For up-to-the-minute information, be sure to “Like” us on Facebook and “Follow” us on Twitter @herndonFestival and at Herndon_Parks on Instagram. To get started, we have some insider’s tips for you. Tip #1…Make it easy to get to the Festival – ride the FREE shuttle bus! Leave your car and take advantage of our FREE shuttle service or FREE bike valet. Stops include Worldgate Drive and Herndon High School, where you can pick-up the shuttle, and it’ll take you right to the Festival! If you’re riding your bike, let us watch it at the Bike Valet while you ride the rides! Tip # 2 Make sure you plan to enjoy four days of live FREE music. With a full schedule on three entertainment stages, there is always something to listen to and watch. What is your favorite type of music? Check out our bands by genre list. Tip # 3 Check out what is new this year. On Friday night, there will be a Kids Car Creation and Puppet Show where kids can make their own cardboard car, watch a puppet show, and then drive their cardboard car around the Herndon Festival. This is a free event! A special thanks to F.H. Furr for sponsoring this fun activity. Saturday night, get your glow on at our glow-in-the-dark themed night and make sure to get your own glow-in-the-dark water bottle from Northwest Federal Credit Union. Join us at the Café Stage after the fireworks for a Get Your Glow On Dance Party. Sunday, there will be a special concert series for kids on the HMC Stage - Kids Rock the Green! A Festival would not be complete without savory treats and souvenirs. From your favorite deep- fried delicacies to a classic cheese steak or gyro, there will be plenty of delicious options for you to choose from, including award winning smoked BBQ or Indian street food. Visit one of our food trucks in the food court located by the Depot Stage. See our full list of food vendors and plan your must have items. Make sure to purchase your 38th Annual Herndon Festival souvenirs! Collared polo shirts, baseball caps, plus traditional long and short sleeve t-shirts, all in fabulous colors. back to quick-links 5 So much FUN for kids awaits in the Children’s Hands-On Art Area, located in Kids’ Alley! Let your child experience the whimsical entertainers in Kids’ Alley or express their artistic skills in the Children’s Hands-On Art Area and remember - it’s FREE! Produced by Arts Herndon. Everyone can get creative and learn about different countries by trying over a dozen unique and fun crafts and activities. Click here to learn more. You can’t have a Festival without the fun and thrill of a carnival! Plenty of adventurous rides for all ages, kiddie rides for the younger crowd and challenging games with great prizes await you at this year’s carnival. Don’t miss out on the All-You-Can- Ride, all day wristband on Thursday (from 6-10pm), Saturday (from 10am-2pm) and Sunday (from 10am-6pm). Each day you will need to purchase a separate band. There is still time to sign up for some exercise and fun on Sunday morning at our Herndon Festival 10K/5K races! Afterward, check out the Festival’s Health and Fitness Expo. A post-race breakfast is provided by the Great Harvest Bread Company and Aperture Apartments. We’ll keep you posted! Check our Facebook and Twitter pages throughout the weekend for special daily happenings. While most events and activities are held rain or shine, in the rare event of severe weather, the Festival may close temporarily and then re-open. To check the status of Festival events, call: 703-435-6866, visit us at www.herndonfestival.net, on Facebook, Instagram, or on Twitter @HerndonFestival. Your Opinion Counts! Let us know what you think. Please take just a few minutes to answer a short online survey. We will use your feedback to improve the Herndon Festival. Herndon Festival Music Genres back to quick-links 6 Herndon Festival Music Genres Find the sounds you love. Click to learn more about these performers. Folk/Americana: Southern Rock: Eli Lev and The Hayley Fahey Fortunes Found Jason Morton & River Whyless The Chesapeake Sons Andrea Nardello Adrian + Meredith Brian Dunne Rhythm & Blues - Soul: Country: KSTONE4U Farewell Angelina Shane Gamble Pop: Cover Music: Taylor Carson Almost Queen Lucia Valentine Dan McGuire Taylor Tote Three Sheets Juliet Lloyd to the Wind Sariah Good Shot Judy Erin Willett Houk Robinson Duo Sub-Radio Alt Indie/ Rock: Blues: Jimmie’s Chicken Shack Levi Stephens The Hunts Roomful of Blues Matt Otis & The Sound Lenny Burridge Air Traffic Controller Animal Sun Paul Pfau Family Friendly: Rocknoceros Rainbow Puppets Recess Monkey Festival Guidelines and Tips back to quick-links 7 The public is prohibited from carrying alcoholic beverages into or out of the Festival area. Coolers, kegs, cans, and glass containers are prohibited. Herndon Festival vendor specialty, plastic or paper cups, or a refillable water bottle may be carried into the festival area. Lunch size coolers containing a water bottle, baby formula or medication is permissible. Bicycles, skateboards, roller blades or any other form of transportation are not allowed in the Festival area. The use of a wheelchair or other mobility device because of a physical impairment is permitted. All animals and pets, except service animals, are prohibited in the Festival area. Shirts and footwear are required in the Festival area. Toy weapons or weapon replicas are prohibited in the Festival area. The use of squirt guns and/or the spraying of any products, the throwing of balls, Frisbees, or other objects is not permitted in the Festival area. Audio or video recording of the entertainment at any stage is not permitted without express written permission from the Festival or the performer. Smoking is discouraged on Festival grounds. Underage smoking is not permitted. Consideration of non-smokers is appreciated. ATMs are available on or near the Festival site. Please see the Festival map. Festival Safety All guests entering the Festival area are subject to a visual inspection and a bag inspection. Contents of all backpacks and all packages, bags, containers, purses, or other hand carried items of similar size or larger will be inspected. Exceptions can be made for guests with special medical needs. No prohibited items will be accepted at the Festival gates for safekeeping.
Recommended publications
  • Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
    COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally.
    [Show full text]
  • FALL 2011 Table of Contents
    FALL 2011 Table of Contents Park District Map ................................... 2-3 Park District Contacts ..............................65 Fall Special Events ............................. 29-35 Affiliate Programs .....................................62 Art ............................................................37 Before and After School Care ..................61 Birthday Parties ..........................................4 Childcare and Preschool ..................... 59-60 Cooking ....................................................39 Cricket ......................................................49 Dance ................................................. 26-28 Dogs and Dog Park ..................................38 Early Childhood Programs ................. 55-58 Emily Oaks Nature Center ........... 20-23, 58 Exercise ..............................................10, 13 Exploritorium .............................................5 Fencing .....................................................49 Figure Skating .................................... 44-45 Fitness First! Health Center ................... 8-9 Flag Football ............................................49 Golf .................................................... 40-42 Gymnastics ...............................................53 Hockey ............................................... 44-45 Hot Shot Sports ................................. 50-53 Martial Arts ..............................................54 Movies in the Park ...................................31 Music ........................................................36
    [Show full text]
  • Featured Read for November
    Read, watch, relax ROSANNE CASH On The List, her 12th studio album, the singer covers 12 tracks from a canon of essential country songs that her father, Johnny Cash, gave her in 1973. The CD includes “Sea of Heartbreak” (featuring Bruce Springsteen) and Turn on the music “Long Black Veil” (with Jeff Tweedy). STING CARRIE BEE GEES Dedicated to the UNDERWOOD Honoring the brothers musician’s favorite The American Idol Gibb on the group’s season, If on a Winter’s alum this year became golden anniversary, the Night… mixes the the first country artist double-disc Ultimate traditional music of the ever to have 10 singles Bee Gees collection British Isles with two of from her first two features their biggest his own classical gems, “Lullaby for an Anxious albums hit No. 1 on the charts. Her third album hits as well as their version of songs, such as “If Child” and “The Hounds of Winter.” is her latest since Carnival Ride in 2007. I Can’t Have You,” that they wrote for others. OLINA M ASHVILLE, TONY N A Curl up with a book T RIS A WHISTLIN’ DIXIE AIN’T TOO PROUD TO BEG IN A NOR’EASTER By Susan Donovan ORDINGS/ C By Lisa Patton Thirty-five-year-old Josie Sheehan and three other E R When a man uproots his family single women in her dog-walking group vow to from Memphis, Tenn., to find happiness without men. But then Josie meets HOLAS, 19 C Vermont to fulfill his dream of Rick Rousseau, a pet company CEO, and her I N .
    [Show full text]
  • Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]
  • Inside Passages
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Inside Passages Keema Waterfield The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Waterfield, eema,K "Inside Passages" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 581. https://scholarworks.umt.edu/etd/581 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INSIDE PASSAGES By KEEMA MARIE WATERFIELD-CARLSON BFA, University of Alaska, Anchorage, Alaska 2006 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Nonfiction The University of Montana Missoula, MT Summer 2011 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Associate Professor Judy Blunt, Chair Department of Creative Writing Associate Professor Nancy Cook, Co-Chair Department of English Associate Professor Jody Pavilack, Co-Chair Department of History Inside Passage We wait for the all clear to board on a black night, the moon stitching a diamond pattern on the Gastineau Channel, the white rails of the Matanuska ferry glinting like a carnival ride. I want to be out there walking a dog, stretching my legs between rows of idling cars like the young couple holding hands and strolling slowly while their yellow lab pees on every third tire.
    [Show full text]
  • Fifty Yearsof Unity P7
    June 2009 News from the Village of Hoffman Estates Fifty years of unity The Village of Hoffman Estates has been enriched by the diversity of its residents for the past 50 years. The Cultural Awareness Commission will celebrate the his- The day begins with a continental breakfast and a 2k walk torical heritage of the Village’s 50th anniversary by hosting starting at 8:30 a.m. Celebrate with us by enjoying ethnic its 10th annual Unity Day celebration. Experience the differ- foods, family-friendly activities and watching performers ent sights, sounds and tastes of Hoffman Estates through a on stage. There is no cost for this event, and a T-shirt will variety of multicultural entertainment and food. be given to the fi rst 125 to arrive. Participants will also get a chance to visit with a Police Department K-9 unit, along Unity Day will be held on Saturday, June 20, from 8:30 a.m. with the opportunity to see a fi re truck. to 1 p.m. at the Virginia Mary Hayter Village Green, located on Prairie Stone Parkway off Route 72 in the Prairie Stone [continued on page 3] Business Park. Everyone from the surrounding area is invited to attend. In this issue Historian’s notebook . 2 Health and Human Summer concert p7 p12 A message from Services news . 5 series information . 12 Mayor McLeod . 3 Fourth of July Growing to Greenness! . 14 Community briefs . 4 information . 7 Fireworks alert! . 14 Clerk’s corner . 5 Letter of appreciation . .11 June calendar . 15 Historian’s Welcome new notebook By Pat Barch, Hoffman Estates Village Historian businesses! The early years for homeown- The women began going as school enrollment was AA Salon, Inc.
    [Show full text]
  • Gradations of Thrills, Kicks and Moonwalks: a Textual and Cultural Analysis of the Effects of Michael Jackson, the Legend and Thriller, the Legendary
    GRADATIONS OF THRILLS, KICKS AND MOONWALKS: A TEXTUAL AND CULTURAL ANALYSIS OF THE EFFECTS OF MICHAEL JACKSON, THE LEGEND AND THRILLER, THE LEGENDARY Kasey Cullors A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2011 Committee: Dr. Jeffrey Brown, Advisor Dr. Kristen Rudisill, Thesis Chairperson Dr. Jeremy Wallach Dr. Angela Nelson ii ABSTRACT This research seeks to surface the social, cultural and political effects of Michael Jackson’s “Thriller.” As a whole, this body of work investigates the performative elements of “Thriller” as discourse. Using Ferdinand de Saussure’s semiotic approach, Mikhail Bakhtin’s heteroglossia and theory of the carnivalesque, Karl Marx’s concept of commodity fetishism, Thorstein Veblen’s notion of conspicuous consumption and Homi Bhabha’s concept of mimicry, this study finds that Jackson is able to be filtered through rituals and traditions in order to produce an image that is not only larger than life, but extremely malleable and able to signify a variety of cultural conditions. Thinkers are challenged to see Michael Jackson, through the work of “Thriller” as a multifarious entity, worth more than mere entertainment value. The examination of “Thriller” establishes that although Jackson is a popular culture icon, his relevance and influence exceed the arena in which he primarily performed. Jackson, as a complex figure, is more than an entertainer; he is a performance. Inasmuch as others depict elements of “Thriller,” its very concept is rooted in the anticipated future reinterpretation and redistribution of other performances.
    [Show full text]
  • 1.10 Goes to Vendor
    May 20 - September, 2018 Vol. 27 No. 20 $2 $1.10 goes to vendor Pages 4 & 5 Pages 8 & 9 Pages 12 & 13 Country Lakeshake MAY Ruido Fest AUGUST Chicago House Music Conference and Festival Chicago Vegandale Lollapalooza Mole de Mayo Evanston Chamber Artisan Summerfest Art Walk & African Marketplace Chicago Gaelic Park Irish Fest Art in the Village Jeff Fest Belmont-Sheffield Music Fest Art Center's Festival of Fine Art Edgefest Maifest Chicago Ravenswood on Tap Chicago Brewing District's Dancing in the Streets Chicago Gospel Music Festival North Center Garden Walk Chicago Hot Dog Festival Do Division Streetfest Mamby on the Beach Ginza Holiday Festival Lincoln Park Greek Fest Family Fun Festival Retro on Roscoe profits Little Village Taste of Mexico Chicago is a Drag Festival Northalsted Market Days Millennium Art Festival Thirsty Ears Festival JUNE Logan Square Art Festival Clark After Dark Chicago Ale Fest Pride in the Park Evanston Art and Big Fork Festival Hyde Park Brew Fest Gay Pride Parade Glenwood Avenue Arts Fest Gold Coast Art Fair Chicago Mariachi Festival Chicago Air & Water Show 57th Street Art Fair Microbrew Review Porchfest Lakeview JULY Wright Ride The Millennium Park Summer Film Series Windy City Ribfest in Uptown Will County Fair Andersonville Midsommarfest International Festival of Life Logan Square Social Spring Awakening (African and Caribbean Festival) Taste of Greektown West Fest Skokie Backlot Bash M AY Pages 6 & 7 Chosen Few Old School Reunion Greenleaf Festival Chicago Blues Festival Chicago Botanical Garden Art Show
    [Show full text]
  • Reflection and Introspection in the Film Scores Of
    REFLECTION AND INTROSPECTION IN THE FILM SCORES OF THOMAS NEWMAN by CHELSEA NICOLE ODEN A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2016 THESIS APPROVAL PAGE Student: Chelsea Nicole Oden Title: Reflection and Introspection in the Film Scores of Thomas Newman This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Stephen Rodgers Chairperson Jack Boss Member Marian Smith Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Chelsea Nicole Oden iii THESIS ABSTRACT Chelsea Nicole Oden Master of Arts School of Music and Dance June 2016 Title: Reflection and Introspection in the Film Scores of Thomas Newman The most transformative moments in life cause us to look both backward (reflection) and inward (introspection). Likewise, reflective and introspective moments in film often align with important plot points. Separating music and dialogue from the rhythms of the image, these moments suspend time, creating a distinct temporality for the character(s) and the viewer to observe the past and the present in juxtaposition. The music of film composer Thomas Newman brings to life some of the most beautiful reflective and introspective moments in cinema. In this thesis, I approach Newman’s understudied, but highly successful film scores from narrative, musical, and audiovisual perspectives.
    [Show full text]
  • VH1's Iconic Series "Behind the Music" Celebrates 15Th Anniversary Season with Eight New Episodes
    VH1's Iconic Series "Behind The Music" Celebrates 15th Anniversary Season With Eight New Episodes FEATURED ARTISTS INCLUDE: TRAIN, NE-YO, CARRIE UNDERWOOD, NICOLE SCHERZINGER, GYM CLASS HEROES AND TONI BRAXTON AS WELL AS UPDATED EPISODES FEATURING T.I. AND P!NK New Season Premiering Sunday, September 16, 2012 at 9pm ET/PT VH1.com Expands the Franchise with Companion Series "Behind the Song" SANTA MONICA, Calif., Sept. 6, 2012 /PRNewswire/ -- VH1's five-time Emmy Award-nominated documentary series "Behind The Music" returns to focus on eight of today's most influential icons in the music world. The series launches its landmark 15th year since inception with a roster of top artists including: NE-YO, Nicole Scherzinger, Gym Class Heroes, Toni Braxton, T.I. (updated), P!nk (updated) and the previously announced Carrie Underwood and Train. The franchise is also expanding on VH1.com with the addition of "Behind the Song," a companion series of original, standalone mini episodes where select artists discuss the inspiration behind a signature song. The new season will premiere Sunday, September 16, 2012 at 9pm ET/PT. "Behind The Music: TRAIN" Airs Sunday, September 16 at 9pm ET/PT "Behind The Music: Train" highlights the accomplishments of Pat Monahan, Jimmy Stafford, and Scott Underwood; a rock band from San Francisco, California formed in 1994. Train's original members Rob Hotchkiss and Charlie Colin, as well as Monahan, Stafford and Underwood achieved mainstream success with their debut album, Train, which was officially released in 1998 and was certified double platinum in the United States and Canada.
    [Show full text]
  • The Bands of Detroit
    IT’S FREE! TAKE ONE! DETROIT PUNK ROCK SCENE REPORT It seems that the arsenal of democracy has been raided, pillaged, and ultimately, neglected. A city once teeming with nearly two million residents has seemingly emptied to 720,000 in half a century’s time (the actual number is likely around 770,000 residing citizens, including those who aren’t registered), leaving numerous plots of land vacant and unused. Unfortunately, those areas are seldom filled with proactive squatters or off-the-grid residents; most are not even occupied at all. The majority of the east and northwest sides of the city are examples of this urban blight. Detroit has lost its base of income in its taxpaying residents, simultaneously retaining an anchor of burdensome (whether it’s voluntary or not) poverty-stricken, government-dependent citizens. Just across the Detroit city borders are the gated communities of xenophobic suburban families, who turn their collective noses at all that does not beckon to their will and their wallet. Somewhere, in the narrow cracks between these two aforementioned sets of undesirables, is the single best punk rock scene you’ve heard nary a tale of, the one that everyone in the U.S. and abroad tends to overlook. Despite receiving regular touring acts (Subhumans, Terror, Common Enemy, Star Fucking Hipsters, Entombed, GBH, the Adicts, Millions of Dead Cops, Mouth Sewn Shut, DRI, DOA, etc), Detroit doesn’t seem to get any recognition for homegrown punk rock, even though we were the ones who got the ball rolling in the late 60s. Some of the city’s naysayers are little more than punk rock Glenn Becks or Charlie Sheens, while others have had genuinely bad experiences; however, if the world is willing to listen to what we as Detroiters have to say with an unbiased ear, we are willing to speak, candidly and coherently.
    [Show full text]