May 31-June 3 FREE
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
FALL 2011 Table of Contents
FALL 2011 Table of Contents Park District Map ................................... 2-3 Park District Contacts ..............................65 Fall Special Events ............................. 29-35 Affiliate Programs .....................................62 Art ............................................................37 Before and After School Care ..................61 Birthday Parties ..........................................4 Childcare and Preschool ..................... 59-60 Cooking ....................................................39 Cricket ......................................................49 Dance ................................................. 26-28 Dogs and Dog Park ..................................38 Early Childhood Programs ................. 55-58 Emily Oaks Nature Center ........... 20-23, 58 Exercise ..............................................10, 13 Exploritorium .............................................5 Fencing .....................................................49 Figure Skating .................................... 44-45 Fitness First! Health Center ................... 8-9 Flag Football ............................................49 Golf .................................................... 40-42 Gymnastics ...............................................53 Hockey ............................................... 44-45 Hot Shot Sports ................................. 50-53 Martial Arts ..............................................54 Movies in the Park ...................................31 Music ........................................................36 -
Featured Read for November
Read, watch, relax ROSANNE CASH On The List, her 12th studio album, the singer covers 12 tracks from a canon of essential country songs that her father, Johnny Cash, gave her in 1973. The CD includes “Sea of Heartbreak” (featuring Bruce Springsteen) and Turn on the music “Long Black Veil” (with Jeff Tweedy). STING CARRIE BEE GEES Dedicated to the UNDERWOOD Honoring the brothers musician’s favorite The American Idol Gibb on the group’s season, If on a Winter’s alum this year became golden anniversary, the Night… mixes the the first country artist double-disc Ultimate traditional music of the ever to have 10 singles Bee Gees collection British Isles with two of from her first two features their biggest his own classical gems, “Lullaby for an Anxious albums hit No. 1 on the charts. Her third album hits as well as their version of songs, such as “If Child” and “The Hounds of Winter.” is her latest since Carnival Ride in 2007. I Can’t Have You,” that they wrote for others. OLINA M ASHVILLE, TONY N A Curl up with a book T RIS A WHISTLIN’ DIXIE AIN’T TOO PROUD TO BEG IN A NOR’EASTER By Susan Donovan ORDINGS/ C By Lisa Patton Thirty-five-year-old Josie Sheehan and three other E R When a man uproots his family single women in her dog-walking group vow to from Memphis, Tenn., to find happiness without men. But then Josie meets HOLAS, 19 C Vermont to fulfill his dream of Rick Rousseau, a pet company CEO, and her I N . -
Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Inside Passages
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2011 Inside Passages Keema Waterfield The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Waterfield, eema,K "Inside Passages" (2011). Graduate Student Theses, Dissertations, & Professional Papers. 581. https://scholarworks.umt.edu/etd/581 This Professional Paper is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. INSIDE PASSAGES By KEEMA MARIE WATERFIELD-CARLSON BFA, University of Alaska, Anchorage, Alaska 2006 Professional Paper presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Nonfiction The University of Montana Missoula, MT Summer 2011 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Associate Professor Judy Blunt, Chair Department of Creative Writing Associate Professor Nancy Cook, Co-Chair Department of English Associate Professor Jody Pavilack, Co-Chair Department of History Inside Passage We wait for the all clear to board on a black night, the moon stitching a diamond pattern on the Gastineau Channel, the white rails of the Matanuska ferry glinting like a carnival ride. I want to be out there walking a dog, stretching my legs between rows of idling cars like the young couple holding hands and strolling slowly while their yellow lab pees on every third tire. -
Fifty Yearsof Unity P7
June 2009 News from the Village of Hoffman Estates Fifty years of unity The Village of Hoffman Estates has been enriched by the diversity of its residents for the past 50 years. The Cultural Awareness Commission will celebrate the his- The day begins with a continental breakfast and a 2k walk torical heritage of the Village’s 50th anniversary by hosting starting at 8:30 a.m. Celebrate with us by enjoying ethnic its 10th annual Unity Day celebration. Experience the differ- foods, family-friendly activities and watching performers ent sights, sounds and tastes of Hoffman Estates through a on stage. There is no cost for this event, and a T-shirt will variety of multicultural entertainment and food. be given to the fi rst 125 to arrive. Participants will also get a chance to visit with a Police Department K-9 unit, along Unity Day will be held on Saturday, June 20, from 8:30 a.m. with the opportunity to see a fi re truck. to 1 p.m. at the Virginia Mary Hayter Village Green, located on Prairie Stone Parkway off Route 72 in the Prairie Stone [continued on page 3] Business Park. Everyone from the surrounding area is invited to attend. In this issue Historian’s notebook . 2 Health and Human Summer concert p7 p12 A message from Services news . 5 series information . 12 Mayor McLeod . 3 Fourth of July Growing to Greenness! . 14 Community briefs . 4 information . 7 Fireworks alert! . 14 Clerk’s corner . 5 Letter of appreciation . .11 June calendar . 15 Historian’s Welcome new notebook By Pat Barch, Hoffman Estates Village Historian businesses! The early years for homeown- The women began going as school enrollment was AA Salon, Inc. -
Gradations of Thrills, Kicks and Moonwalks: a Textual and Cultural Analysis of the Effects of Michael Jackson, the Legend and Thriller, the Legendary
GRADATIONS OF THRILLS, KICKS AND MOONWALKS: A TEXTUAL AND CULTURAL ANALYSIS OF THE EFFECTS OF MICHAEL JACKSON, THE LEGEND AND THRILLER, THE LEGENDARY Kasey Cullors A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2011 Committee: Dr. Jeffrey Brown, Advisor Dr. Kristen Rudisill, Thesis Chairperson Dr. Jeremy Wallach Dr. Angela Nelson ii ABSTRACT This research seeks to surface the social, cultural and political effects of Michael Jackson’s “Thriller.” As a whole, this body of work investigates the performative elements of “Thriller” as discourse. Using Ferdinand de Saussure’s semiotic approach, Mikhail Bakhtin’s heteroglossia and theory of the carnivalesque, Karl Marx’s concept of commodity fetishism, Thorstein Veblen’s notion of conspicuous consumption and Homi Bhabha’s concept of mimicry, this study finds that Jackson is able to be filtered through rituals and traditions in order to produce an image that is not only larger than life, but extremely malleable and able to signify a variety of cultural conditions. Thinkers are challenged to see Michael Jackson, through the work of “Thriller” as a multifarious entity, worth more than mere entertainment value. The examination of “Thriller” establishes that although Jackson is a popular culture icon, his relevance and influence exceed the arena in which he primarily performed. Jackson, as a complex figure, is more than an entertainer; he is a performance. Inasmuch as others depict elements of “Thriller,” its very concept is rooted in the anticipated future reinterpretation and redistribution of other performances. -
1.10 Goes to Vendor
May 20 - September, 2018 Vol. 27 No. 20 $2 $1.10 goes to vendor Pages 4 & 5 Pages 8 & 9 Pages 12 & 13 Country Lakeshake MAY Ruido Fest AUGUST Chicago House Music Conference and Festival Chicago Vegandale Lollapalooza Mole de Mayo Evanston Chamber Artisan Summerfest Art Walk & African Marketplace Chicago Gaelic Park Irish Fest Art in the Village Jeff Fest Belmont-Sheffield Music Fest Art Center's Festival of Fine Art Edgefest Maifest Chicago Ravenswood on Tap Chicago Brewing District's Dancing in the Streets Chicago Gospel Music Festival North Center Garden Walk Chicago Hot Dog Festival Do Division Streetfest Mamby on the Beach Ginza Holiday Festival Lincoln Park Greek Fest Family Fun Festival Retro on Roscoe profits Little Village Taste of Mexico Chicago is a Drag Festival Northalsted Market Days Millennium Art Festival Thirsty Ears Festival JUNE Logan Square Art Festival Clark After Dark Chicago Ale Fest Pride in the Park Evanston Art and Big Fork Festival Hyde Park Brew Fest Gay Pride Parade Glenwood Avenue Arts Fest Gold Coast Art Fair Chicago Mariachi Festival Chicago Air & Water Show 57th Street Art Fair Microbrew Review Porchfest Lakeview JULY Wright Ride The Millennium Park Summer Film Series Windy City Ribfest in Uptown Will County Fair Andersonville Midsommarfest International Festival of Life Logan Square Social Spring Awakening (African and Caribbean Festival) Taste of Greektown West Fest Skokie Backlot Bash M AY Pages 6 & 7 Chosen Few Old School Reunion Greenleaf Festival Chicago Blues Festival Chicago Botanical Garden Art Show -
Reflection and Introspection in the Film Scores Of
REFLECTION AND INTROSPECTION IN THE FILM SCORES OF THOMAS NEWMAN by CHELSEA NICOLE ODEN A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts June 2016 THESIS APPROVAL PAGE Student: Chelsea Nicole Oden Title: Reflection and Introspection in the Film Scores of Thomas Newman This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Stephen Rodgers Chairperson Jack Boss Member Marian Smith Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Chelsea Nicole Oden iii THESIS ABSTRACT Chelsea Nicole Oden Master of Arts School of Music and Dance June 2016 Title: Reflection and Introspection in the Film Scores of Thomas Newman The most transformative moments in life cause us to look both backward (reflection) and inward (introspection). Likewise, reflective and introspective moments in film often align with important plot points. Separating music and dialogue from the rhythms of the image, these moments suspend time, creating a distinct temporality for the character(s) and the viewer to observe the past and the present in juxtaposition. The music of film composer Thomas Newman brings to life some of the most beautiful reflective and introspective moments in cinema. In this thesis, I approach Newman’s understudied, but highly successful film scores from narrative, musical, and audiovisual perspectives. -
VH1's Iconic Series "Behind the Music" Celebrates 15Th Anniversary Season with Eight New Episodes
VH1's Iconic Series "Behind The Music" Celebrates 15th Anniversary Season With Eight New Episodes FEATURED ARTISTS INCLUDE: TRAIN, NE-YO, CARRIE UNDERWOOD, NICOLE SCHERZINGER, GYM CLASS HEROES AND TONI BRAXTON AS WELL AS UPDATED EPISODES FEATURING T.I. AND P!NK New Season Premiering Sunday, September 16, 2012 at 9pm ET/PT VH1.com Expands the Franchise with Companion Series "Behind the Song" SANTA MONICA, Calif., Sept. 6, 2012 /PRNewswire/ -- VH1's five-time Emmy Award-nominated documentary series "Behind The Music" returns to focus on eight of today's most influential icons in the music world. The series launches its landmark 15th year since inception with a roster of top artists including: NE-YO, Nicole Scherzinger, Gym Class Heroes, Toni Braxton, T.I. (updated), P!nk (updated) and the previously announced Carrie Underwood and Train. The franchise is also expanding on VH1.com with the addition of "Behind the Song," a companion series of original, standalone mini episodes where select artists discuss the inspiration behind a signature song. The new season will premiere Sunday, September 16, 2012 at 9pm ET/PT. "Behind The Music: TRAIN" Airs Sunday, September 16 at 9pm ET/PT "Behind The Music: Train" highlights the accomplishments of Pat Monahan, Jimmy Stafford, and Scott Underwood; a rock band from San Francisco, California formed in 1994. Train's original members Rob Hotchkiss and Charlie Colin, as well as Monahan, Stafford and Underwood achieved mainstream success with their debut album, Train, which was officially released in 1998 and was certified double platinum in the United States and Canada. -
The Bands of Detroit
IT’S FREE! TAKE ONE! DETROIT PUNK ROCK SCENE REPORT It seems that the arsenal of democracy has been raided, pillaged, and ultimately, neglected. A city once teeming with nearly two million residents has seemingly emptied to 720,000 in half a century’s time (the actual number is likely around 770,000 residing citizens, including those who aren’t registered), leaving numerous plots of land vacant and unused. Unfortunately, those areas are seldom filled with proactive squatters or off-the-grid residents; most are not even occupied at all. The majority of the east and northwest sides of the city are examples of this urban blight. Detroit has lost its base of income in its taxpaying residents, simultaneously retaining an anchor of burdensome (whether it’s voluntary or not) poverty-stricken, government-dependent citizens. Just across the Detroit city borders are the gated communities of xenophobic suburban families, who turn their collective noses at all that does not beckon to their will and their wallet. Somewhere, in the narrow cracks between these two aforementioned sets of undesirables, is the single best punk rock scene you’ve heard nary a tale of, the one that everyone in the U.S. and abroad tends to overlook. Despite receiving regular touring acts (Subhumans, Terror, Common Enemy, Star Fucking Hipsters, Entombed, GBH, the Adicts, Millions of Dead Cops, Mouth Sewn Shut, DRI, DOA, etc), Detroit doesn’t seem to get any recognition for homegrown punk rock, even though we were the ones who got the ball rolling in the late 60s. Some of the city’s naysayers are little more than punk rock Glenn Becks or Charlie Sheens, while others have had genuinely bad experiences; however, if the world is willing to listen to what we as Detroiters have to say with an unbiased ear, we are willing to speak, candidly and coherently.