June in Buffalo 1986-2010, Arranged Alphabetically by Composer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Railway Employee Records for Colorado Volume Iii
RAILWAY EMPLOYEE RECORDS FOR COLORADO VOLUME III By Gerald E. Sherard (2005) When Denver’s Union Station opened in 1881, it saw 88 trains a day during its gold-rush peak. When passenger trains were a popular way to travel, Union Station regularly saw sixty to eighty daily arrivals and departures and as many as a million passengers a year. Many freight trains also passed through the area. In the early 1900s, there were 2.25 million railroad workers in America. After World War II the popularity and frequency of train travel began to wane. The first railroad line to be completed in Colorado was in 1871 and was the Denver and Rio Grande Railroad line between Denver and Colorado Springs. A question we often hear is: “My father used to work for the railroad. How can I get information on Him?” Most railroad historical societies have no records on employees. Most employment records are owned today by the surviving railroad companies and the Railroad Retirement Board. For example, most such records for the Union Pacific Railroad are in storage in Hutchinson, Kansas salt mines, off limits to all but the lawyers. The Union Pacific currently declines to help with former employee genealogy requests. However, if you are looking for railroad employee records for early Colorado railroads, you may have some success. The Colorado Railroad Museum Library currently has 11,368 employee personnel records. These Colorado employee records are primarily for the following railroads which are not longer operating. Atchison, Topeka & Santa Fe Railroad (AT&SF) Atchison, Topeka and Santa Fe Railroad employee records of employment are recorded in a bound ledger book (record number 736) and box numbers 766 and 1287 for the years 1883 through 1939 for the joint line from Denver to Pueblo. -
Copyrighted Material
Index Abulfeda crater chain (Moon), 97 Aphrodite Terra (Venus), 142, 143, 144, 145, 146 Acheron Fossae (Mars), 165 Apohele asteroids, 353–354 Achilles asteroids, 351 Apollinaris Patera (Mars), 168 achondrite meteorites, 360 Apollo asteroids, 346, 353, 354, 361, 371 Acidalia Planitia (Mars), 164 Apollo program, 86, 96, 97, 101, 102, 108–109, 110, 361 Adams, John Couch, 298 Apollo 8, 96 Adonis, 371 Apollo 11, 94, 110 Adrastea, 238, 241 Apollo 12, 96, 110 Aegaeon, 263 Apollo 14, 93, 110 Africa, 63, 73, 143 Apollo 15, 100, 103, 104, 110 Akatsuki spacecraft (see Venus Climate Orbiter) Apollo 16, 59, 96, 102, 103, 110 Akna Montes (Venus), 142 Apollo 17, 95, 99, 100, 102, 103, 110 Alabama, 62 Apollodorus crater (Mercury), 127 Alba Patera (Mars), 167 Apollo Lunar Surface Experiments Package (ALSEP), 110 Aldrin, Edwin (Buzz), 94 Apophis, 354, 355 Alexandria, 69 Appalachian mountains (Earth), 74, 270 Alfvén, Hannes, 35 Aqua, 56 Alfvén waves, 35–36, 43, 49 Arabia Terra (Mars), 177, 191, 200 Algeria, 358 arachnoids (see Venus) ALH 84001, 201, 204–205 Archimedes crater (Moon), 93, 106 Allan Hills, 109, 201 Arctic, 62, 67, 84, 186, 229 Allende meteorite, 359, 360 Arden Corona (Miranda), 291 Allen Telescope Array, 409 Arecibo Observatory, 114, 144, 341, 379, 380, 408, 409 Alpha Regio (Venus), 144, 148, 149 Ares Vallis (Mars), 179, 180, 199 Alphonsus crater (Moon), 99, 102 Argentina, 408 Alps (Moon), 93 Argyre Basin (Mars), 161, 162, 163, 166, 186 Amalthea, 236–237, 238, 239, 241 Ariadaeus Rille (Moon), 100, 102 Amazonis Planitia (Mars), 161 COPYRIGHTED -
Dante Életműve Az Egyetemes Emberi Kultúra Lényeges Része
Dante életműve az egyetemes emberi kultúra lényeges része. Babits sza- vaival: „Dante élete, amint nem végződik halálával, úgy nem kezdődik születésével: hanem szétolvad a világtörténetbe”. Szellemi örökségének ápolása, ahogy országokat átfogó, úgy hazánkban is igen jelentős. Bizo- nyítja ezt a magyar dantisztika kétszáz éves hagyománya, Péterfy Jenő, Szász Károly, Kaposi József, Fülep Lajos, Babits Mihály, Koltay-Kastner Jenő, Bán Imre, Kardos Tibor, Szauder József munkássága. E hagyomány folytonosságát a 2004-ben alakult Magyar Dantisztikai Társaság kon- cepciózus működése biztosítja. Valamint az elmúlt két évtizedben meg- jelent számos, nemzetközi szinten is jelentős hazai Dante-monográfia, tanulmánykötet, mely könyvek alkotói – Kelemen János, Pál József és Szabó Tibor – egyben a jelen kötet első részének szerzői. Mellettük Máté Zsuzsanna irodalmár, művészetfilozófus és Dombiné Kemény Erzsébet tanár és zongoraművész írása olvasható. A kötet második része a „Dante – 750” szakkollégiumi pályázat díjazott hallgatói tanulmányait; a harma- dik rész az „Égi Paradicsom – „Földi Paradicsom” c. kiállítás nyertes hall- gatói pályamunkáit és az alkotók illetve műveik rövid ismertetését fog- lalja magába; az utolsó rész pedig, a legújabb Dante-könyvekről, Bárdos Judit esztéta és Szabó Tibor filozófus könyvismertetésével zárja a kötetet. 2015. szeptember 30-án, a 750 éve született Dantéra emlékeztünk, a Szegedi Tudományegyetem JGYPK Művészeti, Művészetpedagógiai és Művészetközvetítő Szakkollégiuma által rendezett „Dante – 750” Kiállí- táson és -
CD One-Sheet Lifesketches
Release Date: September 2014 Naxos Records Catalog Number: 9.70126 New Release on Naxos Records: Jenny Q Chai, Piano Life Sketches: Piano Music of Nils Vigeland Life Sketches is the latest digital re- The five pieces on this recording span forty years in their date of composition lease of the esteemed Classical label and constitute about half of the music for solo piano written by composer Nils Naxos. This world première recording Vigeland. They appear in reverse order of composition, from most recent, 2013, is the product of a long-time collabora- to oldest, 1973. Of the seventeen individual movements, the most common link tion between the Chinese pianist Jenny between them is duration – more than half of them are less than three minutes Q Chai and American composer Nils long and, with the exception of all in due time, none are longer than six minutes. Vigeland. Catalog Number: 9.70126 Tracks ! Allora e Ora (2013) 15:38 [1] Santa Fina (1238-1253) 3:57 [2] Accusi va er monno 2:22 G.G. Belli-Roma, 14 November 1831 [3] Ricercare 6:23 [4] I Turisti 2:47 ! Five Pieces (2010)! 18:03 [5] 1. 1:32 [6] 2. 2:09 [7] 3. 4:47 [8] 4.— 4:23 [9] 5. 5:08 ! Life Sketches (1994)! 14:52 in memory of Yvar Mikhashoff [10] 1. Wild Hopes 1:24 [11] 2. Profane Dance 2:15 [12] 3. Trumpets 2:02 [13] 4. Im Volkston 1:09 [14] 5. Cambiata Waltz 2:12 [15] 6. Barcarolle 5:48 [16]! L'empire des lumières (1993) 5:06 hommage à René Magritte [17]! All in due time (1973)! 11:03 Distribution Sources Available from major digital services providers for downloading and streaming. -
2017 Fall Event Brochure
RING RD LOCATIONS ELM ST 1 MAIN LIBRARY LIBRARIES IN RED 1510 E UNIVERSITY BLVD PARKING GARAGES IN BLUE WARREN AVE WARREN 520.621.6442 ARIZONA HEALTH LIBRARY.ARIZONA.EDU FOR FULL PARKING MAP AND FEE INFORMATION SCIENCES CENTER PARKING.ARIZONA.EDU, 520.626.7275 CAMPBELL AVE CAMPBELL 2 SCIENCE-ENGINEERING LIBRARY 744 N HIGHLAND AVE 520.621.6384 E DRACHMAN ST UAMC VINE AVE PATIENT & VISITOR GARAGE 3 FINE ARTS LIBRARY HIGHLAND AVE PARK AVE PARK HIGHLAND E MABEL ST 1017 N OLIVE RD GARAGE AVE CHERRY FRED FOX SCHOOL OF MUSIC MOUNTAIN AVE MOUNTAIN 2nd FLOOR, ROOM 233 E HELEN ST 520.621.7009 PARK AVE GARAGE 4 SPECIAL COLLECTIONS EUCLID AVE WARREN AVE WARREN 1510 E UNIVERSITY BLVD E SPEEDWAY BLVD E SPEEDWAY BLVD 520.621.6423 SPECCOLL.LIBRARY.ARIZONA.EDU ONE WAY E FIRST ST MUSIC TYNDALL AVE TYNDALL BLDG 5 HEALTH SCIENCES LIBRARY E FIRST ST 1501 N CAMPBELL AVE MOUNTAIN AVE MOUNTAIN CAMPBELL AVE CAMPBELL PALM DR PALM OLIVE RD SECOND ST 2nd FLOOR MAIN ONE WAY E SECOND ST GATE GARAGE 520.626.6125 GARAGE AHSL.ARIZONA.EDU E SECOND ST COVER IMAGE: CHERRY AVE CHERRY Detail, Portrait of Martin Luther, OLD MALL CLOSED TO TRAFFIC E UNIVERSITY BLVD by Lucas Cranach the Elder (1472-1553), MAIN E UNIVERSITY BLVD 1528 (Veste Coburg), oil on panel TYNDALL AVE GARAGE CHERRY AVE GARAGE E FOURTH ST E FOURTH ST CHERRY AVE CHERRY ENKE DR TYNDALL AVE TYNDALL PARK AVE PARK LOWELL CAMPBELL AVE CAMPBELL EUCLID AVE NAT’L CHAMPIONS DR CHAMPIONS NAT’L SIXTH ST HIGHLAND AVE E SIXTH ST GARAGE E SIXTH ST FALL 2017 SPECIAL COLLECTIONS SPECIAL EVENTS speccoll.library.arizona.edu Library Cats Tech Breakfast Contact: Kathy McCarthy | 520.626.8332 Saturday, October 28, 9–11 a.m., Science-Engineering Library [email protected] All alumni and friends are welcome at our Homecoming EXHIBIT | Opens August 7 celebration. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
For-Hire Motor Carriers-Unrestricted Property
For-Hire - Unrestricted Property September 23, 2021 PIN USDOT MC Name DBA Name Phone Street Suite City State Zip 172318 2382342 1ST CALL HOTSHOT SERVICE LLC 1ST CALL HOTSHOT SERVICE LLC (405) 205-1738 Mail: 2410 W MEMORIAL RD STE C533 OKLAHOMA CITY OK 73134 Physical: 406 6TH ST CHEYENNE OK 73628 106139 1129401 2 B TRUCKING LLC 2 B TRUCKING LLC (936) 635-1288 Mail: 1430 N TEMPLE DIBOLL TX 75941 Physical: 214671 3131628 2 K SERVICES LLC 2 K SERVICES LLC (405) 754-0351 Mail: 2305 COUNTY ROAD 1232 BLANCHARD OK 73010 Physical: 142776 587437 2 R TRUCKING LLC 2 R TRUCKING LLC (402) 257-4105 Mail: 1918 ROAD ""P"" GUIDE ROCK NE 68942 Physical: 152966 2089295 2 RIVERS CONVERSIONS LLC 2 RIVERS CONVERSIONS LLC (405) 380-6771 Mail: 3888 N 3726 RD HOLDENVILLE OK 74848 Physical: 227192 3273977 2 VETS TRUCKING LLC 2 VETS TRUCKING LLC (405) 343-3468 Mail: 9516 TATUM LANE OKLAHOMA CITY OK 73165 Physical: 250374 3627024 2A TRANSPORT LLC 2A TRANSPORT LLC (918) 557-4000 Mail: PO BOX 52612 TULSA OK 74152 Physical: 10055 E 590 RD CATOOSA OK 74015 144063 1885218 3 C CATTLE FEEDERS INC 3 C CATTLE FEEDERS INC (405) 947-4990 Mail: PO BOX 14620 OKLAHOMA CITY OK 73113 Physical: PO BOX 144 MILL CREEK OK 74856 193972 2881702 3 CASAS TRUCKING LLC 3 CASAS TRUCKING LLC (405) 850-0223 Mail: 3701 KEITH COURT OKLAHOMA CITY OK 73135 Physical: 3701 KEITH COURT OKLAHOMA CITY OK 73135 251354 3678453 3 FEATHERS LOGISTICS LLC 3 FEATHERS LOGISTICS LLC (918) 991-4528 Mail: 411 N HODGE ST SAPULPA OK 74066 Physical: 134041 1728299 3 LANE TRUCKING LLC 3 LANE TRUCKING LLC Mail: RR1 -
Eine Symphonie Zu Dantes Divina Commedia Deux Légendes
Liszt SYMPHONIC POEMS VOL. 5 Eine Symphonie zu Dantes Divina Commedia Deux Légendes BBC Philharmonic GIANANDREA NOSEDA CHAN 10524 Franz Liszt (1811–1886) Symphonic Poems, Volume 5 AKG Images, London Images, AKG Eine Symphonie zu Dantes Divina Commedia, S 109* 42:06 for large orchestra and women’s chorus Richard Wagner gewidmet I Inferno 20:03 1 Lento – Un poco più accelerando – Allegro frenetico. Quasi doppio movimento (Alla breve) – Più mosso – Presto molto – Lento – 6:31 2 Quasi andante, ma sempre un poco mosso – 5:18 3 Andante amoroso. Tempo rubato – Più ritenuto – 3:42 4 Tempo I. Allegro (Alla breve) – Più mosso – Più mosso – Più moderato (Alla breve) – Adagio 4:32 II Purgatorio 21:57 5 Andante con moto quasi allegretto. Tranquillo assai – Più lento – Un poco meno mosso – 6:22 6 Lamentoso – 5:11 Franz Liszt, steel plate engraving, 1858, by August Weger (1823 –1892) after a photograph 3 Liszt: Symphonic Poems, Volume 5 7 [L’istesso tempo] – Poco a poco più di moto – 3:42 8 Magnificat. L’istesso tempo – Poco a poco accelerando e Deux Légendes published by Editio Musica in Budapest in crescendo sin al Più mosso – Più mosso ma non troppo – TheDeux Légendes, ‘St François d’Assise: la 1984. ‘St François d’Assise’ is scored for strings, Un poco più lento – L’istesso tempo, ma quieto assai 6:40 prédication aux oiseaux’ (St Francis of Assisi: woodwind and harp only, while ‘St François de the Sermon to the Birds) and ‘St François de Paule’ adds four horns, four trombones and a Deux Légendes, S 354 19:10 Paule marchant sur les flots’ (St Francis of bass trombone. -
RED LIGHT NEW MUSIC Presents Its SECOND MAINSTAGE CONCERT of the 2011/2012 SEASON
FOR IMMEDIATE RELEASE Composer collective, new music ensemble and concert series RED LIGHT NEW MUSIC presents its SECOND MAINSTAGE CONCERT of the 2011/2012 SEASON THE VIOLA IN MY LIFE: THE INFLUENCE OF MORTON FELDMAN 8pm MONDAY February 27, 2012 in NEW YORK CITY at PETER NORTON SYMPHONY SPACE’s LEONARD NIMOY THALIA "The composer makes plans, music laughs." – MORTON FELDMAN On Monday, February 27, 2012, 8pm the enterprising composer collective new music ensemble and concert series RED LIGHT NEW MUSIC presents its second mainstage concert of the season at New York City’s pre- eminent multi-disciplinary performing arts center, PETER NORTON SYMPHONY SPACE’s LEONARD NIMOY THALIA: THE VIOLA IN MY LIFE: THE INFLUENCE OF MORTON FELDMAN. This program is part of the third annual New York City based Composers Now Festival. THE VIOLA IN MY LIFE: THE INFLUENCE OF MORTON FELDMAN SCOTT WOLLSCHLEGER: Brontal No. 3 (world premiere, RLNM commission) MORTON FELDMAN: The Viola in My Life I TED HEARNE: Crispy Gentlemen (world premiere, RLNM commission) FELDMAN: The Viola in My Life II KEERIL MAKAN: Mercury Songbirds Curated by the co-directors of Red Light New Music, Scott Wollschleger, Liam Robinson, Vincent Raikhel and Christopher Cerrone, led by resident conductor Ted Hearne, and featuring long-time Red Light violist ERIN WIGHT in the Feldman works, THE VIOLA IN MY LIFE: THE INFLUENCE OF MORTON FELDMAN explores various aspects of the continuing impact of New York City based composer MORTON FELDMAN’s life, works and musical philosophy on a growing number of composers writing in a wide breadth of styles. -
Programme Détaillé Du Colloque « Hommage À Jean-Claude Risset
1 Hommage à Jean-Claude Risset Pour un monde sonore virtuel Colloque international Vendredi 23 novembre Samedi 24 novembre 2018 Au Cdmc - Paris et Concert au Triton - Les Lilas le 23 novembre à 20h30 Programme détaillé du colloque Direction scientifique Márta Grabócz avec la collaboration de György Kurtág junior et Nicolas Vérin Coproduction du CDMC, du Labex GREAM de l’université de Strasbourg, de l’équipe LISAA (EA4120) de l’Université Paris-Est Marne-la-Vallée, du PRISM (Aix-Marseille Université), avec le soutien de l’IUF et de la Fondation Salabert. 3 SOMMAIRE INTRODUCTION par Márta Grabócz ...................... 7 PROGRAMME DU COLLOQUE ............................... 9 PROGRAMME ET NOTICE DU CONCERT .............. 15 RESUMÉS DES COMMUNICATIONS ..................... 25 BIOGRAPHIES DES INTERVENANTS ..................... 35 5 Introduction par Márta Grabócz Jean-Claude Risset (1938-2016), l’un des fondateurs et le pionnier majeur de la musique par ordinateur, aurait eu 80 ans en mars 2018. Dans ce colloque international nous lui rendons hommage en soulignant quelques aspects de son esthétique, en mettant l’accent sur ses œuvres mixtes, sur ses œuvres vocales et sur la question de l’interprétation de ses pièces mixtes, tout en donnant la parole à quelques de ses interprètes, collègues, amies et amis. En 1994 il a publié un article sous le titre « Virtual Sound Worlds. Illusions of Senses, Truths of Perception »1 [Mondes sonores virtuels. Illusions de sens, vérités de perception], où il précise que « la synthèse par ordinateur rend possible la création d’un monde sonore illusoire, sans contrepartie ou équivalent matériel. Par un choix conscient des paramètres de synthèse et en profitant des caractéristiques spécifiques de la perception auditive, on peut créer des illusions auditives et des paradoxes musicaux »2. -
Steven Schick: Solo
Miller Theatre at Columbia University 2013-14 | 25th Anniversary Season Special Event Steven Schick: Solo Thursday, January 30, 8:00 p.m. Saturday, February 1, 8:00 p.m. Please note that photography and the use of recording devices are not permitted. Remember to turn off all cellular phones and pagers before tonight’s performance begins. Miller Theatre is wheelchair accessible. Large print programs are available upon request. For more information or to arrange accommodations, please call 212-854-7799. Miller Theatre at Columbia University 2013-14 | 25th Anniversary Season Special Event Steven Schick: Solo Part One: Origins Thursday, January 30, 8:00 p.m. Part Two: Responses Saturday, February 1, 8:00 p.m. Free Event: Percussion in the 21st Century Friday, January 31, 3:00 p.m. Explore the future of this dynamic art from through a conversation moderated by Schick with music luminaries including composer Kaija Saariaho, jazz vibraphonist Stefon Harris, percussionists Aiyun Huang and Haruka Fujii, and So Percussion founder Adam Sliwinski. The event will be followed by a reception. Zyklus © Universal Edition Miller Theatre at Columbia University 2013-14 | 25th Anniversary Season Special Event Steven Schick: Solo Part One: Origins Thursday, January 30, 8:00 p.m. Zyklus (1959) Karlheinz Stockhausen (1928 -2007) The King of Denmark (1964) Morton Feldman (1926-1987) Intérieur I (1966) Helmut Lachenmann (b. 1936) Toucher (1972) Vinko Globokar (b. 1934) INTERMISSION Psappha (1975) Iannis Xenakis (1922-2001) Silvers Streetcar for the Orchestra (1982) Alvin Lucier (b. 1931) ?Corporel (1982) Globokar Rebonds (1989) Xenakis This program runs approximately two hours including intermission. -
David Felder
David Felder Stuck-Stücke Memento mori partial [dist]res[s]toration BoxMan Arditti Quartet New York Virtuoso Singers New York New Music Ensemble Miles Anderson, trombone WWW.ALBANYRECORDS.COM TROY1153 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2009 ALBANY RECORDS MADE IN THE USA WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. The Composer The Music David Felder has long been recognized as a leader in his generation of The four compositions here might seem very disparate: a string quartet, which, like any string American composers. His works have been featured at many of the leading quartet, has to take its place in a line going back a quarter of a millennium; a piece for unac- international festivals for new music including Holland, Huddersfield, companied choir, with antecedents reaching further still into our collective past; a sextet with Darmstadt, Ars Electronica, Brussels, ISCM, North American New Music, electronic ambience whose sound world would have been unimagineable before recent times; Geneva, Ravinia, Aspen, Tanglewood, Music Factory, Bourges, Vienna and then a trombone solo in which the electronic interventions come right into the fore- Modern, IRCAM, Ars Musica, and many others, and earns continuing ground and place us unmistakeably in the present. Listen, though, and the differences begin recognition through performance and commissioning programs by such to dissolve, leaving behind them the outlines of a distinct creative personality. organizations as the New York New Music Ensemble, Arditti Quartet, American Composers One feature of that personality is fearlessness, and one aspect of that fearlessness is a bold Orchestra, Buffalo Philharmonic, American Brass Quintet, and many others.