DOCSLIB.ORG

Gilad Hekselman

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gilad Hekselman GILAD HEKSELMAN Released October world-wide by JazzVillage (harmonia mundi) Gilad Hekselman, guitar Joe Martin, bass Marcus Gilmore, drums Guest : Jeff Ballard, drums Patricia JOHNSTON | Manager TAKLIT ARTIST & CONCERT MANAGEMENT 93 rue Jean Jaurès, 92800 PUTEAUX France Tél. : 00 33 (0)6 42 73 06 70 [email protected] | www.taklit.net BIOGRAPHY GILAD HEKSELMAN Gilad Hekselman has been developing a reputation as one of the most promising guitarists in New York since his arrival in 2004. In only a few years this native Israeli has shared the stage with some of the greatest artists in the New York jazz scene including Chris Potter, Mark Turner, John Scofield, Anat Cohen Ari Hoenig, Esperanza Spalding, Sam Yahel, Jeff Ballard, Gretchen Parlato, Avishai Cohen, Jeff 'Tain' Watts, Tigran Hamasyan, Aaron Parks and Greg Hutchinson. He has played all the major jazz clubs in New York including the Blue Note, The Jazz Standard, Dizzy's Club and Smalls. He is constantly touring world-wide and has played most major jazz festivals including Montreux, North Sea, Montreal and San Francisco. Gilad is the winner of the 2005 Gibson Montreux International Guitar Competition. He opened for guitar legend Paco de Lucia at the Montreux Jazz Festival in 2006, which led to a string of performances at the IAJE Conference and at Dizzy's Club Coca-Cola in New York. That same year Gilad released his debut album SplitLife (Smalls Records) recorded with bassist Joe Martin and drummer Ari Hoenig. It received rave reviews from the press as did his second album, Words Unspoken (LateSet Records), recorded and released in 2008 with Joe Martin, drummer Marcus Gilmore and tenor saxophonist Joel Frahm. In 2009, Gilad recorded three tracks for Walt Disney Records, one of which was included in the record Everybody Wants To Be a Cat (2011). The album features versions to Disney songs played by a top-shelf lineup of musicians including Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwinkel, The Bad Plus and many other jazz legends. In the spring of 2010 Gilad recorded his third album, Hearts Wide Open, with Joe Martin on bass, Marcus Gilmore on drums and world-renowned saxophonist Mark Turner, a project that Gilad defined as his "best recorded work so far". The record received rave reviews globally and was featured in many Best-of-2011 lists such as New York Times, Amazon and iTunes. In April of 2013, Gilad released his fourth album, This Just In, under the JazzVillage label of Harmonia Mundi. Recorded and engineered in New York by Michael Cisneros Perez, the new album with Gilad Hekselman, Joe Martin, and Marcus Gilmore also features Mark Turner on three titles. It plays out like a news broadcast, peppered with short, improvised news breaks that highlight his compositions and their openness to a multitude of influences. Jazz, rock, folk, African, Israeli and North Indian classical music are dispersed throughout the album where Gilad's harmonic creativity and rhythmic mastery prove to be natural elements of the melodic virtuosity that has become his trademark. In October 2015, Gilad will release his 4th album under the harmonia mundi banner (JazzVillage). This new album entitled “Homes”, is a wonderful exploration of his ports of call, capturing their distinct musical personalities as well as the human values they represent. Accompanied by his loyal sidemen who have been with him for almost a decade, as well as a prestigious special guest, the guitarist reveals the secrets behind his influences and welcomes us into the innermost parts of his Homes. Born in Israel in 1983, Gilad studied classical piano from age six and began studying guitar at the age of 9. From age12 to 14 he performed regularly with the band of a weekly children's television show.He attended the prestigious Thelma Yellin School of Arts, graduating with excellence from the jazz department at age18. Gilad received the America – Israel Cultural Foundation Scholarship for studies abroad to attend The New School in New York, where he completed a BFA degree in performing arts in 2008. Gilad performs on handcrafted guitars made by Victor Baker. PRESS EXCERPTS GILAD HEKSELMAN "Gilad Hekselman has a vision of modern jazz that’s harmonically fluent but not averse to simple melody or gentle, approachable effect... a rewarding new album, “Homes". — NATE CHINEN, The New York Times "There may not be any stronger melodies in jazz today than the lines flowing out of Gilad Hekselman's guitar. Hekselman's new album, Homes, displays his melodicism and songwriting as well as the continued growth of his trio with Joe Martin on bass and Marcus Gilmore on drums" — BEN GRAY, Nextbop "Hekselman... often creates the illusion of a second guitarist ghosting his lines.... it sounds as if the spectral guitarist is actually accompanying him." — TOM GREENLAND, The New York City Jazz Record Homes comes at the highest recommendation. In a world where cookie cutter music is king and art has taken a back seat, Gilad Hekselman and his crew boldly stand up and create music with true sincerity, soul and un-adulterated creativity. Learnjazzstandards.com DownBeat Magazine classified Gilad Hekselman as the N°5 rising star on the international jazz scene last year France’s primary jazz magazine JazzMan has singled him out as « a leader and one of the best representatives of a talented generation of Israeli artists ». French journalist Ludovic Florin recently wrote that Gilad is « rhythmically, the most gifted guitarist of the century ». "...possessing a distinctive lyricism and easily embraceable artfulness that seems to reach beyond his years... Hekselman has a pristine, crystalline sound and a bright playing style that seems as natural and sustaining as air and water... Imagine a brightly lit day, sunlight on water - you are there. If Monet’s waterlily studies were music this could be it... with a quiet assertiveness and expertise that is winning throughout..." Laurel Gross, All About Jazz "The feeling in a small club quickly grows intense when GILAD HEKSELMAN, an Israeli jazz guitarist in his mid-20s, steps up to improvise. Since arriving in New York five years ago, Mr. Hekselman has set himself roughly up in the line of Pat Metheny and Kurt Rosenwinkel, with a warm and clean guitar tone, clear articulation, crazily extended improvisational ideas..." Ben Ratliff, New York Times "...Mr. Hekselman, playing complex chords with extended harmony — the higher science of jazz academia, but done with passion — moved his solo toward a peak. About two minutes in, the audience began yelling." Ben Ratliff, New York Times "Mr. Hekselman is a guitarist who favors a clarity of tone and purpose, and who surrounds himself with strong talent." Nate Chinen, New York Times "...Gilad Hekselman's SplitLife (Smalls Records) is everything one could hope for in a debut release. The Israeli-born guitarist shows maturity beyond his years...In terms of time feel, technique, tone projection and linear and chordal sophistication, Hekselman is clearly poised to reach the highest ranks on his instrument." David Adler, Jazz Times "Hekselman is a subtle player who holds the spotlight with tasteful runs. He seeks out transcendental lines and often finds them... Hekselman doesn't clamor for attention. His playing, though, is quietly persuasive." Karl Stark, Philadelphia Inquirer "The debut recording by guitarist Gilad Hekselman has the youth displaying a mature sound, the ability to think fast, and an inventive use of space". Scott Yanow, Allmusic A beautiful album from Gilad Hekselman, one of the best guitarists of a new generation of talented musicians. JAZZMAG – France TRACK LISTING 1. Homes 2. Verona 3. KeeDee 4. Home E-minor 5. Space 6. Cosmic Patience 7. Eyes to See 8. Parisian Thoroughfare 9. Samba em Preludio 10. Last Train Home 11. Dove Song 12. Place Like No Home All tracks composed by Gilad Hekselman except: 8-Bud Powell, 9-Baden Powell, 1- Pat Metheny 11-Matti Caspi. GUEST : Jeff Ballard – drums: track 3 & 10 CD CREDITS Album title : « HOMES » by Gilad Hekselman Artists : Gilad Hekselman (guitar) Joe Martin (bass) Marcus Gilmore (drums) Jeff Ballard (drums) Record Label : Jazz Village http://www.jazzvillagemusic.com Distributor : Harmonia Mundi Release date: 6 octobre 2015 (Europe) 9 octobr 2015 (Amérique du nord) Photo Credits : Josh Goleman (royalty free, please credit the photographer for photo use) Official Clip: Gilad Hekselman Trio Live http://www.youtube.com/user/JazzVillageMusic & http://youtu.be/nsZdgWucIKU Web site : www.giladhekselman.com Contact Information: Management : Patricia Johnston – [email protected] | www.taklit.net Tél : 33 (0)1.45.49.11.42 Mobile : 33 (0)6.42.73.06.70 Label Europe : Céline Breugnon - [email protected] Publicist France: Arielle Bertoud : Mobile : 00 33 (0)6 09 70 72 18 | [email protected] Publicist N. America : Jason Paul Harmon Byrne + 33 (646) 259 2105 | [email protected] Booking France: Nina Paradiso Ballard [email protected] | Mobile +33 (0)6.65.41.76.62 Booking (DK,DE + ): Tommy Høeg | +45 2685 9682 | [email protected] .
Load more

Recommended publications
  • Analytic, Descriptive, and Prescriptive Components of Evolving Jazz: a New Model Based on the Works of Brad Mehldau
    Analytic, Descriptive, and Prescriptive Components of Evolving Jazz: A New Model Based on the Works of Brad Mehldau Mark Edward Baynes An exegesis submitted in partial fulfilment of the requirements for the degree of Doctor of Musical Arts The University of Auckland 2015 ii Abstract Jazz has steadily evolved from its inception in the late 19th century to the present. As is the case for other genres, musicological analytic research on jazz evolution has lagged behind its practice; consequently, there is a paucity of in-depth descriptive and analytic research on the music of recent innovators. Among the most recent examples of this evolution, the works of Brad Mehldau as a solo/ensemble pianist and as a composer arguably embody some of the most compelling innovations in the field. Non-academically oriented jazz writers and fans have consistently assigned these works vanguard status, but Mehldau’s output has not yet been sufficiently examined to prescribe performance methods. This exegesis contains (1) descriptive analysis of improvisation contained within a broad cross-section of Mehldau’s music; (2) definition of a new analytical lexicon derived from a holistic study of consonance, dissonance, and research into perceived motivation in music; and (3) prescriptive musical tools relating to consonance and dissonance that have informed the researcher’s performance. iii Acknowledgements I would like to express my special thanks to Dr David Lines, Associate Professor W. Dean Sutcliffe, Dr Davinia Caddy, Kevin Field, Dr Mark Kramer, Gary Burton, Jo Shum, Steve Harvie, Alex Freer, Tom Dennison, Dixon Nacey, Nick Marsh, Jason Orme, Chrissie Hart, Hadyn Godfrey, Chris Mason-Battley, Phil Broadhurst, Kim Paterson, Tom Rainey, Mike Booth and Stephen Morton-Jones.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83
    ♫ Donate Live Stream · WBGO LOADING... Saturday Afternoon Jazz On the Air Music News Listen & Connect Calendars & Events Support About Search Gerry Teekens, Whose Criss Cross Label Was a Harbor to Several Jazz Generations, Dies at 83 By DAVID R. ADLER • NOV 6, 2019 ! Twitter " Facebook # Google+ $ Email LEO VAN VELZEN / LEOVANVELZEN.COM Gerry Teekens, founder and proprietor of Criss Cross Jazz, an unassuming Dutch indie label that became a vital repository of recorded jazz from the 1980s onward, died on Oct. 31. He was 83. His death was confirmed by his son, Jerry Teekens, Jr. At the news, tributes poured in from Criss Cross artists old and new, including soprano saxophonist Sam Newsome and guitarist David Gilmore. Formerly a professional drummer, Teekens founded Criss Cross in 1981 with a mission to document swinging, straight-ahead jazz of the highest caliber. At first the roster featured musicians as revered as guitarist Jimmy Raney and saxophonist Warne Marsh, but it grew to include the young and the promising: saxophonists Kenny Garrett, Chris Potter and Mark Turner, to name but a few, and pianists Orrin Evans, Bill Charlap and Benny Green. Countdown Watch later Share Multiple times a year, Teekens would cross the ocean from Enschede, Netherlands (thus the Criss Cross name), taking up at Rudy Van Gelder’s famed studio in New Jersey (and later at Systems Two in Brooklyn) for a full week of recording — knocking out an album a day, in the old-school way. In recent years the Criss Cross aesthetic began to broaden, with artists like alto saxophonist David Binney and trumpeter Alex Sipiagin using electronics and synthesizers, moving beyond the strictures of one-take-and-done while still remaining on board with the label.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • John Mcneil Bill Mchenry
    John McNeil John McNeil is regarded as one of the most original and creative jazz artists in the world today. For nearly three decades John has toured with his own groups and has received widespread acclaim as both a player and composer. His highly personal trumpet style communicates across the full range of contemporary jazz, and his compositions combine harmonic freedom with melodic accessibility. John's restless experimentation has kept him on the cutting edge of new music. His background includes the Horace Silver Quintet, Gerry Mulligan, and the Thad Jones/Mel Lewis Orchestra. John is equally at home in free and structured settings, and this versatility has put him on stage with artists from Slide Hampton to John Abercrombie. John McNeil was born in 1948 in northern California. Due to a lack of available musical instruction in his home town of Yreka, John largely taught himself to play trumpet and read music. By the time he graduated from high school in 1966, John had already begun playing professionally in the northern California region. John moved to New York in the mid-1970's and began a freelance career. His reputation as an innovative trumpet voice began to grow as he played with the Thad Jones/Mel Lewis Orchestra, and led his own groups at clubs such as Boomer's, the legendary Village jazz room. In the late 70's, John joined the Horace Silver Quintet. Around the same time, he began recording for the SteepleChase label under his own name and toured internationally. Although he has worked as a sideman with such luminaries as Gerry Mulligan, John has consistently led his own groups from about 1980 to the present.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • (Harmonia Mundi) Gilad Hekselman, Guitare Joe
    GILAD HEKSELMAN Release date October 16 (Europe – Asia) by JazzVillage (harmonia mundi) Gilad Hekselman, guitare Joe Martin, basse Marcus Gilmore, batterie Guest : Jeff Ballard, batterie At the Duc des Lombards Paris 26-28th of November 2015 Patricia JOHNSTON | Manager TAKLIT ARTIST & CONCERT MANAGEMENT 22 rue de Fleurus, 75006 PARIS France Tél. : 00 33 (0)6 42 73 06 70 [email protected] | www.taklit.net BIOGRAPHIE GILAD HEKSELMAN « Gilad est un excellent guitariste qui apporte une nouvelle voix au jazz et pas seulement pour la guitare. Son jeu est fluide et intense, avec une qualité lyrique dans ses improvisations et compositions. Quand il joue ça vient du coeur, et ça aussi, c'est très important. » Lionel Loueke En 2009, Gilad a enregistré trois titres pour Walt Disney Records pour une collection qui comporte Dave Brubeck, Joshua Redman, Esperanza Spalding, Diane Reeves, Roy Hargrove, Kurt Rosenwikel, The Bad et d'autres légendes du jazz. Au printemps de 2010 Gilad a enregistré son troisième album, « Hearts Wide Open » sous le label Le Chant du Monde (Harmonia Mundi), avec Joe Martin à la basse, Marcus Gilmore à la batterie et le saxophoniste de renommée mondiale, Mark Turner. L’album a été très remarqué par la presse à l’international et a figuré parmi les « Best of » de 2011 du New York Times, Amazon et Itunes. Le dernier cru du guitariste est sorti en avril 2013. Intitulé « This Just In », l’album est basé sur le concept imaginatif d'un journal radio où les morceaux sont entrecoupés d'interludes en forme de flashs soniques avant-gardistes.
    [Show full text]
  • A Brief Exploration of Variances in Larry Grenadier's Approach To
    Edith Cowan University Research Online Theses : Honours Theses 2016 A brief exploration of variances in Larry Grenadier’s approach to soloing in piano trio and duo contexts on selected recordings of All the Things You Are and Long Ago and Far Away Alistair Campbell Peel Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Music Commons Recommended Citation Peel, A. C. (2016). A brief exploration of variances in Larry Grenadier’s approach to soloing in piano trio and duo contexts on selected recordings of All the Things You Are and Long Ago and Far Away. https://ro.ecu.edu.au/theses_hons/1491 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1491 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth).
    [Show full text]
  • The Ultimate On-Demand Music Library
    2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P.
    [Show full text]
  • SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020
    FOR IMMEDIATE RELEASE SFJAZZ Announces 2019-2020 Season Programming September 5, 2019 – May 31, 2020 Tickets on Sale to SFJAZZ Members, Friday, June 28 at 11:00amPST Tickets on Sale to Public, Thursday, July 12 at 11:00amPST SFJAZZ.ORG (SAN FRANCISCO, CA, June 6, 2019) -- SFJAZZ announces artist programming for the 2019-20 season running September 5, 2019 to May 31, 2020 presenting concerts at the SFJAZZ Center’s Robert N. Miner Auditorium and Joe Henderson Lab, Herbst Theatre, Grace Cathedral, and Paramount Theatre in Oakland. Tickets on sale to SFJAZZ Members, Friday, June 28 at 11:00amPST and on sale to public on Thursday, July 12 at 11:00amPST. For more information, visit sfjazz.org. “This is our 8th Season in the Center: we opened in January of 2013. And it is SFJAZZ’s 37th year: we debuted in 1983 as Jazz in the City,” says SFJAZZ Founder and Artistic Director Randall Kline. “At the time of our founding, neither I, nor anyone who was a part of it, could have imagined that here at the corner of Franklin Street and Fell Street, in one of the world’s greatest cities, a dedicated community center built expressly for the appreciation and development of jazz would be thriving. The key elements of this vitality are the intersection of our dedicated audiences, our superb artists, and the Center itself—we work together to create this community.” The SFJAZZ Resident Artistic Director program was established to give today’s most innovative and influential artists the chance to curate exclusive programming at the SFJAZZ Center often featuring unprecedented collaborations and world premiere projects between world-renowned artists.
    [Show full text]
  • BAM R&B Festival at Metrotech Returns with 10 Free Concerts, Jun 7
    BAM R&B Festival at MetroTech returns with 10 free concerts, Jun 7—Aug 9 The stellar lineup includes Bernard Purdie, Bobbi Humphrey, Savion Glover, Terence Blanchard, Vivian Green, and Marcus Miller Forest City Ratner Companies is the Presenting Sponsor of BAM R&B Festival at MetroTech BAM R&B Festival at MetroTech Thursdays, noon—2pm, Jun 7—Aug 9 Free admission, MetroTech Commons at MetroTech Center Produced by Danny Kapilian Jun 7 Bernard Purdie’s All-Star Shuffle with guests Bobbi Humphrey and Quiana Lynell Jun 14 Savion Glover featuring Marcus Gilmore Jun 21 PJ Morton Jun 28 Vivian Green Jul 5 Delgres Jul 12 Amalgarhythm with Kris Davis and Terri Lyne Carrington Jul 19 Jupiter & Okwess Jul 26 Terence Blanchard featuring the E-Collective Aug 2 Ranky Tanky Aug 9 Marcus Miller May 3, 2018/Brooklyn, NY—BAM R&B Festival at MetroTech, Downtown Brooklyn’s best summer tradition, returns from June 7 to August 9 with 10 afternoons of jazz, soul, R&B, and some tap dancing. Now in its 24th year, the festival continues to feature music legends alongside groundbreaking emerging artists. Producer Danny Kapilian said, “It’s so great to bring dynamic artists every year to perform in Downtown Brooklyn. This is one of those adventurous years where we are stepping into some thrilling new musical territory. Four of our star artists this summer live where R&B and jazz combine to create something totally new. Legendary tap dancing star Savion Glover presents a duo performance with the brilliant young jazz drummer Marcus Gilmore. Terri Lyne Carrington is a three-time Grammy-winning drummer who’s bridged the music of Dianne Reeves, Esperanza Spalding, and Valerie Simpson.
    [Show full text]