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Anthropocene:The Human Epoch
ANTHROPOCENE:THE HUMAN EPOCH A film by Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky Narrated by Alicia Vikander Canada / 2018 / 87 mins / Color / English, Russian, Italian, German, Mandarin, and Cantonese with English subtitles **Official Selection | Toronto International Film Festival** **Official Selection | Sundance Film Festival** **Official Selection | Berlin International Film Festival** Distributor Contact: Chris Wells, [email protected] Publicity Contact: Kara Croke, [email protected] Lauren Schwartz, [email protected] David Ninh, [email protected] Kino Lorber, Inc., 333 West 39th St., Suite 503, New York, NY 10018, (212) 629-6880 Synopsis: A cinematic meditation on humanity’s massive reengineering of the planet, ANTHROPOCENE is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Third in a trilogy that includes MANUFACTURED LANDSCAPES (2006) and WATERMARK (2013), the film follows the research of an international body of scientists, the Anthropocene Working Group who, after nearly 10 years of research, are arguing that the evidence shows the Holocene Epoch gave way to the Anthropocene Epoch in the mid-twentieth century, as a result of profound and lasting human changes to the Earth. From concrete seawalls in China that now cover 60% of the mainland coast, to the biggest terrestrial machines ever built in Germany, to psychedelic potash mines in Russia’s Ural Mountains, to metal festivals in the closed city of Norilsk, to the devastated Great Barrier Reef in Australia and massive marble quarries in Carrara, the filmmakers have traversed the globe using high-end production values and state of the art camera techniques to document the evidence and experience of human planetary domination. -
These Strange Criminals: an Anthology Of
‘THESE STRANGE CRIMINALS’: AN ANTHOLOGY OF PRISON MEMOIRS BY CONSCIENTIOUS OBJECTORS FROM THE GREAT WAR TO THE COLD WAR In many modern wars, there have been those who have chosen not to fight. Be it for religious or moral reasons, some men and women have found no justification for breaking their conscientious objection to vio- lence. In many cases, this objection has lead to severe punishment at the hands of their own governments, usually lengthy prison terms. Peter Brock brings the voices of imprisoned conscientious objectors to the fore in ‘These Strange Criminals.’ This important and thought-provoking anthology consists of thirty prison memoirs by conscientious objectors to military service, drawn from the United Kingdom, the United States, Canada, Australia, and New Zealand, and centring on their jail experiences during the First and Second World Wars and the Cold War. Voices from history – like those of Stephen Hobhouse, Dame Kathleen Lonsdale, Ian Hamilton, Alfred Hassler, and Donald Wetzel – come alive, detailing the impact of prison life and offering unique perspectives on wartime government policies of conscription and imprisonment. Sometimes intensely mov- ing, and often inspiring, these memoirs show that in some cases, indi- vidual conscientious objectors – many well-educated and politically aware – sought to reform the penal system from within either by publicizing its dysfunction or through further resistance to authority. The collection is an essential contribution to our understanding of criminology and the history of pacifism, and represents a valuable addition to prison literature. peter brock is a professor emeritus in the Department of History at the University of Toronto. -
Carmilla and Affect in Contemporary Lesbian Fandom
Lesbian Feelings and Fandoms: Carmilla and Affect in Contemporary Lesbian Fandom by Sneha Shilip Kumar A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario © 2020, Sneha Shilip Kumar Abstract My thesis explores the contemporary lesbian web series as being similar to fanfiction and its fandom as an affective community built on a set of inclusions and exclusions. My case study is Carmilla (Canada, Spencer Maybee 2014-2016), a YouTube web series shot in vlog format, and its lesbian fandom. I argue that Carmilla challenges the genres of the gothic and lesbian vampire in ways similar to fanfiction. Building on the work of fan studies scholars Katrin Döveling and Louisa Stein, I propose that affective bonds are created between Carmilla fans through various kinds of online activities and these flows of affect are influenced by the race and location of fans. My experiences at the first CarmillaCon in Toronto suggest that the online and offline Carmilla fandom both create and reflect each other. i Acknowledgements I am grateful to the Carmilla fandom for many reasons: giving me community when I thought I had none; allowing me to feel acceptance when I felt uncomfortable in my own skin; getting me through long nights filled with many assignments; and finally, providing me with the resources to successfully write my thesis. There are so many people I have to thank for giving me the strength and guidance to finish this project. First and foremost, I am indebted to my supervisor, Dr. -
Audrey Lindelauf Workingsofpowerin The100
0 15-08-2017 AUDREY WORKINGS OF POWER IN THE 100: LINDELAUF PARADOXES IN POST-APOCALYPTIC SOCIETIES 1 Abstract This study is an attempt to determine what role power plays in post-apocalyptic audio-visual culture and what influence it has on the nature of the dystopian post-apocalyptic film genre. The emergence of post-apocalypticism in American popular culture in the 21st century has led to a projection of our collective hopes and fears onto film worlds. The empty canvas of a world without ideologies, law, governments, or religion allows for a complete re-imagining of social life. The American dystopian post-apocalyptic science fiction drama series The 100 (2014 –) is used as a case study. This thesis examines the way in which power operates in relation to politics and gender in three societies within its fictional world, using the theories and ideas of Michel Foucault (1926 – 1984). Said collective hopes and fears are represented simultaneously in the paradoxical roots of these communities. The society of the Mountain Men seems to be based on ‘contaminated purity’ when looking at their culture, heritage and physicality, the society of the Grounder Clans appears to have its roots in ‘female masculinity’ with an emphasis on violence, and the society of the Sky People gives the impression of ‘civilized primitiveness’, highlighting continuous surveillance. Since the Sky People are implicitly divided in the Arkadians and the Hundred, they are the more complex community and are therefore explored in further detail. They are also the ones that transcend the other two societies in their social progressivity. -
Tragically Hip Long Time Running Movie Torrent Download Long Time Running | Listen to the Tragically Hip Long Time Running MP3 Song
tragically hip long time running movie torrent download Long Time Running | Listen to The Tragically Hip Long Time Running MP3 song. Long Time Running song from the album Yer Favourites is released on Nov 2005 . The duration of song is 04:23. This song is sung by The Tragically Hip. Related Tags - Long Time Running, Long Time Running Song, Long Time Running MP3 Song, Long Time Running MP3, Download Long Time Running Song, The Tragically Hip Long Time Running Song, Yer Favourites Long Time Running Song, Long Time Running Song By The Tragically Hip, Long Time Running Song Download, Download Long Time Running MP3 Song. The Tragically Hip's documentary gets an emotional trailer (VIDEO) The Tragically Hip had an epic and emotional year in 2016. The iconic Canadian band’s legendary last tour captured the hearts of the country, and now, the moments can be relived on the big screen. The Hip’s new documentary Long Time Running is an intimate look at the band’s last tour, from behind-the-scenes and on-stage footage, to personal interviews with the band, fans are in for a treat with this one. The film, directed by Jennifer Baichwal and Nick de Pencier, will have its world premiere at the Toronto International Film Festival, then will be released theatrically in select Cineplex and Landmark movie theatres across Canada starting September 14. The Tragically Hip. The Tragically Hip, often referred to simply as The Hip, were a Canadian rock band from Kingston, Ontario, consisting of lead front man Gord Downie, guitarist Paul Langlois, guitarist Rob Baker (known as Bobby Baker until 1994), bassist Gord Sinclair, and drummer Johnny Fay. -
Ucalgary 2018 Willerth Melanie.Pdf
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies The Vault: Electronic Theses and Dissertations 2018-07 What Really Happened that Night in Kingston? A National Conversation Willerth, Melanie Lyne Willerth, M. L. (2018). What Really Happened that Night in Kingston? A National Conversation (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/32811 http://hdl.handle.net/1880/107630 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY What Really Happened that Night in Kingston? A National Conversation by Melanie Lyne Willerth A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN COMMUNICATIONS STUDIES CALGARY, ALBERTA JULY, 2018 © Melanie Lyne Willerth, 2018 Acknowledgements It would not have been possible to complete this Master’s Degree without a village of people supporting me, and for their support I am forever grateful. I would first love to thank my supervisor, Dr. Gregory Taylor. Working remotely with me was not always an easy task, but Dr. Taylor continually showed grace and understanding. He helped me make sure my fandom did not get in the way of the academic process, and he was always willing to steer me back to the focus of my paper. -
Ff Clexa Inglese G.Pdf
CLEXA Copyright © <2017> <paginerosa.tv e Clexa-Elycia-Lexark - Gruppo di Supporto Italiano> All rights reserved. ISBN: —— ISBN-13: —— 1 GA-GH Galaxy a: DistantStar, Stormchaser1117 28/02/2018 Completed Part 3 of Clexaweek2018 Clarke and Lexa don't get along, in fact they can't stand each other half the time. It comes to a head when they both compete for the same grant to succeed in their dreams to continue studying the stars. But there's always more than meets the eye. http://archiveofourown.org/works/13821429 Galaxy at War a: vmplvr1977 02/03/2020 Last update: 19/06/2020 Commander Lexa Shepard is a Spectre. Spectres or Special Tactics and Reconnaissance. Their mission is to preserve galactic stability by whatever means necessary… shorthand for we kill whoever keeps us from completing the mission… When she is given a mission to bring Doctor Clarke Griffin aboard her ship as first mate she is forced to rescue the doctor from mercenaries sent to kill her. Lexa soon learns that Doctor Griffin (who has a knack for pissing Lexa off) has information regarding an upcoming attack by enemies bent on destroying the Galaxy. https://archiveofourown.org/works/22993276/chapters/54972988 Galaxy (Written in the Stars) a: DistantStar, Stormchaser1117 28/02/2018 Completed Part 4 of Clexaweek2018 2nd part to Galaxy After two weeks of working on the proposal together, Clarke and Lexa decide to take a break and things come unravelled. After all, being trapped in an office for so long with your crush can do things to a girl.. -
Long Time Running Arranged for Piano
From the album "Road Apples" by The Tragically Hip Long Time Running Arranged for Piano Written By GORD DOWNIE, Folk Rock Ballad (q. = 54) ROB BAKER, et. al A E/G© F©‹ E Dƒ‡‡Ù E # # 6 & # 8 Œ j j j j ‰ j ‰ œ œ œ œ œ œ œ œ œ œ œ œ mf œ œ œ œ™ œ œ™ ?# # 6 j œ j œ # 8 œ œ j œ j œ j j œ œ œ™ œ œ œ™ œ œ Verse 1 { A F©‹ ### r r œ r œ r r j & Œ™ Œ œ œ R œ™ œ œ œ™ Œ™ œ œ œ™ ‰ œ œ œ Does your mo-thJer teRll you things? Long, long when I'm gone? # ## Œ & j j j j œ œ™ œ™ œ œ™ œ œ œ œ™ œ œ œœ™ œœ œ >. ™ ™ >. ™ ?### j ‰ ‰ j j ‰ j œ œ œ œ œ œ™ œ™ œ œ œ œ™ { A F©‹ ### œ j r j œ r r & ∑ R œ œ œ œ œ™ Œ™ Œ œ R œ œ ‰ œ™ œ Who aRre you taRlk-ing to? 'She tell-ing you I'Jm the # # & # ‰ ‰ j œ j œ œ œ œ œ œ œ™ œ œ™ œ œ œ œ œ œ œ™ œ™ >. œ œ™ œ œ œ ?### ‰ j ˙™ ˙ œ œ œ™ œ œ œ œ™ { © 1991 MCA/Sire Records Long Time Running -2- E Dƒ‡‡Ù ### r r r r r r & œœœ Œ™ Œ™ Œ œ œ œ œ œ œ™ Œ œ œ œ œ œ™ œ one? It's a grRave mis- take and I'm wRide a- wake # # & # j j œ œ œ œ œ œœ œ œ™ œ œ œ œ™œ œ œ œ™ œ œ œ œ œ™ œ J œ™ ?### j j œ œ œ™ œ œ œ œ œ œ œ™ œ œ œ™ J J J Verse 2 { A E/G© F©‹ E Dƒ‡‡Ù E A # ## ∑ ∑ ∑ Œ ‰ œ œ & ˙™ ™ J Drive-inJ's # ## j >. -
Eye on the World 2017-2018 Annual Report Table of Contents
EYE ON THE WORLD 2017-2018 ANNUAL REPORT TABLE OF CONTENTS MANAGEMENT COMMUNITY 1 HIGHLIGHTS 16 DISCUSSION 77 AND ANALYSIS INVOLVEMENT INDUSTRY AND 5 ACHIEVEMENTS 17 ECONOMIC CONDITIONS 78 TALENT FUND CORPORATE 7 EXECUTIVE SUMMARY 24 PLAN DELIVERY 85 GOVERNANCE FUNDER FINANCIAL 9 ABOUT US 29 103 STATEMENTS MESSAGE FROM PROMOTER ADDITIONAL 12 THE ACTING CHAIR 39 124 INFORMATION MESSAGE FROM 14 THE ACTING 50 THOUGHT LEADERSHIP EXECUTIVE DIRECTOR 56 ADMINISTRATOR 64 FINANCIAL REVIEW 74 RISK MANAGEMENT Telefilm Canada / 2017-2018 Annual Report 1 HIGHLIGHTS As Canada celebrated its 150th anniversary, the world looked to our nation and connected with our culture of inclusion. This important event was the ideal opportunity to promote Canadian talent like never before, attracting audiences and shining brightly around the world. Now, with over 50 years of success under its belt, the Canadian audiovisual industry—supported by Telefilm—can only look forward and See Bigger! CANADIAN CANADA LEGENDS SCORES AT THE 1 Jennifer Baichwal and Nick de Pencier’s Long Time Running BOX-OFFICE paid tribute to iconic Canadian band The Tragically Hip and legendary frontman Gord Downie, as their 2016 tour that captured the heart of our nation. OVER $7M AROUND $3M Long Time Running OVER World premiere at TIFF $1M 1. Box-office sales are reported on a calendar-year basis. Telefilm Canada / 2017-2018 Annual Report 2 HIGHLIGHTS CANADIAN FILMS FUNDED BY TELEFILM GENERATED SALES OVER $3M SINCE 20132 • Hector and the search for Happiness • Born To Be Blue • Life • Goon • Maps to the Stars • Hyena Road • Mommy • Louis Cyr • Brooklyn • Passchendaele • Maudie • Enemy • Snowtime! • Remember • Room (La guerre des tuques 3D) • The Art of the Steal • The F Word (What If) • The Captive • The Calling • The Young and Prodigious • The Colony • The Journey Home T.S. -
Bi the Wayside?: Shifts in Bisexual Representations in Teen Television
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2019 Bi the Wayside?: Shifts in Bisexual Representations in Teen Television Analise Elle Pruni University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Journalism Studies Commons, and the Lesbian, Gay, Bisexual, and Transgender Studies Commons Recommended Citation Pruni, Analise Elle, "Bi the Wayside?: Shifts in Bisexual Representations in Teen Television" (2019). Theses and Dissertations. 2582. https://dc.uwm.edu/etd/2582 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. BI THE WAYSIDE?: SHIFTS IN BISEXUAL REPRESENTATIONS IN TEEN TELEVISION by Analise Pruni A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in Media Studies at University of Wisconsin-Milwaukee August 2019 ABSTRACT BI THE WAYSIDE?: SHIFTS IN BISEXUAL REPRESENTATIONS IN TEEN TELEVISION by Analise Pruni The University of Wisconsin-Milwaukee, 2019 Under the Supervision of Professor Elana Levine Television can be a reflection of the values we have as a society and its representations can have an impact on the way people, especially youth, shape their identities. This examination of teen-oriented television shows on the CW network looks at bisexual and queer representations and compares them with previous representations. I ground this essay in the youth-oriented television context, the progression of queer television representations, and ideas about media representation in a post-gay era. -
Robbie Robertson and the Band
IMAGINE DOCUMENTARIES PRESENTS IN ASSOCIATION WITH BELL MEDIA STUDIOS, DIAMOND DOCS, UNIVERSAL MUSIC CANADA, SHED CREATIVE AND APTN WITH THE PARTICIPATION OF ONTARIO CREATES, ROGERS DOCUMENTARY FUND, CANADA MEDIA FUND A CRAVE ORIGINAL DOCUMENTARY A WHITE PINE PICTURES PRODUCTION ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND DIRECTOR OF PHOTOGRAPHY KIARASH SADIGH EDITORS EAMONN O’CONNOR, DANIEL ROHER EXECUTIVE PRODUCERS MARTIN SCORSESE, BRIAN GRAZER, RON HOWARD, RANDY LENNOX, PETER RAYMONT, DAVE HARRIS, JARED LEVINE, JEFFREY REMEDIOS, JUSTIN WILKES, SARA BERNSTEIN, MICHAEL ROSENBERG, MICHAEL LEVINE, STEVE ORD CO- EXECUTIVE PRODUCERS PAUL CROWDER, MARK MONROE, MEREDITH KAULFERS PRODUCERS,STEPHEN PANICCIA, ANDREW MUNGER, SAM SUTHERLAND, LANA BELLE MAURO DIRECTED BY DANIEL ROHER Featuring: ROBBIE ROBERTSON, MARTIN SCORSESE, BRUCE SPRINGSTEEN, ERIC CLAPTON, TAJ MAHAL, RONNIE HAWKINS, VAN MORRISON, DOMINIQUE ROBERTSON 100 minutes Year of Production 2019 Country of production CANADA PUBLICITY TEAM CANADA VIRGINIA KELLY ASHLEY BALLANTYNE NICOLLE STRANGES V Kelly & Associates, Inc. Universal Music Canada Bell Media [email protected] [email protected] [email protected] 416-839-9239 416-718-4090 416-384-2056 USA SAGE SHAH Imagine Entertainment [email protected] 310-858-2135 MARKETING CONTACT ALICIA GIAMMARIA White Pine Pictures [email protected] 416-703-5580 ext. 229 LOGLINE Inspired by Robbie Robertson’s bestselling memoir Testimony, the film is a confessional tale of Robertson’s young life as an ambitious 16-year-old from Toronto who traveled to the Deep South on a musical mission and, together with his brothers in The Band, altered the musical landscape and created of one of the most enduring groups in the history of popular music. -
WHY WE NEED FEMSLASH Master's Thesis Book and Digital Media
WHY WE NEED FEMSLASH Master’s thesis Book and Digital Media Studies University of Leiden Katie Wolters S1591959 Supervisor: Prof. Dr. Adriaan van der Weel Second Reader: Drs. P.A.F. Verhaar 29 April 2017 Words: 17.979 Acknowledgements I would like to thank everyone who supported me while writing this research project. Firstly, I would like to thank Nadira Rambocus for proofreading parts of this thesis. Secondly, I would like to thank Mart Kamphuis for motivating me to work on my thesis more and help me edit parts of this thesis. Thirdly, I would like to thank Agnes Kersten for helping me out when Microsoft Word was not co- operating. Fourthly, I would like to thank my parents for supporting me both financially and in my decision to do this masters. Fifthly, I would like to thank everyone in the femslash fandom, especially those within the SwanQueen fandom. You guys make me laugh, cry and generally get excited to read about situations and relationships like my own. You have recommended beautiful stories to me, and many of you have written beautiful stories. I would also like to thank Lana Parrilla and Jennifer Morrison for portraying two truly strong and beautiful women in Once Upon a Time and for being great actors and role models. Lastly, I want to thank Romy Malepaard for introducing me to the fan fiction phenomenon, especially femslash fiction. It has opened up my world, and I am forever grateful for that. 1 Table of content Acknowledgements ................................................................................................................................. 1 List of abbreviations ................................................................................................................................ 3 Introduction ............................................................................................................................................. 5 1. Terms and concepts .......................................................................................................................