DOCSLIB.ORG

Glengarry Glen Ross Directed by Peter Griffin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Glengarry Glen Ross Directed by Peter Griffin 2 - 11 July 2009 It Ain’t Half Hot Mum by Jimmy Perry and David Croft Director: Roz Betts 3 - 10 October 2009 The Importance of Being Earnest by Oscar Wilde Director: Daniel Cox 21 - 28 November 2009 Proof by David Auburn Director: Maggi Law 6 - 13 February 2010 A Tomb With a View by Norman Robbins Director: Viv Stapleton OPEN AUDITIONS – Sunday 7 June 2009 1pm – THE MAIDS by Jean Genet Based on a contemporary murder case, this richly symbolic play details the attempts of two sisters to come to terms with the differing realities of life in Madame’s employ. Solange – Mid to late 30s Claire – Early to mid 30s Madame – About 25 but could be older. 2pm – A TOMB WITH A VIEW by Norman Robbins A comedy-thriller in which we find the sinister Tomb family gathering for the reading of a will – but by the third act there are more corpses than live members left! Hamilton Penworthy – Family solicitor (60-70) Lucien Tomb – Eldest son, pompous and petulant (60ish) Dora Tomb – Sister, perhaps not as sweet as we think (60ish) Emily Tomb – Sister, big and feisty (40-50) Marcus Tomb – Brother, thinks he is Julius Caesar (40-50) Monica Tomb – Youngest sister, attractive vamp (30ish) Agatha Hammond – Housekeeper, grim, outspoken and unlovely (65ish) Freda Mountjoy – Author, smart, middle aged and confident Peregrine Potter – Freda’s secretary, nervous (30ish) Anne Franklin – Nurse; we believe her to be charming! (20-30ish) All ages are ‘playing ages’. Audition pieces for both plays can be Have A Safe Journey Home! - Please visit again. A Have found at the theatre or by logging onto www.edwardalderton.org/auditions.htm For The Edward Alderton Theatre Chairman & Treasurer ..................................... Jenny Devonshire Artistic Director & Publicity .................................. Mark Campbell Technical Director ..............................................Rebecca Mason Secretary & Membership Secretary .................Maureen Hardwen Box Office .............................................................. Nicola Clark Bar Manager ........................................................Tony Donnelly Front of House Manager ....................................Shirley Andrews Production Photographs .............................................. Paul Lay Committee Members ....................... Wendy Marsh, Viv Stapleton Social Nights are held every Wednesday from 9.00pm Our Next Production except when there is a show on. Advanced Bookings Bookings may be made at the Theatre Box Office during performances or by telephoning 020 8301 5584. Postal bookings can be made by sending a cheque and booking form (found on our website http://www.edwardalderton.org) to Edward Alderton c Theatre, /o 29 Chapel Road, Bexleyheath, Kent, DA7 4HW. Or via email on [email protected] In The Interval The theatre bar serves a range of alcoholic and non-alcoholic drinks before and after the show and during the interval. Interval drinks can be pre-ordered from the bar. Coffee and a limited range of Theatre Information confectionery are served in the foyer, located at the Box Office, during the interval. PLEASE NOTE: The theatre is a STRICTLY non-smoking building, on a non- smoking site. If you wish to smoke, you are requested to go to the main entrance in Brampton Road. The taking of photographs and use of ANY recording equipment in the theatre is strictly forbidden during a performance. MOBILE PHONES SHOULD BE SWITCHED OFF. with a matinee on sunday 5 july at 5pm Glengarry Glen Ross is the story of four Chicago salesmen—Levene, I first came upon Glengarry Glen Ross in the mid nineties when Roma, Moss, and Aaronow—and their supervisor, Williamson, who I rented out the film version on video from my local video rental work together selling undesirable real estate at inflated prices. The shop. I had no idea what it was about so the thing that initially play takes place at the end of a month in which the bosses of the drew me to it was the pretty amazing cast – Kevin Spacey, Jack company, Mitch and Murray, have declared a “sales contest”: The Lemmon, Al Pacino, Alec Baldwin, Ed Harris, Alan Arkin and salesman who clears a certain high dollar amount will win a Cadillac, and the two salesmen who perform worst will be fired. Jonathan Pryce. Shelly Levene - Shelly “The Machine” Levene was successful years I put the video cassette into the machine and eagerly sat down. ago, but recently has hit a streak of bad luck and finds himself in The smoky jazz soundtrack filled the room which, for me, was a danger of getting fired. He desperately wants to save his career, and good start as I love jazz. Alec Baldwin appeared on the screen as this desperation is usually grotesquely apparent. a motivator (this part was written for him by Mamet as it does not exist in the play) sent from head office downtown to try and word from the Director A John Williamson - Williamson’s job is to oversee the operations of provoke the failing salesmen into closing their leads. He does his the office and to assign the salesmen their leads. The salesmen dislike best to belittle and crush the already hapless salesmen with the him because of his status as “company man”; he merely follows use of cutting and offensive language that, instead of making orders from Mitch and Murray, and the salesmen do not think he me turn off, drew me into the action, amazed at the realism of really understands the business. the performances and the dialogue. Dave Moss - Moss harbours a great deal of resentment toward the Mamet is famed for his style of writing. He writes as people company. He is not a subtle man, and tends to lash out angrily when speak in everyday life; all of the pauses, stutters and nuances are under pressure. His sheer aggression makes him a more successful salesman than Aaronow or Levene, but he has none of Roma’s verbal all written down which makes it a tough challenge to learn and agility. put across in a convincing manner. This style is rife throughout Glengarry Glen Ross. George Aaronow - Aaronow is extremely meek and mild-mannered. In conversation, faster talkers like Moss and Roma easily overpower During the rehearsal period, we worked very hard to try to get him. His dullness is evident in his conversational tendency to merely the realism of the dialogue and characters. Considering we have repeat what other people are saying to him. Like Levene, Aaronow is had only 40 hours (not even 2 days) to get to where we are now, not on the board and is in immediate danger of getting fired. I think we’ve done pretty well. I hope all our efforts are apparent and that you enjoy the experience. A Closer Look A Richard Roma - Roma is the top name on the board at his office, which means he is currently the most successful salesman. It is easy On behalf of the cast I’d like to thank you for coming to see the to see why he does better than the other men: he is smart, charming, play tonight and hope that it makes for enthusiastic discussion and incredibly quick-witted. Rather than trying to force customers afterward. to submit to his sales tactics, as the others do, he lures people into thinking they want what he is selling. Enjoy. James Lingk - A quiet, timid man who is dominated by his wife. Peter Griffin Baylen - A police detective. Director Please remember that sounds carry in this theatre, especially whispering and scrunching Would patrons please respect the comfort and wishes of others. sweet wrappers. This is most distracting to Please do not smoke in the theatre; do not take food, drink or sweets both audience and performers. Thank you. into the auditorium; ensure that all mobile phones and pagers are switched off during the performances. Thank you. Glengarry Glen Ross Directed by Peter Griffin David Mamet was born in Chicago, Illinois on November 30th, Cast 1947. He studied at Goddard College in Vermont and at the (in order of appearance) Neighbourhood Playhouse School of Theatre in New York. He Shelly Levene ...................................................................John McLaren went on to teach at New York University, Goddard College and at the Yale Drama School. John Williamson .....................................................................Stuart Keil Mamet made his name with his plays Sexual Perversity in Dave Moss ............................................................................ Richard Self Chicago (1974), The Duck Variations (1976) and American Buffalo (1977). These dark dramas had strong male characters George Aaronow ..............................................................Roger Gollop with highly charged dialogue that built dramatic tension within Author About the Richard Roma ............................................................... Michael Martin the confines of the play. His plays often portray the plight of small-time drifters, salesmen and cons. Early examples of these James Lingk ................................................................... Mark Campbell are The Woods (1977) and Edmond (1982). These two not very successful plays were followed by two hits: Glengarry Glen Baylen ............................................................................................ Ian Long Ross (1984), which won Mamet a Pulitzer Prize, and Speed the Plow (1988). Crew As well as writing for the stage, Mamet has written numerous Stage Manager .............................................................Rebecca Mason screenplays. His first attempt was the screenplay for the 1981 re-make of The Postman Always Rings Twice . After that came Assistant Stage
Load more

Recommended publications
  • Spring Vis Kicks Off with Multicultural Events
    -------- ---- - -- PARTLY Editorial Friday CLOUDY Notre Dame and South Bend could benefit from the HIGH 42° purchase of St. Joseph Regional Medical Center. APRIL 5, LOW25° Viewpoint+ page 12 2002 THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOL. XXXV NO. 116 HTTP://OBSERVER.ND.EDU Spring Vis kicks off with multicultural events • Models to strut the • Latin Expressions latest fashions at the educates, entertains Black Cultural Arts through music, dance Council fashion show and culture By MAUREEN SMITH£ By MAUREEN SMITH£ Senior Staff Writer Senior StaffWriter Though Saturday night's 25th annual Black Showcasing a wide variety of Latin music, Cultural Arts Council Fashion Show may be dance and culture, Latin Expressions kicks sponsored by a campus minority organiza­ off tonight at Saint Mary's O'Laughlin tion, coordinators want to make one thing Auditorium. clear: everyone is invited. Acts ranging from traditional Mexican folk "It's open to everyone. It's not an all-black dances to student renditions of favorite thing," said coordinator Andrea de Vries. Latino pop songs and choreographed dance "The models are white, Asian, Hispanic, numbers will keep the show tightly focused Black. It's a very inclusive event." on Latino culture. Titled "Noche de Ritmo Unlike years past, the coordinators wanted Latino," the event aims to educate and enter­ to bring a tighter focus to this year's show. tain. Uniting the scenes together with one com­ "We recognize that there are lots of talent­ mon thread was a challenge de Vries gladly ed people on campus, and they should be took on with fellow organizer Margaret allowed to showcase their talent but this Mason.
    [Show full text]
  • 1 “I Grew up Loving Cars and the Southern California Car Culture. My Dad Was a Parts Manager at a Chevrolet Dealership, So V
    “I grew up loving cars and the Southern California car culture. My dad was a parts manager at a Chevrolet dealership, so ‘Cars’ was very personal to me — the characters, the small town, their love and support for each other and their way of life. I couldn’t stop thinking about them. I wanted to take another road trip to new places around the world, and I thought a way into that world could be another passion of mine, the spy movie genre. I just couldn’t shake that idea of marrying the two distinctly different worlds of Radiator Springs and international intrigue. And here we are.” — John Lasseter, Director ABOUT THE PRODUCTION Pixar Animation Studios and Walt Disney Studios are off to the races in “Cars 2” as star racecar Lightning McQueen (voice of Owen Wilson) and his best friend, the incomparable tow truck Mater (voice of Larry the Cable Guy), jump-start a new adventure to exotic new lands stretching across the globe. The duo are joined by a hometown pit crew from Radiator Springs when they head overseas to support Lightning as he competes in the first-ever World Grand Prix, a race created to determine the world’s fastest car. But the road to the finish line is filled with plenty of potholes, detours and bombshells when Mater is mistakenly ensnared in an intriguing escapade of his own: international espionage. Mater finds himself torn between assisting Lightning McQueen in the high-profile race and “towing” the line in a top-secret mission orchestrated by master British spy Finn McMissile (voice of Michael Caine) and the stunning rookie field spy Holley Shiftwell (voice of Emily Mortimer).
    [Show full text]
  • Sociaal Darwinisme Op De Werkvloer
    SOCIAAL DARWINISME OP DE WERKVLOER Voorstelling: Glengarry Glen Ross door Toneelgroep Amsterdam / Toneelschuur Producties Gezien: 29 september, Theater Frascati, Amsterdam Door: Daniël Bertina Regisseur Eric de Vroedt maakte een bewerking van het toneelstuk Glengarry Glen Ross van David Mamet. Mamets grimmige kritiek op de kapitalistische graaicultuur krijgt in de versie van De Vroedt een manische vrolijkheid mee. Hoe ervaar je een toneelstuk als je de filmversie hebt verslonden? Empire. Keizerrijk. In grote rode neonletters hangt dit woord boven over de hoofden van de acteurs. Als een zwaard van Damokles. Onder deze dreigende boodschap staan – als een groep onderdanen – vijf zakenmannen achter elkaar fel blauwe cocktails achterover te slaan. Deze snelle vastgoedjongens, gehuld in afgrijselijk glimmende maatpakken, zijn aan het netwerken in de lounge van een Aziatisch restaurant. Druk in gesprek, en flirtend met de serveerster is toch de spanning voelbaar: het zijn krappe tijden. Ontslag dreigt voor twee van hen, en het is ieder voor zich. Dit is Glengarry Glen Ross. Mercedes Benz Regisseur Eric de Vroedt bewerkte het stuk voor acteurs van Toneelgroep Amsterdam (TA-2), in coproductie met De Toneelschuur. Glengarry Glen Ross is een toneelstuk in twee bedrijven, en volgt in die vorm een avond en ochtend in het leven van vier vastgoedverkopers – Roma, Mos, Levi en Aaron – die in hun werk worden bijgestaan door Willems, een stuntelende manager. Op hun vastgoedkantoor is een markante verkoopwedstrijd uitgeschreven. Eerste prijs is een bonus en een Mercedes Benz, de tweede prijs een set steakmessen. De derde en vierde prijs? Ontslag. In een wanhopige poging het hoofd boven water te houden en hun baan te behouden staan de werknemers elkaar – scheldend, tierend en huilend – naar het leven.
    [Show full text]
  • Unforgettable Journeys Saturday, May 2 at 3:00 P.M
    SELECTED SHORTS GETTY 2009 UNFORGETTABLE JOURNEYS Saturday, May 2 at 3:00 P.M. TODAY’S ARtists Beryl Bainbridge is a British author living in North London. She has written eighteen novels, including Unexpected Adventures The Dressmaker and The Bottle Factory Outing, four books of nonfiction, and two collections of short stories. Her awards include the Guardian Fiction Prize, the WH Smith Literary Award, the Whitbread Novel Award, “Cary Grant’s Suit” and the James Tait Black Memorial Prize. She is a five-time nominee for the Booker Prize. by Todd McEwen performed by James Cromwell Kate Burton was nominated for Tony Awards for her work in Hedda Gabler, The Elephant Man, and The Constant Wife. Her other Broadway work includes Present Laughter (Theatre World Award); The Beauty Queen of Leenane; Jake’s Women; Company; and Some Americans Abroad (Drama Desk nomination). She “The Man Who Blew Away” appeared in Three Sisters at London’s West End, and her off-Broadway work includes David Mamet’s by Beryl Bainbridge Boston Marriage. Her screen credits include Max Payne, Spooner, Stay, Quid Pro Quo, Sherry Baby, The Night performed by Joe Mantegna Listener, Swimfan, Unfaithful, Celebrity, The Ice Storm, August, and Big Trouble in Little China. She appeared in the HBO film Empire Falls, and her other television work includes Notes for My Daughter (Emmy Award); The Practice; The West Wing; Law & Order; Grey’s Anatomy (Emmy nomination); and Rescue Me. INteRmissiON James Cromwell received a Best Supporting Actor Oscar nomination for his performance as Farmer Hoggett in the movie Babe. His motion picture work includes Black Ball, Angels in America, Space Cowboys, “Which Is More Than I Can Say About Some People” The Green Mile, The General’s Daughter, and Snow Falling on Cedars.
    [Show full text]
  • Woodstock, CT 06281 REPORTER SUBSCRIPTION SERVICES: RICH HOSFORD CIRCULATION REPRESENTATIVE to SUBMIT (860) 928-1818, Ext
    Mailed free to requesting homes in Thompson Vol. V, No. 49 Complimentary to homes by request (860) 928-1818/e-mail: [email protected] FRIDAY, SEPTEMBER 3, 2010 THIS WEEK’S QUOTE Tourism image in “Truth is northeast needs a more of a stranger than fiction.” plan, say officials MEETING NEXT WEEK WITH ERTD INSIDE TO DISCUSS MARKETING, FUNDING A8-9 — OPINION Courtesy photo BY MATT SANDERSON “We’re not for everyone A12 — SPORTS An aerial shot of the Fort Hill Farm Corn Maze in Thompson. The maze will be open VILLAGER STAFF WRITER until Sunday, Nov. 7, at Fort Hill Farms at 260 Quaddick Road, Thompson. B1 — HOT SPOT Reinventing the market- and we’re not trying to ing strategy to bring visi- be Disneyland, but we’re B3-4 — OBITS tors to the Quiet Corner B5 — RELIGION has been a tireless task. trying to fairly represent For the last several years, the resources we have B6 — CALENDAR An a-maze-ing treat when providing access to the public on places of here.” interest in eastern FORT HILL FARMS Connecticut, the majority - The Last Green Valley Executive Director LOCAL of visitors are directed to Charlene Cutler CORN MAZE AIMS TO EDUCATE destinations in the south- east. 411 Main St., Willimantic. Advocates for Quiet Corner The first joint meeting of the tourism are looking to change two entities was held in July at BY RICH HOSFORD chip flavor, for example, is white that. Celebrations gallery and shop in VILLAGER STAFF WRITER instead of the familiar green. It is The second joint meeting of The Pomfret.
    [Show full text]
  • It Started with the Maze…
    It started with the maze… In The Maze Runner Thomas (Dylan O’Brien) woke up as he was being delivered to the glade. He had no memory of who he was or why he’d become a member of a community of young people; among them Minho (Ki Hong Lee), lead maze runner; Newt (Thomas Brodie- Sangster), a good friend and advisor, Gally (Will Poulter), a leader and adversary and Teresa (Kaya Scodelario), the only female glader, with whom Thomas may have a potentially dark history. Together they are trapped, surrounded by 200 foot walls and an ever-changing maze. Bad turns to worse when the gladers finally escape the maze only to discover they are in the middle of a desolate wasteland called The Scorch. In Maze Runner: The Scorch Trials , Thomas and the surviving gladers met new allies while discovering clues about a mysterious group behind all of their “tests” – an organization known as WCKD. With Maze Runner: The Death Cure the motives of WCKD become clearer: Dr. Ava Paige, WCKD’s executive director is close to what she believes is a cure for the disease known as The Flare, an infection that has decimated the world’s population. But the cure comes by sacrificing the few young people left in the world who are apparently immune. In order to free those who have been rounded up as test subjects, including his friend Minho, Thomas must now band together with fellow survivors, old and new, and take the battle to what may be the last remaining city and the final stronghold of WCKD.
    [Show full text]
  • An Analysis of Three Plays by David Mamet Through the Lens of Kirkian Conservatism
    PROTECT, PRESERVE, AND REFORM: AN ANALYSIS OF THREE PLAYS BY DAVID MAMET THROUGH THE LENS OF KIRKIAN CONSERVATISM Jennifer Shadle A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2018 Committee: Angela Ahlgren, Advisor Jonathan Chambers © 2018 Jennifer Shadle All Rights Reserved iii ABSTRACT Angela Ahlgren, Advisor American playwright David Mamet announced his conservatism in 2004 through an article in The Village Voice. While many of his plays have inspired scholarship, especially regarding the use of unethical business practices in his work, analyses of the influence of his conservatism are rare. With a mixed methodology of character and literary analysis, through a lens of Kirkian conservatism, I examine the implications of conservative themes in character interactions in three of David Mamet’s plays. Specifically, I explore the mentor/student relationship in American Buffalo (1975), the spirit or potential of the individual in Glengarry Glen Ross (1984), and natural law and justice in The Anarchist (2012). I found that a question at the heart of conservatism, what must be preserved, protected, and reformed so that society may progress, was also a vital component to Mamet’s work. It is my hope that my study will expand existing scholarship about the philosophies of playwrights, and that I might provide a voice to a previously unexplored group in theatre. iv ACKNOWLEDGEMENTS First, to my advisor, Angela Ahlgren, I would like to convey my gratitude. Her wisdom and thoughtful questions were invaluable in crafting this study, and I can’t properly express my appreciation for all the ways she pushed me to think more intently about Mamet and Kirk.
    [Show full text]
  • Machismo and Homosociality in Mamet's Glengarry Glen Ross
    Anemon Muş Alparslan Üniversitesi Sosyal Bilimler Dergisi 2018 6(6) 979–983 Journal of Social Sciences of Mus Alparslan University anemon Derginin ana sayfası: http://dergipark.gov.tr/anemon Araştırma Makalesi ● Research Article Machismo and Homosociality in Mamet’s Glengarry Glen Ross* David Mamet’ in Glengarry Glen Ross Adlı Eserinde Maçoluk ve Eş-Sosyallik Faruk Kalay a,** a Dr. Öğr. Üyesi, Aydın Adnan Menderes Üniversitesi, Eğitim Fakültesi, Yabancı Diller Eğitimi Bölümü, 09010, Aydın/Türkiye. ORCID: 0000-0001-7917-7930 MAKALE BİLGİSİ ÖZ Makale Geçmişi: Amerikan edebiyatının ve sinemasının önemli isimlerinden biri olan David Mamet bir çok oyun ve Başvuru tarihi: 25 Nisan 2018 senaryo yazmış ve bunların bir çoğunu yapımcılığını ve yönetmenliğini kendisi üstlenmiştir. Tümü Düzeltme tarihi: 10 Mayıs 2018 erkek karakterlerden oluşan Glengarry Glen Ross işten atılma korkusuyla ofisteki panoda isimlerinin en alta yazılmasını istemeyen dört gayrimenkul satıcısıyla ilgilidir. Bu korku onları manipülasyona, Kabul tarihi: 21 Mayıs 2018 yalancılığa ve hatta kanunsuzluğa yönlendirir. Oyundaki en göze çarpan şey karakterlerin birbirleriyle olan ilişkileridir. Karakterler, ahlak ve ilke yoksunudur. Eş-sosyal ofis, karakterlerin Anahtar Kelimeler: hayatta kalmaya çabaladığı bir maço arenaya dönüşür. Mamet, oyunda Amerikan rüyasına referans David Mamet yaptığı Darvinist bir toplumu hicveder. Karakterlerin birbirleriyle olan ilişkisi modern çağa karşılık Darvinizm ilkel ve pragmatist durur. Bu minvalde oyun erkek iç dünyasını göstermek bakımından önemli bir Glengarry Glen Ross rol üstlenir. Bu çalışmada David Mamet’ın önemli oyunu Glengarry Glen Ross maçoluk, eş- Eş-sosyallik sosyallik ve erkek psikolojisi açılarından irdelenecektir. Maçoluk A R T I C L E I N F O A B S T R A C T Article history: One of the distinctive persons of American literature and cinema, David Mamet has written a great Received April 25, 2018 number of plays and scripts and many of which are produced or directed by Mamet himself.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9227236 David Mamet and film: Illusion and disillusion in a wounded land Brewer, Gay, Ph.D. The Ohio State University, 1992 UMI 300 N.
    [Show full text]
  • Un Giorno Di Pioggia a New York
    presenta Un giorno di pioggia a New York scritto e diretto da Woody Allen con TIMOTHÉE CHALAMET ELLE FANNING SELENA GOMEZ JUDE LAW DIEGO LUNA LIEV SCHREIBER DAL 10 OTTOBRE AL CINEMA Tutti i materiali stampa sono scaricabili dal sito www.luckyred.it/press *** un film distribuito da in associazione con UFFICIO STAMPA Alessandra Tieri (+39 335.8480787 [email protected]) Georgette Ranucci (+39 335.5943393 [email protected]) Federica Perri (+39 328.0590564 [email protected]) 1 CAST ARTISTICO Gatsby TIMOTHÉE CHALAMET Ashleigh ELLE FANNING Chan SELENA GOMEZ Ted Davidoff JUDE LAW Francisco Vega DIEGO LUNA Roland Pollard LIEV SCHREIBER Lily ANNALEIGH ASHFORD Connie REBECCA HALL Madre di Gatsby CHERRY JONES Hunter WILL ROGERS Terry KELLY ROHRBACH CAST TECNICO Sceneggiatura/Regia WOODY ALLEN Produttori LETTY ARONSON, p.g.a. ERIKA ARONSON, p.g.a. Co-Produttrice HELEN ROBIN Produttori esecutivi ADAM B. STERN HOWARD FISCHER Produttore esecutivo RONALD L. CHEZ Direttore della fotografia VITTORIO STORARO AIC, ASC Scene SANTO LOQUASTO Montaggio ALISA LEPSELTER ACE Costumi SUZY BENZINGER Casting PATRICIA DiCERTO Durata: 92 minuti 2 UN GIORNO DI PIOGGIA A NEW YORK Woody Allen torna a Manhattan con Un giorno di pioggia a New York, una commedia romantica che racconta la storia di due fidanzatini del college, Gatsby (Timothée Chalamet) e Ashleigh (Elle Fanning), i cui piani per un weekend romantico da trascorrere insieme a New York vanno in fumo non appena mettono piede in città. I due, fin dal loro arrivo a New York, si ritrovano separati e si imbattono in una serie di incontri casuali e bizzarre avventure, ciascuno per proprio conto.
    [Show full text]
  • It Don't Mean a Thing, If It Ain't Got That Swing Joey Weslo College of Dupage
    ESSAI Volume 16 Article 30 Spring 2018 It Don't Mean a Thing, If It Ain't Got That Swing Joey Weslo College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Weslo, Joey (2018) "It Don't Mean a Thing, If It Ain't Got That Swing," ESSAI: Vol. 16 , Article 30. Available at: https://dc.cod.edu/essai/vol16/iss1/30 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Weslo: It Don't Mean a Thing, If It Ain't Got That Swing It Don’t Mean a Thing, If It Ain’t Got That Swing by Joey Weslo (English 2224) hoebe is an English student who consults her older brother Richard Roma (character from David Mamet’s play, ‘Glengarry Glen Ross’, portrayed in the film adaptation by Al Pacino), P in a deserted dive-bar, for help understanding post-Civil War American literature. As more and more liquor enters his bloodstream, Richard delves into the worlds of American Romanticism, Transcendentalism, Realism, Naturalism, and Modernism. While discussing the literary themes of each movement, he directly or indirectly references: Walt Whitman’s “Song of Myself”, Henry James’ ‘Daisy Miller’, Charles Chesnutt’s “The Wife of His Youth”, Gertrude Stein, Sherwood Anderson, Edgar Lee Masters, T.S. Eliot’s “The Love Song of J. Alfred Prufrock”, Marcel Duchamp’s ‘Nude Descending a Staircase (No.
    [Show full text]
  • Will You Adapt the Play? Adapt the Play
    ESSAI Volume 4 Article 26 Spring 2006 Will You Adapt the Play? Adapt the Play. Will You Adapt the Play? Benjamin Hooper College of DuPage Follow this and additional works at: http://dc.cod.edu/essai Recommended Citation Hooper, Benjamin (2006) "Will You Adapt the Play? Adapt the Play. Will You Adapt the Play?," ESSAI: Vol. 4, Article 26. Available at: http://dc.cod.edu/essai/vol4/iss1/26 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized administrator of DigitalCommons@COD. For more information, please contact [email protected]. Hooper: Will You Adapt the Play? Will You Adapt the Play? Adapt the Play. Will You Adapt the Play? by Benjamin Hooper (English 1102) The Assignment: Students were asked to select a play, read it, and then watch the movie version of the work. After doing so, they were required to write an essay which identified and illustrated the strategies used by the screenwriter and director to open up the play and make it more cinematic. avid Mamet’s play Glengarry Glen Ross, first staged and published in 1983, won the author a Pulitzer Prize for Drama in 1984 (Sauer 143). It was hailed by one critic as “a play with Dreal muscle,” “carving characters and conflicts out of language” (Cushman). In addition to the Pulitzer, the play earned accolades from the New York Drama Critics Circle, the Dramatists Guild, and a nomination for a Tony Award (Sauer 143). Given the play’s success, the process of translating it into a feature film would be a daunting task for even the most expert of filmmakers.
    [Show full text]