产品目录 / Electric Guitars 04 电吉他 / Bass Guitars 26 贝斯吉他 / Acoustic Guitars 38 原声吉他 / Guitar Amplifers 50 吉他音箱 / Bass Amplifers 66 贝斯音箱 / Clothing & Collectibles 74 文化产品

Total Page:16

File Type:pdf, Size:1020Kb

产品目录 / Electric Guitars 04 电吉他 / Bass Guitars 26 贝斯吉他 / Acoustic Guitars 38 原声吉他 / Guitar Amplifers 50 吉他音箱 / Bass Amplifers 66 贝斯音箱 / Clothing & Collectibles 74 文化产品 | Electric Guitars ® Fender 2019 FENDER® MUSICAL INSTRUMENTS CORPORATION 17600 NORTH PERIMETER DRIVE, SUITE 100 | SCOTTSDALE, ARIZONA 85255-5440 PHONE: 480.596.9690 | FENDER®.COM FEDNER® PRODUCT GUIDE产品目录 FOR FENDER BRAND 广州市发时达乐器有限公司( 中国区授权代理) 38 公司地址:广州市海珠区滨江西路 号首层及二层 INSTRUMENTS AND LIFESTYLE 020-3420 5702 / 3420 5703 / 3420 5706 联系电话: 020-3420 5700 EFFECTIVE FEBRUARY 1, 2019 传真: WWW.FASTGZ.COM / Electric Guitars 04 电吉他 / Bass Guitars 26 贝斯吉他 / Acoustic Guitars 38 原声吉他 / Guitar Amplifers 50 吉他音箱 / Bass Amplifers 66 贝斯音箱 / Clothing & Collectibles 74 文化产品 © 2019 Fender Musical Instruments Corporation. FENDER®, STRATOCASTER®, STRAT®, TELECASTER®, TELE®, PRECISION BASS®, P BASS®, JAZZ BASS®, J BASS® and the distinctive headstock designs commonly found on Fender guitars are registered trademarks of FMIC. All rights reserved. Other trademarks are the property of their respective owners. Every product is made with pride and care, and is backed by a product-specific warranty. Consult your local retailer, distributor, or the Fender website at www.fender.com for details. Fender® Musical Instruments Corporation 17600 North Perimeter Drive, Suite 100 Scottsdale, AZ 85255- 5440 T: ( 480) 596- 9690 F: ( 480) 596- 1384 www.Fender®.com Fender® 广州市发时达乐器有限公司( 中国区授权代理) : 38 公司地址 广州市海珠区滨江西路 号首层及二层 : 020 - 34205702 / 34205703 / 34205706 联系电话: 020 - 34205700 传真 www.fastgz.com All colors, features and specifications are subject to change without notice. 4 For more information go to fender.com Fender® | Electric Guitars ELECTRIC GUITARS 5 For more information go to fender.com Fender® | Electric Guitars Artist / Jeff Beck Stratocaster® 艺术家系列 Jeff Beck Stratocaster 从火热的英伦入侵时期开始直到令人震惊的单飞生涯,一直到今天, Jeff已经让 吉他成为他标志性声音中不可或缺的一部分。这款吉他拥有经典的外观与 独特的配置,让它 Eric Johnson Signature Stratocaster® Thinline 在众多流行与经久不衰的签名款中脱颖而出。 PART # DESCRIPTION Eric Johnson Stratocaster Thinline Electric Guitars Electric Electric Guitars 0119600805 Jeff Beck Stratocaster®, Rosewood Fingerboard, Olympic White 我们终于帮这位备受尊敬的吉他大师圆梦了! 签名款 完美地将半 | | Stratocaster Eric Johnson 011960 0857 Jeff Beck Stratocaster®, Rosewood Fingerboard, Surf Green 空心琴身与经典 特点相结合。 不断追求探索流畅和细致的完美音色,结 ® ® 2015 Fender 合他那非凡的演奏技巧,使他在现代吉他万神殿上占有一席之地。在 年他与 洽谈并 Stratocaster Surf Green 期望将他喜欢的半空心吉他音色与他的 结合,重新设计出一款轻质且声音洪亮的吉Eric Johnson Stratocaster 他。两年后,我们把这个方案落实并带来了这款拥有全新音色的 签名款 Fender Fender Thinline 。 PART # DESCRIPTION Vintage White 0113602703 Eric Johnson Thinline Stratocaster®, Maple Fingerboard, 2-Color Sunburst 0113602741 Eric Johnson Thinline Stratocaster®, Maple Fingerboard, Vintage White Eric Clapton Stratocaster® Eric Clapton Stratocaster Eric Clapton 作为备受赞誉和尊重的艺术家Strat 的签名款,同时也是我们最畅 销最悠久的签名型号之一。除了拥有经典的 外观,还融合了独特的设计赋予其广泛的音域,Clapton Eric Johnson Stratocaster® Rosewood 绝对能配得上这个在摇滚与布鲁斯领域都享负盛名的传奇名字,拥有它就等于把纯正的Stratocaster 音色握入手中。 Eric Johnson Stratocaster Rosewood Eric Johnson PART # DESCRIPTION 没有什么能够比 更能表现出 这位吉他英雄对艺术 0117602805 Eric Clapton Stratocaster®, Maple Fingerboard, Olympic White 的奉献!从独特的拾音器到大弧度的琴颈、琴身到与众不同的颤音底座等等,每一个细致处理都体 Eric Johnson Johnson 0117602806 Eric Clapton Stratocaster®, Maple Fingerboard, Black 现出 对艺术的执着。任何一位赞叹 那时而惊艳时而纯净的音色的乐手,都会 Black 0117602843 Eric Clapton Stratocaster®, Maple Fingerboard, Pewter 对这款改良版吉他为之惊叹。 PART # DESCRIPTION 0117602858 Eric Clapton Stratocaster®, Maple Fingerboard, Torino Red 0117 70 0897 Eric Johnson Stratocaster®, Rosewood Fingerboard, Tropical Turquoise 0117 70 0899 Eric Johnson Stratocaster®, Rosewood Fingerboard, Lucerne Aqua Firemist Tropical Turquoise Jim Root Stratocaster® Strat® Jim Root Stratocaster 这是一款专为重型新金属音乐而生的Jim Root Slipknot款式, Fender那简约冷酷的外形下却蕴 藏着极具冲击力的厚重音色。Strat 作为 乐队的吉他手,与12"-16" 合作推出了这款能够EMG Eric Johnson Stratocaster® Maple 适应他如此重型演奏风格的 款签名型号,拥有复合半径指板( )、 Strat主动式双线圈 拾音器、独个音量旋钮的控制面板等等,这些规格表明着这将是一款非比寻常的 猛兽! Eric Johnson Texas Strat® PART # DESCRIPTION 只要是喜欢 那惊艳的声音处理与纯正 音色的吉他手,必定也会爱上这一 Eric Johnson Stratocaster Maple Johnson 0114545706 Jim Root Stratocaster®, Ebony Fingerboard, Flat Black 款 吉他。 一直都是以音色处理细腻严谨著称,而这款吉他Johnson 从独特的拾音器到大弧度琴颈轮廓与琴身、再到特别的颤音底座等等细节,都是按照 要求 Black 的规格打造,每一处的细致处理都反映出他对细节的一丝不苟。 PART # DESCRIPTION 0117702801 Eric Johnson Stratocaster®, Maple Fingerboard, White Blonde 0117702803 Eric Johnson Stratocaster®, Maple Fingerboard, 2-Color Sunburst White Blonde 0117 702806 Eric Johnson Stratocaster®, Maple Fingerboard, Black Ritchie Blackmore Stratocaster® Ritchie Blackmore Smoke On The Water 有着新古典重摇滚教父之称的传奇吉他手Stratocaster 在名曲《 》中 用 Ritchie Blackmore演奏的连复段令人为之惊叹 Stratocaster ,简单而深刻,让不计其数的吉他手相继学习与模70 Stratocaster Blackmore仿。 忠实地基于他最喜欢的 年代版 原型,巧妙地融入 一些独特的配置修改,比如经过挖槽处理的指板,特别的拾音器等等。 The Edge Strat® PART # DESCRIPTION 0139010305 Ritchie Blackmore Stratocaster®, Scalloped Rosewood Fingerboard, Olympic U2 -The Edge White 乐队的吉他手 以其独特的演奏技巧与创作能力赢得了全球乐迷的一致赞誉,而他 Strat Strat Edge The Edge Olympic White Strat的“战友” 吉他实属功不可没,正是Fender 吉他将 他那独特的声音呈现予我们。Fender U2 吉他是他与 共同设计打造,如今已替代了他那把老旧的 吉 他,跟 乐队一起 活跃在世界各地的舞台上,成为他最常用的吉他。 PART # DESCRIPTION 0112702706 The Edge Strat®, Maple Fingerboard, Black Fender EOB Sustainer Stratocaster® Black Ed O'Brien Radiohead ( ) 虚幻飘渺、以及犹如管弦乐队般的吉他音色是 EOB电台司令乐队 Stratocaster 音乐中的一 个重要组成部分。我们和这位极具开创性的乐手搭档,联手打造出 一款如其音 色一样独特的乐器。 这款吉他能够完美创造出富有张力与层次感的音色效果,启发你的灵感打造 属于自己的声音。 Yngwie Malmsteen Stratocaster® PART # DESCRIPTION 0140192305 EOB Stratocaster®, Maple Fingerboard, Olympic White Yngwie Malmsteem 新古典速弹依旧是最重要也是最受吉他手热捧的流派之一, 可以说是这一流派 Yngwie Olympic White 的开创者,粉丝们膜拜于他指间华丽的速弹,同时也发现Stratocaster Yngwie Malmsteen Stratocaster 的每一次演奏都离不开他那把独 特 。而这款 正是为那些仰慕者而诞生,独特的拾音器、Strat® 凹槽的指板等特征都精准地复刻了这位瑞典金属吉他英雄最喜欢的那把Strat 。这是为这位全球 最独特的 吉他大师而打造的最独特型号。 PART # DESCRIPTION fender.com fender.com Dave Murray Stratocaster® 0107110841 Yngwie Malmsteen Stratocaster®, Scalloped Rosewood Fingerboard, Vintage Vintage White White Iron Maiden Dave Murray Fender 0107112841 Yngwie Malmsteen Stratocaster®, Scalloped Maple Fingerboard, Vintage White 这是英国金属传奇乐队 Dave Murray的吉他手 与 Stratocaster联手打造出的另一款为之惊Strat 人的签名款吉他。原型来自于Seymour Duncan® 在舞台上用的最多的 ,拥有传统的 外观、 搭载三个高出力的Floyd Rose® 双线圈拾音器,手感舒适流畅的复合半径指板,以及高性能 的 琴桥与弦枕等豪华设备于一身。 Stevie Ray Vaughan Stratocaster® PART # DESCRIPTION 0141010303 Dave Murray Stratocaster®, Rosewood Fingerboard, 2-Color Sunburst Stratocaster Stevie Ray Vaughan 如果有一座用 堆积起来的拉什莫尔山,那 必定是这座山的神灵 Stevie Ray Vaughan Stratocaster Vaughan Number 2-Color Sunburst One之一。这款Strat® Vaughan忠实地还原了 最喜欢的吉他 ⸺“ For more information go to more For For more information go to more For ” ⸺ 正是这把吉他伴随着SRV 各地巡演以及将德克萨斯蓝调推向顶峰。这款签 名型号吉他以其纯正的 音色和设计向这位伟大的吉他艺术家致敬。 PART # DESCRIPTION 0109200800 Stevie Ray Vaughan Stratocaster®, Pau Ferro Fingerboard, 3-Color Sunburst 3-Color Sunburst 6 7 Specifications subject to change without notice. For more information go to fender.com Specifications subject to change without notice. For more information go to fender.com Robert Cray Stratocaster® James Burton Telecaster® Robert Cray Stratocaster James Burton Telecaster 50 60 如果吉他手欣赏那无可挑剔的现代布鲁斯声音就会发现这款Cray Fender Custom Shop是一把“充 Tele® 作为元老级的 吉他大师,依然“宝刀未老”,以完美的Ricky Nelson Elvis Presley年代末Emmylou 年代初Harris 满说服力”的乐器,完美地将Stratocaster 独有的音色和韵律展现出来。拥有Cray Stratocaster 复古风 的lvis Costello演奏影响了一代又一代的摇滚吉他手,他曾与 Telecaster 、 、 、 格的 拾音器,舒适的琴颈等特点,将 音乐中的 音色和感觉毫无保留的 James Burton等知名艺人合作,而且他还担任了 Telecaster 首位签名款艺人。时至今日,他的签名款3 释放出来。 吉他依然魅力四射,深受吉他手们喜欢,配备 个拾音器,特殊的档位开关, Electric Electric Guitars Electric Electric Guitars PART # DESCRIPTION 金色的硬件,华丽的火焰图案漆面等等。 | | 0139100300 Robert Cray Stratocaster®, Rosewood Fingerboard, 3-Color Sunburst PART # DESCRIPTION ® ® 0139100324 Robert Cray Stratocaster®, Rosewood Fingerboard, Inca Silver 0108602887 James Burton Telecaster®, Maple Fingerboard, Red Paisley Flames Inca Silver 0108602888 James Burton Telecaster®, Maple Fingerboard, Blue Paisley Flames Red Paisley Flames Fender Fender Jimi Hendrix Stratocaster® Richie Kotzen Telecaster® Voodoo Chile Jimi Hendrix Stratocaster Jimi Hendrix 《 》中 将 音色的灵活性展现得淋漓尽致,而这款 Poison Mr.Big Kotzen Stratocaster Jimi Hendrix 曾经与 乐队和 乐队的合作,还有他自己多张的个人专辑以及伴奏工作,让Telecaster Richie Kotzen Telecaster闻 会也给你带来同样炽烈的音色和舒适的手感。这是基于 那把独特的“反式” 名于全球,让乐迷们认识到这位技术精湛的 艺术家。这款优雅的 吉他所打造的具有独特触感、独特规格的独特吉他! 吉他,在过去只限日本发售,现在已在全球发售。吉他的主要特点是华丽的火焰枫木贴面,舒适DiMarzio® PART # DESCRIPTION 的梣木琴身,金色硬件以及别具一格的 拾音器组合。 0145802300 Jimi Hendrix Stratocaster®, Maple Fingerboard, 3-Color Sunburst PART # DESCRIPTION 0145802305 Jimi Hendrix Stratocaster®, Maple Fingerboard, Olympic White 0255202532 Richie Kotzen Telecaster®, Maple Fingerboard, Brown Sunburst Olympic White Brown Sunburst JIMMY PAGE TELECASTER® NEW! Albert Hammond Jr Stratocaster® 1969 Good Times Bad Times Jimmy Page 年,当电台传出那首《 》的时候,仿佛一切都改变了。当年Telecaster Jimmy Albert Hammond Jr Stratocaster 使用的吉他原本只是一把普通的白金色硝基漆面Jimmy ,后 来 为了更亮眼的舞台效果, Albert Hammond Jr 独特的音色和标志性的风格继续定义着新生代车库乐队的年轻吉The Strokes solo 给它加上了几面镜子,最后 为它手绘了独特的龙型图案,使它变成了一件独一无二的艺术 Francis他手们, Trouble 为1985 乐队带来极富想象力的吉他' 72 Strat® ,包括那广受好评的Hammond 品。 专辑,都是使用 年重新发行的 演绎。我们复刻 定制的拾 Jimmy Page Fender Telecaster 20 Jimmy 4 1 3 用那把 创作了许多 世纪极具代表性的音乐作品,而这款 音器切换开关:拾音器切换开关档位 能激活串联的琴颈和琴桥拾音器,而档位 和档位 的功 Page Telecaster Hammond 70 70 就是对它的致敬之作。 能与传统拾音器的布局相反, F 签名款延用3 年代的大琴头,而其他Micro-Tilt年代风格的配置 ™ 70 PART # DESCRIPTION 包括有子弹调节杆螺母,刻有“ ”印记的 螺栓琴颈钢板座和该年代的 调节且带 logo. Natural 0146230721 Jimmy Page Telecaster®, Rosewood Fingerboard, Natural 年代 Olympic White PART # DESCRIPTION 0146810305 Albert Hammond Jr. Signature Stratocaster®, Rosewood Fingerboard, Olympic White Jim Root Telecaster® Buddy Guy Standard Stratocaster® Tele Jim Root Telecaster 这是一款专为重型音乐而生的Jim Root Slipknot吉他, Fender简约质朴的外形下却蕴藏着极具冲击 Buddy Guy Standard Stratocaster Buddy guy 力的强劲音色。 作为 乐队的吉他手,与 合作推出了这款能够适应他如此重 ,配备着与 一样独特的声音与外观。琴身黑白分明的圆 Tele 12 EMG Buddy Strat® 型演奏风格的 款签名型号,拥有 英寸的半径指板,Tele 主动式双线圈拾音器,单音量旋钮 点漆面图案,正是 特立风格的标志。这可能是你从没见过(弹过)的最有特色的
Recommended publications
  • 01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
    A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models.
    [Show full text]
  • Metronome Magazine-Boston
    •Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA.
    [Show full text]
  • Recording / Daw / Mixing
    RECORDING / DAW / MIXING COMPUTERS APPLE Mac Pro Macbook Pro SOFTWARE / VST ABLETON Ableton Live 9 AVID Protools 12 Protools 12 HD VSTs AIR MUSIC TECHNOLOGY VSTs ISOTOPE VSTs PSP AUDIOWARE VSTs SOUND RADIX VSTs UK MULTIMEDIA VSTs WAVES AUDIO VSTs ANALOG RECORDING DEVICES OTARI MX5050 Reel to Reel 8 track TASCAM 238 8 track Porta Studio 424 SOUNDCARDS DIGIDESIGN 96i/o FOCUSRITE Focusrite Saffire Pro 24 DSP MOTU 896MK3 STUDIO MONITORS ADAM P22 ALESIS M1 ACTIVE 320 USB OUTBOARD GEAR DRAWMER TS1 Tube Station FOCUSRITE Octopre Octopre LE GOLDEN AGE PROJECT Pre-72 Mkii JOEMEEK MC2 MQ3 PRESONUS Central Station Remote RUPERT NEVE DESIGN 5024 Portico Series Quad Mic Pre SPL Channel 1 SUMMIT AUDIO TLA-50 Tube Leveller HEADPHONE PREAMP BEHRINGER HA 400 x2 PRE SONUS HP4 x2 MICROPHONES AKG C1000 C451 C414 XLS D112 D3700 APEX 210 460 BEYER DYNAMIC M160 BLUE KickBall ELECTROVOICE 635 A-B ND 468 RE-20 OCTAVA MK 012 MK 319 MKL-5000 SE ELECTRONICS SE2 A x2 SENNHEISER MD 421 x2 E 865 MD E609 SURE Sm-7B KSM27 Sm27 Sm81 x2 Sm58 KSM44 Sm57 x4 Beta 52 Beta 58 VIOLET VTN 47 DI BOXES BEHRINGER Ultra DI RADIAL X-Amp DI Pro48 Active DI x2 Pro Passive DI x2 INSTRUMENTS GUITARS / STRING INSTRUMENTS EPIPHONE Eclectro-Acoustic Ukulele FENDER JazzMaster Mustang Coronado Jazz Bass GIBSON Bass SG HOFNER 12 string acoustic RICKENBECKER 360 SAMICK Banjo SUCCAR Bouzouk TANGLEWOOD Acoustic TW15ASM-NAT GRETSCH New Yorker Mandolin Violin CYMBALS ISTANBUL Agop 13" Hi Hats vezir 18" crash ZILDJIAN K 17 inch Dark Thin Crash 20" Jazz Ride ZXT 14" Transformer SNARE DRUMS Ludwig
    [Show full text]
  • About the Electric Guitar: a Cross-Disciplinary Context for An
    About the electric guitar: a cross-disciplinary context for an acoustical study Arthur Paté, Benoît Navarret, Régis Dumoulin, Jean-Loic Le Carrou, Benoît Fabre, Vincent Doutaut To cite this version: Arthur Paté, Benoît Navarret, Régis Dumoulin, Jean-Loic Le Carrou, Benoît Fabre, et al.. About the electric guitar: a cross-disciplinary context for an acoustical study. Acoustics 2012, Apr 2012, Nantes, France. hal-00810875 HAL Id: hal-00810875 https://hal.archives-ouvertes.fr/hal-00810875 Submitted on 23 Apr 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Proceedings of the Acoustics 2012 Nantes Conference 23-27 April 2012, Nantes, France About the electric guitar: a cross-disciplinary context for an acoustical study A. Pat´ea, B. Navarretb, R. Dumoulinc, J.-L. Le Carroua, B. Fabrea and V. Doutautd aEquipe LAM - D’Alembert, 11, rue de Lourmel, 75015 Paris, France bCICM Univ Paris 8 MSH Paris-Nord / Equipe LAM UPMC, 11, rue de Lourmel, 75015 Paris, France cGRANEM - UMR MA 49 - Universit´ed’Angers, 13, all´ee Fran¸cois Mitterrand BP 3633, 49036 CEDEX 0 Angers, France dITEMM, 71, avenue Olivier Messiaen, 72000 Le Mans, France [email protected] 2723 23-27 April 2012, Nantes, France Proceedings of the Acoustics 2012 Nantes Conference The electric guitar was born in the 1930s from the will of guitarists to be heard while playing in orchestras including louder instruments.
    [Show full text]
  • Studio Facilities Popakademie Okt 2020
    Studio Facilities Studio 1 Mixing Board Recording Audient ASP8024-HE ‣ 48 Mic/Line In Apple Mac Pro 8-Core ‣ 48 Tape In Apple Cinema Display 24" ‣ 48 Rec Bus Out Avid ProTools HDX ‣ TT Patchbay Avid Expansion Chassis Universal Audio UAD2 Duo Flexi Card Conversion RME HDSPe MADI-Card SSL Xlogic Delta Link Digital Audio Denmark AX32 Focusrite Scarlett 18i20 ‣ 48 Analog Line In Korg Kontrol 49 Keyboard ‣ 48 Analog Line Out ‣ MADI/Dante Option Cabling Aviom AN-16/i v.2 Klotz & Sommer Cable Wiring Clock Distribution 480 Point REAN TT-Patchbay Lake People WCD F64 Software Monitoring Pro Tools Ultimate Apple Logic Pro 2 surrounTec [mono:log] Steinberg Cubase 2 KS digital C5 Steinberg Nuendo 2 KRK RP4 Steinerg Groove Agent 4 Behringer Powerplay XL Steinberg Virtual Guitarrist 3 Presonus HP-60 Steinberg Halion 6x Aviom A-16 II Celemony Melodye Studio Aviom A-16D Pro Vienna Ensemble Pro Sennheiser Headphones Waves Mercury Bundle various UAD Plug-Ins Preamps Amps Avalon AD 2022 Vox AC30 Avalon U5 Preamp/DI Vox VT50 Neve 1073 DPA Marshall JCM800 with 4x12“ Cabinet SSL XLogic E Signature Channel Fender Bandmaster with 4x12“ Cabinet Universal Audio LA 610 Mesa Boogie 12 Cabinet Universal Audio 4110 Eden Bassamp with 4x10“-Cabinet Drawmer 1960 Eden Bass Preamp 2x SPL Gainstation Microphones Reverb/FX 3 Shure SM 57 TC M6000 Reverb 5.1 / Mastering 5.1 1 Shure SM 7b Lexicon PCM 90 6 Sennheiser MD 421 EMT 240 Plate stereo 2 Sennheiser MD 441 1 Sennheiser e901 Compressors/Limiters 1 Sennheiser e902 2 Sennheiser e914 2x Empirical Labs Distressor EL8-X 1 Sennheiser
    [Show full text]
  • AT AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings.
    [Show full text]
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector
    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
    [Show full text]
  • Complete Equipment List
    COMPLETE EQUIPMENT LIST Consoles • All discrete 64 input API Legacy with Martin Sound Flying Faders and 550L 4 band eq’s on every channel. The first 16 channels are also outfitted with 212L mic pre’s. To the right of the center section there is a 500 Series Slots Console, home to 15 mixed and matched 500 modules including 5 original 550A’s recently recapped in-house, and an assortment of Purple Audio eq’s and compressors. We do have other 500 series modules available for plug and play. • 16 New Millenuim HV 32 200 Series Mic Preamps occupy the last 16 channels. • Parked next to the Legacy is a 12 channel Neve Melbourne sidecar loaded with 12 3115 modules and retrofitted with direct outs and Flying Faders. The stereo buss is normalled to the API’s master section so sub mixes on the Melbourne can be routed to the Legacy’s Grand Master Stereo Fader at the push of a button. This sidecar was recently serviced and recapped by Matt Marinelli at Coral Sound. • Custom designed and fabricated Coral Sound 64 point ultrawide aluminum TT patchbays. All points made of nickel. Microphones Dynamic • Royer SF24 • Wunder CM7 • AKG D112 • (4) Beyerdynamic M160 • Bock 5 Zero 7 • Beyerdynamic M69 Large Diaphragm • Peluso 2247LE • Beyerdynamic M88 Condenser Small Diaphragm • (2) Beyerdynamic M201 • (2) AKG/ Siemens C12† Condenser • (2) Sennheiser E906 • (2) AKG C12b† • (4) DPA 4011TL • (4) Sennheiser MD421 • AKG C24† • (2) AKG 451EB • (2) Sennheiser MD441 • (3) Lucas CS-1† • (2) DPA 4006TL • Shure Beta 52 • (2) Lucas CS-4† • (2) Josephson C42 • Shure Beta
    [Show full text]
  • Illustrated Product Guide
    PRODUCT GUIDE ILLUSTRATED EFFECTIVE 2017 FEBRUARY 1, 2017 Fender® | Electric Guitars Electric Guitars 04 Bass Guitars 32 Squier 46 Acoustic Guitars 64 Guitar Amplifiers 82 Bass Amplifiers 100 Audio 108 Accessories 114 Lifestyle 174 © 2017 Fender Musical Instruments Corporation. FENDER®, STRATOCASTER®, STRAT®, TELECASTER®, TELE®, PRECISION BASS®, P BASS®, JAZZ BASS®, J BASS® and the distinctive headstock designs commonly found on Fender guitars are registered trademarks of FMIC. All rights reserved. Other trademarks are the property of their respective owners. Every product is made with pride and care, and is backed by a product-specific warranty. Consult your local retailer, distributor, or the Fender website at www.fender.com for details. Fender Musical Instruments Corporation 17600 North Perimeter Drive, Suite 100 Scottsdale, AZ 85255-5440 T: (480) 596-9690 F: (480) 596-1384 www.fender.com All prices, colors, features and specifications are subject to change without notice. 4 For more information go to fender.com Fender® | Electric Guitars Artist: Bully ELECTRIC GUITARS 5 For more information go to fender.com Fender® | Electric Guitars Artist | Electric Guitars From the very start in 1946, Fender has always worked hand in hand with the artists who put its instruments to such great use. ® It’s a time-honored tradition that continues stronger than ever today with many instruments that bear the names of the world’s greatest and most influential guitarists and bassists. Fender artist models are built to their distinctive specifications—often with Fender their participation and personal input—so that their sound can be part of your sound, too. The Edge Strat® Enthralling millions worldwide with his acclaimed textural guitar work—as well as his knack for writing catchy riffs and hooks—U2 guitarist, The Edge, relies on his trusty Strat guitar to sculpt his unique sound.
    [Show full text]
  • 5.7 Hum-Sensitivity 5-79
    5.7 Hum-sensitivity 5-79 5.7 Hum-sensitivity Magnetic pickups generate an electrical alternating voltage from a magnetic alternating field. This voltage is the wanted signal as long as the alternating field results from the string vibrations. All alternating fields, which are not due to the string vibration, generate, in contrast, undesired interference. In the environment of the electric guitar the most common source of interference results from 50-Hz-fields caused by the 230-V-power-network (or 60 Hz at 110 V in the US, or other frequencies and voltages, depending on the country and local power system). A 50-Hz-field coupled into a guitar pickup comes through as a low-frequency interfering tone (49 Hz equals the pitch of G1) which is called hum. Hum interference rarely is of a single frequency – more often it is a complex tone with harmonics at multiples of the fundamental (50, 100, 150, 200 ... Hz – or in non-European power supply systems the harmonics of the local supply frequency). Filtering the fundamental therefore does not help a lot. The principle of magnetomotive force provides us with the basis for the quantitative interference: around a long, straight conductor a magnetic fields with the flux density of is created. In this formula, I is the current strength, r is the radial distance, and µ0 represents the permeability of air . Accordingly, a line carrying 10 A generates a flux density of 1 µT at a distance of 2 m. This seems not to be a lot – however, in a coil of 10 cm2 with 10000 turns, the resulting flux is 10 µVs, after all, and the corresponding voltage at 50 Hz is 3 mV.
    [Show full text]
  • Why Do Many Old Electric Guitars Sound Mellower Or Dull When They Get Really Old?
    The $1 Million Queson - Why do many old electric guitars sound mellower or dull when they get really old? For an electric guitar, the neck is everything. Tone, sustain, I’ll be up-front about it now… I’m not mad about the way feel and playability. Change a Strat’s neck with another some older instruments can sound! Yes, I know I’m idencal neck and you change the whole guitar’s character. completely at opposites to the rest of electric guitar players, It might become beer or it might end up worse. but that’s the way I am. I like a bright twangy guitar sound. And, I don’t play with deep distoron all the me. I guess I’m I have bought a fair number in my years and, to my a bit of a country player at heart, but I mix it up with blues, surprise, one or two have been really good necks and the jazz and rock. Yeah, I know I’m odd! Anyway, all this really rest have been relave duds by comparison. I would never bugged me and, as with all problem solving exercises, I have believed a neck is that important to the guitar’s started with a long period of thought, which actually went on amplified sound... unl I carried out my research and for a couple of years. experimentaon with different necks. This arcle is the result of this work and I wanted to share my experience. So What Happens To Our Guitars - In A Nutshell If you are not able to work out why your guitar is lifeless, lacking treble and has lile sustain, it’s probably down to its As the guitar ages, the neck in parcular - which is the neck.
    [Show full text]
  • Julien's Auctions Announces Icons & Idols: Rock-N-Roll
    For Immediate Release JULIEN’S AUCTIONS ANNOUNCES ICONS & IDOLS: ROCK-N-ROLL FEATURING PROPERTY FROM PHILANTHROPIST MILTON VERRET Michael Jackson’s “Bad” Jacket, Bob Dylan’s 1952 Reissue Fender Telecaster, U2’s Signature Guitars including Edge’s Gibson Explorer and Bono’s Two Falcon Gretschs, Eric Clapton’s Red Roland G-505, Paul McCartney’s Hofner Bass and More to Rock the Auction Block at Hard Rock Cafe New York A Portion of Proceeds to Benefit MusiCares®, a Charity of the Recording Academy™ (left to right: Bob Dylan’s Fender Telecaster 1952 reissue, Michael Jackson’s Bad Jacket and Bono’s Irish Falcon Gretsch) SATURDAY, NOVEMBER 10, 2018 Los Angeles, California – (October 26, 2018) – Julien’s Auctions, the world-record breaking auction house, has announced its ICONS & IDOLS: ROCK-N-ROLL FEATURING PROPERTY FROM PHILANTHROPIST MILTON VERRET event at Hard Rock Café Times Square and online at juliensauctions.com on Saturday, November 10. Nearly 100 items from the acclaimed philanthropist’s world renowned collection of some of the most important pieces of rock-n-roll memorabilia will be sold at the two-day music extravaganza starting Friday, November 9 which includes an all star lineup featuring historical items from music legends, Prince, Madonna, Jimi Hendrix, Elvis Presley, The Beatles, Bernie Taupin, Aretha Franklin and more. Award-winning philanthropist and businessman Milton Verret began his mission to advance his philanthropic efforts by amassing and selling his world-renowned collection of historic music artifacts and rock-n-roll memorabilia in 2011 when he made headlines around the world by winning one of the most famous jackets in pop culture history at auction–Michael Jackson’s “Thriller” jacket.
    [Show full text]