Dyeing and Colorfastness in Fabrics THIS PUBLICATION IS out of DATE. for Most Current Information

Total Page:16

File Type:pdf, Size:1020Kb

Dyeing and Colorfastness in Fabrics THIS PUBLICATION IS out of DATE. for Most Current Information TODAY'S CLOTHING CARE Dyeing and -„ OREGON STATE UNIVHSITY &% EXTENSION SERVICE Colorfastness in Fabrics '^/UV Tptf^Jty L.P. Simpson and A. W. Koester control testing of the fabric to ascertain its Oregon State University Extension olor is an important characteris- colorfastness. The consumer should return Service publications. The publications listed ticc of a textile product and is often one of the the garment to the store or to the below are available from OSU Agricultural first factors considered by a consumer. Color manufacturer for refund or replacement. Communications. To order, send the amount This publication is one of a set has always been vital to textiles. Making Retailers and manufacturers must learn to shown to: dyes and dyeing fabrics are ancient use performance specifications for colorfast- written to help consumers select processes, predating written history. DATE. ness, thereby insuring that products meet Natural dyes and pigments obtained from Publications Orders and care for today's clothing. high standards. Performance specifications Agricultural Communications plants, animals, insects, and minerals were for a wide range of apparel and home Oregon State University Three of the publications—fibers used as coloring agents for cloth until slightly furnishings textiles have been developed by OF Administrative Services A422 more than a hundred years ago. The best the American Society for Testing and known of the traditional dyes from plants Corvallis, OR 97331-2119 and fabrics; information found Materials (ASTM). The American Associa- included indigo, woad, madder, fustic, tion of Textile Chemists and Colorists (503)737-2513 on garment labels; and dyeing logwood, cutch, and safflower. The insects (AATCC) have developed colorfastness Fax:(503)737-0817 and colorfastness—aid consum- kermes and cochineal were widely used to specifications and tests. These groups are We offer discounts on orders of 100 or obtain reds. Some iron oxides gave pale working together to provide high quality, OUT more copies of a single title. Please call for ers in evaluating clothing and colors to certain fabrics, and shellfish near American-made textile products in today's Tyre on the Mediterranean provided small price quotes. market. household textiles. Those on quantities of the dyestuff IScalled Tyrian purple Garment Labels: The Consumer's Information used for royalty. Unfortunately, few of these laundry aids and laundry natural dyes formed colorfast combinations For more information Source, EC 1279. $1.00 detergents and soaps help with the fabric, even with the use of * TODAY'S CLOTHING CARE Hollen, N., Saddler,]., Langford, A. and Fibers and Fabrics Update, EC 1281. 750 mordants, chemicals that combine with a dye Kadolph, S. J. (1988). Textiles. New York: to form an insoluble substance. Macmillan, Inc. Professional Clothing Care Services, EC consumers choose effective reflected, the object appears white; if all the In 1856 an English chemist named William light rays are absorbed, the object appears Joseph, M. (1988). Essentials of Textiles. 1282.750 cleaning products. The publica- Perkin discovered aniline, a coal tar New York: Holt, Rinehard and Winston, information:black. Different light sources (natural, Laundry Detergents and Soaps, EC 1283. derivative, which dyed white silk a Inc. tion on professional clothing incandescent, fluorescent) may reflect the $1.00 reddish-purple color he called mauve. His same color differently. Price, A., Cohen, A. and Pizzuto, J. (1987). discovery led to additional research and the Fabric Science. New York: Fairchild Selecting and Using Laundry Aids, EC 1284. care services discusses working Dyes and pigments. Dyes are defined as eventual synthesis of a wide range of chemical compounds that can be attached to Publishing. 750 with a dry cleaner. chemical dyes. Today there are many Tortora, P. G. (1987). Understanding fabric in a more or less permanent state, and International Clothing Care Symbols, PNW hundreds of dyes and colors, in a variety of that evoke the visual sensation of a color. Textiles. New York: Macmillan, Inc. chemical categories, from which to choose. 284. 250 Dyes react differently with different fibers. currentWith the exception of logwood for black, The reaction of dye with the fiber can be both PUBLICATIONnatural dyes are no longer used for a chemical and a physical reaction. large-scale, commercial production but are Pigments also evoke color, but must be limited to use among fiber artists. High cost, held on the fabric surface by a resin binder limited availability, and poor colorfastness led because there is no chemical or physical to the rapid decline of these dyes. reaction with the fiber as occurs with dyes. most Pigments are finely ground colored particles, THIS similar to dust. They are not soluble and Seeing color cannot penetrate the fiber surface. In For The visual sensation of color requires three addition to surface printing using binders, things: the eye containing the retina where pigment particles can also be mixed with Extension Service, Oregon State University, Corvallis, Lyla Houglum, interim director. This publication was produced and distributed in nerve cells are stimulated, an object that liquid fiber-spinning solutions to add color to furtherance of the Acts of Congress of May 8 and June 30, 1914. Extension work is a cooperative program of Oregon State University, manufactured fibers. the U.S. Department of Agriculture, and Oregon counties. http://extension.oregonstate.edu/catalogcontains the dye or pigment and provides the color sensation, and a source of light so that LoEma Simpson, assistant professor, textiles, Oregon State University Extension Service offers educational programs, activities, and materials.—without regard to race, color, the object is visible. (You can't see the color religion, sex, sexual orientation, national origin, age, marital status, disability, and disabled veteran or Vietnam-era veteran status—as Department of Apparel, Interiors, Housing, and required by Title VI of the Civil Rights Act of 1964, Title IX of the Education Amendments of 1972, and Section 504 of the Rehabilita- of your clothes in a completely dark closet!) Merchandising; and Ardis W. Koester, Extension tion Act of 1973. Oregon State University Extension Service is an Equal Opportunity Employer. EC 1280 The color that is visible comes from the textiles and clothing specialist, Oregon State reflected light rays. If all the light rays are Reprinted August 1995 University. TODAY'S CLOTHING CARE Application of color to fabric. In order Piece dyeing describes the process of Dye classes only a certain number of colors exist. Consumers should consider both the store Colorfastness problems can result from for a textile to be dyed, the dye must dyeing the entire bolt or roll of fabric in a Actually, most fabrics are dyed with a lighting and the lighting in which the outfit will improper dye selection by the dyer; the use Dye classifications include acid, azoic, basic, penetrate the fiber and either combine solid color. When a fabric of blended fibers, combination of two or three colors of the be worn. of inferior, less expensive dyes; use of a chrome, direct, developed direct, disperse, chemically with it or be physically locked such as cotton and polyester, is piece dyed a same dye class to achieve the desired hue. In general, each dye classification is used fabric for other than its intended purpose; inside the fiber structure. Certain fibers dye solid color, it is called union dyed. In union reactive, sulfur, and vat dyes. The names of For this reason, selecting colored garments only on certain fibers. The dyes most often combining fabrics with varying colorfastness; more readily than others. Fibers that dye dyeing two dyes are combined in the same these dye classes generally relate to the that matchDATE. under all types of light can be used on cellulosic fibers such as cotton, linen, or incorrect care methods. For a product to easily have two characteristics: they are dyebath, with each dye suited to one of the method of dye application or the chemical difficult, as different types of light may cause ramie, and rayon include vat, reactive, retain its appearance, the consumer must absorbent and they contain sites in their fibers but both dyes giving the same color. composition of the dye. Within each dye class the dye combination to look different. direct, sulfur, and azoic dyes. The dyes used follow the permanent care label instructions. chemical structure to react with the dye Piece dyeing is less expensive than fiber or most frequently on protein fibers such as If a product is unsatisfactory, the consumer molecules. Dye classifications that are best yarn dyeing, and the color decision can be OF wool and silk include acid, chrome, and should return it to the store so retailers and suited for certain fibers are described later in made closer to fashion market usage. Dye Dye Fibers Colorfastness Characteristic reactive dyes. Manufactured fibers will take manufacturers are made aware of poor this publication. penetration is usually excellent for piece- Acid dyes Wool, silk, Bright colors. Most have poor colorfastness to washing. Vary from poor basic and disperse dyes and certain acid, quality merchandise. Color can be applied to textile products at dyed light- and medium-weight fabrics, but nylon, span- to good in fastness to light and perspiration. Excellent fastness to dry azoic, and reactive dyes. In addition, pigment Some dyes, especially when used for dark various stages of manufacture. However, for heavyweight fabrics piece dyeing may not dex, modi- cleaning. colors may be added to the fiber solution. or bright colors, are applied in excess to colorfastness is primarily affected by allow thorough penetration of the yarns. fied rayon, OUT achieve the desired color. When the textile is selecting the right dyestuff to penetrate a Garment dyeing is done after the garment acrylic, washed, the excess dye "bleeds" and is particular fiber content, and not by the stage has been cut and sewn together.
Recommended publications
  • Yarn Brochure Final.CDR
    Yarns with excellence. INDEX SR. No. YARNS PAGE No. 01. GREY YARNS GREY COTTON - HOSIERY 05 DELIVERING EXCELLENCE GREY COTTON - WEAVING 06 COMPACT YARNS 07 WITH TRUST. POLYESTER COTTON YARNS 08 CORE SPUN YARNS 09 Established in 1965 under the dynamic leadership of Mr. S P Oswal, 02. DYED YARNS Vardhman group is India's leading textile conglomerate. PACKAGED DYED YARNS 13 The first Indian textile company to receive an ISO 9002 RANGOLI 14 GASSED MERCERIZED YARNS 15 certificate, Vardhman today has over 21 manufacturing facilities in five states across India. 03. SPECIAL BLENDED YARNS SLUB YARNS 19 The company's advanced production facility with over 9.25 lacs SANSPILL - VORTEX YARNS 20 spindles and a dyeing capacity of 55 tons per day is a testimony of CELLULOSIC YARNS 21 SPECIAL BLENDED YARNS 22 its continuous growth. SUSTAINABLE YARNS - BCI, ORGANIC FAIR TRADE, RECYCLED YARNS 23 Manufactured at state-of-the-art facilities with the latest ULTRA - CONTAMINATION CONTROLLED YARNS 24 technology, Vardhman yarns are a benchmark in quality, range and innovation in the domestic as well as International markets. 04. ACRYLIC YARNS & ACRYLIC BLENDED YARNS GREY ACRYLIC YARNS 27 DYED ACRYLIC YARNS 28 FANCY YARNS 29 HAND KNITTING YARNS 30 Rooted in Values, Creating World Class Textiles. SPINNING EXCELLENCE. GREY COTTON - HOSIERY GREY COTTON - WEAVING GREY YARNS COMPACT YARNS POLYESTER COTTON YARNS CORE SPUN YARNS 04 GREY COTTON - HOSIERY GREY COTTON - WEAVING Application : Hosiery Application : Weaving OTHER SPECIAL PRODUCTS PRODUCT RANGE • Ultra (Contamination controlled) PRODUCT RANGE COUNT RANGE • Carded • With imported cottons like Pima, • Carded Carded : 20's - 30's Ne • Combed Ultima, Giza etc.
    [Show full text]
  • A Novel Method for Ring Spinning Performance Evaluation Based on Computer Aided Analysis of Yarn Geometry
    INTERNATIONAL JOURNAL OF MECHANICS A novel method for ring spinning performance evaluation based on Computer Aided analysis of yarn geometry R. Furferi, L. Governi and Y. Volpe Abstract—Yarn hairiness and yarn hand represent key I. INTRODUCTION parameters to be strictly assessed and controlled in textile processes ING spinning systems are considered crucial processes since they affect many aspects such as visual appearance of yarns (and consequently of fabrics), handle, thermal insulation, pleasant Rin producing yarns thanks to their flexibility and to the sensation during touch and smoothness. This is particularly true high quality of produced yarns [1]. when fancy yarns, such as jaspè or frisè, are produced using ring Fibers are supplied to the ring-spinning machine in the form spinning: colored natural fibers composing the fancy yarns are of roving; the fiber mass of the roving is, then, reduced by a required to protrude, to some extent, from the yarn core, usually drafting unit system. composed by synthetic material, so as to impart the desired Referring to synthetic-based yarns, such a system (see Fig. properties in terms of smoothness and luster. With the aim of realizing highest performing fancy yarns, a novel ring spinning 1) is usually composed by a preliminary drafting unit followed system, equipped with a double drafting unit, has been realized by by a false twister device, whose function is to increase the Università di Firenze thanks to the contribute of Tuscany Region volume of continuous yarns, and by a drafting unit. (Italy). Once the fancy yarns are obtained, the performance of this In the false twister device the yarn is compelled to follow a innovative ring spinning is evaluated by means of a Computer Aided zig-zag pattern coming into contact with discs of yieldable analysis of yarn geometry able to provide a novel measurement of material, the discs being rotated by friction by (at least) one yarn hairiness and to quantitatively define a yarn hand-related parameter.
    [Show full text]
  • California Microfiber Update: Textile Perspective
    www.materevolve.com California Microfiber Update: Textile Perspective Based on the questions identified by California’s environmental agencies mandated to manage microfibers, Materevolve curated the “California Microfiber Workshop: Science, Innovation & Connection” to bring together 85 California leaders in marine science, policy, and sustainable textile innovation to connect, share knowledge, and discuss solutions for microfiber pollution. 1 Table of Contents About the Authors ………………………………………………………………….. 3 California Microfiber Workshop ………………………………………………...…. 4 Overview to the Issue ……………………………………………………………… 5 Current Efforts: Microfiber Policy, Management, and Research in California ……………………………………………………………………………. 11 Solutions: Consumer and Industry ………………………………………………. 17 Next Steps and Recommendations ………………………………………..……. 21 References …………………………………………………………………………. 25 Other Relevant Workshop Resources …………………………………………... 26 2 About the Authors Krystle Moody Wood is the founder and principal consultant of Materevolve, LLC, a technical textile consultancy driven to lead the evolution of our materials world. Materevolve's mission is to develop and scale innovative regenerative textile systems through the lens of soil, sea and circularity by designing nature-forward experiential learning programs, providing technical consulting to leaders in the textile sector, and fostering trail-blazing collaborations between science, industry, government, and non-profit. With over 13 years of technical textile development experience working for large scale brands (VF, The North Face, Vans, and more), with sustainably minded non-profits (Fibershed, Green Science Policy Institute, 5 Gyres) and with new materials innovators, Krystle brings both a science-led approach and a diverse community to building the future of textiles and sustainable products. Krystle earned her Bachelor’s of Science in Textile Science from the University of California at Davis and has been working towards applying her textile knowledge to support the plastic pollution movement for 4 years.
    [Show full text]
  • Textile Yarns
    TEXTILE YARNS 1970 40 2010 Years of Progress ® ® Printed on Re-Cycled Paper Save a tree. 1 Textile Yarns 1.0 Introduction A textile yarn is a continuous strand of staple or filament fibers arranged in a form suitable for weaving, knitting, or other form of fabric assembly. Also, a yarn is a textile product of substantial length and relatively small cross-section consisting of fibers with twist and/or filaments without twist. The yarn can be twisted with one or more yarns to create added value or aesthetics. Traditionally, yarns have been constructed of fibers of finite length called staple fibers. Today, continuous filament yarns are also used to construct yarns. Filament yarns tend to be smoother, more lustrous, more uniform, harsher, and less absorbent. Spun yarns have a hairy surface, are more uneven in appearance, have lower luster, are softer, and more absorbent. Spun yarn is the yarn of choice in many woven and knitted fabric products. The short fibers can be natural fibers such as cotton where the fiber grows in short lengths. But they can also be synthetic fibers such as polyester that are manufactured in a continuous length and then cut into shorter staple lengths. This document will discuss how yarns are formed. It covers fiber preparation and spinning for cotton and blends of cotton. Also covered is the production of synthetic filaments and their conversion to tow and how the tow in turn gets cut into short fibers. Then the steps in the processing of cotton and cotton/synthetic blended spun yarns and the various spinning systems used will be addressed.
    [Show full text]
  • 2021 Bayside Color Chart
    2021 BAYSIDE COLOR CHART TRIBLEND – 50% POLY / 25% COTTON / 25% RAYON Tri Black Tri Royal Tri Cranberry Tri Navy Tri Steel Blue Tri Plum Tri Light Asphalt Tri Indigo Tri Midnight TRIBLEND SOLIDS – 50% POLY / 25% COTTON / 25% RAYON Tri White Solid Tri Charcoal Solid Tri Black Solid Tri Navy Solid TRIBLEND – 50% POLY / 38% COTTON / 12% RAYON Tri Charcoal Tri Athletic Grey Tri Dark Grey Tri Denim Tri Burgundy Tri Hunter Green COLLECTION Tri Maroon Tri Orange Tri Kelly Green Tri Olive Tri Blue Berry Tri Fuchsia 2021 BAYSIDE 50% COTTON / 50% POLY SOLIDS White Black Charcoal Safety Navy Safety Orange Red Royal Blue Heather Lime Green HEATHERS Charcoal Heather Navy Heather Red Heather Mocha Heather Heather Royal Heather Sage Heather Turquoise Blue 100% POLYESTER White Black Lime Green Bright Orange Royal Blue Red Navy Charcoal Military Green Coyote Brown Cationic Royal Blue Cationic Charcoal Cationic Red 72 BAYSIDE APPAREL 2021 BAYSIDE COLOR CHART 100% COTTON BASICS NEUTRALS LIGHTS White Natural Ash** Oatmeal** DARKS Army Green Black Bohemian Blue Bright Orange Caramel Brown Carolina Blue Charcoal Clay Coyote Brown Cream Dark Ash Dark Grey (Heather Grey*) Denim Gold Light Blue Military Green Navy (Dark Navy) Navy (Light Navy) Olive Orange Pacific Yellow Papaya Bright Pink Light Pink Purple Red Sand Safari Silver Tobacco Willow Green Yellow PREMIUMS Burgundy Cardinal Chocolate Forest Green Hunter Green Irish Kelly Kelly Green Lime Green Royal Blue Slate Blue Teal Turquoise * 90% Cotton / 10% Poly | ** 99% Cotton / 1% Poly 800 379 9969 | astsportswear.com
    [Show full text]
  • Textile Dyeing
    TEXTILE DYEING ® ® 1 Textile Dyeing 1.0 Introduction Color is an extremely important aspect of modern textiles. The color of a textile product is a major factor in the marketing and use of that product. The color of textiles can be used to differentiate groups of people such as uniforms used for athletic teams, hospital personnel or military organizations. Color can also be functional such as camouflage or protective uniforms. However, in the modern retail store, the color of textile products is a major contributor to what is referred to as fashion. The color is very important with apparel, carpet, upholstery, curtains, drapes, sheets and towels. All of the items are marketed with an emphasis on their specific color. 1.1 Textile Coloration Dyeing is the application of color to a textile material with some degree of fastness or permanence. The materials which impart the color are known as colorants. When these colorants have a natural affinity and permanence on textiles, they are referred to as dyes. Dyes actually migrate or diffuse into the chemical molecular structure of textile fibers in order to develop the final color of the textile product. The dye-fiber molecular association is also responsible for the degree of fastness or permanence of the color because of the molecular attraction between the specific dye and the specific textile fiber; dyes are classified as being fiber specific. That is, dyes which work on cotton will not work on polyester, nylon, acrylic, wool and many other commonly used textile fibers. However, because the basic structure of cotton is cellulose, the dyes which work on cotton will also work on other cellulose based fibers such as linen, ramie, rayon and lyocell.
    [Show full text]
  • Analyzing the Color, Design and Texture of Fabric What Attracts You to an Item of Clothing Or Fabric? the Color
    lof^ ~ IfH 12-1 Ho Analyzing the Color, Design and Texture of Fabric What attracts you to an item of clothing or fabric? The color. design, visual texture, and hand {or reaction to the touch of fab- rics) are most likely to appeal to you and induce you to buy. These aesthetic or artistic values also influence how you feel about your clothing and yourself. While aesthetic values are personal, learn- ing to analyze fabrics for their color, design, and texture will help you select clothing or coordinate patterns and fabrics. Aesthetic awareness and sensitivity can be developed or improved by an- alyzing fabrics for their aesthetic qualities. Color Begin by looking at a fabric and thinking about the color qualities which attract you to it. Color has an emotional effect on people. We associate color with moods, including "feeling blue" or being "in the pink." Numerous studies identify the effects of color on people's reactions. Personal reactions to color are a result of social and cultural background, economic levels, and environmental influences. Color can attract, repel, advance, re- cede, stimulate, or quiet. Color affects one's feelings about per- sonal appearance and well-being and also affects other persons' impressions and acceptance of us. Learning to analyze color will help you select clothing and fabric that works the way you want. There are many ways of de- scribing color in clothing and fabric. Try to determine the pre- dominant color of a fabric. This is easy if the fabric is a solid color, but more difficult when several colors are used in a pattern or Dominant color in background design.
    [Show full text]
  • Cotton Spun Yarns for Knit and Woven Fabrics
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1006 COTTON SPUN YARNS FOR KNIT AND WOVEN FABRICS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION A spun yarn is a twisted assembly of fibers formed into a linear strand. Since cotton (at a length of less than 2.0 inches) is a fiber less than 2.5 inches in length, cotton yarns are classified as short staple spun yarns. These yarns are characterized by their inherent hairiness and non-uniformity. Spun yarns are many times the yarn of choice in apparel, home furnishings, and industrial textile products, because of their uniqueness and intrinsic values compared to other yarn types. This bulletin reviews the critical steps in processing cotton spun yarns, and the different spinning systems predominantly used today. Emphasis will be placed on process options, yarn properties, and quality determinants. YARN CLASSIFICATIONS Many times cotton spun yarns are classified according to the spinning system used for yarn formation. The major systems utilized today are ring spinning, open-end spinning, and air-jet spinning (MJS and MVS). Preparatory processes of fiber for these systems are somewhat different, and each spinning system is unique in its operation, yarn characteristics delivered, and production levels. The fiber preparatory processes needed for each of these different classifications are indicated in the following table: SPINNING SYSTEM Ring Ring Open-End Air-Jet Vortex Processes (Carded) (Combed) Bale feeding X X X X X Opening X X X X X Cleaning X X X X X Blending X X X X X Carding X X X X X Pre-drawing X X Lap winding X X Combing X X Breaker drawing X X X X X Intermediate drawing X Finisher drawing X X X X* X* Roving X X Spinning X X X X X Winding X X * Finisher drawing may not be required for certain products.
    [Show full text]
  • Plying the Arts 2011 Workshop Instructors
    CANCELLATION POLICY FOR WORKSHOPS Before June 16th, 75% of the registration will be refunded. June 16 - July 6, 50% of the registration will be refunded. After July 6, there will be no refunds PLYING THE ARTS 2011 WORKSHOP INSTRUCTORS Leslie Bronson has an art degree from the University of Georgia (BFA 1985) and since graduation has continued to study fiber arts. She frequently takes classes in spinning, knitting, weaving, and dyeing. Her work has been exhibited in many galleries and museums. Leslie has been teaching handspinning and knitting for over twenty years. Her classes are fun, relaxed, creative and informative. She is a longtime member of the Peachtree Handspinners Guild in Atlanta, GA. When she’s not knitting or spinning, Leslie plays the saxophone in the Etowah Jazz Society. Nancy Coltrin has had a life-long love affair with fiber, and has been practicing kumihimo for a decade. An avid history buff, she is fascinated with how the ancient use of fiber has influenced our modern textiles and techniques. Reagan Costen was born in Savannah and raised in Atlanta. She has tried almost everything to find something that will keep her hands busy, give her something tangible to produce and that feels scrumptious. She is a spinner who occasionally knits, and has yet to follow a written pattern. Not knowing better, she began her spinning career with alpaca and silk because that is what she loves to touch. She has been spinning, weaving, and knitting for the past seven years when she is not busy teaching high school Math. Judy Dyer is a teacher, knitter and spinner from Decatur, GA.
    [Show full text]
  • Apparel Glossary of Terms
    Apparel Glossary of Terms Yarn & Fiber Terms RAYON: A manufactured fiber composed of regenerated glossary of terms cellulose derived from wood pulp that is dissolved in a solution, ACRYLIC: A manufactured fiber with a soft, wool-like hand, extruded into filaments, and cut into fiber lengths. machine washable and dryable, excellent color retention. RECYCLED PET: PET is the abbreviated name for BAMBOO: A plant related to the grass species which is polyethylene terephthalate, the polymer used to create a naturally sustainable resource. Bamboo grows without plastic soda bottles. Recycled soda bottles are processed and the use of pesticides, is biodegradable, regenerative and converted into polyester fibers that are knit into the fabric of generates more oxygen than trees. Bamboo fiber is spun our recycled fleece. into yarns and knit into fabric which is inherently antimicrobial RING SPUN (RS): and moisture absorbent. A system of spinning yarns using a ring-and- traveler which combines multiple yarn processes (drafting, CARDED YARN (KP): A cotton yarn which has gone through twisting and winding) into one process. Yarns are stronger an opening and cleaning process, containing a wide range of than open end spun yarns. fiber lengths. Carded yarns are not as uniform or strong as SPANDEX: combed yarn. A manufactured elastomeric fiber that can be repeatedly stretched over 500% without breaking, and will still COMBED YARN (CP): A cotton yarn which contains straighter recover to its original length. and longer fibers (over 1 1/8”) for better uniformity and strength. Sustainable FIBERS: An additional “combing” step is conducted on carded yarn to Fibers made from resources that produce combed yarn.
    [Show full text]
  • Collections Overview 1
    TM InternatIonal textIle exhIbItIon Yarns & FIbres KnItwear ManuFacturers & stYle oFFIces creatIve soFtware For textIle MachInerY FIBRE PROMOTERS, SPINNERS AND KNITWEAR MANUFACTURERS & DESIGNERS AT THE SHOW ColleCtions overview AA Global AA Global has been leading the fancy yarn production for over 20 years by researching and developing innovative products in keeping with the seasonal trends. Key for Autumn/Winter is the combination of various types of materials while keeping the yarns light and soft, such as Yak, Mohair, Alpaca, Cotton, and Linen blended with wool. The focus this season is on Air yarns, Nep yarns, and colour-changing yarns. AA Global Akkon Iplik San. A.S. Akkon Iplik San. A.S. is one of the leading classic hand knitting yarn manufacturers in Turkey for 25 years. Their high quality products are updated colour variations present in hand knitting yarn shops around Turkey and foreign markets. The main product groups are Classic Hand Knitting Yarns in acrylic, wool, mohair, bamboo and polya- mide blends; industrial yarns for knitting and weaving and different kind of yarns for carpet industry. The company can supply special yarn qualities according to clients’ requests and can arrange the package with different weight balls and on cones. Akkon has a dyed house in their factory to dye all kind of tows, topes and yarns and printing machines for jacquard printing and hank printing and can produce particular colours for their customers. BROS BROS, an “evergreen tree” in heather yarn industry, provides inspiration and innova- tive ideas to the world of fashion. Their new heather collection - “NEO YARN SERIES” meets the diverse needs in the ever-developing fashion market with its nebulous concepts.
    [Show full text]
  • Method of Making a Bulky Multifilament Heather Yarn, Yarn So Obtained and Carpet Containing Such a Yarn in Its Pile
    Patentamt JEuropaischesEuropean Patent Office © Publication number: 0 041 865 Office europeen des brevets A2 EUROPEAN PATENT APPLICATION © Application number: 81302553.3 © Int. CI.3: D 02 G 1/20 © Date of filing: 09.06.81 © Priority: 10.06.80 US 158120 © Applicant: E.I. DU PONT DE NEMOURS AND COMPANY Legal Department 1007 Market Street Wilmington, Delaware 19898(US) © Date of publication of application: 16.12.81 Bulletin 81/50 © Inventor: Windley, William Thomas 418 N.Willey Street © Designated Contracting States: Seaford Delaware 19973(US) BE DE FR GB IT IML © Representative: Jones, Alan John et al, CARPMAELS & RANSFORD 43 Bloomsbury Square London, WC1A2RAIGB) © Method of making a bulky multifilament heather yarn, yarn so obtained and carpet containing such a yarn in its pile. An improved method for making a continuous filament heather dyeable yarn involves cobulking in a hot fluid jet process a first unbulked yarn with a second differentially dye- able previously bulked yarn. The method enhances differen- tial dyeability in the product when both yarns have a common type of chemical dye site and the second yarn has a greater concentration of those dye sites than the first yarn. Technical Field This invention concerns an improved method for making continuous filament heather dyeable yarns by cobulking two or more differentially dyeable yarns and improved cobulked heather yarns having enhanced differential dyeability. Background Art Yarns having the appearance provided by many flecks of various colors randomly distributed throughout the yarn are commonly called heather yarns. Heather yarns have long been obtained from random mixtures of differently colored natural staple fibers such as wool by controlling the degree of mixing of the fibers during preparation of the staple yarn.
    [Show full text]