Billie Eilish's 'Happier Than Ever' Spends Second Week At
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RHYTHM & BLUES...63 Order Terms
5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R -
Key Findings
The CMAA gratefully acknowledges the partners and supporters whose contributions and involvement provided the resources to gather and collate the data which underpins the findings in this report. Country Music in Australia 2018 1 Project Summary & Methodology 2018 was a stellar year for Australian country music. Kasey Chambers was memorably inducted as the youngest female ever into the ARIA Hall of Fame. Keith Urban was acknowledged by the US Country Music Association as its Entertainer of The Year. Morgan Evans achieved notable #1’s on US, ARIA and Australian airplay charts. Country music festivals reported record attendances and box office results, moreAustralians are listening to more country on radio than ever before and music streaming – the juggernaut driving the global and Australian industry revival, is being enthusiastically embraced by country fans listening on their phones, in their cars and on tablets and smart speakers. More Australian country music artists are writing, recording and performing and are being listened to and watched by more fans than ever before. Over a seven month period, extensive desk research, industry consultation and the responses from 4,329 country music fans and 582 artists, enabled us to chart our genre’s progress since the first and only such report - ‘Australian Country Music:An Industry Profile’, was compiled in 1997. This current report concentrated on country music live performance, the recorded music market, songs and songwriting, country music broadcast and airplay and the cultural and social value it delivers to its fans and the broader community. The accumulated data has confirmed that country music 2018 is in a growth phase that all indicators and opinions suggest will continue. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
Chuck Mangione
Chuck Mangione Year Album Chart Peak 1971 Friends and Love...A Chuck Mangione Concert Jazz Albums 14 1971 Friends and Love...A Chuck Mangione Concert The Billboard 200 116 1971 Together The Billboard 200 194 1972 Chuck Mangione Quartet Jazz Albums 14 1972 Chuck Mangione Quartet The Billboard 200 180 1972 Together Jazz Albums 22 1973 Alive! Jazz Albums 21 1973 Friends and Love...A Chuck Mangione Concert Jazz Albums 36 1974 Land of Make Believe Jazz Albums 7 1975 Chase the Clouds Away Jazz Albums 6 1975 Chase the Clouds Away The Billboard 200 47 1975 Encore Jazz Albums 24 1976 Bellavia Jazz Albums 7 1976 Bellavia The Billboard 200 68 1976 Encore The Billboard 200 102 1977 Feels So Good Jazz Albums 1 1977 Land of Make Believe The Billboard 200 157 1977 Main Squeeze Jazz Albums 4 1977 Main Squeeze The Billboard 200 86 1978 Children of Sanchez Jazz Albums 1 1978 Children of Sanchez The Billboard 200 14 1978 Children of Sanchez R&B Albums 37 1978 Feels So Good The Billboard 200 2 1978 The Best of Chuck Mangione [Mercury] Jazz Albums 23 1978 The Best of Chuck Mangione [Mercury] The Billboard 200 105 1979 An Evening of Magic, Live at the Hollywood Bowl Jazz Albums 5 1979 An Evening of Magic, Live at the Hollywood Bowl The Billboard 200 27 1980 Fun and Games Jazz Albums 1 1980 Fun and Games The Billboard 200 8 1980 Fun and Games R&B Albums 13 1981 Tarantella Jazz Albums 10 1981 Tarantella R&B Albums 51 1981 Tarantella The Billboard 200 55 1982 Love Notes Jazz Albums 8 1982 Love Notes R&B Albums 53 1982 Love Notes The Billboard 200 83 1983 70 Miles Young Jazz Albums 19 1983 Journey to a Rainbow Jazz Albums 10 1983 Journey to a Rainbow The Billboard 200 154 1984 Disguise The Billboard 200 148 1988 Eyes of the Veiled Temptress Top Contemporary Jazz 22 Albums 1999 The Feeling's Back Top Jazz Albums 12 2000 Everything for Love Top Jazz Albums 15. -
Sydney 18 Våra Medlemmar
AZeelAnd.se UNDER A ZeeländskA vänskApsföreningen www.AustrAlien-ny DAustrAlisk A ny WN nr 4 / 2012 the sAints AustrAlien där och sverige regnskogen långt emellAn men möter revet ändå likA dykning på nyA ZeelAnd • NYHETER • samaRbETE mEd sTudiEfRämjaNdET • KaNgoRoo HoppET • LäsaRfRågoR Besök vänskApsföreningens nyA hemsidA på hemsidan hittar du senaste nytt om evenemang, nyheter, medlemsförmåner och tips. du kan läsa artiklar, reseskildringar och få information om working holiday, visum mm. www.AustrAlien-nyAZeelAnd.se Bli medlem i AustrAliskA nyA ZeeländskA vänskApsföreningen medlemsavgift 200:- kalenderår. förutom vår medlemstidning erhåller du en mängd rabatter hos företag och föreningar som vi samarbetar med. att bli medlem utvecklar och lönar sig! inbetalning till plusgiro konto 54 81 31-2. uppge namn, ev. medlemsnummer och e-postadress. 2 D WN UNDER Det sprakar från elden i kakelugnen och förs- ta adventsljuset är tänt när jag skriver denna ledare. Den första snön har redan fallit, det nal- kas mot jul och vi närmar oss ett nytt och spän- nande år. År 2012 har varit alldeles fantastiskt oRdföRaNdEN HaR oRdET 4 för egen del. Jag har börjat på ett nytt arbete som verksamhetsutvecklare hos Studiefrämjan- däR REgNsKogEN möTER REvET 5 det Bohuslän Norra med inriktning på musik och kultur. Vågar nog påstå att det är det mest inspirerande arbete KaNgoRoo HoppET 7 jag hittills haft. Inspirerande är också att just Studiefrämjandet och Vänskapsföreningen under hösten inlett ett samarbete som jag hoppas DykniNg på NYa ZEELaNd 8 ni kan ha mycket glädje och nytta av. Som vanligt går man omkring och längtar till vänner och platser på andra sidan jordklotet. -
Nielsen Music 2017 Year End Music Report Canada
NIELSEN MUSIC 20I7 YEAR-END MUSIC REPORT CANADA 1 INTRODUCTION The music industry in Canada has never been stronger, with record consumption, growing live music attendance and a new class of emerging artists. Nielsen Music has also had an amazing, transformative year. Technological advancements and new partnerships have allowed us to provide robust, comprehensive data in more accessible, customizable and useful ways in 2017. Over the past year, we received a record number of requests for Nielsen Music research and insight reports. Welcome to the Nielsen Music Year-End Report, which examines the trends that shaped the Paul Shaver Canadian music industry in 2017 with definitive consumption figures and charts. Vice President/ Head of Nielsen Music Canada Overall consumption of albums, songs and On-Demand Audio streaming grew 13.6% year-over- year. On-Demand Audio streaming offset decreases in track and album sales and, on December 3, for the first time in history, it surpassed the 900 million per week mark. Ed Sheeran led all artists in Canada with overall consumption and had the top-selling album of the year. Six Canadians had No. 1 albums on the Billboard Canadian Albums chart in 2017, including The Weeknd’s Starboy, Drake’s More Life, Arcade Fire’s Everything Now, Shania Twain’s Now, Pierre Lapointe’s La Science Du Coeur and Gord Downie’s Introduce Yerself. The passing of Gord Downie captured the nation’s attention. In the week following his death, The Tragically Hip’s overall consumption increased by 1,000% over the previous week. Also, six of the group’s albums re-entered the Billboard Canadian Albums chart. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
Madonna Moves to Lisbon to Help Son David Become a Football Star
Lifestyle FRIDAY, SEPTEMBER 1, 2017 Like Destiny's Child, Fifth Harmony survives after the storm t's been a year of transition for Fifth because they're in the driver's seat. They pushed Harmony: The pop stars parted ways with for more creative control with their labels, Epic Imember Camila Cabello, switched manage- Records and Simon Cowell's Syco imprint, and ment teams, negotiated a new contract with sought legal counsel to gain ownership of the their label and won greater creative control of Fifth Harmony trademark. their brand. Luckily the newly-minted quartet, who released their third album last week, had Chart success the fairy godmother of girl groups to guide "When we hired our lawyer, Dina LaPolt, them through the tumultuous times: Destiny's that's when our real transformation began Child alum Kelly Rowland. because she really informed us about our busi- "We were advised by THE Kelly Rowland," ness and informed us about our rights as Dinah Jane, 20, said with reverence. "She just artists," Jauregui said. "And we really, I feel, told us to, like, let the music speak for itself ... gained this sort of inner power that we didn't and just know your worth, believe in yourself have before and this control and ownership of and just be there for each other. So we've defi- our music, of our brand, of our business." Fifth nitely honed into that. And for her to advise Harmony was formed on the US version of "The that, like, that says a lot because, you know, X Factor" in 2012. -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Songwriter Symposium
The Texas Songwriters Association Presents 15th Annual SONGWRITER SYMPOSIUM JANUARY 9 – 13, 20 Holiday Inn Midtown Austin, Texas www.austinsongwritersgroup.com ASG SONGWRITER SYMPOSIUM 2019 SCHEDULE WEDNESDAY, JANUARY 9, 2019 5:00 – 6:30 PM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases 6:30 PM: Kick Off Party Meet and Greet! 7:00 – 8:00 PM: Open Mic In The Round 8:00 – 9:15 PM PUBLISHERS PANEL Music Publishers Bobby Rymer, Jimmy Metts, Sherrill Dean Blackman, Steve Bloch, and Antoinette Olesen kick off Symposium 2019 by leading this panel discussing current trends in music publishing. 7:00 – 8:00 PM: Open Mic In The Round 10:00 PM - Midnight SONG PICKING CIRCLES After the Music Publishing Panel, grab your instruments and circle for the opening night song picking circles. THURSDAY, JANUARY 10, 2019 9:00 AM Symposium Registration (Magnolia Room) Walk Up Registration & Pre-Registration Check In: 1. Pick Up Schedule and Wrist Bands 2. Sign Up for the One-On-One with Publisher of Your Choice 3. Sign Up for the One-On-Ones with the music industry professionals ( writers, publicists, lawyers, producers, performance coach, etc. ) 4. Sign up for showcases PUBLISHERS PANEL (HILL COUNTRY BALL ROOM) This is an introduction to the publishers. They will tell you a little about themselves, and some of the things they are currently working on.