The Deliverance of the Elephant King Gajendra and the Crocodile
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Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF]
Personality Development - English 1 Personality Development - English 2 Initiative for Moral and Cultural Training [IMCTF] Personality Development (English) Details Book Name : Personality Development (English) Edition : 2015 Pages : 224 Size : Demmy 1/8 Published by : Initiative for Moral and Cultural Training Foundation (IMCTF) Head Office : 4th Floor, Ganesh Towers, 152, Luz Church Road, Mylapore, Chennai - 600 004. Admin Office : 2nd Floor, “Gargi”, New No.6, (Old No.20) Balaiah Avenue, Luz, Mylapore, Chennai - 600 004. Email : [email protected], Website : www.imct.org.in This book is available on Website : www.imct.org.in Printed by : Enthrall Communications Pvt. Ltd., Chennai - 30 © Copy Rights to IMCTF Personality Development - English Index Class 1 1. Oratorical ................................................................................................12 2. Great sayings by Thiruvalluvar .........................................................12 3. Stories .......................................................................................................12 4. Skit ........................................................................................................15 Class 2 1. Oratorical .................................................................................................16 2. Poems .......................................................................................................16 3. Stories .......................................................................................................18 4. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Vaikuntha Children.) Methods from Each of These Large Categories Can Be Combined to Create Many Specific Ways to Teach
Please Read This First This book is for teachers, parents, ISKCON leaders, students, and anyone interested in conscious education. Here we are neither presenting a blueprint for a traditional gurukula nor what you probably feel a curriculum should be after reading Çréla Prabhupäda’s instructions. It is an adaptation for our present needs in Western countries. Certainly, what we suggest is not the only way but if you’re starting and don’t know what to do, we hope to be of help. For veteran educators, there are many ideas and resources which can enhance your service. Because we are now using mostly non- devotee teaching materials, the amount of Kåñëa consciousness being taught depends upon the individual teachers. Kåñëa consciousness is not intrinsic in these curriculum guidelines but we have tried to select the most efficient and least harmful methods and materials which should make the injection of spiritual principles easiest. By following the guidelines suggested here, you can be reasonably assured that you will meet all legal requirements, have a complete curriculum, and that the students will get a good education. Although this book follows a logical order from beginning to end, you can skip through and pick what is of most value to you. Additionally, a lot of important material can be found in the appendixes. New educational material is constantly being produced. Suppliers come and go. Therefore, some of this information is dated. Please update your copy of this guidebook regularly. We have included some quotes from Çréla Prabhupäda, called “drops of nectar,” at the beginning of most chapters. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Vaikuntha Ekadasi
Hindu Temple and Cultural Society of USA Inc. Sri Venkateswara Temple (Balaji Mandir) and Community Center 780 Old Farm Road, Bridgewater, New Jersey 08807 (908)725-4477 http://www.venkateswara.org/ Vaikuntha Ekadasi: Ekadasi in Sanskrit means eleven. Ekadasi is the eleventh day of the fifteen-days of the bright half (Sukla Paksha) and is also the eleventh day of the dark half (Krishna Paksha) of the lunar month. In the Sukla Paksha the moon grows from new moon to full moon and in the following half it diminishes from full moon to new moon. Ekadasi day is auspicious to Lord Vishnu. The Ekadasi day that falls during the Sukla Paksha of Dhanurmasa/Margahi (December middle to January middle) is very special. On this day, it is believed, that the gates of Vaikuntha are ceremoniously open for devotees to enter. This day is celebrated as Vaikuntha (Abode of The Lord Sriman Narayana) Ekadasai in all the Vaishnava Temples. Stories from Puranas say that Lord Krishna discussed the special significance of Vaikuntha Ekadasi in one of His conversations with Yudhishthira. The Lord says that there is no better fasting day than the Ekadasai of the light fortnight of the Margazhi (Dhanurmasa) month. Who so ever is able to strictly observe this sacred Ekadasai, with worship, meditation, and fasting achieves complete liberation from the cycle of life and death. In some Vaishnava Temples, they have Vaikuntha Dwaram (special doors that are symbolic of the doors to Vaikuntha) and are kept open on Vaikuntha Ekadasai day. Pilgrims pass through this gate on this auspicious day. -
5 : How Hindus Worship
29 March 2020 #5 4-6 : Describe the different forms of worship : HOW HINDUS WORSHIP 7-9 : Explain the importance of worship Key Question : What are Puja and Arati? KEY DIFFERENCES IN WORSHIP IN SHAIVISM AND VAISHNAVISM : Read through the information sheets and create a table of differences between the way Shaivites and Vaishnavas worship. Shaivism Vaishnavism 4-6 : Describe the Arati ceremony / 7-9 : Explain the ritual of Puja Key Question : What are Puja and Arati? VAISHNAVISM : Vaishnavism is one particular tradition or denomination within Hinduism, which focuses on the worship of Vishnu. It has become very popular in Britain in the last sixty years due to the International Society for Krishna Consciousness (ISKCON), also known as the Hare Krishna movement. Vaishnava worship is based on the Upanishads, the Vedas and the Puranas, especially the Bhagavad Gita and concentrates on the concept of bhakti (personal devotion). Worship often consists of praying specific mantras (for example ‘Hare Krishna’) and the practice of repetitive prayer known as ‘japa’. Some consider Shiva to be a Vaishnava, and one well-known picture shows Rama praying before Shiva, that is, an avatar of Krishna praying before the god Shiva. Vaishnavas consider that Vishnu is within them as the ‘antaryami’ or God within, and their aim in life is to serve Vishnu or one of his avatars in the spiritual realm of vaikuntha. 4-6 : Describe the Arati ceremony / 7-9 : Explain the ritual of Puja Key Question : What are Puja and Arati? SHAIVISM : Shaivites, or Shaivas, are the second largest group of Hindus in India today. -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
^Best Ebooks^ Jaya: an Illustrated Retelling of the Mahabharata TRIAL EBOOK
Download Here https://msc.realfiedbook.com/?book=014310425X High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God.The doorkeepers of Vaikuntha are the twins, Jaya and Vijaya, both whose names mean 'victory'. One keeps you in Swarga the other raises you into Vaikuntha.In Vaikuntha there is bliss forever, in Swarga there is pleasure for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata.In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskrit classic as well as its many folk and regional variants, including the Pandavani of Chhattisgarh, Gondhal of Maharashtra, Terukkuttu of Tamil Nadu and Yakshagana of Karnataka.Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data.With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years. Download Online PDF Jaya: An Illustrated Retelling of the Mahabharata, -
View This Year's Acquisitions
Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in. -
Going Beyond Vaikuntha.Pdf
Going Beyond Vaiku√†ha çrî çrî guru-gaurå∫gau jayata˙ Going Beyond Vaiku√†ha Çrî Çrîmad Bhaktivedånta Nåråya√a Mahåråja V®ndåvana, Uttar Pradesh, India Other titles by Çrîla Nåråya√a Mahåråja: The Nectar of Govinda-lîlå Bhakti-rasåyana Çrî Çikßå߆aka Ve√u-gîta Çrî Prabandhåvalî Çrî Bhakti-rasåm®ta-sindhu-bindu Çrî Mana˙-çikßå Bhakti-tattva-viveka Çrî Upadeçåm®ta Çrî Gau∂îya Gîti-guccha Çrîmad Bhagavad-gîtå Çrîmad Bhakti Prajñåna Keçava Gosvåmî – His Life and Teachings Çrî Harinåma Mahå-mantra Jaiva-dharma Beyond Nirvå√a Çrî Vraja-ma√∂ala Parikramå Çrî Bhajana-rahasya Çrî Brahma-saμhitå The Origin of Ratha-yåtrå Çrî Navadvîpa-dhåma Parikramå Çrî Gîta-govinda Rays of the Harmonist (periodical) Please see the following websites for in-depth transcendental content: PureBhakti.com / BhaktiArt.com / BhaktiProjects.com ISBN 81-86737-04-9 © 2006 Gau∂îya Vedånta Publications – all rights reserved. Cover painting is © Çyåmarå√î dåsî. Used with permission. Photo of Çrî Çrîmad A.C. Bhaktivedånta Swami Prabhupåda is © courtesy of The Bhaktivedanta Book Trust International, Inc. (www.krishna.com). Used with permission. First printing: June 1994 – 1,000 copies Second printing: September 1997 – 2,000 copies Third printing: September 2006 – 1,000 copies Contents Introduction i Ma∫galåcara√a iii Chapter 1. ...The Bråhma√a Meets Gopa-kumåra 1 2.....Gopa-kumåra’s Remarkable Journey 19 3.....The Superiority of Nåma-sa∫kîrtana 35 4.....The Moods of Intimacy and Sweetness 43 5.....Bhagavån’s Incarnations are One 57 6.....K®ß√a’s Glories are Inconceivable 71 7.....Bhagavån’s Inconceivable Potency 85 8.....The Glories of Yogamåyå 101 9.....K®ß√a Gives Prema Even To His Enemies 115 10.. -
An Introduction to the Sattra Culture of Assam: Belief, Change in Tradition
Journal of Ethnology and Folkloristics 12 (2): 21–47 DOI: 10.2478/jef-2018-0009 AN INTRODUCTION TO THE SATTRA CULT URE OF ASSAM: BELIEF, CHANGE IN TRADITION AND CURRENT ENTANGLEMENT BABURAM SAIKIA PhD Student Department of Estonian and Comparative Folklore University of Tartu Ülikooli 16, 51003 Tartu, Estonia e-mail: [email protected] ABSTRACT In 16th-century Assam, Srimanta Sankaradeva (1449–1568) introduced a move- ment known as eka sarana nama dharma – a religion devoted to one God (Vishnu or Krishna). The focus of the movement was to introduce a new form of Vaishnava doctrine, dedicated to the reformation of society and to the abolition of practices such as animal sacrifice, goddess worship, and discrimination based on caste or religion. A new institutional order was conceptualised by Sankaradeva at that time for the betterment of human wellbeing, which was given shape by his chief dis- ciple Madhavadeva. This came to be known as Sattra, a monastery-like religious and socio-cultural institution. Several Sattras were established by the disciples of Sankaradeva following his demise. Even though all Sattras derive from the broad tradition of Sankaradeva’s ideology, there is nevertheless some theological seg- mentation among different sects, and the manner of performing rituals differs from Sattra to Sattra. In this paper, my aim is to discuss the origin and subsequent transformations of Sattra as an institution. The article will also reflect upon the implication of traditions and of the process of traditionalisation in the context of Sattra culture. I will examine the power relations in Sattras: the influence of exter- nal forces and the support of locals to the Sattra authorities. -
High-Kuntha to Vaikuntha - Part 1
High-Kuntha to Vaikuntha - Part 1 Date: 2015-02-28 Author: Sudarshana devi dasi Hare Krishna Prabhujis and Matajis, Please accept my humble obeisances. All glories to Srila Prabhupada and Srila Gurudeva. In Srimad Bhagavatam Canto 3, Chapter 15, verses 17 through 21 very nicely describe the nature of residents of Vaikuntha. The very word Vaikuntha means a place free from anxieties. But we are living in this material world which is high-kuntha (place with lot of anxieties). How is it possible to have Vaikuntha atmosphere even while we are residing in this material world? When we imbibe the qualities of the residents of Vaikuntha, then wherever we reside, it is Vaikuntha. So let us try to meditate on each of these verses. 1. Give first preference to devotional service: Srimad Bhagavatam verse 3.15.17 says, vaimānikāḥ sa-lalanāś caritāni śaśvad gāyanti yatra śamala-kṣapaṇāni bhartuḥ antar-jale ’nuvikasan-madhu-mādhavīnāṁ gandhena khaṇḍita-dhiyo ’py anilaṁ kṣipantaḥ In the Vaikuntha planets the inhabitants fly in their airplanes, accompanied by their wives and consorts, and eternally sing of the character and activities of the Lord, which are always devoid of all inauspicious qualities. While singing the glories of the Lord, they deride even the presence of the blossoming madhavi flowers, which are fragrant and laden with honey. Vaikuntha, being the abode of Supreme Lord is full of opulences. But in spite of all the opulences, the residents always give first preference to glorifying the Lord. And they all do it together. When they are absorbed in such glorification, they don't want to be disturbed by the fragrance of flowers like madhavi which is laden with honey.