Cultural Introduction to Italy
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Comunicato Ufficiale N° 35 Del 18/01/2018 Attività Di Lega Nazionale Dilettanti
Federazione Italiana Giuoco Calcio Lega Nazionale Dilettanti DELEGAZIONE PROVINCIALE DI VITERBO Via della Ferrovia, 40 – 01100 VITERBO Tel.:0761 303565 - Fax 0761 325389 Indirizzo Internet: www.lnd.it – www.crlazio.org e-mail: [email protected] Stagione Sportiva 2017/2018 Comunicato Ufficiale N° 35 del 18/01/2018 Attività di Lega Nazionale Dilettanti NUOVO PRONTO AIA 06.41217705 RICHIESTE PER VARIAZIONI GARE fax 0761325389 - email: [email protected] APERTURA UFFICI D.P. Lunedì e Giovedì: ore 10:00 – 12:00 e 16:30 – 18:30 Martedì - Venerdì: ore 16:30 – 18:30 Mercoledì e Sabato: CHIUSO INDICE Segreteria Avvisi alle Società Pag. 2 Risultati gare del 13 e 14 Gennaio 2018 Pag. 3 Giustizia Sportiva 3a Categoria Pag. 4/5 Juniores – Under 18 Pag. 6 Allegati Pag. 7 VITERBO 35/2 - 1. SEGRETERIA 1.1. Avvisi alle societa’ Si rammenta che il 15 Gennaio 2018 scade il termine per pagamento della seconda rata relativa alle iscrizioni ai Campionati della corrente stagione sportiva: Il versamento di quanto dovuto può essere effettuato mediante: - Assegno circolare non trasferibile intestato a COMITATO REGIONALE LAZIO LND da consegnare a mano presso la Delegazione Provinciale di Viterbo; - Bonifico bancario alle seguenti coordinate: IBAN IT20M0832703395000000004120 c/c intestato a Comitato Regionale Lazio LND indicando nella causale la matricola societaria (in tale eventualità, copia della ricevuta del bonifico dovrà essere trasmessa a mezzo fax allo 0761 325389 ) Con l’entrata in funzione del nuovo sito ufficiale del Comitato Regionale Lazio, i Comunicati Ufficiali Regionali e Provinciali, sia di Lega Dilettanti che di Settore Giovanile di Calcio a 11 e di calcio a 5 sono ora consultabili e scaricabili all’indirizzo LAZIO.LND.IT Si ricorda che gli stessi Comunicati ufficiali sono consultabili anche sull’app del CR Lazio ILndlazio Sulla vecchia piattaforma 2lnd.it resteranno consultabili esclusivamente i vecchi Comunicati Ufficiali. -
3.1 – Presenza Di Aree a Rischio Idrogeologico in Attuazione Della
3.1 – Presenza di aree a rischio idrogeologico In attuazione della Legge 183/89 è stato emanato il D.L. n. 180 dell’11 giugno 1998 (Decreto Sarno) con la finalità di individuare le aree a più elevato rischio idrogeologico e di adottare idonee misure di salvaguardia e prevenzione. La difesa del suolo diviene in tal modo, se pur sulla base della emotività scatenata dalla tragedia di Sarno, una attività preventiva e non, come in precedenza, riparativa di danni ormai avvenuti sul territorio. Lo stesso decreto fu convertito con modificazioni dalla legge n. 267 del 3 agosto 1998 e promulgato il D.P.C.M 29 settembre 1998 per la individuazione dei criteri relativi agli adempimenti da compiere in merito alla perimetrazione delle aree esposte a diversi livelli di rischio. Esso traccia, inoltre, la fase di programmazione della mitigazione del rischio attraverso elaborazioni, anche grafiche tali da individuare le tipologie di interventi da realizzare per mitigare o rimuovere lo stato di rischio. In attesa di un riordino successivo all’entrata in vigore del nuovo Decreto legislativo 152/2006 si riportano le strategie di intervento fino ad oggi attuate per quanto riguarda la difesa del suolo. Esse si inquadrano nell’ambito della pianificazione di bacino che le 5 Autorità di bacino competenti sul territorio regionale (Tevere, Liri-Garigliano, Fiora, Tronto, Bacini regionali) elaborano ed approvano. Lo strumento pianificatorio attualmente approvato e vigente su tutto il territorio regionale è il Piano Straordinario per l’Assetto Idrogeologico (PSAI). Le Autorità di Bacino che interessano il territorio provinciale sono tre, di seguito si riportano i dati salienti (Tab. -
Chapter 5 Art Offers a Glimpse at a Different World Than That Which The
chapter 5 Art Art offers a glimpse at a different world than that which the written narratives of early Rome provide. Although the producers (or rather, the patrons) of both types of work may fall into the same class, the educated elite, the audience of the two is not the same. Written histories and antiquarian works were pro- duced for the consumption of the educated; monuments, provided that they were public, were to be viewed by all. The narrative changes required by dyadic rivalry are rarely depicted through visual language.1 This absence suggests that the visual narratives had a different purpose than written accounts. To avoid confusion between dyadic rivals and other types of doubles, I con- fine myself to depictions of known stories, which in practice limits my inves- tigation to Romulus and Remus.2 Most artistic material depicting the twins comes from the Augustan era, and is more complimentary than the literary narratives. In this chapter, I examine mainly public imagery, commissioned by the same elite who read the histories of the city. As a result, there can be no question of ignorance of this narrative trope; however, Roman monuments are aimed at a different and wider audience. They stress the miraculous salvation of the twins, rather than their later adventures. The pictorial language of the Republic was more interested in the promo- tion of the city and its elite members than problematizing their competition. The differentiation between artistic versions produced for an external audi- ence and the written narratives for an internal audience is similar to the dis- tinction made in Propertius between the inhabitants’ knowledge of the Parilia and the archaizing gloss shown to visitors. -
1-Day Rome City Guide a Preplanned Step-By-Step Time Line and City Guide for Rome
1 day 1-day Rome City Guide A preplanned step-by-step time line and city guide for Rome. Follow it and get the best of the city. 1-day Rome City Guide 2 © PromptGuides.com 1-day Rome City Guide Overview of Day 1 LEAVE HOTEL Tested and recommended hotels in Rome > Take Metro Line A to Ottaviano San Pietro station 09:00-10:10 St. Peter's Basilica Largest Christian Page 5 church in the world 10:10-10:40 Piazza di San Pietro One of the best known Page 5 squares in the world Take Metro Line A from Ottaviano San Pietro station to Termini station (Direction: Anagnina) Change to Metro Line B from Termini station to Colosseo station (Direction: Laurentina) - 30’ in all 11:10-12:40 Colosseum Iconic symbol of Page 6 Imperial Rome Take a walk to Arch of Constantine - 5’ 12:45-12:55 Arch of Constantine Majestic monument Page 6 Lunch time Take a walk to Piazza Venezia 14:30-14:50 Piazza Venezia Focal point of modern Page 7 Rome Take a walk to the Pantheon - 15’ 15:05-15:35 Pantheon The world's largest Page 7 unreinforced concrete Take a walk to Piazza Navona - 10’ dome 15:45-16:15 Piazza Navona One of the most Page 7 beautiful squares in Take a walk to Trevi Fountain - 25’ Rome 16:40-17:10 Trevi Fountain One of the most familiar Page 8 sights of Rome Take a walk to Spanish Steps - 20’ 17:30-18:00 Spanish Steps Rome's most beloved Page 8 Rococo monument END OF DAY 1 © PromptGuides.com 3 1-day Rome City Guide Overview of Day 1 4 © PromptGuides.com 1-day Rome City Guide Attraction Details 09:00-10:10 St. -
Le Vedute Di Paesaggi Nel Palazzo Farnese Di Caprarola* LUCIANO PASSINI**
Le vedute di paesaggi nel Palazzo Farnese di Caprarola* LUCIANO PASSINI** a moda cinquecentesca di riempi- di vedute di rovine inquadrate in trovano nel Salone d’ingresso al Lre gli scomparti delle superfici scenari campestri ove a volte sono Palazzo. In nessuna raffigurazione si dipinte con grottesche o con vedute presenti anche figure umane; trova l’indicazione del luogo ma, di paesaggi più o meno immaginari b. paesaggi misti: si tratta di figure escluse quelle della volta che raffigu- 2 può essere riscontrata anche nel di persone, cose, edifici o altro di rano paesaggi di fantasia , la maggior Palazzo Farnese di Caprarola, capo- fantasia, collocati in luoghi real- parte di esse sono facilmente indivi- lavoro architettonico ed artistico del mente esistenti; oppure viceversa: duabili perché rappresentano località periodo manieristico. Tra il 1560 ed persone, cose, edifici o altro, real- inconfondibili e da tempo conosciu- il 1610 al fianco dei famosi fratel- mente esistenti ma inquadrate in te. li Zuccari, del Bertoja, di Giovanni scenari immaginari; Infatti, oltre a due immagini di De Vecchi, di Giovanni Antonio da c. paesaggi reali: quindi vedute di Caprarola (una vista da Est e l’altra Varese e di Antonio Tempesti, si tro- luoghi realmente esistenti oppure da Sud-Est), si vedono quella del vavano numerosi altri artisti, per lo che esistevano all’epoca della rea- porto di Messina da dove, nel 1565, più sconosciuti, i quali si sono occu- lizzazione del dipinto. partì la flotta in difesa dell’isola di pati delle rifiniture e delle decorazio- Malta il cui assedio, da parte dei ni pittoriche di secondo piano. -
Michelangelo's Locations
1 3 4 He also adds the central balcony and the pope’s Michelangelo modifies the facades of Palazzo dei The project was completed by Tiberio Calcagni Cupola and Basilica di San Pietro Cappella Sistina Cappella Paolina crest, surmounted by the keys and tiara, on the Conservatori by adding a portico, and Palazzo and Giacomo Della Porta. The brothers Piazza San Pietro Musei Vaticani, Città del Vaticano Musei Vaticani, Città del Vaticano facade. Michelangelo also plans a bridge across Senatorio with a staircase leading straight to the Guido Ascanio and Alessandro Sforza, who the Tiber that connects the Palace with villa Chigi first floor. He then builds Palazzo Nuovo giving commissioned the work, are buried in the two The long lasting works to build Saint Peter’s Basilica The chapel, dedicated to the Assumption, was Few steps from the Sistine Chapel, in the heart of (Farnesina). The work was never completed due a slightly trapezoidal shape to the square and big side niches of the chapel. Its elliptical-shaped as we know it today, started at the beginning of built on the upper floor of a fortified area of the Apostolic Palaces, is the Chapel of Saints Peter to the high costs, only a first part remains, known plans the marble basement in the middle of it, space with its sail vaults and its domes supported the XVI century, at the behest of Julius II, whose Vatican Apostolic Palace, under pope Sixtus and Paul also known as Pauline Chapel, which is as Arco dei Farnesi, along the beautiful Via Giulia. -
Art of Rome, Florence & Paris
11 or 13 days ART OF ROME, FLORENCE & PARIS FACULTY-LED INTERNATIONAL PROGRAMS ABOUT THIS TOUR Europe’s renowned centers of Renaissance art and architecture come alive as you discover Italy and France. Admire amazing frescoes and craftwork at the Sistine Chapel in Vatican City and the Basilica of St. Francis in Assisi, and enjoy an art-themed walking tour in Florence. End in elegant Paris, where you’ll have the chance to explore the masterpieces that line the halls of the Louvre. Through it all, you’ll return home prepared for whatever path lies ahead of you. Beyond photos and stories, new perspectives and glowing confidence, you’ll have something to carry with you for the rest of your life. It could be an inscription you read on the walls of a famous monument, or perhaps a joke you shared with another student from around the world. The fact is, there’s just something transformative about an EF College Study Tour, and it’s different for every traveler. Once you’ve traveled with us, you’ll know exactly what it is for you. DAY 3: Colosseum DAY 4: St. Peter’s Basilica DAY 5: Basilica of St. Francis DAY 6: Florence DAY 3: Taking a break at the Pantheon ART OF ROME, FLORENCE & PARIS 11 or 13 days INCLUDED ON TOUR: OPTIONAL EXCURSIONS: Round-trip airfare Caravaggio Art Tour • Giverny or Auvers-sur-Oise Land transportation Optional excursions let you incorporate additional Hotel and night train accommodations sites and attractions into your itinerary and make the Breakfast daily and select meals most of your time abroad. -
Zaha Hadid the MAXXI Museum of 21St Century Arts, Rome David
Auditorium (2002) which has become a centre for music in Rome, with its three beetle-shaped concert halls arranged around an open-air amphitheatre. The other major architectural intervention in Rome is Richard Meier’s controversial Ara Pacis Museum (2006). So the MAXXI is the third post-Jubilee Year building to make it to construction. Quite an event. They are the first new public works in Rome for over sixty years. “The Eternal City” is the eternal nightmare for anyone trying to build in Rome, unless you are Mussolini, tearing up the housing between Colosseum and Piazza Venezia to make space for your triumphalist military parades, or flattening the huddle of medieval dwellings around St. Peter’s to make way for a road to symbolise reconciliation between Catholicism and Fascism and spoil Bernini’s Baroque surprise: the embrace of his twin colonnades suddenly opening out from crowded buildings. Building anything in Rome is a challenge because the city is a palimpsest of overlapping cities, like an ancient manuscript with layers and layers of inscriptions scratched off its skin, written over or crowded with marginal notes made by different scribes in different centuries. Just imagine: baroque façades, Egyptian obelisks, Renaissance domes, early Christian mosaics, post-unification palazzi and the chaos of noisy traffic everywhere. If you have been to the basilica of San Clemente you will have seen a twelfth-century church built over a fourth-century basilica, above a Roman domus and Zaha Hadid Mythraic temple at street level, ending abruptly at The MAXXI Museum of 21st Century the edge of the excavation where, many feet below Arts, Rome ground level, a wall of rubble at the end of a barrel vault denies the view of the rest of the second David Brancaleone century city. -
THE DECORATION and FURNISHING of the CITY No
THE DECORATION AND FURNISHING OF THE CITY No. 5.--Fountains 'Vater is an essential attribute to every landscape or architectural composrtion, No park or garden is strictly complete which does not possess its cascade, fountain, basin, and canal, and no city which pretends to be artistically embellished is fully adorned without waterways, rond points, drinking fountains, and jets d'eau. The city which may fitly display fountains must abound in pleasure places and be something more than a commercial town. It must have prospered and developed beyond this elementary stage. The purpose of the Iountain is non-utilitarian; it transcends all mundane ideas.· It is a work of art set up for art's. sake alone. 'Vater is animate, and a fountain is a living thing; little wonder that poets and artists ever people them with gods, demi-goels, animals, and nymphs. Schemes for the beautiful treatment of water have ever been created during the great artistic epochs of the world. Ancient Rome was a city running with water, but the fountains of Rome have long ago been obliterated and lost, though numerous remaine of sculptured baths and basins, spouts and vases have been preserved. Probably the earliest of the fountains which are still running with water and which are of greatest importance to us as such to-day, are the Italian fountains of the 15th and 16th centuries, most of which are to be seen in the gardens of the villas around Florence and Rome. From the highest terrace of these gardeIls water pours forth from a chateau d'eau, a grotto, art archway, or from the cleft in a rock; it becomes a cascade and is artfully.., broken into a series of falls ; it pirouettes, tumbles, and empties itself into a deep pool, then, disappearing it reappears on the lowest terrace as a jet, or as a thousand jets throwing UF) glistening spray, and finally settles in a "bain des Dieux." SUCll is the treatment of water in the world's oldest gardens and parks; particularly fine examples are to be seen in the gardens of the Villa Torlonia and in the Villa d'Este. -
GREAT SAINTS and SACRED SITES December 26, 2021 - January 6, 2022
Join Fr. Ray Schmidt and St. John ’ s Summer Program pilgrimage to CHRISTMAS PILGRIMAGE TO ITALY'S GREAT SAINTS AND SACRED SITES December 26, 2021 - January 6, 2022 $3,169 per person from Washington D.C. (IAD) (based on double occupancy) With Spiritual Director: Fr. Ray Schmidt For more information or to register visit: www.pilgrimages.com/francisregis Basilica of Our Lady Help of Christians St. Peter’s Square SAMPLE DAY BY DAY ITINERARY Day 1 | Sat, Dec 26: Depart Dulles Chaplet before heading to the NAC for a Holy Hour, International Airport Confessions and fireworks. Late morning pilgrim Mass at St. John's, then travel to Dulles by charter bus. Fly overnight with meals Day 7 | Fri, Jan 01: Rome - Nettuno - Monte served on board. Cassino - Mugnano del Cardinale - Pompei Depart Rome by 7:30am. Bus to Maria Goretti in Day 2 | Sun, Dec 27: Milan - Turin - Milan Nettuno and then bus to Monte Cassino to visit Ben- Arrive in Milan. Visit the grave of St. Gianna Barret- edict and Scolastica, then to Mugnano del Cardinale ta Mola at the Cemetery of Mesero (based upon ear- to see St. Philomena, then to Pompei to the Madon- ly morning arrival) and then bus to Turin and see na del Rosario Sanctuary and Bl. Bartolo Longo. Frassati, Bosco, Savio. Mass at the Basilica of Our Lady Help of Christians in Turin. Bus back to Milan Day 8 | Sat, Jan 02: Pompei - Pagnani - Saler- for dinner. no - Materdomini - San Giovanni Rotondo Begin the day with St. Alphonsus Liguori in Pagnani Day 3 | Mon, Dec 28: Milan - Pavia - Bologna and then travel to see St. -
First Premarital Screening of Thalassaemia Carriers in Intermediate Schools in Latium
Journal ofMedical Genetics, 1978, 15, 202-207J Med Genet: first published as 10.1136/jmg.15.3.202 on 1 June 1978. Downloaded from First premarital screening of thalassaemia carriers in intermediate schools in Latium E. SILVESTRONI, I. BIANCO, B. GRAZIANI, C. CARBONI, AND S. U. D'ARCA From the 'Centro di Studi-della Microcitemia di Roma% Istituto d'Igiene dell'Universitd di Roma, Italia SUMMARY In the 1975 to 1976 school year, under the auspices of the Health Authorities of the Latium Region, the Rome Microcythaemia Centre carried out for the first time a partial screening survey of thalassaemia carriers among the students of the compulsory intermediate school in Latium. This work was the beginning of a new preventive school health service aimed at the prophylaxis of Cooley's disease. In 23 places investigated in Latium, 17 724 students were examined, 13 354 of whom were in Rome and 4370 elsewhere. The mean percentage of co-operation was 70% and the mean percentage of thalassaemia 2.42%. Thalassaemic students were invited to attend the centre for a check-up along with their families: about half had already come in by the end of June 1976. All students examined, whether normal or thalassaemic, have received written results of the tests. The screening survey aroused notable interest and obtained wide approval both at school and at home. The news of being thalassaemia carriers, even if not welcome, was never the cause of family tragedy. copyright. Under the auspices of and with financial support from Informed consent having been obtained, a team of the Health Authorities of the Latium Region, the doctors took 1 ml venous blood from each student in Rome Microcythaemia Centre initiated and carried out the school dispensary. -
The Routes of Taste
THE ROUTES OF TASTE Journey to discover food and wine products in Rome with the Contribution THE ROUTES OF TASTE Journey to discover food and wine products in Rome with the Contribution The routes of taste ______________________________________ The project “Il Camino del Cibo” was realized with the contribution of the Rome Chamber of Commerce A special thanks for the collaboration to: Hotel Eden Hotel Rome Cavalieri, a Waldorf Astoria Hotel Hotel St. Regis Rome Hotel Hassler This guide was completed in December 2020 The routes of taste Index Introduction 7 Typical traditional food products and quality marks 9 A. Fruit and vegetables, legumes and cereals 10 B. Fish, seafood and derivatives 18 C. Meat and cold cuts 19 D. Dairy products and cheeses 27 E. Fresh pasta, pastry and bakery products 32 F. Olive oil 46 G. Animal products 48 H. Soft drinks, spirits and liqueurs 48 I. Wine 49 Selection of the best traditional food producers 59 Food itineraries and recipes 71 Food itineraries 72 Recipes 78 Glossary 84 Sources 86 with the Contribution The routes of taste The routes of taste - Introduction Introduction Strengthening the ability to promote local production abroad from a system and network point of view can constitute the backbone of a territorial marketing plan that starts from its production potential, involving all the players in the supply chain. It is therefore a question of developing an "ecosystem" made up of hospitality, services, products, experiences, a “unicum” in which the global market can express great interest, increasingly adding to the paradigms of the past the new ones made possible by digitization.