EDITION 2006 EDITION 2006

EDITION 2006 PROMOTERS

CONCEPT Exhibition: 22nd September to 22nd October, 2006 Opening cerimony: 22nd September, at 4 p.m. Visit hours: 10 a.m. to 6 p.m., closed on Monday. P R E Z I O S A 2006 Address: Villa Bottini, Lucca 23rd and 24th September: meeting with the partecipant artists, Villa Bottini No Body Decoration. Research Jewellery as a re-defi nition of the Human Body

Maria Cristina Bergesio, curator COLLATERAL EVENTS

Compared with the other arts, jewellery has one peculiarity: its fi nal destination is the human body. The exhibition highlights the evolution of the body-jewellery relationship in the fi eld of artistic re- 23rd September: ofi cial opening of “Le Arti Orafe” Lucca’s branch, Via S. Andrea 33, search and innovation, in contrast to the usual perception of jewellery as decoration or fashion accessory. with musical intervention of Nicola Beller Carbone, sopran. The human body acquires a fundamental role as a source of inspiration and a necessary comple- 25th September to 22nd October, workshops, conferences, meetings on contemporary jewellery tion of the creative process. at Le Arti Orafe Academy”, Lucca. It is not simply decorated, but is made to participate in an aesthetic transformation, itself becoming an exhibition space for works born out of experimentation.

Wearing a piece of artistic jewellery requires the awareness that one is using one’s own body as a tool for non-verbal communication. The ornament becomes a dual sign, both of the creative universe of the person who made it and, simultaneously, of the personality of the person who has decided to wear it.

Research jewellery is the expression of a Weltanschauung, an outlook on life, just as paintings, sculpture and architecture can be. “The painter uses the canvas as a means of expressing his ideas; jewellery is exactly the same for me” (Gijs Bakker, Zeichen am Körper, 1987).

Guarda PREZIOSA 2006 su Youtube: https://youtu.be/1WzgISIMHIw EDITION 2006 EDITION 2006 Friedrich Becker ARTISTS

• Friedrich Becker

• Bruno Martinazzi

• Gerd Rothmann

• Gijs Bakker

• Christoph Zellweger

• Frédéric Braham

• Naomi Filmer

• Ruudt Peters

• David Watkins

• Marjorie Schick

• Noam Ben-Jacov EDITION 2006 EDITION 2006 Friedrich Becker Friedrich Becker EDITION 2006 EDITION 2006 Bruno Martinazzi Bruno Martinazzi EDITION 2006 EDITION 2006 Gerd Rothmann Gerd Rothmann EDITION 2006 EDITION 2006 Gijs Bakker Gijs Bakker EDITION 2006 EDITION 2006 Christoph Zellweger Christoph Zellweger EDITION 2006 EDITION 2006 Christoph Zellweger Christoph Zellweger EDITION 2006 EDITION 2006 Frédéric Braham Frédéric Braham EDITION 2006 EDITION 2006 Frédéric Braham Naomi Filmer EDITION 2006 EDITION 2006 Naomi Filmer Naomi Filmer EDITION 2006 EDITION 2006 Ruudt Peters Ruudt Peters EDITION 2006 EDITION 2006 David Watkins David Watkins EDITION 2006 EDITION 2006 Marjorie Schick Marjorie Schick EDITION 2006 EDITION 2006 Noam Ben-Jacov Noam Ben-Jacov EDITION 2006 EDITION 2006

EXHIBITION EDITION 2006 EDITION 2006

CATALOG

In italiano ed inglese, il catalogo è curato da Maria Cristina Bergesio, con contributi critici di Dora Liscia Bemporad, Barbara Schmidt, Michèle Heuzé, Liesbeth den Besten, Zachary Androus e Noel Gazzano

Composto da 130 pagine, con immagini a colori dei lavori di ogni artista, il catalogo è stato stampato e cura Maria Pacini Fazzi editore, Lucca Il prezzo di copertina è di 18 Euro

Grafi ca e Layout: Noumeda Carbone, [email protected]

l catalogo è disponibile su richiesta, al prezzo di 18 euro, utilizzando l’ap- posito FORM

E’ anche disponibile il VIDEO della mostra, che può essere acquistato insieme al catalogo, al prezzo complessivo (catalogo+video) di 25 euro EDITION 2006 EDITION 2006 COLLATERAL EVENTS EDITION 2006 COLLATERAL EVENTS

Beyond Body Decoration. Jewellery from Ganjam’s Heritage collection

Lucca Preziosa 2006 again intends to expand the scenario, both geographically and culturally, by hosting a selection of 19th-century Indian jewellery from the Heritage collection of the presti- gious Indian company Ganjam. Long necklaces, head ornaments linked to marriage rituals, forearm bracelets, belts…: these objects of great importance are witness to the technical ability and craftsmanship of their cre- ators, and highlight the central role that jewellery had and continues to have in Indian society.

An integral part of daily life, worn by women, men and children, jewellery has a position beyond purely aesthetic gratifi cation: in its forms, in the motifs portrayed and in the act of wearing on the body, it represents the essence of Indian spirituality, sending clear messages via a codifi ed series of legible signs.

Jewellery is recognized as having the power to maintain body and mind in equilibrium and har- mony; its forms are designed to be worn on all the joints and pressure points so as to stimulate the fl ow of vital energy. The human body takes on absolute relevance: in both the contemporary research works and the creations from Indian tradition, we see the semiotic complexity of jewel- lery, which refuses to be reduced to pure ornamental accessory and highlights aspects linked to the decision to “adorn”, to clothe one’s own body – one’s own ego – and display it to the world CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006

Bruno Martinazzi Friedrich Becker

Selected Awards Goldschmiede Kunst, Hamburg, 1922 - 1997 1989 • 1987 Recipient, Golden Ring of Honour, Asso- Infi nite Riches, Museum of Fine Arts, St. Petersburg, Friedrich Becker grew up in Grevenstein Sauerland. ciation for Goldsmiths’ Art (created by Karl Gustav FL Ornamenta 1, Schmuckmuseum, Pforzheim, He graduated from school in Düsseldorf as a trained Hansen `82), Deutsches Goldschmiedehaus, Hanau, Germany mechanic. Germany 1987 In 1940 he attended the aviation engineering college • 1976 Herbert Hoffmann Prize, Internationale Solo Exhibition, Helen Drutt Gallery, Philadelphia, PA in Thorn/Weichsel and Schmuckschau, Internationale Handwerksmesse, 1986 completed his studies from 1947 to 1951 at the in- Arte Moderna a Torino, Fondazione de Fornaris, dustrial art college of Düsseldorf. • 1972 Prize, 4. Internationaler Wettbewerb - Turin, Italy Ansteckschmuck, Schmuckmuseum, Pforzheim, 1985 In 1952 he passed his degree and opened his own Germany Martinazzi: Contro le Guerre, Basilica di Santa Maria workshop in Düsseldorf. He • 1965 Bavarian State Prize, Munich all’Impruneta, Florence (traveled) also worked as an assistant of Professor Karl Schol- • 1961 Acquisition Award, International Exhibition 1984 lmayer. of Modern Jewellery, Goldsmiths’ Hall, Contemporary Jewellery: The Americas, Australia, Europe and Japan, National Museum of Modern Art, In 1964 Friedrich Becker took over the management Kyoto; Tokyo of the metal design workgroup Selected Exhibitions Jewellery International, American Craft Museum II, (gold and silver) at the Düsseldorf Industrial Art New York School and in 1970 became director 2001 Martinazzi: Sculture e Disegni, Museo Diocesano, of studies and teacher trainer. Three years later he L’Arte Gioiello, D’Artista Dal 900 ad Oggi, Palazzo Venice was appointed professor at the Pitti, Florence, Italy; 1983,79,76,73,70 Düsseldorf technical college, where he taught until Brune Maritnazzi, La Violenza della Guerra e le Vie International Jewellery Art Exhibition, Tokyo Trienni- his retirement in 1982. della Pace, Castello di Baron Canadese; als 1994 1982,77,73,70 Friedrich Becker is one of the outstanding celebrity A Moveable Feast 1964-1994: HWD Collection, Schmuck - Tendenzen, Schmuckmuseum, Pfor- artists of our times. As an Stedelijk Museum, ; zheim, Germany internationally renowned goldsmith, a creator of Schmuck Unserer Zeit 1964-1994: HWD Collection, 1982,75 kinetic jewellery and kinetic Museum Bellerive, Zurich, ; Solo Exhibitions, Galleria Gian Enzo Sperone, Rome objects, a designer and last but not least a professor Schmuck und Gerät, Deutsches Goldschmiedehaus, 1981 at the Düsseldorf Technical Hanau, Germany (traveled) Martinazzi, Museo di Torre Pellice, Turin, Italy College he made a major contribution to goldsmith 1993 Triennale Internazionale: Marmo, Lavoro, Scultura, art in the second half of the 13 Goldschmiede: Von Amsterdam bis Tokyo, Bay- Carrara, Italy twentieth century. erische Akademie der Schönen Künste, Munich 1980 Contemporary Jewelry 1964-1993: Selected Works, Schmuck International 1900-1980, Künstlerhaus, As early as the 1950s Friedrich Becker developed HWD Collection, The Arkansas Arts Center, Little Vienna hidden mountings with Rock Schmuck: Die Sammlung der Danner-Stiftung, Tin Symposium, Hochschule für angewandte Kunst, interchangeable stones considered a technical mar- Galerie für angewandte Kunst, Munich Vienna vel at the time (...). This new 1992-93 1978 concept led in the 1960s to kinetics, where Friedrich Korun Kieli (The Language of Jewelry) Martinazzi, Galerie am Graben, Vienna Becker fi rst introduced the 1964-1992 1976 fourth dimension in jewellery design known as Die HWD Collection, Röhsska Konstslöjdmuseet, Go- Internationale Schmuckschau, Internationale Bewegung or “The Movement”. thenburg, Sweden; Taideteollisuusmuseo, Helsinki, Handwerksmesse, Munich In 1997 the London Royal College of Art awarded Finland 1975 him the title of honorary doctor. 1992 Sieraden, Centrum Beeldende Kunst, Gronin- Jewellery in Europe, Scottish Arts Council Gallery, gen, The Edinburgh, Scotland (traveled) 1990 Ehrenringträger, Gesellschaft für 1974 CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Bruno Martinazzi Gerd Rothmann

18 Orfévres d’Aujourd’hui, Musée des Arts Décorat- born Frankfurt, Germany, 1941 Kunst, Frankfurt am Main, ifs, Lausanne, Switzerland 2002; Il tocco magico, Oratorio San Rocco, Padoua, 1973 Italy, 21 Premio del Fiorino, Florence Selected solo exhibitions 2003; Magic touch, RMIT Gallery, Melbourne, VIC, 1972 4. Internationaler Wettbewerb - Australia, Ansteckschmuck, Schmuckmuseum, Pforzheim, Body and jewellery, Galerie Zimmer, Düsseldorf, 2004; Gefrohnrenes Feuer wie Gold, Galerie Heu- Germany 1974; Jewellery in Europa, Victoria & Albert Muse- felder-Koos, Munich, 1971 Gold+Silber Schmuck+Gerät, Norishalle, um, London, UK, 2004; Jewelry: works and words, Ornamentum, New Nuremberg, Germany 1968 International Jewelry 1975; Neue Formen, Landesmuseum Olden- York, NY, USA, Exhibition, Muzeum skla a bizuterie, Jablonec nad burg, Schmuckmuseum, Pforzheim, and Museum Nisou, Czechoslovakia Schwäbisch, Gmünd, 1966 Art in Jewelry, Finch Museum, New York 1976; Körper: schmuck, zeichen, raum, Kestner Public collections 1964 Solo Exhibition, Galleria Il Punto, Turin, Italy Gesellschaft, Hannover, (traveled) 1979; The tenth year, Electrum Gallery, London, UK, Australia National Gallery of Australia, Canberra, 1961 International Exhibition of Modern Jewellery: 1981; Körperkultur, Landesmuseum Oldenburg, ACT; National Gallery of Victoria, Melbourne, VIC 1890-1961, Goldsmiths’ Hall, London 1983; Musterbuch, Landesmuseum, Darmstadt, International Danner-Stiftung, Munich; Die Neue Galerie Spektrum, Munich, and Gemeentemuseum, Sammlung, Munich; Goldschmiedehaus, , the Netherlands, Hanau; Kunstgewerbemuseum, Berlin; Landesmu- Selected Public Collections 1984; Musterbuch, Museum Bellerive, Zurich, Swit- seum für Kunst- und Kulturgeschichte, Oldenburg; zerland, Musée des Arts Décoratifs de Montréal,QC, Centro Direzionale Fiat, Turin, Italy 1985; Körpersensationen, Galerie Spektrum, Mu- Canada; Museum für angewandte Kunst, Vienna, Danner-Stiftung Collection, Munich nich, and Galerie am Graben, Vienna, Austria, Austria; Museum für Kunst und Gewerbe, Hamburg; Fondazione de Fornaris, Turin, Italy 1987; Fingerprints, Rezac Gallery, Chicago, IL, USA, Museum für Kunsthandwerk, Franfurt am Main; Mu- Museo d’Arte Moderna, Turin, Italy 1988; Signaturen, Museum Schwäbisch, Gmünd, seum of Arts and Design, Museum des 20.Jahrhunderts, Vienna 1990; Virgin, Snug Harbor Culture Center, New York, New York, NY, USA; Museum of Modern Art, New Muzeum skla a bizuterie, Jablonec nad Nisou, NY, USA, York, NY, USA; Münchner Stadtmuseum, Munich; Czech Republic 1992; Neue Arbeiten, Galerie Fred Jahn, Munich, National Museum of Modern Art, Tokyo, Japan; Schmuckmuseum, Pforzheim, Germany 1994; Neue Arbeiten, Galerie Delcourt van Krimpten, The Rhode Island School of Design Museum, Prov- Worshipful Company of Goldsmiths, London Amsterdam, the Netherlands, idence, RI, USA; Schmuckmuseum, Pforzheim; 1995; Gerd Rothmann, Galerie Zaunschirm, Zurich, Stedelijk Museum, Amsterdam, the Netherlands; Switzerland, and Galerie Magari, Barcelona, Spain, Victoria & Albert Museum, London, UK 1996; Amulette, Villa de Bondt, Ghent, Belgium, 1997; Ringe, Helen Drutt Gallery, Philadelphia, PA, USA, 1998; Silberne Schalen, Galerie Fred Jahn, Studio, Munich, 1999; Gold und Silber: Rothmann in Bern, Skripto- thek, Bern, Switzerland, 1999; 30 Jahre zurueck, Galerie Biró, Munich, 2000; Goldfi nger, Helen Drutt Gallery, Philadelphia, PA, USA, 2001; Jewellery, Museum für Kunst und Gewerbe, Hamburg, 2001; Jewellery, Bayerische Kunstgewerbe Verein, Munich, 2002; Gerd Rothmann, Galerie Fred Jahn, Studio, Munich, 2002; Gerd Rothmann, Museum für angewandte CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Gijs Bakkert Gijs Bakker

1942 Born in Amersfoort Françoise van den Bosch, Bernard Lameris. Nederlands Dans Theater, Den Haag, The Nether- Travelling exhibition. Smithsonian Institute, Washing- lands; Cleveland County Museum, Middlesborough, 1958 – 1962 Instituut voor Kunstnijverheidsonder- ton, USA; ‘Werfkelder voor multipliceerbare object- England; Nordenfjeldske Kunstindustrimuseet, wijs, Amsterdam en’. Utrecht, The Netherlands Trondheim, Norway; Power House Museum, Syd- 1962 – 1963 Konstfack Skolan in Stockholm, In- 1970 ‘Kledingsuggesties Emmy van Leersum en ney, Australia; dustrial Design Department Gijs Bakker’. Galerie Art & Project, Amsterdam, The National Museum of Modern Art, Kyoto, Japan; 1966 Marries Emmy van Leersum († 1984), with Netherlands and Galerie Plus Kern, Gent, Belgium. National Gallery Bratislava, Slowakije; Museum of whom he opens the Atelier voor Sieraden (Jewellery 1972 ‘Objects to wear’, Gijs Bakker and Emmy van Decorative Arts, Montreal, Canada; Israel Museum, Workshop) in Utrecht Leersum. Electyrum Gallery, London, UK and Inge- Jerusalem, Israel; Cooper Hewitt Museum, New 1968 Gold and Silver Medal for jewellery, Jablonec, nieursbureau DHV, Amersfoort, The Netherlands York, USA; Czech Republic 1986 ‘New jewellery’. Helen Drutt Gallery, Phili- Denver Museum of Art, Denver, USA; Schmuckmu- 1971 – 1978 Lectures at Academie van Beeldende delphia, USA and Galerie Marzee, Nijmegen, The seum, Pforzheim, Germany; Kunst und Gewerke Kunsten, Design Department, Arnhem Netherlands Museum, Hamburg, Germany; Victoria and Albert 1987 ¬ 2003 Professor at The Design Academy, 1989 ‘Solo voor een solist’, retrospective exhibition Museum, London, England; Nederlands Textielmu- Department Living, Eindhoven Centraal Museum, Utrecht, The Netherlands and seum, Tilburg, The Netherlands; 1988 Awarded Françoise van den Bosch Prijs for Helen Drutt Gallery, New York, USA; KunstRai Joods Historisch Museum, Amsterdam, The Neth- jewellery 1989, Galerie Ra, Amsterdam, The Netherlands erlands; Philadelphia Museum of Modern Art, Phila- 1996 Ra Award 1996 for jewellery. Co-founds with 1993 ‘Gatenproject’. Galerie Ra, Amsterdam, The delphia, USA; Droog Design collection, Amsterdam, Marijke Vallanzasca the “Chi ha paura…?” founda- Netherlands The Netherlands; Chi ha paura....? collection, Am- tion for jewellery designed by international designers ‘Gatenproject’. Galerie Spektrum, München, Germa- sterdam, The Netherland; 2001 Global advisor American Craft Museum, New ny San Francisco Museum of Modern Art, San Francis- York 1998 ‘‘Holysport/Shot’. Helen Drutt Gallery, Philadel- co, USA 2002 Project “Sense of Wonder”, jewelry collection phia and Sofa Art Fair, New York, USA Chi ha Paura…? Foundation, together with SM’s s’Hertogenbosch , fi rst presented in Milan 2001 ‘I don’t wear jewels, I drive them’. Galerie Ra, during International Furniture Fair. Amsterdam and KunstRai, Amsterdam, The Nether- 2005 Project “What’s Luxury”, jewellery collection lands and Gallery Helen Drutt, Philadelphia, USA Chi ha paura…? Foundation, together with SM’s 2002 Centre for Contemporary Craft, Houston, s’Hertogenbosch, fi rst presented in Milan, during USA. Selected Retrospective Exhibition. International Furniture Fair. Retrospective jewellery exhibition “Gijs Bakker and Jewellery”, museum 2005 Retrospective exhibition ‘Gijs Bakker and Jew- SM’s, s’Hertogenbosch, The Netherlands. Mono- elry’ SM,s Museum, s’Hertogenbosch. graph, Ida van Zijl Publication oeuvre catalogue by Arnoldsche, Stutt- gart

Solo exhibitions Gijs Bakker Work in collections: 1965 ‘Sieraden’, Emmy van Leersum and Gijs Bak- ker, Galerie Swart, Amsterdam, The Netherlands Rijksdienst Beeldende Kunst, Den Haag, The Neth- 1967 ‘Nederlandse edelsmeden 3’. Stedelijk Muse- erlands; Stedelijk Museum, Amsterdam, The Nether- um, Amsterdam, The Netherlands lands; Centraal Museum, Utrecht, The Netherlands; ‘Sculpture to wear by Emmy van Leersum and Gijs Gemeentemuseum, Arnhem, The Netherlands; Bakker’. Ewan Philips Gallery, London, U.K. Haags Gemeentemuseum, Den Haag, The Neth- 1969 ‘Draagbare objecten’. Van Abbemuseum, erlands; Gemeentelijk Van Reekummuseum, Apel- Eindhoven, The Netherlands; ‘Objects to wear’, Gijs doorn, The Netherlands; SM’s - Stedelijk Museum, Bakker, Emmy van Leersum, Nicolaas van Beek, s’Hertogenbosch, The Netherlands; CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Christoph Zellweger Christoph Zellweger

19 April 1962, Lübeck, Germany FNAC, Paris, France Switzerland (s) Four pages: 1994 British Crafts Council, London, England Catalogue: Experiment Schmuck: Das Erfurter 1993 Angermuseum Erfurt, Germany Schmucksymposium 1984 – 2002 Awards: 1990- work in various Private Collections Exhibitions: Angermuseum Erfurt, Schmuckmuseum Pforzheim, (t) travelling/ touring exhibition, (p) publication/ Galerie V&V , Wien 2002 Prize of the Communauté Française de catalogue, (pp) personal catalogue, (s) solo/ major Publisher: Kulturdirektion der Stadt Erfurt, Belgique, Belgium Major Group & Solo exhibitions (selected): exhibition ISBN: 3 – 9808816 – 0 - 1 2002 Swiss Federal Prize for Design, Kulturamt (*) prize winner/ shortlisted, exhibitions in prepara- Catalogue: Masterpieces/Capolavori, l’artista artigia- Bern, Switzerland 2005 Natural History Museum , Ossarium tion no tra Picasso e Sottsass, 2001 European Ceramic Work Centre, working rosé, personal exhibition, Lisbon, (s) World Crafts Council, Publisher: Fondazione per il grant, H’bosch, Holland 2005 Design Museum (Centre Cultural de Belem), Libro la Musica la Cultura, Palazzo Bricherasio, 2000 Werkbeitrag des Kulturamt Bern, stipendium, The Nomad Room, Lisbon, Portugal (p) Publications: Torino, Italy, page 149 Switzerland 2005 Swiss National Museum, Intervention Fre- Catalogue: by EKWC, European Ceramic Work 2000 Cultural Research Institute, SHU, one se- md-Körper, Zürich, Switzerland (s) 2005 Catalogue: Black Dog Publishing, London Centre in S’Hertogenbosch, Holland, published by mester sabbatical, Sheffi eld 2004 Foundation Gulbenkian, Meeting Points, England EKWC 2000 D&AD, British Design & Art Direction, mem- Exhibition, Lisbon, Portugal (p) Catalogue: The Nomad Room – international … 2002 Catalogue: Swiss Design 2002 bership award, England 2004 Musee de Design et d’Art Appliqués Contem- Lisbon, Portugal Bundesamt fur Kultur, Verlag Lars Muller Publishers 1998 Swiss Federal Prize for Design, Kulturamt porains, Body Extensions, Lausanne, CH Artikel: Review of Ossarium Rosé -exhibition in Lis- ISBN: 3 – 03778 – 001 - 0 Bern, Switzerland 2003 SchmuckProdukt Zollverein, Fremd-Körper, bon, by Liesbeth den Besten NL Catalogue: Slip: Artists in the Netherlands and Brit- 1995 Swiss Federal Prize for Design, Kulturamt Essen, Germany (s) Vormberichten: Amsterdam, BNO 2005, Issue Sep- ain working with Ceramic. Bern, Switzerland 2003 Galerie Tactile, Fremd-Körper, Solo Exhibi- tember 2005, page 10 Frans Hals Museeum, Haarlem, Sainsbury Centre 1995 Herbert Hofmann Prize - International Award, tion, Geneva, Switzerland (s) 2004 Catalogue: 1000 Rings – Inspiring Adorn- for Visual Arts, Norwich Munich, Germany 2002 Espace Solidor, with Hanagarth (F), Mc ments for the Hand, ISBN: 90 – 8044 – 564 – 9 1993 Prize by the Kulturamt Graz, Outdoor Instal- Clure (CAN), Cagnes sur Mer, France (p) Publisher: Lark Books, USA; Page: 170, 202 Catalogue: Nature and Time … lation in the City of Graz, Austria 2002 Raum für Schmuck, with Mattar (D), Gottdorf ISBN: 1-57990-508-0 Catalogue: Art Jewellery in Switzerland in the 20th 1992 Robinson Charitable Trust Award, London, (D), Köln, Germany Catalogue: Meeting Points - 25 Years of Interven- Century, La Bibliotheque des Arts, Geneva, Swit- England 2001 Gallerie V&V, with Eichenberg (NL), de tions at ArCo, Lisboa, Portugal zerland 1988 Deutscher Schmuck & Edelsteinpreis, rec- Decker (B), Vienna, Austria Publisher: Fundacao Calouste Gulbenkian ISBN: 2 – 88453 – 094 - 0 ommendation, Germany 2000 Gallery Hnoss, Solo Exhibition, Gothenburg, ISBN: 972 – 635 – 153 - 7 Catalogue: Silver in the Field, experimental work- Sweden (pp) (s) 2003 Catalogue: Crafts Now - 21 Artists Each shop, Bishopsland 2000 Jerwood Prize 2000, Crafts Council Gallery, from America, Europe and Asia World Competi- ISBN: 1 - 899764 - 259 Public Collections: London (p) (t) tion of Arts and Crafts, Kanazawa, Special Invitation- Catalogue: European Triennial of Contemporary 1999 Gallery Louise Smit, Solo Exhibition, Amster- al Exhibition, Kanazawa World Craft Forum, Japan Jewellery 2002 2004 Museum für Angewandte Kunst, MAK, dam, Holland (pp) ISBN ? 920-8550 World Crafts Council, Mignault, Belgium Frankfurt, Germany 1998 Centro de Arte e Comunicaiao Visual, Solo Catalogue: Inner Luxury - Joieria Contemporania IBSN: noD / 2002 / 6269 / 3 2004 Schweizerisches Landesmuseum, Zürich, Exhibition, Lisbon, Portugal (s) Internacional Catalogue: Trois Visions d’ un Corps, Bijou Contem- Switzerland 1998 European Prize for Contemp. A&D-led Publisher: Fundacio la Caixa, Barcelona, Spain porain, Cagnes sur Mer, 2002 Contemporary Arts Society, England Crafts, Vienna, Gothenburg, Paris (p) (t) ISBN: 84 – 7664 – 814 - 6 Direction des Affaires Culturelles, par la Ville de 2002 Schmuckmuseum Pforzheim, Germany 1997 Forum für Schmuck, Solo Exhibition, Zürich, Catalogue: Corporal Identity – Body Language, 9th Cagnes sur Mer, France 2001 Musee d’ Horlogerie, Geneve, Switzerland Switzerland (s) Triennial for Form & Content, USA and Germany, 2001 Catalogue: The Breath of Nature, Cheongju 2000 Museum für Kunst und Gewerbe Hamburg, 1996 Gallery Poree, with Onno Boukhoudt (NL), MAK Museum für Angewandte Kunst / Klingspor International Craft Biennale 2001, Jikji Publishers, Germany Paris, France (s) Museum Offenbach / Museum of Art & Design New South Korea 1998 Middlesborough Contemporary Jewellery 1995 Galerie für Schmuck, Solo Exhibition, Zug, York ISBN: 89 – 89011 – 07 – 8 93600 Collection, England Switzerland (s) Published by the Museums as above: Catalogue: The Art of The Ring, Mobilia Gallery, 1998 ArCo Permanent Collection of Art, Lisbon, 1994 Gallery van Krimpen, with Sigfried de Bück ISBN: 3 – 88270 – 098 – X Cambridge, Massachusetts, USA Portugal (B), Amsterdam (s) Magazine: Article in Handwerk&Schmuck, by Dr Produced and Published by Mobilia Gallery, 9/2001 1997 National Foundation for Contemporary Art - 1990 Galerie Off Limits, Solo Exhibition, Zürich, Barbara Maas 2000 Catalogue: The Ego Adorned, 20th Century CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Christoph Zellweger Christoph Zellweger

Artists’ Jewellery Catalogue, The Ring, Design: Past & Present, Sylvie ISBN: 1 - 874175 - 01 - 2 Koningin Fabiolasaal, Antwerp, pages 268 / 269 Lambert, France 1994 Catalogue, Work / Ethics, Sheffi eld Hallam ISBN: 90 - 6625 - 024 - 0 ISBN: 2-88046-317-3 University, Sheffi eld, England Catalogue: Kunst hautnah, Künstlerhaus Wien, Catalogue, The Royal College of Art, Postgraduate ISBN: 0 - 86339 - 4361 Austria Art & Design, London ISBN: 3 - 900926 - 07 - 7 Catalogue, Eidgenossischer Preis fur Gestaltung, Catalogue, Contemporary Art Medals of the World, Catalogue: Alles Schmuck, Museum für Gestaltung, Casorella, Castello Visconteo, FIDEM XXIII Zürich, Verlag Lars Müller Locarno, Swiss Federal Offi ce of Culture, Bern, British Museum, London, Published by FIDEM XXIII, ISBN: 3 - 907078 - 32 - 2 Switzerland Page 116 Catalogue: Jerwood Applied Arts Prize 2000, British 1996 Catalogue, 24/8/1997, Alchemy - The Stone 1992 Catalogue, 5 th International Symposium on Crafts Council of Wisdom, Lappenranta, Finland Jewellery, Erfurt, Germany ISBN: 1 - 870 - 145 - 860 ISBN: 952 - 5155 - 09 - 9 Published by the Landesversicherungsanstalt 1999 Personal Catalogue: Christoph Zellweger Catalogue, RCA on display, Museum für Kunst und Thueringen 1990 - 1999 Gewerbe Hamburg, Germany Catalogue, 3 eme Triennale du Bijou, Musee des ISBN: 0 - 9534957 - 0 - 1 Catalogue, Broschen, 3/5/1997, Ausstellung im Kun- Arts Decorative, Paris, France - Creative Review / Magazine, March 99 issue, fea- stforum Kirchberg / Desinfarkt, Switzerland ISBN: 2 - 906 450 - 86 – 3 ture of catalogue Catalogue, 27/07/97, published by CINABRE, 36360 Catalogue, Ringfrei - Mitgliederausstellung des Fo- - Unfold magazin, Spring/ Summer 1999 issue, re- Lucay-Le-Male, France rum, Cologne, Germany view of catalogue 1997 Catalogue, Objects of Our Time, The Crafts Published by the Forum fur Schmuck und Design - Graphic magazin, November 1999 issue, review of Council, London, Martina Margetts ISBN: 1- 870145 e.V. Köln catalogue - 63 - 1 - Bound for Glory, graphic design year book 1999, Catalogue, Jewelry - in Europe & America / New Printed Matter Times New Thinking - British Art & Design Direction, Award 2000, publica- ISBN: 0 - 500 - 27879 - 2 by Ralph Turner, Thames tion & Hudson, Catalogue, 20th Century Swiss Art Jewellery, A. Rik- Catalogue, Design of the times: One hundred years lin-Schelbert, VGS St Gallen Royal College of Art ISBN: 3 - 7291 - 1093 - 4 ISBN: 0 - 903685 - 42 - 6 Catalogue, Nature in Design, Alan Powers, Conran Catalogue, Schmuck ‘96, Intern. Handwerksmesse Octopus Publishing Muenchen, Germany ISBN: 1 8409 1046 1 Published by the 1996 Bayerischer Handwerkstag Catalogue, Memento Mori / reminder on death, Fo- e.V. rum für Schmuck und Catalogue, The Capture of Europe, Cologne - Hax- Design, Cologne, Germany, ISBN: 3 - 00 - 003353 ham, Germany - England - x ISBN: 3 - 930246 - 07 - 4 Catalogue, 25 Years ArCo- Centro de Arte e Com- 1995 Catalogue, Priestory Duse - Seelenraeume, municacao visual, Lisbon Bratislava, Slovakia ISBN: 972 97987 0 2 ISBN: 80 - 85694 - 79 - 4 Catalogue, 100 years at the RCA, Art and Design, by Catalogue, SchmuckSzene ‘95, Inter. Handwerks- Christopher Frayling messe Muenchen, Germany ISBN: 1 85585 7251 Published by the 1995 Bayerischer Handwerkstag 1998 Catalogue, Dictionaire International Bijou, e.V. Edition du Regard, Paris Catalogue, Schmuckkunst der Moderne, Mainz, pages 557 / 560, ISBN: 2 - 903370 - 98 - 2 Germany Catalogue, European Prize for Contemporary Art & ISBN: 3 - 9803605 - 3 - 9 Design-Led Crafts Catalogue, Obverse - Reverse, RCA / Royal Mint, World Crafts Council - Europe London, England CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Frédéric Braham Frédéric Braham

November 2, 1967, Antibes, France temporain Bouvet-Ladubay, Saumur, France. “Henri sur Mer, France. 1999, Interior design for the con- Gargat, Françoise et Claude Chavent, Frédéric temporary jewellery art center, Espace Solidor, City Braham“, Espace Solidor, Cagnes sur Mer, France. of Cagnes sur Mer, France. 1996-95, Visiting teach- Education: “S.O.F.A.”, Jeweler’s Werk Galerie WashingtonDC, er at technical school for jewellers, supported by New york, USA. the French Ministry of Arts (DRAC, PACA). Lectures 1987-92: Workman in jewellery studio, France. Ate- 1998, Talente, 50th internationale Handwerksmesse, and workshops, Castel Museum, Cagnes sur Mer, liers de Fontblanche, Nîmes, France. Munich, Germany. “S.O.F.A.”, Jeweler’s Werk Gal- France. erie WashingtonDC, Chicago, USA. 1997, “Schmuckszene”, 49 th Internationale Handw- Selected Exhibitions: erksmesse, Munich, Germany. Public and Private Collections: 1996, “Chimériques polymères“, Musée d’Art Mod- 2006, “Koru2”, South Karelia Art Museum, Lappeen- erne et d’Art Contemporain, MAMAC, Nice, France. Karl Bollmann Collection, Austria; City of Cagnes sur ranta, Finland. “Schmuckszene”, Museum of Art and “The Capture of Europe“, Institute of Art and Design, Mer, France; Castel Museum, Cagnes sur Mer,- Design, New York; 58th Internationale Handwerks- Birmingham; Queen’s Hall Art Center, Hexham, France; Peter Oehme Collection, Germany messe, Munich, Germany. “XI Schmucksymposium“, Great Britain. Erfurt, Germany. 1995, “Or et Médailles”, World Gold Council, Parc 2005, “Cosmetic Attitude”, solo exhibition, Galerie des expositions, Paris, France. Biró, Munich, Germany. “Contemporary narrative European Jewellery”, The Glasgow School of Art, Glasgow, Scottish Gallery, Edinburgh, Great Brit- Related Professional Experience: ain, Galerie Marzee, Nijmegen, Netherlands. “Du paraître à l’être, un fi l rouge dans le bijou contem- 2006, Curator for the city of Biot, France, exhibitions porain français“, Espace Solidor, Cagnes sur Mer, “100%”, 1 Passé, 2 Présent, 3 Futur, (Vivianna Torun France. “In-corporer”, 4eme biennale internationale Bülow-Hübe, Fernand Léger,Hans Hedberg, Keiko du bijou contemporain, Musée des Beaux Arts, Courdy…), catalogue. Curator for the contemporary Nîmes, France. jewellery art center, Espace Solidor, City of Cagnes 2004, “Un vrai bijou!“, Galerie Artcore, Paris, France. sur Mer, France, exhibition “Transcender et Subver- “Gold jewelry from Europe, contemporary works“, tir, un matériau en question, le papier” (contempo- Castel Museum, Cagnes sur Mer, France. rary jewellery), catalogue. 2004, Curator for the con- 2003, “18th biennale UMAM, grant Henri Matisse“, temporary jewellery art center, Espace Solidor, City Galerie des Ponchettes, Nice, France. of Cagnes sur Mer, France, exhibition “I don’t wear 2002, “Plastic in contemporary jewellery“, Museum jewels, I drive them – Automobile et autres objets of Applied Arts, Budapest, Hungary. “10 Jahre Gal- corporels” (Gijs Bakker-Droog Design Foundation, erie Biró“, Galerie Biró, Munich, Germany. “Nature BP, Ted Noten, Ferrari, Maserati), catalogue. Lec- and Time“, Goldsmiths House of Germany, Hanau, ture and organisation of Gijs Bakker‘s workshop at Germany. EMAP School of Fine Arts, Monaco. 2002, exhibition 2001, “Nocturnus”, Estonian Academy of Arts, setting, “Kris et Sarong. Masculin et Fémimin dans Tallinn, Estonia. “2eme biennale internationale du l’Archipel Indonésien”, Asian Arts Museum, Nice, bijou contemporain“, Chapelle des Jésuites, Nîmes, France. Lecture at Escola Massana, Barcelona, France. “Therapeutic Attitude”, solo exhibition, Gal- Spain . Curator for the contemporary jewellery art erie Hipòtesi, Barcelona, Spain. center, Espace Solidor, City of Cagnes sur Mer, 2000, “Therapeutic Attitude”, solo exhibition, Galerie France, exhibitions ”Three Visions of a Body” Biró, Munich, Germany. “S.O.F.A.”, Jeweler’s Werk (S.Hanagarth, C.Zellweger, P.McClure), catalogue; Galerie WashingtonDC, Chicago, USA. “Joyaux d’Espagne” (contemporary jewellery), cata- 1999, “De main de maître “Palais des Congrés, logue. 2001-05, Art consultant for the contemporary Paris, France. “Bijoux de France“, Centre dArt Con- jewellery art center, Espace Solidor, City of Cagnes CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Naomi Filmer Naomi Filmer

CATWALK SHOWS - COLLABORATIONS & COM- export-manufacturing companies in the fashion ac- Haven) MISSIONS cessories sector of the Philippines Author: Caroline Evans 2001 – 2 ’Chivas Revolve’ Seagrams 1999 Jewellery 2003 – “Runway Rocks” Catwalk show Commissioned to design and produce exclusive Published by New Holland of couture accessories sponsored by Swarovski glassware to launch revolutionary whisky ‘Chivas Author: David Watkins Crystals Revolve’ “One of a new series of Design Sourcebooks” 2001 Alexander McQueen - “El Baile Der Toro Re- 1998 The London Book Of Fashion torsido” Spring/Summer 2002, Paris Fashion Week Published by Thames and Hudson 1999 Dai Rees – “Ail” Spring/Summer 2000, Lon- EXHIBITIONS Author: Andrew Tucker don Fashion Week 1997 Unclasped Dai Rees – “Aon” Autumn/Winter Show 1999/2000, 2005 The Watkins Era The Contemporary Applied A Book of Contemporary British Jewellery London Fashion Week Arts, London Published by Black Dog Publishing 1999 Shelley Fox - Spring/Summer 2000, London Touch Me The V&A, London Author: Derren Gilhooley Fashion Week Spectres The V&A, London Shelley Fox – “Ending” Autumn/Winter Show 2004 Malign Muses Mode Museum, Antwerp 1999/2000, London Fashion Week Body Extensions Musee Bellerive, Zulrich 1998 Tristan Webber - “Sanctum” Autumn/Winter 2003 Hometime Rooms British Council organised Show 1998/99, London Fashion Week exhibition, touring China 1997 Julien MacDonald - Spring/Summer Show TROP Musee de la Mode et du Textile, Paris, spon- 1998, London Fashion Week sored by Swarovski 1996 Hussein Chalayan - “Lands Without” Spring/ 2002 Designing Ourselves The Royal Museum, Summer Show 1997, London Fashion Week NMS, Edinburgh, Scotland Hussein Chalayan - “Still Life” Autumn/Winter Show Be-hind Be-fore Be-yond solo show AldoPremoliStu- 1996/97, London Fashion Week dio, Milano, Italy 1995 Hussein Chalayan – “Nothing Interscope” 2000 Transitory Jewellery solo show Glynn Vivian Spring/Summer Show 1996, London Fashion Week Art Gallery, Swansea Hussein Chalayan - “A Long False Equator” Autumn/ Jerwood Applied Arts Prize 2000: Jewellery Crafts Winter Show 1995/6, London Fashion Week Council, London N1 1994 Hussein Chalayan - “Temporary Interference” My Precious Solo show Aurum, London NW3 Spring/Summer Show 1995, London Fashion week 1999 Be-hind Be-fore Be-yond Solo show Judith Hussein Chalayan - “Cartesia” Hussein Chalayan Clark Costume Gallery, London W11 Debut Show, London Out of Fashion Sponsored by Mandarina Duck, Ber- ry house, London EC1 1998 No Picnic Crafts Crafts Council, London N1 COMMISSIONS & CONSULTANCIES Powerhouse UK Horse Guards Parade, London SW11 DTI commissioned show 2004 British Council, India Speaker at conference ‘Hand and the Machine’ or- ganised by the British Council, Bangalore PUBLICATIONS ‘Shining Lights’ DeBeers Design director for jewellery design workshops in 2004 Journal of Design History South Africa as a prelude to competition ‘Shining Volume 17 n0.3 Relationships between Design, Craft Lights’, and a judge on the panel of judges. and Art 2003 British Council & CITEM Design consultancy/ Co editors: Grace Lees-Maffei & Linda Sandino Manila FAME. Philippines 2003 Fashion at the Edge Commissioned by the British Council to consult 10 Published by Yale University Press (London & New CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Svenja John Svenja John

1950, Naaldwijk, the Netherlands 1992 de Krabbedans, Eindhoven dence, USA 1992 galerie Marzee, Nijmegen 2000 “The ego adorned” Koningin fabiolazaal, BOOKS 1992 galerie V&V, Vienna A Antwerp B 2002 ‘Change’ text by Liesbeth den Besten / Ma- SOLO EXHIBITIONS a selection 1991 galerie Marzee, Nijmegen 2000 “Parures d’alleurs”, Musée de design, Laus- rie- Jose van den Hout / Rob Kurvers 1991 galerie V&V, Vienna A anne CH 2000 ‘Pneuma’, text by Gabi Dewald 2003 “CHANGE” Goldschmiedehaus, Hanau G 1991 van Reekum Museum, Apeldoorn 2000 “Op de huid” Museum voor moderne kunst 1999 ‘Vinkhoek’ text by Tracy Metz 2003 “CHANGE” Schmuckmuseum, Pforzheim G 1991 Design Horizonte, Frankfurt G Arnhem NL 1997 ‘Lapis’, text by Gert Staal 2003 “CHANGE” Designmuseum, Gent B 1991 galerij Sophie Lachaert, Gent B 2000 ‘La renaissance du Bijou’, Galerie Piltzer, 1995 ‘Ouroboros’, text by Jan Hein Sassen 2003 “CHANGE” Beurs van Berlage Museum, Paris F 1992 ‘Passio ‘, text by Marjan Unger Amsterdam NL 2000 Kunstrai Marzee NL 1991 ‘Interno’, text by Ans van Berkum 2002 “small change” Galerie Marzee, Nijmegen NL GROUP EXHIBITIONS a selection 2000 ‘Schmuck 2000’, Handwerksmesse, 1989 ‘Dedicated To’, text by Ans van Berkum 2002 “CHANGE” Museum of Modern Art, Arnhem München, G 1986 ‘Verleden beelden’, by Cees Strauss NL 2002 Lesley Graze Gallery London GB 2000 ‘Kunst hautnah’, K-haus, Vienna, AU 2002 galerie Spektrum Munchen G 2002 “Die Erfurter Schmucksymposien 1984-2000 2000 ‘Sculptures portables’, Musee des arts deco- 2002 Art fair Kunstrai gallerie Marzee Nl 2002 “Nature and Time” Goldsmiths´House Hanau, ratifs, Montreal A CATALOGUES a selection 2002 Hnoss gallery Götenborg S G 2000 ‘Alternative material exhibition’, SAC, Bos- 2001 galerie Marzee, Nijmegen NL 2002 “No polisch without friction” Centraal Muse- ton, USA 2002 21 tiaras for Maxima” Museum Het Kruithuis 2001 galerie Spektrum, Munich G um Utrecht, NL 2000 ‘Jewelrymaker: shaman?’, Beurs van Ber- s-Hertogenbosch NL 2001 galerie Jewelerswerk, Washington dc USA 2002 “el broche” Forvm Ferlandina, Barcelona, SP lage, Amsterdam NL 2002 “Onedel” Trees Moolhuysen, Schiedam NL 2000 galerie Chobot, Vienna AU 2002 “pièce / à / conviction” Tactile, Geneve Ch 2001 “20 jahre Galerie Spektrum” Galerie Spek- 2000 galerie Marzee, Nijmegen 2002 “Floating time, 21 tiaras for Maxima” Muse- PUBLICATIONS a selection tum München G 1999 galerie Stühler, Berlin G um Het Kruithuis s-Hertogenbosch NL 2001 “Ruudt Peters or the seduction of matter” 2001 “the Ring”, Metalsmith by Patricia Harris and 1999 galerie Eewal, Leeuwarden 2002 “Dis-Play” Stedelijk Museum Amsterdam NL arte Yjoya, David Lyon USA 1998 galerie Louise Smit, Amsterdam 2002 “Blow Up” avant-garde jewellery Stedelijk by Monica Gaspar, sept. 2001 SP 2001 ‘Jewellery Almere’s choice’,© Marzee 1998 galerie Marzee, Nijmegen Museum Amsterdam NL 2001 “Das Geschlecht der Steine” Süddeutsche 2001 ‘Jewellery Apeldoorn’s choice’,© Marzee 1998 galeria Magari, Barcelona SP 2001 “Ringe von 33 Schmuckkunstlern” Galerie Zeitung 2001 ‘A Public Space Odyssey” New art in Amster- 1998 galerie Spektrum, Munich G Stühler Berlin G by Cornelius Hafner 27/07/2001 G dam, NL 1997 Harvard Club , NY USA 2001 “20 jahre Galerie Spektrum” Spektrum 2000 “Architectur im Schmuck” by Barbera Maas, 2001 ‘The Ring’ Charles A Wustum Museum of 1997 Artfair kunstrai galerie Marzee Munchen G Schmuck 6/2000 G fi ne Arts, Racine USA 1997 galerie Sofi e Lachaert, Antwerp B 2001 Jewellery Almere’s choice,© Marzee, de 2000 Ruudt Peters “preguntto que es la dpiedra 2001 ‘de nieuwe keten van de burgemeester’ by 1997 galerie Louise Smit, Amsterdam Paviljoens Almere NL para ti? by Elena Gastaldon Yjoya sept SP liesbeth den Besten NL 1996 gallery Spektrum, Munich G 2001 Jewellery Apeldoorn’s choice,© Marzee, van 2000 100 jewels 2001 international D 2001 ‘Mikromegas’ Bayerischer Kunstgewer- 1996 Artbox, Waregem B Reekum Museum Apeldoorn NL 2000 ‘”Medals” a dazzling display of invention’, by be-Verein, Munchen D 1996 Narodni Museum, Prague CR 2001 “A Public Space Odyssey” Arti Amsterdam E. Sozanski USA 2001 ‘A View by two”, The RISD Museum, rovi- 1995 galeria Arte Facto 3, Lisbon P NL 2000 “Sponti-ring” Gmunder tagepost by Roman dence, USA 1995 galerie Marzee, Nijmegen 2001 “Mikromegas”, American Craftmuseum New Kocholl D 2000 ‘op de huid’ Museum v.Moderne Kunst Arn- 1995 gallery Jewelerswerk, Washington dc, USA York USA 2000 ‘Galerie-Rundgang’ by Erwin Meichart, Kro- hem NL 1994 gallerie Helene Poree, Paris F 2001 Kunstrai, Marzee Amsterdam NL nenzeitung, March D 2000 ‘Parures d’alleurs’, Muséede design, Laus- 1994 gallery Sculpture to Wear, Los Angeles USA 2001 “Ambtsketens”, Stedelijk Museum Amster- 2000 ‘Scmuck 2000 - Rückblick Visionen’ anne CH 1994 gallery Spektrum, Munich G dam NL 1999 ‘Diaphaneity’, Angela van der Burght, This 2000 ‘Schmuck 2000’- Handwerksmesse München 1993 galerie Louise Smit, Amsterdam 2001 “Mikromegas”, Bayerischer Kunstgewer- side up, autumn ‘99 2000 ‘Schmuck der Moderne’, Pforzheim G 1993 galerij Sofi e Lachaert, Gent B be-Verein, Munchen D 1999 ‘Klumpen an der Jacke des anderen’, by 1999 ‘Augenlust’, Bundesverband Kunsthandwerk, 1993 presentation Charon Kransen, New York 2001 “the Ring”, Mobilia Gallery, Cambridge USA Ronald Berg, Der Tagesspiegel, July 3 Erfurt G USA 2001 ‘Coincides with A View by two’, Hellen Drutt, 1999 ‘Bijoux, le visible et le caché’, by Françoise 1999 ‘für dich, für mich’, Schwäbisch Gmünd G 1993 gallery Jewelerswerk, Washington dc, USA Philadelphia USA Seince, Courrier des Métiers des Arts, April 1999 ‘Isto é uma joia’, text by Manuel Castro Cal- 1992 galerie Spektrum, Munich G 2001 “A View by two”, The RISD Museum, rovi- 1999 Panorama, Schmuck Magazin das CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Svenja John David Watkins

1999 ‘La renaissance du bijou’, text by Marcelin 1995 nomination Design Prijs ‘95 for 1940, Wolverhampton, England 1983 “International Exhibition of Jewellery Art”, To- Pleynet Ouroboros kyo 1999 ‘Dictionnaire international du bijou’, Paris F 1993 nomination ‘Design Prijs Rotterdam’ for Pas- 1983 “New Departures in British Jewellery”, Ameri- 1999 ‘The ring’, by Sylvia Lambert, CH sio Selected solo exhibitions can Craft Museum,New York 1999 ‘Sieraden, de keuze van Arnhem’, © Marzee 1993 ‘Only One’ prize, design of perfume bottle 1984 “Jewellery International”, Museum of Contem- 1999 ‘Secrets des bijoux’, Musee des arts décora- ‘Passio’ 1973 American Institute of Architects, Philadelphia porary Crafts, New York tifs 1973 Goldsmiths’ Hall, London 1984 “Contemporary Jewellery”, National Museum of 1998 ‘Secrets of aromatic jewelry’, by Linda Dyett 1973 Electrum Gallery, London Modern Art, Kyoto & Tokyo 1998 ‘Ten days, ten years’, text by Susan Ewing 1975 “Recent Acrylic Jewellery and Body Forms”, 1986 “Modern Jewellery 1964-86, Helen W Drutt 1998 ‘Brooching it diplomatically’, by helen Drutt Waterloo Place Gallery, London Collection”,Philadelphia Museum of Art 1977 Bodyline: Superstructure”, Arnolfi ni Gallery, 1987 “Schmuck - Zeichen am Körper”, Francisco Bristol Carolinum, Linz ACQUISITIONS a selection 1978 National Gallery of Victoria, Australia 1987 “Joieria Europea Contemporánia”, Fundacio 1980 Galerie am Graben, Vienna Caixa de Pensions, Barcelona 2003 Museum fur Kunst und Gewerbe Hamburg, 1982 Helen Drutt Gallery, Philadelphia 1989 “Ornamenta I”, Schmuckmuseum, Pforzheim G 1985 Jewellery and Sculpture (Retrospective), Crafts 1990 “Gioielli e Legature: Artisti del XX Secolo”, 2003 Amsterdams Historisch Museum. NL Council, London Castello Sforzesco, Milan 2002 Museum voor Moderne Kunst Arnhem NL 1986 Jewellery and Sculpture (Retrospective), City 1991 “Europäisches Kunsthandwerk”, Haus der 2002 Apeldoorns Museum Apeldoorn NL Art Gallery, Leeds Wirtschaft, Stuttgart 2002 Schmuck Museum, Pforzheim G 1986 “David Watkins: Jewellery “ (Retrospective), 1993 “Subjects”, Design Forum Finland, Helsinki 2001 Musee des Arts Decorative, Paris F Stedelijk Museum, Amsterdam 1993 “Facet 1 International Jewellery Bienniale”, 2001 Schmuck Museum, Pforzheim G 1987 “Ramshaw/Watkins,Schmuck/Jewellery” Kunsthal, Rotterdam 2001 RISD Museum, Providence USA (Retrospective), Schmuckmuseum, Pforzheim and 1994 “A New Century in European Design”, Japan 2000 Stedelijk Museum, Amsterdam NL Deutsches Goldschmiedehaus, Hanau Broadcasting Corporation, Tokyo and touring Japan 1996 Schmuckmuseum, Pforzheim G 1988 “Embraced”, Galerie Ra, Amsterdam 1995 “Schmuckkunst der Moderne, Grossbritan- 1996 Cooper Hewitt, Design Museum, New York 1989 Contemporary Applied Arts, London nien”, Landesmuseum, Mainz USA 1989 “Xingu”, Kunstindustrimuseet, Oslo 1997 “British Design”, Museum für Angewandte 1995 Danner Stiftung, Munchen D 1990 “Xingu”, City Art Gallery, Birmingham Kunst, Cologne 1995 Van Reekum Museum, Apeldoorn NL 1993 “Jewellery Strategies”, Mikimoto Hall, Tokyo 1998 “Jewellery Moves”, Royal Museum, National 1995 Musee des Arts Decoratifs, Montreal C 2000 Galerie Louise Smit, Amsterdam Museum of Scotland 1994 Stedelijk Museum, Amsterdam NL 2000 ‘The Ego Adorned - 20th Century Artists’ Jew- 1994 Danner Stiftung, Munich G ellery, Koningin Fabiolazaal, , Antwerp 1994 Anger Museum Erfurt, G Selected survey exhibitions 2001 ‘Radiant Geometries’, American Craft Museum, 1993 Van Reekum Museum, Apeldoorn NL New York 1992 Hiko Mizuno Art School, Tokyo, J 1974 “Collab 74”, Philadelphia Museum of Art 2001 The Art of Jewelry and the Artists’Jewels in the 1991 provincie Overijssel NL 1975 “New Materials in Design”, Science Museum, 20th Century, Museo degli Argenti, Firenze Museum Boymans van Beuningen, Rotterdam NL London 2002 Zero Karats, American Craft Museum, New 1989 Museum für Angewandte Kunst, Vienna A 1976 “Jewellery in Europe”, Aberdeen Art Gallery York 1986 Cleveland County Museum, Middlesborough and Victoria & Albert Museum GB 1977 “Explosion”, Goldsmiths’ Hall, London 1986 Philadelphia Museum of Modern Art USA 1977 “Schmuck 77 - Tendenzen”, Schmuckmuseum, Public art commissions Pforzheim 1980 “International Jewellery 1900 - 1980”, Künstler- 1981 “Nimbus”, Hereford Cathedral PRIZES haus, Vienna 1982 Chandelier, Victoria & Albert Museum 1982 “Schmuck 82 -Tendenzen”, Schmuckmuseum, 1987 “Cone Arbour”, Museum het Princessehof, 2000 Françoise van den Bosch Award 2000 Pforzheim Leeuwarden, Netherlands CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 David Watkins Marjorie Schick

1989 “Pool Pavilion”, Kowloon Park, Hong Kong 1941 Illinois, USA 1992 Design Visions, Robert Bell, ed., Art Gallery 1992 Entrance Sculpture, Braintree Tabor School 1963 BS (Honors) Art Ed., Univ. of Wisconsin, of Western AU, 92-93 1992 “Two Wing Wave”, Henrietta House, London Madison 1991 Int. Crafts, Martina Margetts, Thames and 1966 MFA (Distinction) Jewelry-Metalsmithing, Hudson, 92 Indiana. Univ., Bloomington Selected public & major collections 1983 One Term, Sir John Cass School of Art, Lon- don Metropolitan Univ. PUBLIC COLLECTIONS (selected) American Craft Museum, New York 1967- Professor of Art, Pittsburg State Univ., Pitts- Victoria and Albert, London Australian National Gallery, Canberra burg, KS Royal Mus., National Mus. of Scotland, Edinburgh Crafts Council, London Renwick Gallery, Smithsonian Institution, Washing- Helen Williams Drutt, Philadelphia ton, DC Inge Asenbaum, Vienna AWARDS (selected) Mus. of Arts and Design, NY Kunstgewerbe Museum, Berlin Mus. of Fine Arts, Boston Kunstindustrimuseet, Oslo 2004 Interviewed, Archives of Am. Art Oral History Mus. of Fine Arts, Houston, TX Museé des Arts Decoratifs, Paris Program, Smithsonian Institution Nat. Gallery of Victoria, Melbourne, AU Museum für Angewandte Kunst, Cologne 2000 Fellow, Am. Craft Council Applied Art Mus., Oslo, NOR Museum für Kunst und Gewerbe, Hamburg 1990 Distinguished Alumni Award, Sch. of Fine Municipal van Reekummuseum of Modern Art, Apel- National Gallery of Victoria, Melbourne, Australia Arts, Indiana Univ. doorn, NL National Museum of Modern Art, Kyoto 1985 Mid-Am. Arts Alliance/Nat. Endowment for National Museum of Modern Art, Tokyo the Arts Fellowship, (Crafts) Die Neue Sammlung, Munich SOLO EXHIBITIONS (selected) Nordenfjeldske Kunstindustrimuseum, Trondheim Royal Museum, National Museum of Scotland, Edin- WORKS APPEARING IN PUBLICATIONS 2002 Sabatini Gallery, Topeka, KS burgh (selected) 2001 Decorative Arts Mus., Little Rock, AR Schmuckmuseum, Pforzheim 1998 Galerie RA, Amsterdam Science Museum, London 2005 500 Brooches: Inspiring Adornments for the Mobilia Gallery, Cambridge, MA Stedelijk Museum, Amsterdam Body, Marthe Le Van, Lark Books, 115, 248 1990 Fine Arts Gallery, Indiana Univ., Bloomington Victoria & Albert Museum, London 2004 “M. Schick: Objects of Self-Consciousness,” 1989 Mus. of Applied Art, Trondheim, NOR Worshipful Company of Goldsmiths, London Tacey Rosolowski, Metalsmith (Winter), front cover, 1988 Galerie RA, Amsterdam 24-33 1986 Helen Drutt Gallery, Philadelphia 1000 Rings: Inspiring Adornments for the Hand, VO Galerie, Washington, DC Publications Marthe Le Van, Lark Books, 181 1983 Galerie RA, Amsterdam 2002 “M. Schick,” Tacey Rosolowski, American 1994 “The Best in Contemporary Jewellery”, Rotovi- Craft, 62:5 (Oct/Nov), front cover, 66-69 sion, ISBN 0-7134-7557-9 Jewels and Jewellery, Clare Phillips, Victoria and EXHIBITIONS (selected) 1999 “A Design Sourcebook: Jewellery”, New Hol- Albert Pub., 138 land, ISBN 1.85974.078.2 1996 Jewelry in Europe and Am.: New Times, 2006 EDGES OF GRACE, Fuller Craft Mus., 2000 “The Paper Jewelry Collection” (Joint Author: New Thinking, Ralph Turner, Thames and Hudson, Brockton, MA Wendy Ramshaw), Thames & Hudson. 38 2005 SCHMUCK, Handwerksmesse, Munich 1995 Jewelry of Our Time: Art, Ornament and Ob- 100 BROOCHES, Velvet da Vinci, San Francisco session, Helen Drutt English, Peter Dormer, Rizolli, 2004 VIEW FROM AMERICA, Gold Treasury 319 Mus., Melbourne, Victoria, AU 1994 One of a Kind: Am. Art Jewelry Today, Susan TREASURES FROM THE VAULT, Mus. of Arts and Grant Lewin, Harry Abrams, 61 Design, NY 1993 The Best in Cont. Jewellery, David Watkins, HOUDT van SIERADEN, Galerie Lous Martin, Delft, B.T. Batsford, 146-7, 218 NL CV ARTISTS EDITION 2006 CV ARTISTS EDITION 2006 Marjorie Schick Noam Ben-Jacov

2003 JEWELS AND GEMS, Renwick Gallery, Israel,1952 WHERE Smithsonian Institution, Washington, DC X ARS ORNATA EUROPEANA CHESS, Velvet da Vinci, San Francisco, Victoria and JEWELLERY SYMPOSIUM Albert, London Grants 2002 ZERO KARATS: DONNA SCHNEIER GIFT TO THE AM. CRAFT MUS., NY 1997 Prins Bernhard Foundation Group Exhibitions 2001 MASKERADE, Galerie RA, Amsterdam 1999 Project production,’Images’ RING SHOW, Mobilia Gallery, Cambridge, MA performing arts foundation, den haag 1985 Schmuck fur Kopf und Haar (award), 2000 ZIERAT ZIERAT, Southwest Sch. of Art and 2001 Basic grant, Dutch Foundation for fi ne arts Schmuck Museum, Pforzheim, Germany Craft, San Antonio, TX 2001 Prins Bernhard foundation 1987 The Other Side of Design, Rietveld Acade- COMMEMORATIVE MEDALS/TROPHIES, Helen 2001 Project production ,performing arts foun- mie, Amsterdam Drutt: Philadelphia dation, den haag 1987 Schmuck ’87 Haus der Kunst, Munich, 1999 BOOK ART, Mobilia Gallery at SOFA, NY 2002 Project production,city of Amsterdam Germany 1998 BROOCHING IT DIPLOMATICALLY: A 2004 Prins Bernhard Foundation 1987 Copy Right or Wrong, traveling exhibition, TRIBUTE TO MADELEINE ALBRIGHT, Helen Drutt: 2005 Mondrian Foundation Museon, Den Haag, The Netherlands Philadelphia, 1988 Five Israeli Artists, exhibition and perfor- JEWELLERY MOVES, Nat. Mus. of Scotland, Edin- mance, Jewish Historical Museum, Amsterdam burgh Body-sculptures Performances 1989 Rietveld in the RAI, fi nal exam exhibition 1997 CELEBRATING AM. CRAFT: 1975-95, Dan- and performance, RAI, Amsterdam ish Mus. of Decorative Art, Copenhagen 1987 The Other Side of Design 1989 ORNAMENTA I, exhibition of contemporary 1996 NEW TIMES, NEW THINKING, Crafts Coun- Paradiso Amsterdam jewellery, opening performance/exhibition Scmuck cil, London 1989 International Ballet Gala Museum, Pforzheim, Germany SUBJECTS ‘96, Retretti Art Center, Punkaharju, Stichting Dansersfonds 1979 2000 ‘Alle Leden’, Arti et Amicitiae, Amsterdam Finland Het Muziektheater, Amsterdam 2001 Nieuwe leden-Arti et amicitiae, Amsterdam HELEN WILLIAMS DRUTT COLL 1964-94, Mus. 1991 Opening performance ‘Natural’ 2002 ‘Dier’- alle leden –Arti et amicitiae, Amster- Bellerive, Zurich, Stedelijk Mus., Amsterdam Vondelkerk, Amsterdam dam 1994 KPMG PEAT MARWICK GIFT TO THE REN- 1991 ‘AURA’, full dance evening collaboration with 2003 Wendingen Ensemble 10 jaar – Amstelkerk, WICK, Nat. Mus. of Am. Art, Smithsonian Institution, James Saunders Amsterdam Washington, DC Dansprojekte Koln 2003 ‘Versier de mens’- Kunstenaars Centrum 1993 HATS OF THE 20TH CEN., Philadelphia 1992 Gallery in Motion Bergen (N-H)2004 Nieuwe Leden – Kunstenaars Mus. of Art The Israel Museum, Jerusalem, Israel Centrum Bergen AKERSVIKA ADDENDA, Norges Bank, Hamar, NOR 1997 Project ‘Images’ 2004 Achter de Zuilen – Gemeentehuis, Bloe- Neues Museum Weserburg, Bremen, Germany mendaal 1999 Project ‘Images’, tour in The Netherlands 2004 SBK Amsterdam SBK Groningen – Akerk, LECTURES, WORKSHOPS AND GUEST-ARTIST Lantaren/Venster, Rotterdam; Provadja, Alkmaar; Groningen APPEARANCES (selected) 042, Nijmegen; De IJsbreker, Amsterdam; Kumulus 2004 KCB in Museum Kranenburgh, Bergen (N- West, Maastricht; Huis a/d Werf, Utrecht; Kunsthuis H) Helsinki, Perth, AU, Bangkok, London, Oslo, Am- 13, Velp; Stedelijk Museum, Amsterdam. 2005 50x50 -exhibition kcb , bergen n-h. sterdam, Tokyo, Seoul, Arrowmont Sch. of Arts and 2001 Priv? domein –Kunst op Kamers 2005 De Salon, arti et Amicitiae , Am- Crafts, TN, Haystack Mountain Sch. of Crafts, ME, Lutherse Kerk, De Rijp sterdam Penland Sch. of Crafts, NC, Cleveland Institute of 2002 Presentatie cd-rom Images, performance 2005 art manifestation : strooming, veld werk, Art, OH, Nova Scotia College of Art and Design, Hal- IJsbreker Amsterdam oostknoolendam ifax, CAN, and colleges and universities in the US 2002 Opening-performance of exhibition ‘Trans- 2005 gallery r.c. de ruimte ,ijmuiden parantie 3’ De Boterhal, Hoorn 2005 Lisbon, Portugal EVERYWHERE.NO- CV ARTISTS EDITION 2006 EDITION 2006 Noam Ben-Jacov PROMOTERS

Solo exhibitions Reviews No Body Decoration is organized by: 1995 ‘Man in Space’, BRS Premsela Vonk, Am- 1986 Pforzheimer (Schmuck fur Kopf und Haar) sterdam 1987 Abendzeitung Munchen (Schmuck ’87) Le Arti Orafe Jewellery School e Academy, Firenze e Lucca 1996 ‘Desert’-series, Galerie BMB, Amsterdam 1987 Metalsmith, Society of North-American Gold- Ganjam, Bangalore, India 1997 ‘Desert’, Gemeentehuis Bloemendaal smiths, p. 33 With the support of 1999 Exhibition and opening peformance, Cultu- 1988 Joods Historisch Museum, Nieuwsbrief Ganjam (main sponsor) reel Centrum De Tamboer, Hoogeveen, The Nether- 1989 Sud-West Zeitung (Ornamenta I) Comune di Lucca lands 1989 Pforzheimer Zeitung 1999 ‘Body and another Body, exhibition and 1989 De Telegraaf (Ballet Gala) Coordination opening performance, The Open Museum, Tefen, 1989 Nieuws van de Dag (Ballet Gala) Giò Carbone Israel 1989 Noordhollands Dagblad (Ballet Gala) Fulvio Carbone 2000 Exhibition and opening performance, Galerij 1989 Wassenaars Nieuwsblad Anna Balatti Lieven de Key, Haarlem 1991 K?lner Zeitung (Aura) 2002 Exhibition and installation for Wendingen 1992 Ha?retz, Isr. (Gallery in Motion) Curator ensemble, Amstelkerk, Amsterdam 1993 La Tribune, Swiss (Cinderello) Maria Cristina Bergesio 2004 ‘De wereld van Noam Ben-Jacov, De Boter- 1993 NRC Handelsblad (Perf. capino Ballet) Patronage hal, Hoorn 1994 Trouw (Perf. Scapino) Musei degli Argenti; 2005 Installatie voor muziekcompositie Kees van 1994 NRC Handelsblad (perf. capino) Università degli studi di Firenze; Unen, Grote kerk, Alkmaar 1995 Cover CD ‘Modern Times’, Channel Classics Sovrintendenza Museale di Firenze; 2005 ‘De wereld van Noam Ben-Jacov SBK in cooperation with Joods Hist. Museum, VSB Fonds Sovrintendenza BAPPSAE di Lucca e Carrara; Amsterdam/ oosterhout 1996 Kunstbeeld (exh. BMB, Amsterdam) CIBJO (Confederazione internazionale produttori orafi ) 2005 gallery 59 sbk, Amsterdam 1996 Tanzherbst 1997 Bloemendaals Nieuwsblad Layout Exhibition: Mauro Vegliante, ARKSIGN 1997 Kolner Stadt (exh. hoto’s Museum Ludwich) Layout: Mostre & Mostre, Lucca Publications 1999 Gelderlander (Images) 1999 NRC Handelsblad (Images) · Exh.cat. Schmuck fur Kopf und Haar, Schmuck 1999 Rotterdams Dagblad (Images) Museum Pforzheim, 1986, p. 6. 1999 Volkskrant (Images) · Exh.cat. Schmuck ’87, Haus der Kunst, Munich, 1999 Telegraaf (Images) 1987, p. 42. 1999 Uitkrant (Images) · Exh.cat. ORNAMENTA I, Internationale Schmuck- 1999 Volkskrant (Images) kunst, ed. Prestel, 1989, p. 58. 1999 Noordhollands Dagblad (Images) · H. Schadt, Goldsmith’s Art. 5000 Years of Jewel- 1999 Het Lied (Images) lery and Hollowware, ed. Arnoldsche, 1996, pp. 216, 1999 VPRO-Gids (Images in ‘Reiziger in Muziek’) 219. 1999 The Jerusalem Post (exh. Tefen, Isr.) · K. Nelles, James. Leben, Werk und Visionen des 2002 Noordhollands Dagblad (Kunst op Kamers) Tanzers James Saunders, 1999, p. 107. 2002 NRC Handelsblad (CD-rom Images) · Exh.cat. Body and another Body. Noam Ben-Ja- cov - Sculptures, The Open Museum, Tefen, 1999. · Exh.cat. Priv?-domein, Kunst op Kamers, De Rijp, 2001, pp. 55-59. ·new directions in jewellery (english) ·mais petro /closer (portuguese /english)