Northwest Chamber Chorus Repertoire (By Period/Composer
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DANCING DAY MUSIC FORCHRISTMAS FIFTH AVENUE,NEWYORK JOHN SCOTT CONDUCTOR Matthew Martin (B
DANCING DAY MUSIC FOR CHRISTMAS SAINT THOMAS CHOIR OF MEN & BOYS, FIFTH AVENUE, NEW YORK JOHN SCOTT CONDUCTOR RES10158 Matthew Martin (b. 1976) John Rutter (b. 1945) Dancing Day 1. Novo profusi gaudio [3:36] Dancing Day Part 1 Music for Christmas Patrick Hadley (1899-1973) 17. Prelude [3:35] 2. I sing of a maiden [2:55] 18. Angelus ad virginem [1:55] 19. A virgin most pure [5:04] Benjamin Britten (1913-1976) 20. Personent hodie [1:57] A Ceremony of Carols, Op. 28 Part 2 Saint Thomas Choir of Men & Boys, Fifth Avenue, New York 3. Procession [1:32] 21. Interlude [4:05] 4. Wolcum Yole! [1:24] 22. There is no rose [1:53] 3-15 & 17-24 5. There is no Rose [2:26] 23. Coventry Carol [3:54] Sara Cutler harp [1:46] 1 & 16 6. That yonge child 24. Tomorrow shall be my Stephen Buzard organ 7. Balulalow [1:21] dancing day [3:03] Benjamin Sheen organ 2 & 25-26 8. As dew in Aprille [1:02] 9. This little babe [1:30] Traditional English 10. Interlude [3:32] arr. Philip Ledger (1937-2012) John Scott conductor 11. In Freezing Winter Night [3:50] 25. On Christmas Night [2:00] 12. Spring Carol [1:14] (Sussex Carol) 13. Adam lay i-bounden [1:12] 14. Recession [1:37] William Mathias (1934-1992) [1:41] 26. Wassail Carol Benjamin Britten 15. A New Year Carol [2:19] Total playing time [63:58] Traditional Dutch arr. John Scott (b. 1956) About the Saint Thomas Choir of Men & Boys: 16. -
CHRISTMAS-CAROLS-Notes-Rev.Pdf
CHRISTMAS CAROLS Although any Christmas song might be called a ‘carol’ these days, the word actually refers to an ancient English song-form where a refrain or chorus repeated after every stanza (or verse) and is often connected to celebrations like Christmas or Easter. The word carol is derived from the Old French word carole, a circle dance accompanied by singers (in turn derived from the Latin choraula). Carol’s origins are complex and disputed. Some of our familiar Christmas carols were originally pagan songs, sung at the Winter Solstice celebrations They were very popular as dance songs from the 1150s to the 1350s, after which their use expanded as processional songs sung during festivals, while others were written to accompany religious mystery plays. Whatever the origin, composers all over Europe started writing carols but most people could not understand them since they were written and sung in Latin. This changed in the early 13th century when St. Francis of Assisi introduced Christmas songs in church services in Italy for the first time — and true Christmas carols were officially born. In Assisi’s Nativity plays, which began in 1223, actors sang songs that described the scenes in the plays. Although the choruses were sometimes in Latin, the songs were usually written in the language that people could understand. The actors composed Christmas carols to sing during their Nativity plays and, later, they would walk through the streets still singing. It didn’t take long for these plays to spread to France, Spain and the rest of Europe. The tradition of singing Christmas songs in native languages became well established. -
Intercessions Notices Maidstone Wind Symphony
Intercessions THE PARISH OF Please email [email protected] or phone ALL SAINTS with ST PHILIP, MAIDSTONE 01622 756002 to add/remove names of this list. and ST STEPHEN, TOVIL Please pray for these and their families www.maidstoneallsaints.co.uk Alan Gupwell Carol Winter Pamela Hocking John Coates 18 December 2016 The Fourth Sunday of Advent Brian & Elizabeth Coleman Jeff Fernett Randell Ken and Stella Bridges Jane Sadler At All Saints Jeff & Beryl Foxley Revd Kes Grant Readings at the 8.00am Eucharist begin on page 52 Dawn Gamble Jean Williamson in the BCP and the service starts on page 237. Susan Greenstreet Winnie Thompson Music for the 9.30am Parish Eucharist Daphne Holland Jane Wearne Service: Darke in F Kay Kidney Vera Alflatt NEH 11 1,2,3,4,5&6 O come, O come, Emmanuel Pat Manser Mildred Moss NEH 19 Come, thou Redeemer of the earth John and Diana Caley Daphne Lee NEH 10 Long ago, prophets knew Harry Harbert Audrey Little Communion Motets: John Spencer Angelus ad Virginem The departed and all who mourn their passing Watts Cradle Song Matthew Hall 11.00am Parish Eucharist at St Philip’s Notices 11.00am Cafe Sundae Christingle at St Stephen’s 3.00pm Maidstone Wind Symphony Concert,All Saints Maidstone Wind Symphony Family Concert – th Please note – NO Evensong today The Snowman! Saturday 18 Dec at 3.30pm at All Saints. Pre-Concert children’s activities from St Philip’s and St Stephen’s hymns are announced 2.45pm. See posters for more details and prices. -
Christmas 2012
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Barbara Kowalik
Studia Anglica Posnaniensia 42, 2006 A POPULAR CODE FOR THE ANNUNCIATION IN MEDIEVAL ENGLISH LYRICS BARBARA KOWALIK University of Warsaw ABSTRACT The paper deals with a popular type of the Annunciation lyric in medieval English poetry. A brief survey of the role of the angelic announcement to Mary in medieval art and culture is given. The argument then pursues several distinctive traits of this kind of lyric in a number of poems from the thirteenth through the sixteenth centuries. The distinguishing features include a tripartite structure, a common set of words, phrases, ideas and images, emphasis on singing, a spring set- ting, tryst between lovers, and the use of popular genres, particularly ballads and carols. By anal- ogy with music, it is argued that a certain popular code for the Annunciation existed, against which interesting artistic transformations of the theme were introduced. For example, the Annun- ciation was evoked in a highly compressed and allusive manner by means of but a few elements of the code. The principal elements of the alleged code derived from popular art and imagination. Their application to theological issues frequently led to the blurring of boundaries between the sacred and the profane, and between the Christian and the pagan. The paper proposes a distinction between Lent and alleluia subtypes of the Annunciation lyric. It also demonstrates how the pas- tourelle, aubade, and chanson d’aventure conventions of secular love poetry were adapted to represent the Annunciation. Finally, it suggests a connection between the lyric “At a spryng wel” and a specific statue of the Blessed Virgin Mary, like the much-reverenced statue of Our Lady at Walsingham. -
100 Carols for Choirs Table of Contents
100 Carols for Choirs Table of Contents Adam lay ybounden, Warlock In the bleak mid-winter, Holst All my heart this night rejoices, Ebeling In the bleak mid-winter, Darke Alleluya, a new work is come on hand, Infant holy, infant lowly, Willcocks Wishart The Infant King, Willcocks Angels, from the realms of glory, It came upon the midnight clear, Willcocks Willcocks Jesus child, Rutter Angelus ad virginem, Willcocks Jesus Christ is risen today, Willcocks As with gladness men of old, Willcocks Jesus Christ the apple tree, Poston Ave plena gracia, Maxwell Davies Jingle, bells, Pierpont/Willcocks Away in a manger, Kirkpatrick/Willcocks Joy to the world, Mason/Rutter A babe is born, Mathias Joys seven, Cleobury Birthday Carol, Willcocks King Jesus hath a garden, Wood The cherry tree carol, Willcocks Kings of Orient, Hopkins/Willcocks Child in a manger, Rutter Lo! he comes with clouds descending, A child is born in Bethlehem, Willcocks Willcocks Christmas night, Rutter Lo, how a Rose e'er blooming, Praetorius Coventry carol, Rutter Longfellow's carol, Percival Coventry carol, Shaw Lord of the Dance, Carter/Willcocks Cradle song, Rutter Lute-book lullaby, Ballet/Shaw The crown of roses, Tchaikovsky A maiden most gentle, Carter Deck the hall, Willcocks Mary's Lullaby, Rutter Ding dong! merrily on high, Willcocks A merry Christmas, Warrell Ding dong! merrily on high, Wood Myn lyking, R. R. Terry The first Nowell, Willcocks Nativity carol, Rutter Gabriel to Mary came, Willcocks A New Year carol, Britten Gabriel's message, Willcocks O come, all ye faithful, Wade/Willcocks God rest you merry, gentlemen, Willcocks O come, o come, Emmanuel, Willcocks Good King Wenceslas, Willcocks O little one sweet, J. -
St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616
St. Boniface Episcopal Church 5615 Midnight Pass Road • Siesta Key • Sarasota, Florida 34242 (941) 349-5616 www.bonifacechurch.org The Rt. Rev. Dabney T. Smith, DMin., Bishop The Very Rev. Wayne Farrell, Rector The Rev. Jonathan Evans, Associate Rector The Rev. Elisa Hansen, Deacon Dr. James W. Guyer, Organist/Choirmaster Dr. Ann Stephenson-Moe, guest organist Festival of Nine Lessons & Carols ~ December 16, 2020 7:30 p.m. Prelude Noël Suisse Louis-Claude Daquin Advent Responsory I look from afar Giovanni Pierluigi da Palestrina (arr. Wilcocks) Cantor: I look from afar: Solo 1: and lo, I see the power of God coming, and a cloud covering the whole earth. Cantor: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? Solo 2: High and low, rich and poor, one with another, Choir: Go ye out to meet him and say: Solo 3: Hear, O thou Shepherd of Israel, thou that leadest Joseph like a sheep, Choir: Tell us, art thou he that should come? Sopranos: Stir up thy strength, O Lord, and come Choir: to reign over thy people Israel. Cantor: Glory be to the Father, and to the Son, and to the Holy Ghost. Choir: I look from afar: and lo, I see the power of God coming, and a cloud covering the whole earth. Men: Go ye out to meet him and say: Choir: Tell us, art thou he that should come to reign over thy people Israel? From the First Responsory of Advent Sunday in the Office of Matins (early medieval Roman rite) Hymn 56 vs. -
The Published Works of Eleanor Daley
THE PUBLISHED WORKS OF ELEANOR DALEY Alliance Music Publications Inc. All This Night – SATB / Organ (The) Angels Will Guide You Home - SSA / Piano Angelus Ad Virginem - SATB a cap Ave Maria - SSAA a cap Ave Verum Corpus - SSAA a cap Balulalow - SATB a cap Bethlehem's Star - SATB a cap Birds are Singing - S, optional descant / Piano (The) Bridge Builder – SATB / Piano By the Waters of Babylon - SATB a cap Canticle to the Spirit - SA / Piano (A) Celtic Blessing of Light – SSA / Piano Chantez a Dieu – SSA / Piano Child with the Starry Crayon - SSA / Piano Christ Whose Glory Fills the Skies - SATB a cap Christmas Morn – SSAA / Organ Christus Factus Est - SATB a cap (The) Cloths of Heaven - SSA / Piano Come and Walk With Me - SATB a cap (The) Crown of Roses - SATB a cap (The) Dream-Ship – SSA / Piano Echo – SSAA / Piano Fill Us, Lord – SATB / Organ For the Fallen - SATB / Trumpet Gabriel’s Message - SATB a cap Gentle Nature – SSA / Piano Gloria in Excelsis Deo - SATB / Optional Brass Here, O My Lord - SATB /Organ Hosanna, Loud Hosanna - SATB / Percussion How the Flowers Came – SSA / Piano (A) Hymn for St. Cecilia – SSA / Piano I Sing of a Maiden - SSAA a cap I Was Glad - SATB / Organ I’ll Give My Love an Apple – SSA / Piano If Ye Love Me - SSAA a cap (An) Irish Blessing - SA / Piano Kneel Always - SSA / Piano Leisure - SSA / Piano Life’s Mirror – SATB / Piano / Oboe Light Looked Down – SATB / Organ Like as the Hart - Unison / Organ Listen to the Sunrise – SATB and Children’s Choir a cap Lullaby Carol - SSA/ Piano or Harp Missa Brevis - SSAA – a cappella Missa Brevis No. -
All-Night Vigil Rachmaninoff
RACHMANINOFF ALL-NIGHT VIGIL Saturday March 7th @ 8pm Christ Church Oyster Bay 61 East Main St., Oyster Bay, NY Sunday March 8th @ 4pm St. Peter’s by-the-Sea 500 S. Country Road, Bay Shore, NY www.evoco.vc All-Night Vigil Sergei V. Rachmaninoff (1873–1943) VESPERS 1) PRIIDITE POKLONIMSYA - Come, Let Us Worship Jared Berry, Bass Matthew Georgetti, Tenor 2) BLAGOSLOVI DUSHE MOYA - Praise The Lord, O My Soul Jane Park, mezzo soprano (Saturday) Chelsea Laggan, mezzo soprano (Sunday) 3) BLAZHEN MUZH - Blessed Is The Man 4) SVETE TIKHYI - Hail, Gladdening Light Christopher Remkus, tenor 5) NYNE OTPUSHCHAYESHI - Now Lettest Thy Servant Depart Christopher Remkus, tenor 6) BOGORODITSE, DEVO, RADUISYA - Rejoice, O Virgin Mother Of God MATINS 7) SLAVA V VYSHNIKH BOGU - Glory Be To God On High 8) KHVALITE IMYA GOSPODNE - O Praise The Name Of The Lord 9) BLAGOSLOVEN ESI, GOSPODI - Blessed Art Thou, O Lord Matthew Georgetti, tenor 10) VOSKRESENIYE KHRISTOVO - The Resurrection Of Christ 11) VELICHIT DUSHA MOYA GOSPODA - My Soul Doth Magnify The Lord 12) SLAVA V VYSHNIKH BOGU - Glory Be To God On High 13) DNES SPASENIYE MIRU - Today Is Salvation Come Unto The World 14)VOSKRES IZ GROBA - Thou Didst Rise From The Tomb PRIME 15) VZBRANNOY VOYEVODE - To Thee, Our Leader In Battle Notes and Translations 1) The work begins with the word Amin (amen), responding to the Great Litany, which would have been chanted by the priest. Then there is a fourfold call to prayer, in six and then eight parts. Amen. COME, LET US WORSHIP God, our King. -
“Never Mind the Reindeer”
“Never Mind the Reindeer” Traditional Carols, Songs and Music for Winter, Christmas and New Year Transcribed by George Hinchliffe of The Ukulele Orchestra of Great Britain “Never Mind the Reindeer” was an all instrumental CD released by The Ukulele Orchestra of Great Britain in 1996 In 2020 the Orchestra is releasing this song book of transcriptions for ukulele of the pieces from the original album, with the addition of some extra music. These arrangements for ukulele are copyright but they are being given free in December 2020. In this winter of Covid, amid restrictions and economic difficulties all over the world, when so many people are feeling the economic pinch, the Orchestra is offering this music as a Christmas present to the world. If anyone who finds this music useful is solvent or still working they can of course make a donation via the donation page at UkuleleOrchestra.com. The Orchestra in common with many freelance performers, workers and musicians has had no live work since February 2020. Any donations would be much appreciated but if you are under pressure do feel free to take this as a gift. Most of these pieces are given here with English words, the melody in musical notation, the melody in ukulele tablature for GCEA tuned Ukulele, the chord names and the chord window diagrams for GCEA tuned ukulele. Some of the pieces have latin words or are “macaronic”, such as In Dulci Jubilo, partly in English and partly in latin. There are English words for Angelus ad Virginem, but the time honoured latin words, quoted in Chaucer’s Canterbury Tales, are given here. -
Number Composer Arranger Title Publisher Instrumentation Inventory 504 Don't Sit Under the Apple Tree MS 9 651 Carols for Choirs
number composer arranger title publisher instrumentation inventory 504 Don't sit under the apple tree MS 9 Oxford 651 Carols for choirs 3. The Oxford Book - SATB 13 University Press Oxford 650 Carols for choirs 1,The Oxford Book - SATB 140 University Press Paulus 957 Pilgrims' Hymn (from the Church Opera The Three Hermits) Publications SATB a cappella 56 SP101 Jenson Distinctive 647h Dale Warland Christmas editions, Vol. II Publications 419- accompaniment 57 23054/Vol II s 73 Adamo, Mark Supreme Virtue, No. 10 MS - 1 copy only Double choir 1 906 Aguiar, Ernani Psalm 150 (Salmo 150) earthsongs SATB a cappella 54 983 Albright, William Chichester Mass (Agnus Dei, Gloria, Kyrie, Sanctus) Editions Peters SATB 43 Walton Music Corporation WGK-111; AB 26 Alfven, Hugo Maiden is in a Ring, A (Och jungfrun hon gar I ringen) SATB a cappella 37 Carl Gehrmans Musikforlag. Stockholm 55 Alfven, Hugo Aftonen Walton Music 51 Augsburg 382 Alwes, Chester Let all the people praise thee SATB 8 Publishing 358 Anonymous Verbum caro: dies est laetitiae MS 44 357 Anonymous Nova, nova MS 46 399 Anonymous Ave maria (Gregorian chant) MS SATB 17 Boosey & SATB, 172 Argento, Dominick I Hate and I Love 51 Hawkes percussion SATB, Boosey & 847 Argento, Dominick Toccata of Galuppi's, A harpsichord, 41 Hawkes string quartet Boosey & 239 Argento, Dominick Peter Quince at the clavier SATB, piano 40 Hawkes Boosey & 480 Argento, Dominick Gloria (from The Masque of Angels) SATB 96 Hawkes Boosey & SSA Harp and 63 Argento, Dominick Tria Carmina Paschalia Hawkes B.H. Bk. 21 Guitar -
Rundfunkchor Berlin Simon Halsey , Conductor Judith Simonis , Alto Robert Franke , Tenor
10-10 Vespers_GP 9/26/14 11:39 AM Page 1 Friday Evening, October 10, 2014, at 7:30 Vespers Rundfunkchor Berlin Simon Halsey , Conductor Judith Simonis , Alto Robert Franke , Tenor RACHMANINOFF All-Night Vigil (1915) Priidite, poklonimsia Blagoslovi, dushe moya Blazhen muzh Svete tihiy Nïne otpushchayeshï Bogoroditse Devo Slava v vïshnih Bogu Hvalite imia Ghospodne Blagosloven yesi, Ghospodi Voskreseniye Hristovo videvshe Velichit dusha moya Ghospoda Slava v vïshnih Bogu Dnes’ spaseniye Voskres iz groba Vzbrannoy voyevode This program is approximately one hour long and will be performed without intermission. Please hold your applause until its conclusion. Please join the artists immediately following the performance for a White Light Lounge. The White Light Festival is sponsored by Time Warner Inc. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Church of St. Mary the Virgin Please make certain all your electronic devices are switched off. WhiteLightFestival.org 10-10 Vespers_GP 9/26/14 11:39 AM Page 2 Additional support is provided by The Fan Fox and Upcoming White Light Festival Events: Leslie R. Samuels Foundation, Inc. Saturday, October 11, at 7:30 in the Endowment support is provided by the American New York Society for Ethical Culture Express Cultural Preservation Fund. Ecstatic Journeys Rizwan-Muazzam Qawwali MetLife is the National Sponsor of Lincoln Center. Pre-concert discussion at 6:15 Movado is an Official Sponsor of Lincoln Center. Wednesday–Friday, October 15–17, at 7:30, and Saturday, October 18, at 2:00 and 7:30 in United Airlines is the Official Airline of Lincoln Rose Theater Center.