Elvis Presley Comprehension
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ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and Music by Bill Campbell) If You Want to Be Loved, Baby, You've Got to Love Me, Too
Free Music resources from www.traditionalmusic.co.uk for personal education purposes only ONE-SIDED LOVE AFFAIR - ELVIS PRESLEY (Words and music by Bill Campbell) If you want to be loved, Baby, you've got to love me, too. If you want to be loved, Baby, you've got to love me, too. Oh yeah, 'cause I ain't for no one-sided love affair. If you wanna be kissed, Well, you've gotta kiss me, too. Oh yeah, if you wanna be kissed, Well, you gotta kiss me, too. 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Well, you've gotta hug me, too. Yeah, 'cause I ain't for no one-sided love affair. If you know you can't take it, Baby, why try to give it? If you know you can't take it, Then baby, why try to give it? 'Cause I ain't for no one-sided love affair. Well, fair exchange bears no robbery, And the whole world will know that it's true. Understanding solves all problems, baby, That's why I'm telling you If you wanna be hugged, Well, you gotta hug me, too. Oh yeah, if you wanna be hugged, Baby, you gotta hug me, too. 'Cause I ain't for no one-sided love affair. -
Strictly Elvis Newsletter No.14.Pdf
Newsletter No. 14 Summer 2015 Good Morning, Natalie It’s Now Or Never . The Show Newsletter. If you’ve never been to Welcome to the Summer issue will be touring the UK until Graceland in January (or if you’ve of the Strictly Elvis Newsletter - September and we hope it’ll end never been to Graceland at all) then slightly earlier than usual (yep, up in the West End next year but try this. It’s a great time to travel - less we’re usually late!) because there’s don’t miss this opportunity to see expensive and without the crowds of a lot happening in the Elvis world it at a theatre near you. Summer, the mansion still has its that we wanted to tell you about. We’re recently back from the Elvis amazing Christmas lights and it may Those of you using social media Spring Break at Torquay each year be the last opportunity to stay at the will undoubtedly know that Elvis at taking over a hotel for a long Heartbreak Hotel which is scheduled The O2 is being extended until weekend of Elvis fun and to close when Graceland’s new 10th January 2016. And this is all entertainment. It’s like a huge family hotel opens. Another piece of Elvis down to you, the British Elvis fans, party (but without the tantrums or fan history gone! who have made it such a Aunt Edie hiding the gin bottle) and And finally (with apologies to phenomenal success, breaking all I know there must be hundreds of those bored with this), I am forever attendance records for an Elvis fans out there who would love amazed by the antics of various so- exhibition at The O2. -
Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album
as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A. -
ELVIS PRESLEY Inspired by the RINGMASTERS (SE) Arr.: RUBEN SMITS May 2018 Q=160 ° B4 Nœf ˙ Œ Nœ ˙ Œ Nœ ˙ Œ Nœ ˙
All Shook Up ELVIS PRESLEY Inspired by THE RINGMASTERS (SE) Arr.: RUBEN SMITS May 2018 q=160 ° b4 nœf ˙ œ nœ ˙ œ nœ ˙ œ nœ ˙. Tenor 1 &b 4 J ‰ J ‰ J ‰ J Œ ‹ ah ooh ah ooh ah ooh ah ooh f bb4 #œ ˙ œ ‰ #œ ˙ œ ‰ #œ ˙ œ ‰ #œ ˙. Œ Tenor 2 & 4 J J J J ‹ ah ooh ah ooh ah ooh ah ooh œf ˙ œ œ ˙ œ œ ˙ œ œ ˙ mf ? b4 ‰ ‰ ‰ ‰ œ œ œ Bass 1 b 4 J J J J J ah ooh ah ooh ah ooh ah ooh A well-a f mf ? b4 ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Bass 2 ¢ b 4 œ œ œ œ dm* tsm ba dm tsm dm tsm ba dm tsm dm tsm ba dm tsm dm tsm ba dm tsm * or choose whatever bass sounds work for you A 6 ° bmœf œ œ œ œ œ œ œ nœ ˙. œ œ œ œ œ nœ ˙. &b Œ ‰ J Œ ‰ J Œ ‹ bless my soul wrong with me? - a ah ooh fuzz - y tree - a ah ooh mf bb œ œ œ œ œ œ œ œ #œ ˙. œ œ œ œ œ #œ ˙. & Œ ‰ J Œ ‰ J Œ ‹ bless my soul wrong with me? - a ah ooh fuzz - y tree - a ah ooh ? b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ b Œ ‰ J Œ ‰ J J J bless my soul-a,what's-a wrong withme? I'm it-chin' like a man on a fuzz - y tree MyfriendssayI'm ac-tin' - a ? œ œ œ œ bb œ œ œ œ œ œ œ œ œ œ ¢ œ œ œ œ œ œ dm tsm dm tsm dm tsm dm tsm dm tsm dm tsm dm tsm dm tsm dm tsm dm tsm www.rubensmits.nl/koorarrangementen 2 11 ˙. -
1 Introduction, Elvis Presley and the Beatles
Learning and Teaching of Local and Western Popular Music (Re-run) Introduction, Elvis Presley and the Beatles 3 May 2016 What is popular music? Having wide appeal to large audiences Commodity – a product of music industry Produced and stored in non-written form Difference between popular music and pop music? Pop music refers to a specific musical genre. What are the important features in popular music? Social and cultural contexts, lyrics, musical characteristics Four focuses: harmony, rhythm utilisation, instrumentation, structure (melody, tempo, tone colour, duration) Structure: Why we love REPETITION in music? “The Mere Exposure Effect” Duration – 2 to 3 mins Melody – step, repeated notes, leaps, Riff (fill) (repeated chord progression) , Lick (single-note melodic lines) Groove is the sense of propulsive rhythmic “feel” or sense of “swing Hook (主題句?) is a musical idea, a passage or phrase repeats several times Don’t Take the Girl – Tim McGraw 1994 – His first No.1 single on the Hot Country Songs chart Rhythm – syncopations Harmony – I, IV, V (ii, iii, vi) Treatment of Melody, Rhythm & Harmony in relation to Tempo Lyrics – question & answer, contrast, descriptive, repetition with variations Contexts – social, economic and cultural background: Blowing’ in the Wind – Bod Dylan, May 1963 Drum set / Drum kit Bass drum with the right-foot pedal, provides the basic beat Snare drum provides the strongest regular accents Hi-hat stand and cymbals provide finer rhythms, mark the change from one passage to another One or more tom-tom drums provide drum fills and solos One or more cymbals provide strong accent marker and musical effect What were the social and cultural contexts in the 1950s? 4 M immigrants to the States after WWII (after 1946) USA was one of the countries that benefited from the WWII Baby boom 1946-1964 about 78 M people 1950s America was a wealthy and powerful nation, but a troubled one; racial prejudice Respectable, middle-class White teenagers didn’t listen to race music. -
Jay Dupuis Live As ELVIS” with the King Creole Orchestra St
Golden Opportunity “Jay Dupuis Live as ELVIS” With the King Creole Orchestra St. John Theatre, Reserve LA December 14, 2019 (Saturday) 7:00 p.m. $32.00 per person (includes ticket and transportation) $25.00 per person (Ticket only) Departure: 5:00 p.m. – Center for Primary Care & Wellness Departure: 5:30 p.m. – Ochsner Kenner Jay was born on the evening of October 18, 1974 in Baton Rouge, Louisiana, where he lived most of his childhood life. Growing up in a house where his father was a professional musician made it very easy for Jay to follow in his dad’s footsteps. It was no surprise that Jay had an ear for music but, at the early age of three, his mom put on a record of Elvis Presley singing ‘Hound Dog’. As he listened, his eyes lit up and his hips started to move as he smiled with excitement. Begging his mom to play it over and over, Jay became a huge fan of the King of Rock ‘n Roll. Shortly after, Jay would put on performances for his parents, family and friends at social gatherings. “I would put on white pants and a white dress shirt to mimic a jumpsuit, flip up my collar, pretend I was the King and put on a show in my parents living room. I was never shy.” When Jay wasn’t imitating Elvis, he was doing extensive studio work, surrounded by professional musicians, or on stage performing in front of live audiences. Elvis has always been one of the biggest influences in his life and entertaining career, he can’t remember a time where he wasn’t an Elvis fan. -
Elvis Quarterly 89 Ned
UEPS QUARTERLY 89 Driemaandelijks / Trimestriel januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: 708328 januari-februari-maart 2009 / Afgiftekantoor Antwerpen X - erk. nr.: Driemaandelijks / Trimestriel The United Elvis Presley Society is officieel erkend door Elvis en Elvis Presley Enterprises (EPE) sedert 1961 The United Elvis Presley Society Elvis Quarterly Franstalige afdeling: Driemaandelijks tijdschrift Jean-Claude Piret - Colette Deboodt januari-februari-maart 2009 Rue Lumsonry 2ème Avenue 218 Afgiftekantoor: Antwerpen X - 8/1143 5651 Tarcienne Verantwoordelijk uitgever: tel/fax 071 214983 Hubert Vindevogel e.mail: [email protected] Pijlstraat 15 2070 Zwijndrecht Rekeningnummers: tel/fax: 03 2529222 UEPS (lidgelden, concerten) e-mail: [email protected] 068-2040050-70 www.ueps.be TCB (boetiek): Voorzitter: 220-0981888-90 Hubert Vindevogel Secretariaat: Nederland: Martha Dubois Giro 2730496 (op naam van Hubert Vindevogel) IBAN: BE34 220098188890 – BIC GEBABEBB (boetiek) Medewerkers: IBAN: BE60 068204005070 – BIC GCCCBEBB (lidgelden – concerten) Tina Argyl Cecile Bauwens Showroom: Daniel Berthet American Dream Leo Bruynseels Dorp West 13 Colette Deboodt 2070 Zwijndrecht Pierre De Meuter tel: 03 2529089 (open op donderdag, vrijdag en zaterdag van 10 tot 18 uur Marc Duytschaever - Eerste zondag van elke maand van 13 tot 18 uur) Dominique Flandroit Marijke Lombaert Abonnementen België Tommy Peeters 1 jaar lidmaatschap: 18 € (vier maal Elvis Quarterly) Jean-Claude Piret 2 jaar: 32 € (acht maal Elvis Quarterly) Veerle -
Record Collectibles
Unique Record Collectibles 3-9 Moody Blue AFL1-2428 Made in gold vinyl with 7 inch Hound Dog picture sleeve embedded in disc. The idea was Elvis then and now. Records that were 20 years apart molded together. Extremely rare, one of a kind pressing! 4-2, 4-3 Moody Blue AFL1-2428 3-3 Elvis As Recorded at Madison 3-11 Moody Blue AFL1-2428 Made in black and blue vinyl. Side A has a Square Garden AFL1-4776 Made in blue vinyl with blue or gold labels. picture of Elvis from the Legendary Performer Made in clear vinyl. Side A has a picture Side A and B show various pictures of Elvis Vol. 3 Album. Side B has a picture of Elvis from of Elvis from the inner sleeve of the Aloha playing his guitar. It was nicknamed “Dancing the same album. Extremely limited number from Hawaii album. Side B has a picture Elvis” because Elvis appears to be dancing as of experimental pressings made. of Elvis from the inner sleeve of the same the record is spinning. Very limited number album. Very limited number of experimental of experimental pressings made. Experimental LP's Elvis 4-1 Moody Blue AFL1-2428 3-8 Moody Blue AFL1-2428 4-10, 4-11 Elvis Today AFL1-1039 Made in blue vinyl. Side A has dancing Elvis Made in gold and clear vinyl. Side A has Made in blue vinyl. Side A has an embedded pictures. Side B has a picture of Elvis. Very a picture of Elvis from the inner sleeve of bonus photo picture of Elvis. -
Artist Set List Dance Floor Devestaion Duo
ARTIST SET LIST DANCE FLOOR DEVESTAION DUO The following songs are an example of the Artist’s current repertoire. If you don’t see your favourite song on the list, it is possible that the band might know it so please ask. If you’d like to request a specific song that the band will need to learn, this might be possible, please let us know and we’ll contact the artist for you. 1950’s Your Love Keeps Lifing me Higher and At the Hop – Danny & Juniors Higher - Jackie Wilson Bring it on home to me – Sam Cooke Blue Suede Shoes – Elvis Presley 1970’s Georgia - Ray Charles Ain't No Sunshine - Bill Withers Great Balls of Fire – Jerry Lee Lewis A Little Less Conversation – Elvis Hey! Baby (Are you gonna be my girl) – Presley Bruce Channel Another One Bites The Dust – Queen I got a woman - Ray Charles Another Brick in the Wall – Pink Floyd. Jailhouse Rock – Elvis Presley Big Yellow Taxi - Joni Mitchell Oh Boy! – Buddy Holly Black Betty – Ram Jam Reet Petite – Jackie Wilson Blame it On The Boogie – The Jacksons Stay – The Chantel Brown Eyed Girl – Van Morrison Summertime - George Gershwin Bohemian Rhapsody – Queen Teddy Bear – Elvis Presley Burning Love – Elvis Presley Tutee Fruitie – Little Richard Car Wash - Rose Royce Come Together - The Beatles 1960’s Comfortably Numb – Pink Floyd All Blues - Miles Davis Don’t Stop Me Now - Queen A Little Less Conversation – Elvis Don't Stop Til You Get Enough - Michael Presley Jackson Blue Suede Shoes – Elvis Presley Deeper and Down – Status Quo Cecilia - Simon & Garfunkle Easy - The Commodores Drift Away – Dobie -
Federalism All the Way Down
THE SUPREME COURT 2009 TERM FOREWORD: FEDERALISM ALL THE WAY DOWN Heather K. Gerken TABLE OF CONTENTS I. TH E G HOST O F SOVEREIGNTY ......................................................................................... II A. P rocess F ederalists..............................................................................................................14 B . M inding the Gap ........................................................................................................ 18 II. PUSHING FEDERALISM ALL THE WAY DOWN...........................................................21 A. Why Stop w ith States?.................................................................................................. 22 B . Why Stop w ith Cities? .................................................................................................. 23 C . W hat's in a N ame?......................................................................................................... 25 D. Sovereignty and the Neglect of Special Purpose Institutions.................................. 26 E. W idening Federalism's Lens...........................................................................................28 i. The "Apples to Apples" Problem.............................................................................28 2. An Example: Rethinking the Jury...........................................................................30 M. THE POWER OF THE SOVEREIGN VERSUS THE POWER OF THE SERVANT SEPARATION OF POWERS, CHECKS AND BALANCES, AND FEDERALISM.33 A. Federalism -
Strictly Elvis Newsletter No.16.Pdf
NewsletterNewsletter No. No. 1165 Autumn Spring 2015 2016 Good Morning, We appreciate that not everyone has the You will, I’m sure, know that Joe Moscheo of Elvis’ Imperials time or inclination for social media but we died in January, just a month after he should have been in the really don’t want you to miss out so could I UK as Special Guest at a Concert that Strictly Elvis UK were ar- ask a big, big, favour? If you are on Email (or ranging in his honour. We cancelled the plans when it became if not then perhaps a friend or family mem- apparent that Joe’s condition had deteriorated to the point that ber is) then just email us your name to en- overseas travel would prove impossible. Joe wasn’t just an Elvis [email protected] and from that we’ll ‘contact’ or someone I did business with, but a genuine friend pick up your email address and in future, in and I miss him greatly. I wear his watch – the one he gave me addition to using Social Media, we’ll send outside Coventry Cathedral. He wanted to mark the occa- you details in an email. It was sad when Elvis sion, joking that he wouldn’t be offended if I preferred the one at The O2 finally closed its doors, but didn’t already on my wrist. I’ve worn his watch every day since. And we close it out in style with the Birthday always will. God Bless you Joe, we’ve lost a good ’un in you but Bash followed by our Last Night Farewell? I can imagine the welcome that was awaiting you in Heaven. -
Page 1 of 2 All Shook up Choreographer: Naomi Fleetwood Description: 1 Wall, Intermediate Line Dance Music: All Shook up By
All Shook Up Choreographer: Naomi Fleetwood Description: 1 wall, intermediate line dance Music: All Shook Up by Elvis Presley or Billy Joel PART A SHUFFLE FORWARD LEFT AND RIGHT 1&2 Shuffle forward Left, Right, Left 3&4 Shuffle forward Right, Left Right LEFT GRAPEVINE AND TOUCH 5-8 Step L Foot to left, Step R Foot behind L, Step L Foot to left, Touch R in place SHUFFLE BACKWARDS RIGHT AND LEFT 9&10 Shuffle backwards Right, Left, Right 11&12 Shuffle backwards Left, Right, Left RIGHT GRAPEVINE AND TOUCH 13-16 Step R Foot to right, Step L Foot behind R, Step R Foot to right, Touch R in place WALK FORWARD LEFT, RIGHT, LEFT, KICK RIGHT 17-20 Walk forward Left, Right, Left, Kick Right WALK BACK RIGHT, LEFT, RIGHT, TOUCH LEFT 21-24 Walk Back Right, Left, Right, Touch Left in place STOMP LEFT TO LEFT SIDE, CLAP, PULL, PAUSE 25 Stomp Left to Left Side and extend Left arm to the left 26-27 Clap Right hand on Left, Pull Right hand to chest, as if with a bow and arrow 28 Pause ROLL HIPS TWICE (ELVIS HIPS!) 29-32 Rolls hips twice as if you were Elvis himself! PART B LEFT GRAPEVINE AND TOUCH 33-36 Step L Foot to left, Step R behind L, Step L Foot to left, Touch R in place ½ PIVOT TO THE LEFT TWICE 37-38 Touch R Foot forward, Pivot ½ Turn to the left (weight stays on L Foot) 39-40 Touch R Foot forward, Pivot ½ Turn to the left (weight stays on L Foot) RIGHT GRAPEVINE AND TOUCH 41-44 Step R Foot to right, Step L Foot behind R, Step R Foot to right, Touch R in place ½ PIVOT TO THE RIGHT TWICE 45-46 Touch L Foot forward, Pivot ½ Turn to the right (weight