Mounting Flat Needlework Textiles on a Fabric-Covered Board for Framing
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Schmetz Needle Guide
NEEDLE GUIDE Needle Anatomy Butt: The beveled end allows easy insertion in the needle bar. Shank: Household needles have a flat shank, while commercial and industrial needles have round, threaded, notched or other special shanks. Shanks allow perfect positioning of the needle in the sewing machine needle bar. Shoulder: The sloping area transitioning between the shank and blade. Schmetz color codes appear on the shoulder. Blade: Needle size is determined by the blade diameter (i.e., size 75 is .75mm) Groove: The groove cradles and guides thread to the eye. The length and size of the groove vary according to needle type. Scarf: The indentation above the eye that allows the bobbin hook to smoothly grab the thread under the throat plate to create a stitch. The shape and size of the scarf vary according to needle type. Eye: The hole through which thread passes. The shape and size of the eye vary according to needle type. Point and Tip: Length, shape and size vary according to needle types. Change Your Needle 130/705 H Damaged or worn needles result in: Household sewing machines require a needle with a flattened shank. All needles in this system have a flattened shank for perfect needle • Broken or shredded threads positioning in the needle bar in relation to the hook. • Skipped stitches • Puckered fabrics • Damaged fabrics Schmetz Works with All Sewing Machines! • Uneven threads Schmetz needles work with all new, current and older household sewing machines! Replace Your Needle It’s the easiest way to How to Read a Needle Package improve your stitch quality. -
Macstitch/Winstitch Manual by Ursa Software
MacStitch/WinStitch Manual by Ursa Software Revision: January 2017 - !1 Introduction This document explains all the main functions of the application, plus the bundled Thread Editor utility, and Symbol Editor. We hope you enjoy many hours using the program! If you can't find the answer to a query you have within this document, please send us an email using the contact form on our website, or in the help menu of your program. Jeff & Deb Tullin Ursa Software MacStitch Mac, and WinStitch for the PC are designed for making the creation of counted cross stitch charts easy, quick and fun. You draw on screen using the mouse, using your selected colors (taken from the DMC, Anchor, Madeira or several other thread ranges), and build up your design just as you would on graph paper. For the artistically challenged, you can import scanned photos or clipart, and have the program turn them into ready-to-stitch designs in minutes, at just the right size. The printouts are clear and easy to read, especially when you choose to print at the larger symbol sizes. No need run down to the print shop to get the chart enlarged when you can print it yourself! The task of creating a chart involves either designing something based upon an idea you have, and using the computer screen like a sheet of graph paper, or by importing an image from elsewhere (perhaps a photo or piece of clip art) Once the design is on the screen, you can amend it further: perhaps by adding text, removing background stitches, or adding half stitches to smooth curved edges. -
This Tutorial Will Explain What a Balanced Plied Yarn Is, and H
An HJS Studio Tutorial: To Chose or Not to Choose an Electric Spinner Introduction I've been spinning since March 1986, when I got started with a homemade drop spindle, some very coarse and ugly carded wool, and a little booklet about drop spinning—almost as low-tech as you can get. Today I'm the happy owner of an electric spinner, which I use almost exclusively. I still drop spin, especially with very fine, short fibers, and still use my Ashford Traveller when I won't be around electricity, but the espinner is my prime choice for all other spinning. This page is for those who are contemplating purchasing an espinner, those who can't understand why someone would use an espinner, and production spinners with speed on their minds. I wel- come specific questions; contact me any time if you think I can help. Reasons to get an espinner seem to fall into two main categories: Speed, and physical need. Speed I approached the purchase of an espinner from the speed point of view, and have learned a lot along the way about what speed really is on any spinning device. A brief diversion to explain what the ratio on a wheel is. It's essentially the number of times the flyer turns each time the drive wheel is turned one time. It's expressed so: 30:1 (read as "thirty to one") which means your flyer turned 30 times for one full turn of the drive wheel. Each turn of the flyer puts one twist into your fiber. -
4-H Crocheting Project Member Guide
4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue. -
Stitch Guide by Johanna Lindahl
1 Stitch Guide By Johanna Lindahl In this stitch guide all the uncommon stitches used in my patterns are described. Note that sometimes stitches are made in a different way than in this guide and in that case that specific stitch is described in the pattern. Content, US terms: • Picot • Popcorn (pop) • Puff • Front post slip stitch (FPss) • Front post single crochet (FPsc) • Double crochet 2 together (dc2tog) • Double crochet 3 together (dc3tog) • Front post double crochet (FPdc) • Front post treble (FPtr) • Front post trebles 2 together (FPtr2tog) • Back post slip stitch (BPss) • Back post single crochet (BPsc) • Back post half double crochet (BPhdc) • Back post double crochet (BPdc) • Back post treble (BPtr) • Spike single crochet • Standing single crochet • Standing double crochet • Invisible join Ravelry Store: Johanna Lindahl Designs Blogg: mijocrochet.se | Facebook: Mijo Crochet | Instagram: @mijocrochet Mijo Crochet 2018. Picot 2 Chain one (or more). Then you make a slip stitch through the front loop and the front vertical loop in the single crochet (or dc) just made. Popcorn (pop) Make 4 double crochet in the specified stitch. Drop the loop from your hook and then insert your hook in the first double crochet you made. Grab the dropped loop and pull it through the stitch. Ravelry Store: Johanna Lindahl Designs Blogg: mijocrochet.se | Facebook: Mijo Crochet | Instagram: @mijocrochet Mijo Crochet 2018. Puff 3 Yo, insert the hook into the specified stitch. Pull the yarn through the stitch. [Yo and insert the hook into the same stitch and yo again. Pull the yarn through the stitch] 3 more times. -
October 2018
YMOCT18Cover.FINAL:Layout 1 11/1/18 5:21 PM Page CV1 CAN YOU KEEP BE THE LISTEN A SECRET? CHANGE UP! Protect shared The retail Podcasts get you information with landscape is inside the heads of a nondisclosure changing your customers— agreement. quickly.Are literally. you ready? OCTOBER/NOVEMBER 2018 2019: A YARN ODYSSEY FREE COPY DelicatE wslavender eucalyptus grapefruit unscented jasmine h p teatmen o you in ashable YMN1018_Eucalan_AD.indd 1 10/23/18 12:49 PM Plymouth Yarn Pattern #3272 Drape Front Cardi Plymouth Yarn Pattern #3272 Drape Front Cardi 60% Baby Alpaca 25% Extrafine Merino 15% Yak 60% Baby Alpaca 25% Extrafine Merino 15% Yak WWW.PLYMOUTHYARN.COMWWW.PLYMOUTHYARN.COM YMN1018_Plymouth_AD.indd 1 10/23/18 12:48 PM YMOCT18EdLetter.FINAL:Layout 1 10/31/18 2:24 PM Page 2 EDITOR’S LETTER Looking Back, Looking Forward ROSE CALLAHAN Where were you five years ago? It was the fall of 2013. Some of you may not have even owned your business in the yarn industry yet, while others of you had been at it for well over 20 years. Some of you had not yet become parents; others were close to becoming empty nesters. A lot can change in five years, but of course, a lot can stay the same. Five years ago, Yarn Market News made a change. Because of dwindling advertising dollars, we announced that we would be publishing three issues a year instead of five. And this issue marks our first all-digital issue, born out of both a desire to go green and to help the magazine’s struggling bottom line. -
Senior Textile Artist Badge Workshop
Senior Textile Artist Badge Workshop An At-Home Program GSCCC Senior Textile Artist Badge Workshop (At-Home) • When you see fabrics, yarn, or string off all colors and textures what do you think of? Do you envision all of the things you could create? Let’s turn those visions into reality! Program Outline Materials: - Computer - Internet access - Materials for craft of choice Step 1: Choose your textile art There are a number of textile arts in the world from macramé to crocheting to quilting and much more. In this step you will be doing some research to learn about a textile art that you find interesting and that you would like to learn. Some of the most common textile arts are macramé, embroidery, cross-stitch, needlework, knitting, crocheting, weaving, and quilting. Do some research to find out about these or other textile arts. Below are some helpful links to start with. Here are a few links to get your search started – crochet, macramé, embroidery, weaving. Click here to see what some current textile artists are doing. Step 2: Find your tools and materials Now that you have chosen your art, you need to gather materials. Crocheting needs crochet hooks and yarn. Embroidery needs needles, embroidery floss, hoops, and fabric. Do some research about what you will need for your chosen textile art form. What all is involved? Do you know anyone who already has the supplies? Would they be willing to lend you some materials? Below are some great resources to learn about materials needed for the most common textile arts. -
Introduction to Process and Properties of Tissue Paper
Introduction to process and properties of tissue paper enrico galli, 2017 Enrico Galli self-presentation • I was born in Viareggio (Lucca county or “the so called tissue valley”) Tuscany - Italy • Graduated in Chemical Engineering at University of Pisa in 1979 • Process and project engineer and then technical manager in oil industry (oil refineries and spent lube oil re-refining) in GULF, API, AGIP in Italy • Technical manager in chemical and consumer products company (soap, detergents, derivate from fatty acids, sanitary gloves, tissue paper) in Italy. • Since 1984 in paper and tissue business: • Italy: Tissue (PM, PBD, CON), Newspaper (PM), Cardboard paper (PM, MM) • Estónia: Tissue (PM, CEO) • France: Tissue (PM) • Hungary: Tissue (CON) • Nigéria: Tissue (CON) • Romania: Tissue (PM, PBM, MM, CON), Writing paper (PBM) • Rússia: Tissue (PM) • Spain: Tissue (PBM) • UK: Tissue (PBM) • Cooperation with following main European Tissue Companies: Annunziata (now WEPA – Italy), GP (now Lucart – Italy), Horizon Tissue (Estonia), Imbalpaper (now Sofidel – Italy), Kartogroup (now WEPA – Italy, France, Spain), Montebianco (Romania), Pehartec (Romania), Perini (now Sofidel – Romania, UK), Siktyvkar Tissue Group (Russia), Vaida Papir (Hungary)… and now proudly NAVIGATOR in Portugal! • I have been supporting Sales and Marketing Teams for strategic planning as well as for products development in Baltic Countries, BENELUX, Denmark, Finland, France, Germany, Hungary, Ireland, Italy, Norway, Poland, Romania, Russia, Spain, Sweden, UK. • Since 1998 I have -
Faculty Development Grant Report Sumi Lee Professor of Fashion
Faculty Development Grant Report Sumi Lee Professor of Fashion Design Faculty Development Grant Report Submitted Sep.11th, 2017 Sumi Lee Professor of Fashion Design Project Description: In Fall 2016, I received a Faculty Development Grant to fund a textile art workshop titled “Places, Spaces and Traces” in Les Carroz, France. This workshop focused on creating artistic textile surfaces, while experimenting with found materials, different media, novel techniques, mark-making (i.e., use of stitch as a “line”), and paint methods on fabric (e.g., sun prints with silk dyes). These different approaches to creating textiles are often described as “painting with cloth.” This workshop was instructed by a renowned textile artist from the U.K., Cas Holmes, author of several books and articles including “The Found Object in Textile Art” and “Stitch Stories”. She utilizes a unique “hands-on” approach that showcases her experimental use of found materials and inventive application of textile and mixed media procedures. Significant Activities: According to Cas Holmes, the most important aspect of “creating art” is the process of developing one’s own approach to subject matter in a meaningful way. Specifically, Holmes showed how she makes connections to natural environments in developing her narratives and her personal vision as a textile artist. #1. Stitch- Sketching: Drawing and recording daily observation, and the realization of those ideas in textile is a process. Sketchbook by Cas Holms Sketchbook by Sumi Lee The colors, textures, and changing light over the meadows, fields and landscape can provide a stimulus for the narrative, formal, or abstract quality in textile works. -
Leather, Wool & Wood Foldover Clutch
LEATHER, WOOL & WOOD FOLDOVER CLUTCH Designed by Brett Bara Come with me on a journey into the world of mixed media crafting! This bag design combines chunky hand-knit panels with sections of supple leather, joined together on a sewing machine and embellished with wooden macrame flair -- all in a foldover clutch shape that’s super hot this year. Yes, it’s a mouthful (!), but the result is a textural treat that’s a perfect piece to complete your fall boho vibe. So break out your knitting needles and sewing machine and do not be afraid -- I promise this project isn’t difficult, and you’ll learn a ton! Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany (Psst: If you’re feeling daunted by the variety of materials used here, don’t worry – we got you! You can snag a one-stop-shopping kit for all the supplies needed to make this bag. See the link below.) FINISHED SIZE Approximately 12” x 9” when folded (12” x 15” when opened) MATERIALS Note: All the materials to make this bag can be purchased as a kit here: https://www.brooklyncraftcompany.com/products/leather-wool-wood-foldover- clutch-kit • Malabrigo Rasta in Archangel (100% Merino Wool, 90 yards, 150 grams) - 1 skein • Size US13/9mm Knitting Needles • Medium-Weight Leather: enough to cut two pieces measuring 13” x 9 ½” and one piece measuring 1” x 6” • 2 ½” Wooden Macrame Ring Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany • 2” Oblong Wooden Macrame Bead • Double-sided tape • Sewing machine equipped with walking foot and leather needle • All-purpose sewing thread to match yarn and/or leather • 8” scrap piece of craft wire GAUGE 2.5 stitches per inch on size US13/9mm needles THE KNITTING PART Bag Body Panels (Make two) Cast on 32 sts. -
Pdf51da2bb9237.Pdf FAO, F
PEER-REVIEWED REVIEW ARTICLE bioresources.com Understanding the Effect of Machine Technology and Cellulosic Fibers on Tissue Properties – A Review Tiago de Assis,a Lee W. Reisinger,b Lokendra Pal,a Joel Pawlak,a Hasan Jameel,a and Ronalds W. Gonzalez a,* Hygiene tissue paper properties are a function of fiber type, chemical additives, and machine technology. This review presents a comprehensive and systematic discussion about the effects of the type of fiber and machine technology on tissue properties. Advanced technologies, such as through-air drying, produce tissue with high bulk, softness, and absorbency. Conventional technologies, where wet pressing is used to partially dewater the paper web, produces tissue with higher density, lower absorbency, and softness. Different fiber types coming from various pulping and recycling processes are used for tissue manufacturing. Softwoods are mainly used as a source of reinforcement, while hardwoods provide softness and a velvet type surface feel. Non- wood biomass may have properties similar to hardwoods and/or softwoods, depending on the species. Mechanical pulps having stiffer fibers result in bulkier papers. Chemical pulps have flexible fibers resulting in better bonding ability and softness. Virgin fibers are more flexible and produce stronger and softer tissue. Recycled fibers are stiffer with lower bonding ability, yielding products that are weaker and less soft. Mild mechanical refining is used to improve limitations found in recycled fibers and to develop properties in virgin fibers. -
LACE SUMMER CARDIGAN Pattern Number: M20324 NUB
Free Crochet Pattern LION BRAND® NUBOO LACE SUMMER CARDIGAN Pattern Number: M20324 NUB ©2021 Lion Brand Yarn Company, all rights reserved. LION BRAND® NUBOO LACE SUMMER CARDIGAN Pattern Number: M20324 NUB SKILL LEVEL – EASY SIZES XS (S, M, L, 1X, 2X, 3X, 4X, 5X) Finished Bust About 36 (39, 42, 46, 52, 55, 58, 62, 68) in. (91.5 (99, 106.5, 117, 132, 139.5, 147.5, 157.5, 172.5) cm) Finished Length About 29 1/2 in. (75 cm) Note: Pattern is written for smallest size with changes for larger sizes in parentheses. When only one number is given, it applies to all sizes. To follow pattern more easily, circle all numbers pertaining to your size before beginning. MATERIALS • LION BRAND® NUBOO (Art. #838) #187 Goldenrod 5 (5, 6, 6, 7, 7, 8, 8, 9) balls • LION BRAND® large-eyed blunt needle ADDITIONAL MATERIALS Crochet hook size 7 (4.5 mm) GAUGE 20 sts + 10 rows = about 4 in. (10 cm) over pattern in Rows 2-5 of Back. BE SURE TO CHECK YOUR GAUGE. NOTES 1. Body of Cardigan is worked in one piece back and forth in rows. 2. Body is worked from lower back edge up to shoulders. Then piece is divided for back neck and fronts are worked separately from the shoulders down to the lower front edges. 3. Body is folded and side seams sewn, leaving openings for armholes 4. Sleeves are worked in joined rnds directly into the armholes. BODY Back Ch 91 (99, 107, 115, 131, 139, 147, 155, 171).