Sewing Skills Checklist
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Sewing Mode Sewing Mode in Sewing Mode View You Can Select Stitches, Adjust and Sew Them
Sewing mode Sewing mode In sewing mode view you can select stitches, adjust and sew them. You can also go to Stitch Creator and to sequencing to create your own stitches and sequences. Your selected stitch will be shown in full scale in the stitch fi eld. The recommendations and machine settings will be shown at the top. Sewing mode - overview 1 2 1. Sewing recommendations 3 2. Machine settings 3. Stitch selection area 5 4 4. Scroll bar (Scroll through stitch categories) 5. Selected stitch number 6. Stitch fi eld 7. Mirroring side to side 8. Mirroring end to end 9. Sequence start position 10. Zoom to all 11. Stitch width 12. Width/position toggle 13. Stitch length 10 16a 16b 16c 14. Stitch density 6 16 15. Needle thread tension 17a 17b 17c 16. Save options 17 a) Save personal default stitch b) Save to Personal menu 11 13 14 15 18 c) Save to Personal fi le Sewing mode 9 17. Tie-off options 19 a) Tie-off beginning 12 b) Tie-off end 78 20 c) Thread snips 18. Speed control 19. Sewing programs 20. Balance 21. Repeat buttonhole 22 23 22. Stitch positioning 23. Buttonhole slit length 24. Button stitch repetition Note: All symbols and options will not be 21 shown at the same time. 24 4:2 Select a stitch 3 To select a stitch, touch the actual stitch in the stitch selection area (3). You can scroll through 4 the list of stitches, using the scroll bar on the right hand side. The number of the actual subcategory is shown below the scroll bar (4). -
This Tutorial Will Explain What a Balanced Plied Yarn Is, and H
An HJS Studio Tutorial: To Chose or Not to Choose an Electric Spinner Introduction I've been spinning since March 1986, when I got started with a homemade drop spindle, some very coarse and ugly carded wool, and a little booklet about drop spinning—almost as low-tech as you can get. Today I'm the happy owner of an electric spinner, which I use almost exclusively. I still drop spin, especially with very fine, short fibers, and still use my Ashford Traveller when I won't be around electricity, but the espinner is my prime choice for all other spinning. This page is for those who are contemplating purchasing an espinner, those who can't understand why someone would use an espinner, and production spinners with speed on their minds. I wel- come specific questions; contact me any time if you think I can help. Reasons to get an espinner seem to fall into two main categories: Speed, and physical need. Speed I approached the purchase of an espinner from the speed point of view, and have learned a lot along the way about what speed really is on any spinning device. A brief diversion to explain what the ratio on a wheel is. It's essentially the number of times the flyer turns each time the drive wheel is turned one time. It's expressed so: 30:1 (read as "thirty to one") which means your flyer turned 30 times for one full turn of the drive wheel. Each turn of the flyer puts one twist into your fiber. -
Free Pattern Instructions Best Nest Organizer Basket
Fold 42" Quilted Hanging Basket Front Cut 1 on fold d l e on fo on e ont - plac fr Center Gather Quilted Hang ing Basket Gusset Cut 1 on fold -or- Cut 2 with seam allowance Free Pattern Instructions Pattern Free 21" Quilted Hanging Basket Back ld n fo n Cut 1 on fold o ce - pla ont er fr er t en C Layout Option 2: Layout From binding fabric, cut 2¼" wide cut strips bias equal fabric, to binding From 120". 118" to approximately seam to using a diagonal end, to end strips, binding Join Trim the seam open. then seams flat, Press bulk. reduce if ¼", needed. to allowances Careful meeting edges even. long in half, the binding Press press. the fabric as you stretch not to - the guidelines using a fabric marking pencil, pen or Mark, piece. pattern gathering the front for on as indicated Cut on fold Center base seam cutting line Fold • binding: the Create • • • 6" 3. 18" - Quilted Hanging Basket et Bask ing ang H Quilted Front ont Fr Cut 1 on fold fold on 1 t Cu d d l l e on fo e fo on e 42" t - plac t - plac ter fron ter fron ter n n Ce Ce Gather Gather et et ing Bask Bask ing ng ng Ha Ha Quilted Quilted t t e e k k s s a a B B g g in in g g n n a a H H d d te te il il u u Q Q ld ld t t se se s s Gu Gu k k c c a a B B d d ol ol f f n n o o ut 1 1 ut C C n fo n fo o o d d l l fo fo n n o o 1 1 t t u u C C r- r- -o -o ce ce ce ce n n wa wa allo allo m m a a th se se th wi wi 2 2 ut ut C C - pla - pla ont ont er fr er er fr t t en en C C Best Nest Organizer Basket Organizer Best Nest Layout Option 1: Layout yd. -
Convertible Mittens by Stacy Schlyer Comp 110712.Pub
Convertible Mittens The best part about cold materials and tools weather is fashionable • ¼ yard stretch fabric (see Tips) accessories. These mittens will keep your • Two Ǫފ- to ½ފ-diameter buttons hands cozy and stylish, • Elastic cording and flip out of the way • Sewing shears when you need your fingers to use your touch • All-purpose polyester thread phone, keys, etc. It’s a • Size 80/12 Ballpoint needle perfect (and clever!) opportunity to reclaim • Hand-sewing needle an old sweater or knit garment. Keep your fingers happy this winter! Tips This pattern is designed This pattern is designed for knit fabrics that have a to create a pair of teen/ Created by Stacy Schlyer great deal of stretch. Ideal adult mittens—one size materials include sweater fits most. knits, interlocks, most fleeces, and thermal knits. If your hands are smaller or larger, or if your fabric Reclaimed sweaters are is less stretchy than those also a good choice, but recommended, reduce or avoid using felted sweater enlarge the pattern seam material as it will not have allowances as needed. enough stretch. 1 Convertible Mittens step one x Cut four Main Mitten pieces—two right, two left—using the template on page 7. x Cut four Mitten Cover pieces using the template on page 8. xTFoldips f theor Se ½ wyarding Kofn ivinylts in half, right sides together. Place Usthee bag a sma patternll zigz onag thestit cvinylh with Ithente rbaglock shandle, polar onfle ethece ,fold, fusingor se apatternms. Th weightsis will al ltoow hold it ina nplaced ma whileny swe youate cut.r kn its them to stretch, preventing do not ravel, so it is not the stitches from popping. -
Woven Fabrics
Fabric – Woven Fabrics WOVEN FABRICS Fabrics are made of yarns by weaving them in different combinations. It is mostly done by interlacing two sets of yarn or thread made of fibers called the warp and weft of the loom. It only stretches in the bias directions, between the warp and weft directions, unless the threads are elastic. Lengthwise stronger vertical yarns with more twist are Warp or Picks while widthwise filling yarns are termed as weft or ends. Sidewise edge of fabric is termed as Selvedge. THREE BASIC WEAVES There are three main types of weave: Plain, Twill and Satin Plain weave is a basic weave which is made when the thread is woven on one up and one down principle, some plain weave fabrics are Chambray, Chiffon, Gingham, and Organza etc. Twill weave is made when the thread is placed by varying the order of interlacing the yarns so that diagonal parallel lines are produced across the fabric. Satin Weave is a weave made when each warp yarn floats over four filling yarns and interlaces with fifth filling yarn. Plain weave Twill weave Satin weave Fabric – Weft Knit Fabrics Knitted Fabrics Knitting is the process of construction of a fabric by interlocking loops of yarn by means of hooked needles. Knitted fabric consists of horizontal rows known as courses and vertical columns of loops known as Wales. Knitted fabrics are porous having insulated air pockets giving warmth when worn. Knitted fabrics are very absorbent, wrinkle resistant and lightweight. They shrink more than woven fabrics unless shrink- proofing techniques are used. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Tuscan Tile Work Table Runner Created by Jeanne Delpit
Tuscan Tile Work Table Runner Created by Jeanne Delpit Dress your table with colors of Italy while creating a beautiful runner featuring embroi- dery motifs from OESD’s Tuscan Gardens Embroidery Collection, a BERNINA Exclusive collection. Enhance any setting with rich embroidered medallions, borders and floral motifs combined with decorative stitches and quilting techniques. With the BERNINA 830 and the BERNINA Jumbo Hoop as your design partners, create stunning projects with ease! Supplies Machine & Accessories BERNINA 830 Sewing & Embroidery Machine BERNINA Embroidery Software 6 (optional) Reverse Pattern Dual Feed Foot #1D Edgestitch Dual Feed Foot #10D Open Embroidery Dual Feed Foot #20D Patchwork Dual Feed Foot #37D Binder Attachment #88 – 28mm size Binder Foot #95C Seam Guide BERNINA Stitch Regulator Jumbo Hoop & Template Large Oval Hoop & Template Threads Embroidery Collection Isacord threads for Tuscan Gardens Premier Tuscan Gardens - OESD Crafter’s Collection 1105 Collection #1105 Mettler 60 wt cotton thread or Bobbinfil for Fabric & Notions bobbin 1½ yds silk dupioni for top 2 yds silk dupioni for backing and binding Additional Supplies 1½ yds ArmoWeft Fusible Interfacing Embroidery snips 1½ yds Fusible Batting Cut for the -Cure Rulers™: OESD AquaMesh Plus Stabilizer 7” x 24” Rectangle Organ Titanium Sharp Needles – Size #75 14” x 24” Rectangle Microtex Needles – Size #80 Half Square Wonder Tape – ¼” width Rotary cutter and mat Best Press Starch Alternative Embroiderer’s Wand 505 Temporary Adhesive Spray Water soluble marking pen 2 Tassels ~ 1 - 1½” in length Tracing wheel MasterHooper™ (optional) Seam sealant ©2011 BERNINA of America, Inc. cg Page 1 of 11 Fabric Cutting & Preparation From the backing fabric, cut a 20” wide x 54” long rectangle and set aside. -
THE LEICESTERSHIRE ARCHJEOLOGICAL and HISTORICAL SOCIETY 1967-68 President Professor Jack Simmons, M.A., F.R.HIST.S., F.R.S.L
THE LEICESTERSHIRE ARCHJEOLOGICAL AND HISTORICAL SOCIETY 1967-68 President Professor Jack Simmons, M.A., F.R.HIST.S., F.R.S.L. * President-Emeritus Colin D. B. Ellis, Esq., C.B.E., M.C., M.A., F.S.A, * Vice-Presidents Kathleen, Duchess of Rutland The Hon. Lady Martin The Right Reverend The Lord Bishop of Leicester, D.D. The High Sheriff of Leicestershire The Right Worshipful The Lord Mayor of Leicester The Very Reverend H. A. Jones, B.SC. Victor Pochin, Esq., C.B.E., M.A., D,L., J.P. A. Bernard Clarke, Esq. Levi Fox, Esq., M.A., F.S.A. Professor W. G. Hoskins, M.A., M.Sc., PH,D. Miss K. M. Kenyon, C.B.E., M.A., D.LITT., F.B.A., F.S.A, Mrs. F. E. Skillington * Officers Hon. Secretaries: James Crompton, Esq., M.A., B.LITT., F.R.HIST.S., F.S.A, (Minutes) Miss Mollie P. Rippin, B.A. (General) Miss Winifred A. G. Herrington (Excursions) Hon. Treasurer : C. L. Wykes, Esq., F.C.A. (resigned 30 April 1968) Hon. Auditor: Lieut.-Col. G. L. Aspell, T.D., D.L., F.C.A. Hon. Editor: James Crompton, Esq., M.A., B.LITT., F.R.HIST.S., F.S.A. Hon. Librarian: F. S. Cheney, Esq. * Trustees of the Leicestershire Archawlogical and Historical Society J. E. Brownlow, Esq. Colin D. B. Ellis, Esq., C.B.E., M.C., M.A., F.S.A, J. N. Pickard, Esq., J.P. J. R. Webster, Esq. c. L. Wykes, Esq., F.C.A. * Trustees of the Leicestershire Archceological Research Fund 0. -
Anniescraftstore.Com AWB9
QUILTING | FABRIC | SEWING NOTIONS | CROCHET | KNITTING page 2 page 4 page 2 page 30 page 11 FEBRUARY 2019 AnniesCraftStore.com AWB9 CrochetCraft & Craft Store Catalog inside 2–40 Quilt Patterns & Fabric 41–57 Quilt & Sew Supplies 58–61 Knit 62–83 Crochet Rocky Mountain Table Runner Pattern Use your favorite fabrics to make this runner truly unique! You can use 2½" strips or fat eighths to make this table runner. skill level key Finished size: 15" x 46". Skill Level: Easy Beginner: For first-time 421824 $6.49 stitchers. Easy: Projects using basic stitches. Intermediate: Projects with a variety of stitches and mid-level shaping. Experienced: Projects using advanced techniques and stitches. our guarantee If you are not completely satisfied with your purchase, you may return it, no questions asked, for a full and prompt refund. Exclusively Annie's NEW! Poppy Fields Quilt Pattern This design is composed of basic units that, when combined, rotated and infused with bold and beautiful fabrics, create a sparkling masterpiece. Finished size is 63" x 63". Skill Level: Intermediate Y886416 Print $8.99 A886416 Download $7.99 2 Connect with us on Facebook.com NEW! Owl You Need is Love Quilted Quilt Pattern Owls are all the rage, regardless of the time of year. With These little fellas are meant for Valentine’s Day— Love! or for any other day you choose to display them! Finished size: 40" x 52". Skill Level: Intermediate RAQ1751 $12.49 (Download only) Exclusively Annie’s NEW! Rustic Romance Quilt Pattern These pieced blocks NEW! Have a Heart Quilt Pattern at first glance give Use your favorite color to make this lovely the appearance quilt. -
Leather, Wool & Wood Foldover Clutch
LEATHER, WOOL & WOOD FOLDOVER CLUTCH Designed by Brett Bara Come with me on a journey into the world of mixed media crafting! This bag design combines chunky hand-knit panels with sections of supple leather, joined together on a sewing machine and embellished with wooden macrame flair -- all in a foldover clutch shape that’s super hot this year. Yes, it’s a mouthful (!), but the result is a textural treat that’s a perfect piece to complete your fall boho vibe. So break out your knitting needles and sewing machine and do not be afraid -- I promise this project isn’t difficult, and you’ll learn a ton! Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany (Psst: If you’re feeling daunted by the variety of materials used here, don’t worry – we got you! You can snag a one-stop-shopping kit for all the supplies needed to make this bag. See the link below.) FINISHED SIZE Approximately 12” x 9” when folded (12” x 15” when opened) MATERIALS Note: All the materials to make this bag can be purchased as a kit here: https://www.brooklyncraftcompany.com/products/leather-wool-wood-foldover- clutch-kit • Malabrigo Rasta in Archangel (100% Merino Wool, 90 yards, 150 grams) - 1 skein • Size US13/9mm Knitting Needles • Medium-Weight Leather: enough to cut two pieces measuring 13” x 9 ½” and one piece measuring 1” x 6” • 2 ½” Wooden Macrame Ring Brooklyn Craft Company | www.brooklycraftcompany.com Follow & tag us! @brooklyncraftcompany #brooklyncraftcompany • 2” Oblong Wooden Macrame Bead • Double-sided tape • Sewing machine equipped with walking foot and leather needle • All-purpose sewing thread to match yarn and/or leather • 8” scrap piece of craft wire GAUGE 2.5 stitches per inch on size US13/9mm needles THE KNITTING PART Bag Body Panels (Make two) Cast on 32 sts. -
6351 Cape.Pages
SABRINA INTERMEDIATECAPE #6351 www.portlandfashioninstitute.com View A: Circle View B: Square ONE SIZE INTERMEDIATE SEWING View A: Circle View B: Square YOUR CLASSROOM IN A BOOK SABRINA CAPE #6351 This is an Intermediate pattern. To use this pattern, you should know how to thread a sewing machine and a serger and have sewn some garments. If not, look for our Learn to Sew or Apparel Construction series of patterns. Need to practice your knit stitches? Look for our Sewing Knits 1: Knit Top patterns. In this pattern, you will learn: After this pattern, try: Types of knit fabric Intermediate Sewing: Pants & Jeans, Casual Jacket, Types of stitches to use on knits. Perfect Shirt How to prepare your fabric. Intermediate Knits: Sweaters, knit tops, knit dresses How to put buttonholes & buttons into knits Intermediate Mens: Pants & Slacks, Dress Shirts How to complete a project that you will be happy to wear! Activewear: Raglan Hoodie, Yoga & Sweatpants, Sports Bra/ Middie Advanced: Lingerie, Dresses, Tailored Jacket, Couture Jacket Look for this symbol throughout the pattern for helpful TIPS from Portland Fashion Institute -- all aimed to make your sewing easier and give you a professional finish. Portland Sewing (c) 2014 page 2 KNOW BEFORE YOU BUY 1 PONTE. A stable double knit fabric made of a blend of rayon TYPES OF and polyester fibers. It has a super smooth hand, low luster KNITS sheen and a full-bodied drape in prints or solids with less than SWEATSHIRT FLEECE. Flat vertical ribs on right side; soft, brushed 15% stretch crossgrain. It is used for structured knit apparel such surface on wrong side. -
CJSH Grades: 9-12
Crawford Central School District Textiles I - CJSH Grades: 9-12 Course Description: Textiles I is an introductory sewing course for students who may or may not have experience with sewing. Skills introduced in Textiles I include: hand sewing, mending, basic embroidery skills, basic crochet, introduction to the sewing machine, and simple quilting techniques. Unit Title: Introduction to Textiles I Time: September Essential Questions: What do I want to accomplish in this course? Resources: computers, Pinterest Content Skills Vocabulary Assessment Standards Project and Skill Goals for Students will create a visual “To Finished Product PA Core Standards the academic year Do” list for the year using Rubric Scoring National Standards ‘Pinterest’ (or resource materials in the classroom) and a copy of the Level I Skill List Unit Title: Basic Skills Time: September Essential Questions: What are the basic skills necessary to sewing? Resources: Internet, classroom resources, hand-outs Content Skills Vocabulary Assessment Standards Basic Skills • needle threading • rotary cutters Finished Product PA Core Standards • knotting • shears Rubric Scoring National Standards • ironing • pinking shears • types of fabric • embroidery • types of thread hoops • separating 6-ply threads • Thimbles • Tools: rotary cutters, shears, • quilting thimbles pinking shears, embroidery • templates hoops, thimbles, quilting thimbles… • Tracing patterns Unit Title: Hand Sewing: Embroidery Sampler Time: September - October - November Essential Questions: How can I add to my