Nine Inch Nails Remix Stems
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Sebastian Jakub Konefał – Redaktor Prowadzący Numeru Grzegorz Fortuna Jr
FILM / NOWE MEDIA / SZTUKI WIZUALNE www.panoptikum.pl Adres do korespondencji: Mapowanie Północy Redakcja „Panoptikum” ul. Wita Stwosza 58/109 80-952 Gdańsk tel. (058) 523 24 50 [email protected] REDAKCJA: Mapping the North Grażyna Świętochowska – redaktor naczelna / [email protected] Sebastian Jakub Konefał – redaktor prowadzący numeru Grzegorz Fortuna Jr. – [email protected] Monika Bokiniec – [email protected] R ADA NAUKOWA: prof. Krzysztof Kornacki (Uniwersytet Gdański, Polska), prof. Ewa Mazierska (University of Lancashire, UK), prof. Mirosław Przylipiak (Uniwersytet Gdański, Polska), prof. Jerzy Szyłak (Uniwersytet Gdański, Polska), prof. Piotr Zwierzchowski (Uniwersytet Kazimierza Wielkiego, Polska) RECENZENCI: • Lyubov Bugayeva (Saint Petersburg University, Rosja) • Lucie Česálková (Masarykova Univerzita, Czechy) • Konrad Klejsa (Uniwersytet Łódzki, Polska) • Rafał Koschany (Uniwersytet im. Adama Mickiewicza w Poznaniu, Polska) • Arkadiusz Lewicki (Uniwersytet Wrocławski, Polska) • Constantin Pârvulescu (Universitatea de Vest din Timisoara, Rumunia) • Tadeusz Szczepański, Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi, Polska) • Balázs Varga (Eötvös Loránd University, Węgry) • Patrycja Włodek (Uniwersytet Pedagogiczny w Krakowie, Polska) Redakcja językowa: Grzegorz Fortuna Jr., Martyna Skowron (język angielski) Projekt graficzny, okładka, layout i skład: Jacek Michałowski / Grupa 3M / [email protected] Promocja numeru: Tomasz Pupacz / [email protected] Materiały zdjęciowe udostępnione za zgodą właścicieli praw autorskich. Wydawca: Uniwersytet Gdański (http://cwf.ug.edu.pl/ojs/) Akademickie Centrum Kultury Uniwersytetu Gdańskiego „Alternator” Publikacja jest efektem badań akademickich przeprowadzonych w 2016 roku dzięki wsparciu udzielonemu z funduszy norweskich i funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii. This publication is the effect of the academic researches supported in 2016 by the Norway Grants and the EEA Grants with the financial contributions of Norway, Iceland and Liechtenstein. -
Fitzgerald in the Late 1910S: War and Women Richard M
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duquesne University: Digital Commons Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2009 Fitzgerald in the Late 1910s: War and Women Richard M. Clark Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Clark, R. (2009). Fitzgerald in the Late 1910s: War and Women (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/416 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. FITZGERALD IN THE LATE 1910s: WAR AND WOMEN A Dissertation Submitted to the McAnulty College and Graduate School Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Richard M. Clark August 2009 Copyright by Richard M. Clark 2009 FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark Approved July 21, 2009 ________________________________ ________________________________ Linda Kinnahan, Ph.D. Greg Barnhisel, Ph.D. Professor of English Assistant Professor of English (Dissertation Director) (2nd Reader) ________________________________ ________________________________ Frederick Newberry, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (1st Reader) (Chair, Department of English) ________________________________ Christopher M. Duncan, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark August 2009 Dissertation supervised by Professor Linda Kinnahan This dissertation analyzes historical and cultural factors that influenced F. -
13 Cd Wkladka.Pdf
SFX, sample W niektórych utworach zostały użyte sample z piosenek autorstwa Nine Inch Nails, zostały one oficjalnie zamieszczone na remix.nin.com z pozwoleniem na ich używanie Sample z piosenki "The Catalyst" Linkin Park zostały oficjalnie udostępnione przez zespół na potrzeby konkursu na remix. W większości utworów zostały wykorzystane sample z programów: Magix Music Maker, FL Studio 9, Mixcraft 5 Część sampli pochodzi ze strony freesound.org /This way or another Robert Oppenheimer - speech "Atomic Age" (1945) Wrathu - Polish Wasteland (2011, 13)/ /Exactly gitara - / /Niepokój Omar Alvarado - modern day war/ /Od snu do snu BMacZero - tick loop/ /We need snipers! Counter strike/ /Redhair theme Wrathu - Demo 2006 (2006) Qba - Asdfg (2009, Ugryzłem się w zEMby Concepts)/ /Chief theme Wrathu ft. Morfeo - Error (2010, Autoarm) Wrathu ft. TTNW - Streets (2010, Autoarm) Wrathu - Demo 2006 (2006) Wrathu - Envy theme #1 (2009, Ugryzłem się w zEMby Concepts) Wrathu - Envy theme #3 (2009, Ugryzłem się w zEMby Concepts) Wrathu ft. Qba - Wasteland (2009, Ugryzłem się w zEMby Concepts) Wrathu ft. Qba - Reverie (2010, Autoarm) Wrathu - Inevitable (2011, 13) Wrathu - 13 (2011, 13)/ /Battle near Bell of Peace Wrathu - Otchłań Dźwięków (2005) Wrathu - Demo 2006 (2006) Wrathu - Crackdown ft. TTNW (2010, Autoarm) Wrathu - Dumb theme (2011, 13)/ /Change Nine Inch Nails - The Hand that Feeds (2005, With Teeth)/ /Fallen 33 Robert Oppenheimer - speech "Atomic Age" (1945)/ /0 Wrathu & Qba - Place (2009, Ugryzłem się w zEMby Concepts) Wrathu - Somethin's wrong (2009, Ugryzłem się w zEMby Concepts)/ /We should, we can't Mario Savio - speech "Operation of the Machine" (1964)/ /Faces oraz przejście 0110/Chance "8 w poziomie" (2008, reż. -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
Music 1000 Songs, 2.8 Days, 5.90 GB
Music 1000 songs, 2.8 days, 5.90 GB Name Time Album Artist Drift And Die 4:25 Alternative Times Vol 25 Puddle Of Mudd Weapon Of Choice 2:49 Alternative Times Vol 82 Black Rebel Motorcycle Club You'll Be Under My Wheels 3:52 Always Outnumbered, Never Outg… The Prodigy 08. Green Day - Boulevard Of Bro… 4:20 American Idiot Green Day Courage 3:30 ANThology Alien Ant Farm Movies 3:15 ANThology Alien Ant Farm Flesh And Bone 4:28 ANThology Alien Ant Farm Whisper 3:25 ANThology Alien Ant Farm Summer 4:15 ANThology Alien Ant Farm Sticks And Stones 3:16 ANThology Alien Ant Farm Attitude 4:54 ANThology Alien Ant Farm Stranded 3:57 ANThology Alien Ant Farm Wish 3:21 ANThology Alien Ant Farm Calico 4:10 ANThology Alien Ant Farm Death Day 4:33 ANThology Alien Ant Farm Smooth Criminal 3:29 ANThology Alien Ant Farm Universe 9:07 ANThology Alien Ant Farm The Weapon They Fear 4:38 Antigone Heaven Shall Burn To Harvest The Storm 4:45 Antigone Heaven Shall Burn Tree Of Freedom 4:49 Antigone Heaven Shall Burn Voice Of The Voiceless 4:53 Antigone (Slipcase - Edition) Heaven Shall Burn Rain 4:11 Ascendancy Trivium laid to rest 3:49 ashes of the wake lamb of god Now You've Got Something to Die … 3:39 Ashes Of The Wake Lamb Of God Relax Your Mind 4:07 Bad Boys 2 Soundtrack Loon Intro 0:12 Bad Boys 2 Soundtrack Bad Boys 2 Soundtrack Show Me Your Soul 5:20 Bad Boys 2 Soundtrack Loon Feat. -
Trent Reznor, La Única Persona Detrás De Nine Inch Nails, Es Uno De Mis Artistas Favoritos
musica universalis [NIN] Trent Reznor, la única persona detrás de Nine Inch Nails, es uno de mis artistas favoritos. Quizá no os suene su nombre, pero seguro que habéis escuchado su música muchas veces... n 2011 recibió, junto Sin embargo, «Sunspots», With con Atticus Ross, el Os- Teeth (2005), comienza con man- car a la mejor banda chas solares iluminando sus ojos Esonora por The Social (Sunspots cast a glare in my eyes). Network (2010); produjo el primer En «1,000,000», The Slip (2008), álbum de Marilyn Manson y par- se siente a un millón de millas de tes del segundo y tercero, Anti- distancia, que son unos 250 ra- christ Superstar (1996); algunos dios terrestres o 0,01 unidades temas de su álbum The Fragile astronómicas. Ya se había senti- (1999) se han usado para infini- do a esa distancia en «Hurt», The dad de anuncios y programas de Downward Spiral (1994), por cier- televisión, tráilers de cine y hasta to, inmejorablemente versionea- para torturar a presos en Guan- da por Johnny Cash justo antes «Hera, NASA, manzana y uñas de tánamo; ha colaborado con Mi- de morir. Por «Satellite», Hesi- nueve pulgadas». Portada del sencillo Juno (2016) de Trent Reznor y Atticus nistry, Black Sabbath, David tation Marks (2013), parece que Ross. Juno es en realidad la misión del Bowie (es su perseguidor en el Reznor toma imágenes largas Jet Propulsion Laboratory en órbita videoclip de «I’m Afraid of Ame- que le estropean la exposición: polar alrededor de Júpiter para de- terminar si el planeta tiene un núcleo ricans»), A Perfect Circle, Jane’s Data trails, like fingernails / Scratch sólido. -
Spring 2011 Cover Thru Page 11.Indd
ANGEL TALES MAGAZINE Spring/Summer 2011 Annual Report The Beck Family and the Launch of the GusMobile Spay/Neuter Van National Impact Rejuvenation Tips PAWS Chicago’s No Kill model spreading across for Older Pets the country www.pawschicago.org Spring 2011 cover thru page 11.indd 1 5/24/11 9:42:30 AM PAWS Chicago Dottie Cross Leaves a Legacy for Guardian ngel the Animals AProgram In 2004, Dottie Cross retired to pursue her dream of living on the road with her beloved rescue dogs – Biscuit, Jenny and Gus. Combining her interests as an adventurer and an animal lover, Dottie now spends her time rock climbing and educating people in Mexico on how to care for their pets in an effort to reduce the number of stray dogs living on the streets. However, while caring for other’s animals, a sudden accident put the future of her own dogs in perspective. “Knowing that my dogs will be loved and cared for after my death is a wonderful feeling.” Last year, Dottie fell while rock climbing and shattered her leg. As a single woman, she was concerned that, had she died, her dogs would be put down without having a plan in place for their care. Through the PAWS Chicago Guardian Angel program, Dottie has While in the process of updating her ensured the futures of Biscuit (5, Mix Breed), Jenny (3, Beagle Mix) trust, Dottie read about PAWS Chicago’s and Gus (3, Pit Bull Mix), should she be unable to care for them. Guardian Angel program and chose to make a planned gift that would enable her to provide shelter, food, veterinary care, medicines and loving new homes for countless animals long after she was gone. -
Financial Fragility and Neoliberalism in Developing Countries
Financial Fragility and Neoliberalism in Developing Countries Andrés Blancas• Abstract The aim of this paper is to show the financial fragility dynamics in developing countries following the last theoretical advances. As an empirical application we prove that the Mexican economy has been characterized by financial fragility, mainly during the crisis terms. Financial fragility has created difficult problems for policy makers; in trying to fix it by restricted monetary and fiscal policies, they have triggered the generalized financial crises. Whereby, financial fragility can be diagnosed as an structural problem of developing countries like Mexico and a real potential risk of generalized economic crisis in the process of economic liberalization nowadays. Key Words: Economic dynamics, financial fragility, developing countries, financial crisis, monetary policy and Mexican economy JEL Classification: C61, E44, E58, F34, O5 1 Introduction The 1990s financial crises in developing and newly industrializing countries exemplify the risk of financial volatility and economic instability that has accompanied the economic liberalization and the deregulation of financial markets. For these countries, particularly in Asia and Latin America, the first part of the 1990s was distinguished by hopeful and cheerful • Institute of Economic Research, UNAM. 2007 E-mail address: [email protected]. Telephone number: (525)55623-0125, FAX number: (525)55623-0199. Helpful comments and suggestions from Duncan Foley and Lance Taylor, as well as research assistance from Jaime Blancas are gratefully acknowledged. 2 economic growth. However, the crises made irruption in Mexico (1994-1995), Asia (1997- 1998), Russia, Brazil, and several other Latin American countries (1998-1999), and Argentina (2001-2002). These kinds of crises showed that there was something wrong in the so-called “emergent economies” under the new “market friendliness” environment. -
“Praying Angrily”
“Praying Angrily” Psalm 69 Erica Cooper Assistant Minister August 4, 2019 The Ninth Sunday of Pentecost In 1993 I attended my very first rock concert. Or concerts, I should say. In the early 90’s Lollapalooza was a budding 4-day outdoor music festival touring the U.S. with top billing bands like Sonic Youth, the Breeders and Green Day. I was thirteen years old, still in middle school, and really had no business being there, but I had some older high school friends who invited me to go, with their mom chaperoning in the background of course. It was hot and humid that day, as is always the case in Atlanta in July. I had been chugging water all afternoon to stay hydrated, and soon needed to use the bathroom. Between bands, I took my friend Nori with me as we headed out on a thirty-minute journey across the field, weaving a bobbing through 20,000 sweaty, sunburned Gen-Xers. We made it to the bathroom finally, and were delighted that the next band had not yet gone on stage, we didn’t miss out on anything. So we headed back across the field to our area where the rest of our friends were. But, somewhere in the middle of our journey, Nori and I lost one another. I looked around but couldn’t find her, and at this same time, another band started to play, so I stopped where I was to listen. This band was unfamiliar to me, a band called Rage Against the Machine. At first I didn’t notice the group of 20- something shirtless men gathering around me. -
Discourse Transcription
MNTA lBYABJMJB.A MPJEJB.S IN )LINGUISTICS VOLUrtlE 4: DISCOURSE TRANSCRIPTION JOHN W. DU BOIS, SUSANNA CUMMING STEPHAN SCHUETZE-COBURN, DANAE PAOLINO EDITORS DEPARTMENT OF LINGUISTICS UNIVERSITY OF CALIFORNIA, SANTA BARBARA 199:2 Papers in Linguistics Linguistics Department University of California, Santa Barbara Santa Barbara, California 93106-3100 U.S.A. Checks in U.S. dollars should be made out to UC Regents with $5.00 added for overseas postage. If your institution is interested in an exchange agreement, please write the above address for information. Volume 1: Korean: Papers and Discourse Date $13.00 Volume 2: Discourse and Grammar $10.00 Volume 3: Asian Discourse and Grammar $10.00 Volume 4: Discourse Transcription $15.00 Volume 5: East Asian Linguistics $15.00 Volume 6: Aspects of Nepali Grammar $15.00 Volume 7: Prosody, Grammar, and Discourse in Central Alaskan Yup'ik $15.00 Proceedings from the fIrst $20.00 Workshop on American Indigenous Languages Proceedings from the second $15.00 Workshop on American Indigenous Languages Proceedings from the third $15.00 Workshop on American Indigenous Languages Proceedings from the fourth $15.00 Workshop on American Indigenous Languages PART ONE: INTRODUCTION CHAPTER 1. INTRODUCTION 1 1.1 What is discourse transcription? . 1.2 The goal of discourse transcription . 1.3 Options . 1.4 How to use this book . CHAPTER 2. A GOOD RECORDING 9 2.1 Naturalness . 2.2 Sound . 2.3 Videotape . CHAPTER 3. GETTING STARTED 12 3.1 How to start transcribing . 3.2 Delicacy: Broad or narrow? . 3.3 Delicacy conventions in this book . PART TWO: TRANSCRIPTION CONVENTIONS CHAPTER 4. -
The Hand That Feeds — Discussion Guide
The Hand That Feeds — Discussion Guide Table of Contents Letter From The Filmmakers.........................................................................................3 Synopsis.........................................................................................................................4 FAQ.................................................................................................................................5 Discussion Prompts......................................................................................................9 Glossary.......................................................................................................................13 Other Resources/ Take Action....................................................................................15 Scene Descriptions (84 min. version)........................................................................16 Scene Descriptions (56 min. version)........................................................................19 Featured People From The Film.................................................................................21 Related Bullfrog Films Titles......................................................................................22 Photo Credit: ELEAZAR CASTILLO Concept by: Felicia Perez Written by: Felicia Perez, Rachel Lears and Robin Blotnick Special thanks to: Jennifer Adair, Natalie Patrick-Knox, Cathy Junia, and Jackson Lears 2 We made this film because we were inspired by the courage of the protagonists, and the ways that