Chorale Newsletter – January 2016
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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Hello! My Baby Student Guide.Pdf
Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins, -
SMTA Catalog Complete
The Integrated Broadway Library Index including the complete works from 34 collections: sorted by musical HL The Singer's Musical Theatre Anthology (22 vols) A The Singer's Library of Musical Theatre (8 vols) TMTC The Teen's Musical Theatre Collection (2 vols) MTAT The Musical Theatre Anthology for Teens (2 vols) Publishers: HL = Hal Leonard; A = Alfred *denotes a song absent in the revised edition Pub Voice Vol Page Song Title Musical Title HL S 4 161 He Plays the Violin 1776 HL T 4 198 Mama, Look Sharp 1776 HL B 4 180 Molasses to Rum 1776 HL S 5 246 The Girl in 14G (not from a musical) HL Duet 1 96 A Man and A Woman 110 In The Shade HL B 5 146 Gonna Be Another Hot Day 110 in the Shade HL S 2 156 Is It Really Me? 110 in the Shade A S 1 32 Is It Really Me? 110 in the Shade HL S 4 117 Love, Don't Turn Away 110 in the Shade A S 1 22 Love, Don't Turn Away 110 in the Shade HL S 1 177 Old Maid 110 in the Shade HL S 2 150 Raunchy 110 in the Shade HL S 2 159 Simple Little Things 110 in the Shade A S 1 27 Simple Little Things 110 in the Shade HL S 5 194 Take Care of This House 1600 Pennsylvania Avenue A T 2 41 Dames 42nd Street HL B 5 98 Lullaby of Broadway 42nd Street A B 1 23 Lullaby of Broadway 42nd Street HL T 3 200 Coffee (In a Cardboard Cup) 70, Girls, 70 HL Mezz 1 78 Dance: Ten, Looks: Three A Chorus Line HL T 4 30 I Can Do That A Chorus Line HL YW MTAT 120 Nothing A Chorus Line HL Mezz 3 68 Nothing A Chorus Line HL Mezz 4 70 The Music and the Mirror A Chorus Line HL Mezz 2 64 What I Did for Love A Chorus Line HL T 4 42 One More Beautiful -
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in His Early Songs
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in his Early Songs A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Kimberly Gelbwasser B.M., Northwestern University, 2004 M.M., University of Cincinnati, 2006 Committee Chair: Steven Cahn, Ph.D. Abstract During the late nineteenth and early twentieth centuries, millions of immigrants from Central and Eastern Europe as well as the Mediterranean countries arrived in the United States. New York City, in particular, became a hub where various nationalities coexisted and intermingled. Adding to the immigrant population were massive waves of former slaves migrating from the South. In this radically multicultural environment, Irving Berlin, a Jewish- Russian immigrant, became a songwriter. The cultural interaction that had the most profound effect upon Berlin’s early songwriting from 1907 to 1914 was that between his own Jewish population and the African-American population in New York City. In his early songs, Berlin highlights both Jewish and African- American stereotypical identities. Examining stereotypical ethnic markers in Berlin’s early songs reveals how he first revised and then traded his old Jewish identity for a new American identity as the “King of Ragtime.” This document presents two case studies that explore how Berlin not only incorporated stereotypical musical and textual markers of “blackness” within two of his individual Jewish novelty songs, but also converted them later to genres termed “coon” and “ragtime,” which were associated with African Americans. -
Annie Get Your Gun Music: Irving Berlin Lyrics: Irving Berlin Book: Dorothy + Herbert Fields Premiere: Thursday, May 16, 1946
Annie Get Your Gun Music: Irving Berlin Lyrics: Irving Berlin Book: Dorothy + Herbert Fields Premiere: Thursday, May 16, 1946 -------------------------------------------------------------------------------- 1.OVERTURE 2.I'M A BAD, BAD MAN 3.DOIN' WHAT COMES NARUR'LLY 4.THE GIRL THAT I MARRY 5.YOU CAN'T GET A MAN WITH A GUN 6.MOONSHINE LULLABY 7.THEY SAY IT'S WONDERFUL 8.MY DEFENSES ARE DOWN 9.I'M AND INDIAN TOO 10.I GOT LOST IN HIS ARMS 11.I'VE GOT THE SUN IN THE MORNING 12.ANYTHING YOU CAN DO 13.THERE'S NO BUSINESS LIKE SHOW BUSINESS 1.OVERTURE ORCHESTRA 2.I'M A BAD, BAD MAN FRANK BUTLER: I'm honored, I'm flattered, This greeting really mattered. This welcome is grand But I'm really concerned. I like your attention But this I have to mention You're playing with fire And up to get burned! There's a girl in Tennessee Who's sorry she met up with me I can't go back to Tennessee, I'm a bad, bad man! There's a girl in Omaha, But I ran faster than her Pa, I can't go back to Omaha There's a girl in Wyoming, And they're combing Wyoming To find a man in white Who was out with her that night! There's a girl in Arkansas, The Sheriff is her brother-in-law, I can't go back to Arkansas, I'm a bad, bad man! I'm enlightened, but frightened. Though my int'rest you've heightened. It might turn out to be That too much, too much for me! So I'll go back to my tent, And someday when you're old and bent, Think of those you might have spent HTTP://COPIONI.CORRIERESPETTACOLO.IT With a bad, bad man! 3.DOIN' WHAT COMES NARUR'LLY ANNIE OAKLEY and FEMALE CHORUS: Folks are dumb where I come from, They ain't had any learning. -
The Great American Songbook in the Classical Voice Studio
THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
26/20/107 Alumni Association Alumni Richard E. Kent Papers Box #1
The materials listed in this document are available for research at the University of Record Series Number Illinois Archives. For more information, email [email protected] or search http://www.library.illinois.edu/archives/archon for the record series number. 26/20/107 Alumni Association Alumni Richard E. Kent Papers Box #1 Urbana High School 1917 Concert program; "Echo" (student newspaper); Rosemary (yearbook); news clipping Family Photographs ca. 1912, 1918, 1921 University of Illinois 1917, 1919-21, 1933, 1971, 1984 Concert programs, engagement book, dance programs (2), Concert Band medal, commencement program, grade report, Alumni Association membership cards, correspondence, and newsclippings Bachelor of Music Thesis, "The Development of American Popular Music;"related correspondence 1921 Sousa Band Related Materials 1911-12, 1921-23, 1954, 1973, 1976-77, 1994 Journal Articles, 1911, 1912; Sousa Band Tour Itineraries, 1921, 1922; A.F. of M. Contracts for Sousa Band, 1922, 1923 (oversize, filed in Box #3); photographs: REK in Sousa Band Uniform, 25th Anniversary of "The Stars and Stripes Forever," 1921 (5); UI Concert Band 32nd Anniversary Concert Program, 1922 (display constructed by RK, Jr.); Correspondence: A.A. Harding, Jay Sims, John Heney; Pamphlet, "Sousa and His Band"; invitation to Sousa's induction into the Hall of Fame for Great Americans Sousa Band Fraternal Society (SBFS) SBFS Correspondence and Membership Cards 1944-45, 1949, 1951, 1954, 1965-66, 1968, 1972-73, 1981 SBFS Newsletters 1947, 1949-53, 1958, 1965, 1967, -
61368/Sheet Music/9-36
10 Sheet Music Direct 11 Complete Alphabetical Sheet Listing 30 Wedding Sheet Music 30 Easy Piano Sheet Music 31 Piano Solo Sheet Music 33 Big-Note Piano Sheet Music 34 Five-Finger Sheet Music 34 Piano Duet Sheet Music 34 Vocal Sheet Music 35 Organ Sheet Music 35 Guitar Sheet Music 35 Accordion Sheet Music 35 Instrumental Sheet Music 10 SHEETSHEET MUSICMUSIC DIRECTDIRECT SHEET MUSIC The most popular site on the web for downloading top-quality, accurate, legal sheet music! Sheet Music Direct (www.SheetMusicDirect.com) features nearly 10,000 popular songs in a variety of musical and notation styles, ranging from piano/vocal to guitar tablature. More top songs are added to Sheet Music Direct daily and are searchable by title, artist, composer or format. With state-of-the-art Scorch® 2 technology from Sibelius®, sheet music files are quick to download, fun to interact with, and easy to use; visitors can see the music on screen, transpose the song to any key, and even listen to a MIDI file of the tune before you buy it! We have the strongest encryption commercially available so you can be assured that all transactions are completely safe. Hal Leonard offers excellent in-store and on-line affiliate programs: The In-Store Program allows you to sell your customers sheet music from a computer within your store. You can view the music, transpose to any key, test print it, and listen to it before the customer purchases it. The On-Line Affiliate Program allows you to place a link to SMD on your own website, and earn commissions on the sales that these click- These programs are available to any throughs generate. -
Tri Kappa, 2004-2005
Sue Smith Vacations and Vacation Valet would like to introduce you to our sister company... JAZ.Z CLUB AT SEA Your JOIN US ON OUR JAZZ CRUISE to ALASKA! Mufn.1's Staff Phone: 501-562-3131 Founder l'oi'ORWlGIAi'o! CIWIS.f H "'' [ Mr. Ike Murry ~ September 18-25,2005 ABOARD Ike Murry McEntire .................................. .... President-Producer Norwegian Cruise Line's m/s Norwegian Sun• Law anna Machycek. .......................................... Office Manager Sail round -trip from Vancouver~ BC to Ketchikan, Juneau, Skagway & Kathie Osbome ... .................. ..................................... Group Sales Wrangell, Alaska Carol Carey......... ... ......... .................... .. ............ Night Manager Our Private Party indudcs multiple pcrfonnances by the following: Glen J. Gilbert .. .......... ... ......... .. ...................... ... Artistic Director The Heath Brothers-Jimmy, Percy, Tootie Heath & Jeb Patton, Cryus Dot Callanen .... ....... ... .... .. .. ......................... Staff Choreographer Chestnut Trio, Deborah Brown, Renee Rosoes & the Canadian AU- tars, Denzil Roland ..................................... ................................ Chef Barry ADen, Buddy DeFranco Oaudio Rodit~ Larry Novak, Bob Havens Patricia Roland ..................................... ........... Buffet Supervisor & the Windy City Six Ed Thigpen, Dick Hyman Winard Harper Quintet, Frank D'Rone, Judy Roberts, Willie Pickens, Marlene Rosenberg, Two for Dr. Dan Dillard. ,. .................................... House P.hysician Brazil-Greg -
See Script Preview
Written & Arranged by Chip Deffaa Music & Lyrics by Irving Berlin (and others) PRODUCTION SCRIPT www.stagerights.com SAY IT WITH MUSIC: THE IRVING BERLIN SAGA Copyright © 2018 by Chip Deffaa All Rights Reserved All performances and public readings of SAY IT WITH MUSIC: THE IRVING BERLIN SAGA are subject to royalties. It is fully protected under the copyright laws of the United States of America, of all countries covered by the International Copyright Union, of all countries covered by the Pan-American Copyright Convention and the Universal Copyright Convention, and all countries with which the United States has reciprocal copyright relations. All rights are strictly reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without the prior written permission of the author. Publication of this play does not necessarily imply that it is available for performance by amateurs or professionals. It is strongly recommended all interested parties apply to Steele Spring Stage Rights for performance rights before starting rehearsals or advertising. No changes shall be made in the play for the purpose of your production without prior written consent. All billing stipulations in your license agreement must be strictly adhered to. No person, firm or entity may receive credit larger or more prominent than that accorded the Author. For all stage performance inquiries, please contact: Steele Spring Stage Rights 3845 Cazador Street Los Angeles, CA 90065 (323) 739-0413 www.stagerights.com PRODUCTION HISTORY The first reading of this musical play, under the direction of playwright Chip Deffaa, took place on February 19, 2018 at New York’s 13th Street Repertory Theater (Edith O’Hara, founder/original artistic director; Joe Battista, managing director), starring Michael Townsend Wright, Suzanne Dressler, and Jed Q. -
Handout Vocal Jazz in the Choral Curriculum Voices United 8-13-16
Vocal Jazz in the Choral Curriculum Repertoire for your Concert Choir Kathleen Shannon, R & R Chair for Vocal Jazz, Delaware ACDA assisted by Martin Lassman, Treasurer, Delaware ACDA Voices United Conference August 13, 2016 [email protected] http://deacda.org/index.html Selecting Repertoire – Where to Start Great American Songbook u A recognized musical canon encompassing critically acclaimed, significant songs written during the first half of the 20th Century u Synonymous with the concept of the American “standard” u Sources include Broadway, Tin Pan Alley, Hollywood musical films, songs written for specific famous singers u The availability of sheet music, the advent of recording technology and the birth of radio and television helped to bring this music to a wide audience. Irving Berlin (1888-1989) Berlin wrote most of his own lyrics, except as noted u Anything You Can Do I Can Do Better u I’ve Got My Love To Keep Me Warm u Blue Skies u Let’s Face The Music And Dance u Cheek to Cheek u Play A Simple Melody u Count Your Blessings (Instead of u Puttin’ On Th e Ri tz Sheep) u Sisters u God Bless America u Steppin’ Ou t Wi th My B ab y u Happy Holiday (Bing Crosby) u There’s No Business Like Show u How Deep Is The Ocean Business u I Got the Sun In the Morning and the u They Say It’s Wonderful Moon At Night u Top Hat, White Tie and Tails u I Love A Piano u What’ll I Do? u It’s A Lovely Day Today u White Christmas Jerome Kern (1885-1945) Kern and Oscar Hammerstein II wrote five musicals together, including Show Boat.