Lawrence Welk Scrapbooks Collection
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Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE
Texas Polka News - May 2020 Volume 32 | Isssue 15 INSIDE THIS ISSUE Texas Covering Polka Dance Hall Music Since 1987News 2 Bohemian Princess Diary eresa Cernoch Parker e New Polka Normal ALL QUIET ON THE SOCIAL 3 Editor’s Log Gary E. McKee DANCING FRONT Lawrence Welk Was Cool! By Gary E. McKee Story on Page 4 3 From our readers 4-6 Featured Story Social Dancing Hostyn Picnic 2019 6 PoLK of A Report 8 Music Review & DJ Profi le Darrel Appelt 9 Wunnerful Welk Cont'd. 10-13 Dances, Festivals, Live Music 13 Boerne Village Band 14 Village Band & Welk Cont'd. 15 Band ads 16 Polka Smiles Sponsored by Slovacek's 2 Texas Polka News - May 2020 Bohemian Princess canceled and rescheduled. When Texas Polka News Staff in doubt please call the venue or eresa Cernoch Parker, Publisher Diary organization to make sure events Gary E. McKee, Editor/Photo Journalist are still taking place. Je Brosch, Artist/Graphic Designer As for TPN, which relies heavily Contributors: Louise Barcak Mark Hiebert John Roberts on ad revenue from events and Justin Everett Karen Williams Kurtz Will Seegers dance venues, I have made the Lauren Haase Julie Matus Rose Vrazel dicult decision to change the Walt Harfmann Earline Berger Okruhlik George Weber Joe Cool Pavlicek Harvey Wise publishing schedule from monthly to every other month. I don't know Contact how long this will last, possibly By Theresa Cernoch Parker until the end of the year. eresa Parker, Texas Polka News [email protected] 118 Vintage Park Blvd, Suite 443 • Houston, TX 77070 281-836-5362 PRINT SCHEDULE & AD [email protected] | Gary: [email protected] With the onset of the COVID-19 DEADLINES pandemic in our country, I thought No June issue Ads/Media last month's column was hard to July issue, deadline for ads, June 1 Articles, ads, letters to the editor deadline: 1st of the month for the next month write, until I sat down to pen this No August issue Ad Rates 1/3 page: $185 1/8: $65 one. -
Great Instrumental
I grew up during the heyday of pop instrumental music in the 1950s and the 1960s (there were 30 instrumental hits in the Top 40 in 1961), and I would listen to the radio faithfully for the 30 seconds before the hourly news when they would play instrumentals (however the first 45’s I bought were vocals: Bimbo by Jim Reeves in 1954, The Ballad of Davy Crockett with the flip side Farewell by Fess Parker in 1955, and Sixteen Tons by Tennessee Ernie Ford in 1956). I also listened to my Dad’s 78s, and my favorite song of those was Raymond Scott’s Powerhouse from 1937 (which was often heard in Warner Bros. cartoons). and to records that my friends had, and that their parents had - artists such as: (This is not meant to be a complete or definitive list of the music of these artists, or a definitive list of instrumental artists – rather it is just a list of many of the instrumental songs I heard and loved when I was growing up - therefore this list just goes up to the early 1970s): Floyd Cramer (Last Date and On the Rebound and Let’s Go and Hot Pepper and Flip Flop & Bob and The First Hurt and Fancy Pants and Shrum and All Keyed Up and San Antonio Rose and [These Are] The Young Years and What’d I Say and Java and How High the Moon), The Ventures (Walk Don't Run and Walk Don’t Run ‘64 and Perfidia and Ram-Bunk-Shush and Diamond Head and The Cruel Sea and Hawaii Five-O and Oh Pretty Woman and Go and Pedal Pusher and Tall Cool One and Slaughter on Tenth Avenue), Booker T. -
TELEVISION Part I of a Survey, by Leonard Feather
::3 TELEVISION Part I Of A Survey, By Leonard Feather FOR THE RECORD—and in the interests of enlightening Another one-shot special was Duke Ellington Swings posterity and giving credit that is seldom acknowledged— through Japan, a segment of the Columbia Broadcasting it should be said that the last few weeks of 1964 and the System's Twentieth Century series, seen just before Christ• first couple of months of 1965 were a fruitful period for mas. television jazz. In contrast with the Condon show, which could have The skeptic may reply: "Yeah? I didn't see Miles take said in a half-hour all it had to say, this was squeezed into over The Lawrence Welk Show." 30 minutes when it could well have run twice as long. Its But in assessing the manner and extent of the use of brevity was the only thing wrong with it; in almost every jazz in this medium it is reasonable to take certain facts other respect it was one of the best shows of its kind ever into consideration. One is that the prime-time evening screened. television program, for the most part, is aimed at securing Produced by Isaac Kleinerman and admirably written the attention of as many as possible of the 192,000,000 by Jack Beck, this was the story of a band on tour. It potential viewers in the United States. did not purport to be a program of music, though there Another is the inescapable logic of the argument that were enough extended excerpts from concerts to give it music per se is not visual, and that classical music, pop meaning on this level also. -
Open to the Public Report of Comments Received by CPB
Open to the Public: 2014 Programming Comments Closed Captioning Issues Received on January 2, 2014 from LA I'm up late and I watch Nova and other shows that come on and enjoy them. The closed captions are either flashed on the screen for a fraction of a second making it impossible to read. When it does stay on longer, often it is a mess of misspellings, sometimes containing random symbols like, &@??#%, or even what looks like plain gibberish. I am not hearing impaired, but sometimes I need help to follow the dialogue. Could you please correct this? I have tried to find a contact with PBS but never could find an email address. So I'm contacting you. Please correct this. Thank you, Michael XXX Programming Complaint Received on January 6, 2014 from MA I am a Harvard affiliated specialist in Endocrinology. I am a long term contributor to my local station WGBH. I am appalled by your granting Dr. Perlmutter an hour for what was effectively an infomercial, worthy of a back channel cable network. There was a mis-statement in virtually every sentence so I cannot catalog them here, but the fact is that there is ample medical verification that eating sugar does not produce diabetes, that neither eating carbohydrates nor sugar itself is associated with dementia, and that diabetics do not have an amplified risk of diabetes. Gluten sensitivity is the disease du jour, and irrelevant to any of the above. How on earth was this material selected for broadcast ? Am I the only physician to call this to your attention ? David XXX , M.D. -
Lawrence Welk Lawrence Welk's Most Requested TV Favorites Mp3, Flac, Wma
Lawrence Welk Lawrence Welk's Most Requested TV Favorites mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Lawrence Welk's Most Requested TV Favorites Country: US Released: 1975 Style: Easy Listening MP3 version RAR size: 1136 mb FLAC version RAR size: 1683 mb WMA version RAR size: 1554 mb Rating: 4.2 Votes: 564 Other Formats: WMA MPC AU RA XM DXD AUD Tracklist A1 Tie A Yellow Ribbon Round The Ole Oak Tree A2 Little Green Apples A3 Raindrops Keep Fallin' On My Head B1 The Entertainer B2 Rose Garden B3 Adios, Au Revoir, Auf Wiedersehn C1 Honey C2 Candy Man C3 It's Impossible D1 And I Love Her So D2 The Morningside Of The Mountain D3 Yesterday Companies, etc. Record Company – GRT Corporation Manufactured By – GRT Music Tapes Printed By – GRT Music Tapes Phonographic Copyright (p) – Teleklew Productions, Inc. Notes First Category on front, second and third on spine. Ⓟ 1975 Teleklew Productions, Inc. Mfg./Printed U.S.A. By GRT Music Tapes Division of GRT Corporation Time: A - 7:35 B - 7:31 C - 7:33 D - 7:32 Total Time: 30:11 Other versions Category Artist Title (Format) Label Category Country Year Lawrence Welk's Most Lawrence R-8140 Requested TV Favorites Ranwood R-8140 US 1975 Welk (Champagne Style) (LP) Lawrence Welk's Most R-8140, R Lawrence Ranwood, R-8140, R Requested TV Favorites Canada 1975 8140 Welk Ranwood 8140 (Champagne Style) (LP) Lawrence Welk's Most Lawrence Requested TV Favorites R-8140 Ranwood R-8140 US 1975 Welk (Champagne Style) (LP, Album) Related Music albums to Lawrence Welk's Most Requested TV Favorites by Lawrence Welk Lawrence Welk - My Golden Favorites Lawrence Welk - Scarlett O'Hara Lawrence Welk - The Golden Treasure Series Presents Lawrence Welk Volume 1 Lawrence Welk - Dave Pell - À L'heure Du Champagne Lawrence Welk - On Tour With Lawrence Welk Vol. -
17Th Cycle of the Lawrence Welk Show #1701
17th Cycle of the Lawrence Welk Show #1701 "Hawaii" Guest: Charlotte Harris Airs: August 24, 2019 OAD: Week of 9/7-9/13, 1972 Soft winds, dreamy songs, catamarans skimming over blue waters, and the haunting music of Hawaii permeates this outstanding show. The whole gang flew to Hawaii and spent a week on location in some of the most beautiful spots on the Island. This show features Guy and Raina on the "Hawaiian Wedding Song", Clay Hart, Sandi & Salli sing "Pearly Shells", and Mary Lou and Gail enlist Charlie Parlato's help on "The Cockeyed Mayor of Kaunakakai". #1702 "Occupations" Guest: Jack lmel Airs: August 31, 2019 OAD: March 8, 1969 Lawrence and his Musical Family go to work! This charming show features the various occupations that keep us busy, ranging from Sandi & Salli as a couple of astronauts singing "We'll Make It To The Moon Tonighf', Larry Hooper digging deep in a coal mine singing "Sixteen Tons", and Jack lmel as "The Sound Effects Man". #1703 "School Days" Guest: Myron Floren & Family Airs: September 7, 2019 OAD: September 18, 1971 Myron Floren hosts "School Days" and enjoys hearing the special memories of his four Burgess grandchildren who coax him to play their favorite songs. Joe Feeney remembers "The Sweetheart of Sigma Chi", Tanya sings "Autumn Leaves", and Myron plays a rousing "Shall We Dance". #1704 "Big City, U.S.A Host: Bobby Burgess Airs: September 14, 2019 OAD: Week of January 7-13, 1982 Favorite songs that represent cities, states and other geographical sites are featured in "Big City, U.S.A". -
December 2020
TV & RADIO LISTINGS GUIDE DECEMBER 2020 PRIMETIME For more information go to witf.org/tv As 2020 draws to a close, I thank you for being a viewer ELLA WISHES YOU and on-going supporter of WITF. Your financial investment in WITF is the A SWINGIN’ essential engine that keeps programming you find in this month’s CHRISTMAS guide possible. December brings our fourth and final fundraiser of the year. If you haven’t made a donation to WITF recently, now is a great time to show your appreciation for programs like Antiques Roadshow, dramas like the The Trouble with Maggie Cole, and mysteries like Endeavour on MASTERPIECE. Please call 1-800-233-9483 to make your contribu- tion or to renew your gift today. This month we’ll encore the popular • Sanditon on MASTERPIECE with two mini-marathons. If you can believe it (or remember) Sanditon premiered DEC. 15 • 8pm back in January. Although a fan favorite, I regret that we only have one season of the drama with no current plans for addi- What goes on at City Hall? A new, the quirky British comedy Miranda. tional seasons. Let’s all cross our fingers immersive, four and a half-hour docu- The series comes to an end with a mini for more to come. All eight episodes of mentary shows how Boston’s City Hall marathon on December 26. In January the series will run over two Sundays, can enter into civil discourse with its we welcome the Vicar of Dibley to join December 20 and 27, beginning at citizens. -
David Meskill for Young Workers, the Standardized Vocational Training System Created Portable, and Hence Valuable, Certificates
REFRAMING THE SKILLED WORKER: THE PSYCHOLOGICAL AND INSTITUTIONAL ORIGINS OF THE GERMAN SKILLS MACHINE David Meskill Harvard University ABSTRACT In 1926, shortly after the German economy had emerged from thefog ofpost—World War I hypermnfiation, the principle employers’ groups, the National Association of German Industry and the Association of German Employers’ Organizations, founded a Working Committee on Vocational Training. The establishment of this body represented a decisive turning point in the emergence of the highly skilled modern German work force. By standardizing vocational definitions, training schemes, and national qualifying exams, the Committee and its successors helped German apprentices and employers overcome previous disincentives to investing in worker training. For young workers, the standardized vocational training system created portable, and hence valuable, certificates of the skills they had attained, thus making apprenticeships attractive. While employers still faced the risk that workers might leave the companies that had trained them, the collective agreement improved firms’ incentives to engage in vocational training: the heightened interest of youths meant they were more likely to complete their apprenticeships; egregious free-riding by non-training poaching firms was discouraged; and the certificates of standardized skill-levels assured companies of the quality of the workers they hired. This solution to the incentives problem in vocational training proved successful over the next fifteen years—and beyond: -
Dakota Images: Lawrence Welk
Copyright © 2002 by the South Dakota State Historical Society. All Rights Reserved. 384 South Dakota History Vol. 32. no. 4 The phrases "champagne music" and "ah-one, an' ah-two" bring to mind the mLisicat aireer of Lawrence Welk. Dismi.ssed by his critics as uncrcative, Welk was in fact an astute businessman who spent his life perfomiing wholesome music suitable for the whole family. Lawrence Welk was bom to German-Russian immigrants Ludwig and Christina Welk in Strasburg, Nonh Dakota, on 11 Mardi 1903. Music was a part of everyday life in the rural community, where Ludwig Welk, an avid accordion player, perfoniied at many local events, 'ibung Uiwrence Welk had no interest in lîecoming a fanner like his fathe'- and brothers and left liome at age iwenty-one to find liis fortune as a rntisician. By 1927, Welk had formed a small musical group called Lawrence Welk and His Novelty Orchestra. Traveling south to New Orleans to search for work, the group stojiped in Yankton. Soutli Dakota, the home of WNAX, the region's most {Xjwerful ladio station. After meeting with WNAX owner Chandler Gumey Welk's orchestra made tlie first of what would be many performances before the station's microphones. Welk and his musicians spent the next several years building a strong following in the region. 'Hiey continued to make appear;inces in Soutli Dakota, including the Com Palace in Mitchell, Japanese Gardens in Flandreau, and the Arkota and Neptune ballrooms in Si<3ux Falls. In 1937. the group signed on with tlie nationally .syndicated radio station WEAC in Saint Paul, Minnesota, increasing tlieir exposure and popularity. -
Factors Affecting Variations of Local Ratings of Evening Network Television Programs in Markets with Three Local Vhf Television Stations
This dissertation has been microfilmed exactly as received 67-6324 HOPF, Howard Everett, 1919- FACTORS AFFECTING VARIATIONS OF LOCAL RATINGS OF EVENING NETWORK TELEVISION PROGRAMS IN MARKETS WITH THREE LOCAL VHF TELEVISION STATIONS. The Ohio State University, Ph.D., 1966 Speech University Microfilms, Inc., Ann Arbor, Michigan (t) Copyright by Howard Everett Hopf 1967 FACTORS AFFECTING VARIATIONS OF LOCAL RATINGS OF EVENING NETWORK TELEVISION PROGRAMS IN MARKETS WITH THREE LOCAL VHF TELEVISION STATIONS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Howard Everett Hopf, B.A., M.S. ■j'c it it it it The Ohio State University 1966 Approved by Adviser Department of Speech ACKNOWLEDGEMENTS The writer wishes to acknowledge the valuable assistance received from the following persons: Dr. Harrison B. Summers, retired, Professor of Radio-Television, Ohio State University, for his early supervision and direction of the study; Dr. Richard M. Mall, Professor of Radio-Television, Ohio State University, for the conclud ing supervision and direction of the study; The American Research Bureau, Inc., for making rating information available; Mr. Edward H. Patterson, West Coast Advertising Manager for TV Guide, for making available the TV Guide; Mr. Albert Warren, Editor and Publisher of Television Factbook, for permission to use copyrighted material; Mr. Robert U. Brown, President and Publisher of Editor A Publisher International Yearbook, for permission to use copyrighted material; Mr. Sol Taishoff, Editor and Publisher of Broadcasting Yearbook, for permission to use copyrighted material; Miss Sheila Cleghorn, for her assistance in typing preliminary tables; Mrs. -
Mark Hotel in Downtown St
Easter Sunrise Services - April 7 1996 - Washington, DC As we enter the spring season, it is always a great feeling that we celebrate Easter with services at the George Washington Masonic National Memorial in Alexandria, Virginia. What a beautiful setting for our services. If you have not been in attendance at one of the Easter Services you have missed a once-in-a-lifetime event that is available to a Knight Templar. One faces the east and sees in the distance the dome of our nations capitol and the skyline of monuments that spell out our great heritage as Masons and citizens of this great country of ours. This year the services will be under the supervision of our Grand Prelate, Sir Knight Donald Hinslea Smith, Past Grand Master of the Grand Encampment of Knights Templar of the United States of America. Whenever Sir Knight Don speaks, he always has a very interesting message and lesson for all of us. Sir Knight Richard Baldwin, Honorary Past Department Commander, Past Grand Commander of Virginia and General Chairman of the Committee on the Easter Sunrise Memorial Service, has a message for all attending in regard to the package deal with the Hotel Washington and also for those who wish to obtain Saturday luncheon tickets and Easter morning breakfast tickets. Remember, all presiding Grand Commanders and their ladies are guests of the Grand Encampment for the Saturday noonday luncheon. See page 13 of this issue for Sir Knight Baldwin's message. Membership Retention Right Worshipful Brother and Sir Knight George H. Hohenshildt, Past Grand Master of the Grand Lodge of Pennsylvania, has called a meeting of the leaders of Freemasonry which include the Sovereign Grand Commanders of both jurisdictions of the Scottish Rite and the Grand Master of the Grand Encampment to see what can be done to retain members who already have or are drifting away from our Masonic organization through demits and suspensions for nonpayment of dues. -
HISTORY of BARBERSHOP Compiled by David Wright
HISTORY OF BARBERSHOP compiled by David Wright Lesson 7: REFINEMENT Other styles of vocal harmony. The "studio" style, a first cousin of the modern barbershop style, was developing under the influence of Gene Puerling, whose 50's group, the Hi Los, had set the pace. Puerling continued to sing and arrange in this style, with the group Singers Unlimited. This music has always held the fascination of barbershoppers because of its a capella style and its emphasis on tuning and good vocal production. Another group that has provided us with some fine harmony is the British concert group, the King's Singers. The gospel style became more sophisticated, and eventually both the white and black quartets were largely displaced by solo singing and other vocal styles which depend heavily on instrumentation. Here are some samplings of fairly recent white and black quartets. S. K. Grundy. Many of the Confederates' most memorable songs were arranged by the man from Springfield, Missouri, S. K. Grundy, one of our all time greats. He directed the orchestra of a Baptist College in Springfield, Missouri. He wrote lots of barbershop arrangements, many of which were considered daring, audacious, and unstylistic. They contained many unusual twists. One of Grundy's masterpieces was "A Nightingale Sang In Berkeley Square," which he arranged for the Confederates, and revived some twenty-five years later by the Vocal Majority. In hindsight, many feel that Grundy was ahead of his time. Those who heard his work didn't understand it and Grundy was written off as a "wild man." But he was a superb musician, and in the sixties he went to California to do vocal and instrumental arrangements for Lawrence Welk.