Carlson, Chester (Photographs)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Florence Barclay Hyatt Photograph Collection: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8b858w7 No online items Florence Barclay Hyatt Photograph Collection: Finding Aid Finding aid prepared by Michelle Sanchez and updated by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2013 The Huntington Library. All rights reserved. Florence Barclay Hyatt photCL 178, photDAG 94 1 Photograph Collection: Finding Aid Overview of the Collection Title: Florence Barclay Hyatt Photograph Collection Dates (inclusive): approximately 1860s-1924 Bulk dates: approximately 1860s-1890s Collection Number: photCL 178, photDAG 94 Creator: Hyatt, Florence Barclay, 1865- Extent: 49 photographs in 1 box ; photographs 15 x 20 cm. (6 x 8 in.) and smaller + 1 daguerreotype in separate case Repository: The Huntington Library, Art Collections, and Botanical Gardens. Photo Archives 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains 50 photographs collected by Florence Barclay Hyatt (born 1865) including card photographs chronicling the aftermath of the Wounded Knee Massacre in southwestern South Dakota from 1890 to 1891, with images of Buffalo Bill, Captain Frank Dwight Baldwin, General Nelson Appleton Miles, and Chief Kicking Bear. Other images include nature scenes in the mid-Western United States and portraits of Hyatt’s extended family members. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. -
The Story of Xerography Page 1 of 13
The Story of Xerography Page 1 of 13 Our Heritage, Our Commitment "10-22-38 ASTORIA" This humble legend marks the time and place of an auspicious event. It is the text of the first xerographic image ever fashioned. It was created in a makeshift laboratory in Queens, NY. by a patent attorney named Chester Carlson, who believed that the world was ready for an easier and less costly way to make copies. Carlson was proved right only after a discouraging ten-year search for a company that would develop his invention into a useful product. It was the Haloid Company, a small photo-paper maker in Rochester, N.Y, which took on the challenge and the promise of xerography and thus became, in a breathtakingly short time, the giant multinational company now known to the world as Xerox Corporation. This report contains several stories about xerography: the man who invented it, the company that made it work, and the products it yielded for the benefit of mankind. These stories chronicle a classic American success story: How men of courage and vision grew a highly profitable business from little more than the seed of an idea. Certainly, Xerox has changed greatly in size and scope since the historic 914 copier was introduced in 1959. But we also believe that the basic personality of Xerox has never changed. We are convinced that the essential attributes that brought the young Xerox such spectacular rewards in office copying are the same attributes we need to assure continued success for the mature Xerox as it develops total office information capability. -
Photographybb Magazine
PHOTOGRAPHY TIPS SPOTLIGHT ON IMPROVING YOUR IMAGE EDITING AND TECHNIQUES PHOTOGRAPHER DIGITAL WORKFLOW TIPS & TUTORIALS PhotographyBB Vol #51 - Apr. 2012 YOUR GUIDE TO THE WORLD OF DIGITAL PHOTOGRAPHY online Shooting CARS! PAINTING WITH LIGHT TAX TIPS CONTINUED How to shoot dramatic and mysterious How photographers should start getting light orbs, and capture streaks of fire! organized for next year’s tax season - NOW! DIGITAL PHOTOGRAPHY TECHNIQUES, PROCESSING TUTORIALS, AND MORE! PhotographyBB photographybb.com online CREDITS Editorial: Dave Seeram, Editor in Chief [email protected] 14 Web Team: Dave Seeram, Web Design & Publishing, Admin Chris Styles, Forum Super-Moderator Greg McComsey, Forum Super-Moderator Publishing: 11 Dave Seeram, Publisher & Author Patricia Seeram, Copy Editor Art & Design: Priscilla Ko, Creative Design Dave Seeram, Publishing & Layout 33 On the Cover: Dave Seeram, Cover Layout and Design Cover Image: Courtesy of Bill McCarroll Marketing: 37 All marketing inquiries may be sent to: Dave Seeram, Editor in Chief [email protected] 7 APP-OGRAPHY Photoshop Touch CoNtaCT 11 IMPRESSIONIST Photography Expressing Your Artistic Voice If you would like to contact PhotographyBB Online, email: [email protected] 20 BeyoND Photography or write: Photographer’s Guide to Tax Organization PhotographyBB #331 - 6540 Hastings St. Burnaby, B.C. V5B 4Z5 23 PhotographiC FOOD FOR THOUGHT CANADA Overcoming “Photographer’s Block” ARTICLE SUBMISSION: 27 Photography TIPS & TECHNIQUES To request an article submission, please email Getting Started with Light Painting [email protected] with your name, email address, and a brief description of your article and ideas. We look forward to hearing from you. 37 POST-ProCESSING IN PhotoSHOP The Vintage “Nashville” Effect 2 PhotographyBB Online Magazine www.PhotographyBB.com From The Editor’s Desk PHOTOGRAPHYBB ONLINE MAGAZINE VOLUME FIFTY-ONE Thoughts on Creativity.. -
More- DATE: February 11, 2004 for IMMEDIATE
DATE: February 11, 2004 FOR IMMEDIATE RELEASE Works From Four Esteemed Photographers Expand the Getty’s Holdings and Shed Light on the Growth of the Photographs Collection Recent Acquisitions: Eugène Atget, Brett Weston, William Garnett, Milton Rogovin At the Getty Center, February 3–May 30, 2004 LOS ANGELES—Recently acquired work from four major figures of 20th- century photography is presented in Recent Acquisitions: Eugène Atget, Brett Weston, William Garnett, Milton Rogovin, at the Getty Center, February 3–May 30, 2004. The exhibition features groups of photographs that reveal the creative processes of these four visionaries. The images presented span a century of photographic innovation; highlights include Atget’s atmospheric garden views and Parisian street scenes, modernist cityscapes by Weston, abstract aerial landscapes by Garnett, and Rogovin’s worldwide survey of coal miners at work and at home. Together they reflect the Getty’s philosophy on acquiring photographs—to collect groups of works by a diverse array of master photographers, producing a resource with depth as well as breadth. Recent Acquisitions features photographs that were assembled between 2000–2003 from a variety of sources. In 2000, the Getty acquired 28 important images by Eugène Atget (1857–1927) from the Museum of Modern Art in New York. Over the course of nearly a year, Getty curators selected photographs that best complement the Museum's existing strong Atget holdings. Some 250 images by Brett Weston (1911–1993) were donated by the Brett Weston Archive, founded by the private -more- Page 2 collector Christian Keesee. The gift filled a gap in the Getty’s collection, which already housed a substantial body of work by Brett Weston’s father, Edward. -
Chronology of the Department of Photography
f^ The Museum otI nModer n Art May 196k 11 West 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart CHRONOLOGY OF THE DEPARTMENT OF PHOTOGRAPHY The Department of Photography was established in lQl+0 to function as a focal center where the esthetic problems of photography can be evaluated, where the artist who has chosen the camera as his medium can find guidance by example and encouragement and where the vast amateur public can study both the classics and the most recent and significant developments of photography. 1929 Wi® Museum of Modern Art founded 1952 Photography first exhibited in MURALS BY AMERICAN PAINTERS AND PHOTOGRAPHERS; mural of George Washington Bridge by Edward Steichen included. Accompany ing catalog edited by Julian Levy. 1953 First photographs acquired for Collection WALKER EVANS: PHOTOGRAPHS OF 19th CENTURY HOUSES - first one-man photogra phy show. 1937 First survey exhibition and catalog PHOTOGRAPHY: I839-I937, by Beaumont NewhalU 1958 WALKER EVANS: AMERICAN PHOTOGRAPHS. Accompanying publication has intro duction by Lincoln Firstein. Photography: A Short Critical History by Beaumont Newhall published (reprint of 1937 publication). Sixty photographs sent to the Musee du Jeu de Paume, Paris, as part of exhibition TE.3E CENTURIES OF AMERICAN ART organized and selected by The Museum of Modern Art. 1939 Museum opens building at 11 West 53rd Street. Section of Art in Our Tims (10th Anniversary Exhibition) is devoted to SEVEN AMERICAN PHOTOGRAPHERS. Photographs included in an exhibition of paintings and drawings of Charles Sheeler and in accompanying catalog. 19^0 Department of Photography is established with David McAlpin, Trustee Chairman, Beaumont Newhall, Curator. -
Louis Albert Sayre Bodine Photographs
http://oac.cdlib.org/findaid/ark:/13030/c8416zdb No online items Louis Albert Sayre Bodine photographs Finding aid created by California Museum of Photography staff using RecordEXPRESS UC Riverside. California Museum of Photography 3824 Main Street Riverside, California 92501 (951) 827-5303 [email protected] http://www.artsblock.ucr.edu/ 2020 Louis Albert Sayre Bodine 1991.0016 1 photographs Descriptive Summary Title: Louis Albert Sayre Bodine photographs Dates: circa 1900-1905 Collection Number: 1991.0016 Creator/Collector: Bodine, Louis A. Sayre Extent: approximately 245 negatives and 50 photographic prints (1 box; 1 album) Repository: UC Riverside. California Museum of Photography Riverside, California 92501 Abstract: Album and negatives depict a couple's travels circa 1900, including visits to the Exposition Universelle in Paris, the London Zoo, Venice, and Egypt, as well as family snapshots believed to be made in Long Island, New York. Language of Material: English Access The collection is open for research use. Because of the fragility of some negatives, researchers may not be permitted to handle the negatives themselves. Publication Rights Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder (if applicable). Preferred Citation Louis Albert Sayre Bodine photographs. UC Riverside. California Museum of Photography Biography/Administrative History The photographs in this album are believed to have been made by Louis Albert Sayre Bodine, based on annotations written on the negatives' original box. Louis Bodine (1874-1936) was born in New York, and resided for a time in East Hampton, Long Island. Circa 1899, he married Winifred Harrison (1877-1960), apparently known affectionately as "Harry." The couple had two children, John (1902-1970) and Natalie (1904-1995). -
Copies in Seconds by David Owen
From Copies in Seconds by David Owen. Copyright © 2004 by David Owen. Reprinted by permission of Simon & Schuster, Inc., New York. Copies in Seconds by David Owen When Chester Carlson, working in the patent office at P. R. Mallory, needed a copy of a drawing in a patent application, his only option was to have a photographic copy made by an outside company that owned a Photostat or Rectigraph machine. “Their representative would come in, pick up the drawing, take it to their plant, make a copy, bring it back,” he recalled later. “It might be a wait of half a day or even twenty-four hours to get it back.” This was a costly nuisance, and it meant that what we now think of as a mindless clerical task was then an ongoing corporate operation involving outside vendors, billing, record keeping, and executive supervision. “So I recognized a very great need for a machine that could be right in an office,” he con- tinued, “where you could bring a document to it, push it in a slot, push a button, and get a copy out.” As Carlson began to consider how such a machine might work, he naturally thought first of photography. But he realized quickly that photog- raphy had distressingly many inherent limitations. Reducing the size of a bulky Photostat machine might be possible, but a smaller machine would still require coated papers and messy chemi- cals—the two main reasons making Photostats was expensive and inconvenient. Photography, furthermore, was already so well understood that it was unlikely to yield an important discovery to a lone inventor like Carlson. -
Photocopier Industry: at the Forefront of Servitization
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Florence Research Photocopier industry: at the forefront of servitization. Filippo Visintin Abstract The photocopier industry is undoubtedly one of the forerunners of servitization. The original equipment manufacturers (OEMs) of photocopiers, such as Xerox, pi- oneered the implementation of servitised business models and, over time, have de- veloped considerable system-integration, application-development and consulting capabilities. Today, these companies integrate print needs within total ICT solutions and com- pete against system integrators, consulting firms and software vendors in a large, diverse and growing document management market. This chapter provides a state of the art analysis of servitization phenomenon in the industry as well as a retro- spective analysis of its evolution. The chapter ends with a discussion of managerial implications. xy.1 Introduction The photocopier industry is one of the forerunners of servitization (Finne et al. 2013, Matsumoto and Kamigaki 2012). The original equipment manufacturers (OEMs) of photocopiers have profited from the sales of services and consumables and pioneered the implementation of servitised business models that are now com- mon practice in many other industries. For example, some of the challenges that photocopier OEMs have faced well in advance of many other manufacturers include the sale of the products’ usage instead of the products themselves, the adoption of pay-per-output (pay-per-page) pricing models and the delivery of integrated solu- tions and outsourcing services (Finne et al. 2013; Visintin 2012). Today, formerly analogue photocopier OEMs produce connected and digital multifunction devices. Under the heading of managed print services, they also offer integrated solutions that claim to optimise the customer’s document-related pro- cesses and infrastructure. -
The ASME National Xerox Corporation Forts of All Who Cooperated on the Landmark Designation of the De- History and Heritage C
XerographyThe Development of Designated an International Historic Landmark The American Society of Mechanical Engineers October 20, 1983 Chester Carlson memorabilia, including a photograph of the inventor as a high school senior and a page from his scrapbook with a xerographic portrait made at Battelle in 1950. 1 he story of xerography is really three stories. One is of a visionary T man who recognized a need, then devoted his life to seek- ing technical solutions and finan- cial support to fulfill it. Another is of an innovative re- search organization that had the foresight to invest in an idea and the technical talents to engineer its basic concept into a viable working process. And the third is of a small, entre- preneuring company with the courage to defy the conventional and to risk its assets in success- fully bringing a new concept and pioneering technology to the marketplace. This classic three-in-one tale stretches over two-and-a-half dec- ades and it illustrates the best in American innovation, in individ- ual initiative, and in team spirit. Despite early hardships and re- Taken during 1947 research on xerography, this photo depicts peated predictions of failure, the electrostatic imaging. effort culminated with the highly successful introduction and mar- keting of one of the twentieth century’s most novel products: an easy-to-use copying process that rapidly and inexpensively produces copies through electrical and mechanical means. With the advent of the Xerox machine, the whole world suddenly possessed the ability to generate copies at the push of a button. The process has imparted to this and future generations a new way to manage information. -
The Photographs of Edward Weston [By] Nancy Newhall
The photographs of Edward Weston [by] Nancy Newhall Author Weston, Edward, 1886-1958 Date 1946 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2374 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art " __ - LIBRAHY THE MUSEUSVf OF MODERN ART Received: ! MCHW£ EDWARD WESTON THE PHOTOGRAPHSOF PORTRAIT OF EDWARD WESTON BY ANSEL ADAMS, 1945 EDWARD WESTON NANCY NEWH THE MUSEUM OF MODERN ART ACKNOWLEDGMENTS I wish especially to thank Edward Weston for the many months of work and the understanding collabora tion, maintained across a continent, which he has contributed to every stage of this book and the exhibition it accompanies. To Beaumont Newhall, for his invaluable aid in preparing the text and the bibliography, to Charis Wilson Weston, to whose writings and suggestions I am much indebted, and to Jean Chariot for permission to quote from his manuscript, I am particularly grateful. I wish also to thank Mrs. Gladys C. Bolt, Mrs. Gladys Bronson Hart, Mrs. Rae Davis Knight, Mrs. Mary Weston Seaman and Mrs. Flora Chandler Weston for lending the chloride, platinum, and palladio prints which represent Weston's earliest work. Nancy Newhall TRUSTEESOF THE MUSEUM OF MODERN ART Stephen C. Clark, Chairman of the Board; Henry Allen Moe, 1st Vice-Chairman; Sam A. Lewisohn, 2nd Vice- chairman; John Hay Whitney, President; Nelson A. Rockefeller, 1st Vice-President; John E. Abbott, Executive Vice-President; Ranald H. -
GEBELIN-WALSH-HYNES-FRENZEL FAMILY PAPERS Mss
GEBELIN-WALSH-HYNES-FRENZEL FAMILY PAPERS Mss. 4983 Inventory Compiled by Tara Laver Mark E. Martin Louisiana and Lower Mississippi Valley Collections Special Collections, Hill Memorial Library Louisiana State University Libraries Baton Rouge, Louisiana State University 2008 Revised 2018 GEBELIN-WALSH-HYNES-FRENZEL FAMILY PAPERS Mss. 4983 1860-2009 LSU LIBRARIES SPECIAL COLLECTIONS CONTENTS OF INVENTORY SUMMARY ............................................................................................................................................................ 3 BIOGRAPHICAL/HISTORICAL NOTE .............................................................................................................. 4 SCOPE AND CONTENT NOTE ........................................................................................................................... 7 LIST OF SERIES AND SUBSERIES .................................................................................................................... 8 SERIES DESCRIPTIONS ...................................................................................................................................... 9 INDEX TERMS .................................................................................................................................................... 13 CONTAINER LIST .............................................................................................................................................. 15 APPENDIX: FILES ON DISC PROVIDED BY DONOR, 2/28/2009 ............................................................... -
Chester F. Carlson Papers
Chester F. Carlson papers Acc. 00:2 Box 1 Info Mart- Information Processing Hall of Fame- 1988 Chester f Carlson- inventor of Xerography- 1937 Glass Base/ Glass 2” x 7”- Glass Vertical 6” x 8”. (Photo Tag 1/4) Pacem In Terris- Chester F. Carlson- Center for the Study of Democratic Institution and the Editors of Pocket Books, Inc., 4 ½” x 7” book ,71/2” x 10’ case. (Photo tag 1/12) Wood/ metal plaque- 10.22.38 Astoria. Presented to Mrs. Chester f. Carlson. 8” x 5 1/2”- 40th anniversary- 10/22/78. (Photo Tag 1/3) Columbia University School of engineering and Applied Science, Chester F. Carlson- Centennial, Krumb School of Mines 1864-1964. Coin- 2 3/4” diameter. Case- 4 ¼” x 4 ¼” (Photo Tag 1/11) Medal/ Case. Medal-4” diameter. Case- 5” x 5”. Awarded by the City of Philadelphia- John Scott Medal- Chester F. Carlson The John Scott Medal- To the Most Deserving- Chester F. Carlson- Hon. D. Eng.- For the Invention of the Xerox Process- June 19, 1964. (Photo Tag z/7) RIT Dedication- Gold Medal- 3 ½” diameter. Red Case- 5 ¾” x 4 1/2” 10/28/1989. 2 ea. Chester F Carlson Building (Photo Tag 1/9, 1/10) Society of Photographic Scientists and Engineers Medal. Honorary Member Medal/ Case. Medal- 2.5 “ x 4” Case- 6” x 4.5” (Photo Tag Z/5) Proof Set of Canadian Coins 1988. Xerox- 50 years of Innovation. 4” x 6” leather display case. (Photo Tag ½, 1/16) Medal, 2 ea. 1938- Fifty years of Innovation- 1988 Xerox 50- 10/22/38- Astoria- 3” diameter- wood base- Carlson head (Photo Tag 1/13, 1/14) Man and Material- Symposium and Dedication of: “The Materials Research Center and the Engineering Science Research Building- Rennsselaer Polytechnic Institute- April 22-23, 1966.