The Turin Shroud Secret Free

Total Page:16

File Type:pdf, Size:1020Kb

The Turin Shroud Secret Free FREE THE TURIN SHROUD SECRET PDF Sam Christer | 512 pages | 02 Feb 2012 | Little, Brown Book Group | 9780751547146 | English | London, United Kingdom The Shroud and the Resurrection - The Southern Cross The greatest question remains around how the Shroud was formed. But other questions abound. And not least, the darkest secret of all. How the Shroud itself undermines the Christian Gospel. It is a rectangular cloth, 4. It bears an almost indistinguishable sepia coloured frontal and rear human image on its length. Pia was amazed by the clear image the negative plate revealed in his darkroom demonstrating that the image on the shroud was in fact formed in the negative. Stains found on the cloth were reported to have contained whole blood and conform to the sort of wounds consistent with crucifixion. That this occurred after the death of the victim is demonstrated by the separate components of red blood cells and serum draining from the lesion. There is a deep puncture in the wrist of the uppermost hand. The second wrist is covered. In tests by a team of American scientists known as STURP found no reliable evidence of forgery but were unable to explain the how the image might have been formed. In the Roman Catholic Church agreed to a carbon dating test under strictly monitored conditions. All three reached the same conclusion that the The Turin Shroud Secret could be dated between AD and AD and could therefore not be the the cloth on which Jesus Christ was laid. Since this time, several articles from scholarly sources have stated that the samples used may not have been representative of the whole Shroud. The first was a general examination of the cloth and its image. Findings by the scientists involved were released on 13 October The Turin Shroud Secret Although the carbon dating tests could have been performed in less than a week, there was a six month delay by the Roman Catholic Church The Turin Shroud Secret in the release of the second STURP findings. The announcement finally came on October 13,exactly ten years after the initial report. Is it co-incidence that this date happened to be the anniversary of the attack on the Order of the Temple in France in ? Surely by suggesting a link between their relic and the Order of the Templars, they were not only agreeing that the shroud was a fake, but were implying the involvement of the Templars The Turin Shroud Secret its creation. Read Nimrod Twice Born. The Roman Catholic Church is wedded to its relics. Its very existence and validity is established upon relics and the Shroud of Turin is not only the best known, but the most influential relic of them all. It appears to establish the veracity of the resurrection of Christ as though the impossible took place in a moment in time, a flash of supernatural light imprinted the image of a corpse upon the cloth in which the body of Christ The Turin Shroud Secret. Why then is the Church content to discredit this proof of the resurrection? The Turin Shroud Secret relic is simply a bad facsimile of the real thing, like the keeping of a mouldy rose as a reminder of a wedding. For the disciples of Christ who approached the tomb of Jesus Christ on the third day and discovered that the stone was rolled away, the rolled-up grave clothes would not only have been repulsive, they would have been irrelevant. As Jews who had been brought up under the Hebraic law none would have touched a bloodied cloth pertaining to the dead. As believers in Christ, they were concerned for their Lord alone. When a loved one dies, who considers taking a garment he or she was wearing to remember them by? Would the God who commanded that there should be no worship of images create an image of His Son? Faith believes in the The Turin Shroud Secret and needs no relic to bolster it. Devotion to relics and images act in direct contradiction to biblical faith and fall into the realm of magic. So what of the Shroud of Turin? Its progress can be traced, not only by circumstantial evidence, but by the The Turin Shroud Secret grains caught in its fibres, from Edessa to Constantinople and across Europe. So, is this mysterious grave-cloth a fake — or is it genuine? Nimrod Twice Born offers the answers to this question and a multitude of others. This novel unravels the conspiracy, which began at the foot of the cross, and reverberated down the centuries. I choose to be scene but The Turin Shroud Secret herd. Conspiracy, mystery, mythology, Biblical grand finale. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. This site uses Akismet to reduce spam. Learn how your The Turin Shroud Secret data is processed. What are the secrets of the Shroud of Turin? Leave a Reply Cancel reply Your email address will not be published. Shroud of Turin - Wikipedia Jump to navigation. A Vatican researcher has found evidence that the Knights Templar, the medieval crusading order, held secret custody of the Shroud of Turin during the 13th and 14th centuries. The Turin Shroud Secret shroud, which bears the image of a man and is believed by many to The Turin Shroud Secret been the The Turin Shroud Secret cloth of Jesus, was probably used in a secret Templar ritual to underline Christ's humanity in the face of popular heresies of the time, the expert said. The article anticipated evidence the author presents in an upcoming book on the Templars and the shroud. Frale, who works in the Vatican Secret Archives, said documents that came to light during research on the 14th-century trial of the Templars contained a description of a Templar initiation ceremony. The document recounts how a Templar leader, after guiding a young initiate into a hidden room, "showed him a long linen cloth that bore The Turin Shroud Secret impressed figure of a man, The Turin Shroud Secret ordered him to worship it, kissing the feet three times," Frale said. The idea that the Knights Templar were secret custodians of the shroud was put forward by British historian Ian Wilson in Frale said the account of the initiation ceremony, along with a number of other pieces of evidence, supports that theory. The shroud's history has long been the subject of debate. It was believed by some to have been in Constantinople, now Istanbul, Turkey, when the city was sacked during the crusades in It turned up for public display in France inand today is kept in the cathedral of Turin, Italy. The cloth's image, according to some experts, corresponds with that of a man who was scourged and crucified. Frale said the Knights Templar may have kept the shroud secret because of papal orders of excommunication for anyone involved The Turin Shroud Secret looting relics from Constantinople or trafficking in them afterward. She said the shroud's image was particularly important for the Knights Templar, as an "antidote" to the heresies that had arisen -- especially those that affirmed that Christ was a purely spiritual being, and never really had a human body or shed human blood. Send your thoughts and reactions to Letters to the Editor. Learn more here. Join now. Knights secretly protected Shroud of Turin Apr 6, Join the Conversation Send your thoughts and reactions to Letters to the Editor. Enter your email address to receive free newsletters from NCR. Email address. Vatican Knights secretly protected Shroud of Turin. Most Recent Franciscan university honors The Turin Shroud Secret for theological work on ecology Oct 21, Pope reverts to mask-less old ways amid growing criticism Oct 21, Dear Pope Francis, six reasons The Turin Shroud Secret should wear a mask Oct 21, True prayer, like true faith, leads to care for others, pope says Oct 21, Belarusian archbishop says Vatican doing all it can to secure his return Oct 21, Pope accepts resignation of bishop accused of failing to act on abuse Oct 19, Mexican president asks Pope Francis for conquest apology Oct 12, In case related The Turin Shroud Secret abuse at minor seminary, two priests face trial at Vatican Oct 9, Bishops to vote for religious liberty chair, seven committee chairmen-elect Oct 5, Francis will sign new encyclical, 'Fratelli tutti,' Oct. Francis, the comic strip May 1, Biographer: In last six months, pope was exhausted, disheartened Feb 18, The Turin Shroud Secret by Sam Christer Some claim the image depicts Jesus of Nazareth and the fabric is the burial shroud in which he was wrapped after crucifixion. First mentioned inthe shroud was denounced in by the local bishop of Troyes as a fake. In radiocarbon dating established the shroud was from the Middle Agesbetween the years and However, all of the hypotheses put forward to challenge The Turin Shroud Secret radiocarbon dating have been scientifically refuted, The Turin Shroud Secret including the medieval repair hypothesis, [10] [11] [12] the bio-contamination hypothesis [13] and the carbon monoxide hypothesis. The image on the shroud is much clearer in black-and-white negative —first observed in —than in its natural sepia color. A variety of methods have been proposed for the formation of the image, but the actual method used has not yet been conclusively identified. The shroud is rectangular, measuring approximately 4. The Turin Shroud Secret cloth is woven in a three-to-one The Turin Shroud Secret twill composed of flax fibrils.
Recommended publications
  • Early Christians Identified Jesus' Shroud with His Royal & Priestly Robe!
    Early Christians Identified Jesus’ Shroud With His Royal & Priestly Robe! __________________________ By Larry Stalley1 Copyrighted © 2020 All Rights Reserved ABSTRACT Based on an abundance of scientific and historical evidence that has surfaced in recent years, the author believes the Shroud of Turin is the genuine burial cloth that Joseph of Arimathea purchased and used to wrap the body of Jesus. Peter and “the disciple whom Jesus loved” found the tomb empty of a corpse on Resurrection Day. However, when they found the funeral linens, something about their appearance caused the disciple to “believe” (John 20.8). The cloth was stained with blood and had been defiled by its contact with a corpse. Why then wasn’t the Shroud viewed as “unclean,” discarded and buried? Why did the early Church treasure this piece of linen and seek to safeguard it from opponents and enemies of the Faith? How did they come to perceive this cloth? What beliefs became attached to it? In a former paper2 the author attempted to show that the early Christians likely perceived the Shroud as being the miraculous “sign of Jonah” that Jesus had promised.3 In this paper he will seek to demonstrate that the early Christians also identified Jesus’ Shroud, typologically, as his royal- priestly robe, sanctified by His sacrificial blood! The earthly Shroud was a “type and shadow” of the heavenly robe! With its miraculous image, the Shroud was viewed as being a link between the earthly and heavenly realities. ____________________________________________________ 1. INTRODUCTION Being Jewish and living in Rome during the 1st century had its difficulties! You felt the contempt native Romans held concerning your race! From their unwelcomed glares you could sense their unspoken but heartfelt animosity: Another Jew! I despise you! You despise the customs of our ancestors! You have no idols like all other religions.
    [Show full text]
  • Shroud News Issue #54 August 1989
    ISSUE No 54 A NEWSLETTER ABOUT THE HOLY SHROUD OF TURIN August 1989 edited by REX MORGAN Author of PERPETUAL MIRACLE and SHROUD GUIDE CRUSADER PERIOD PAINTING OF CHRIST IN THE CHURCH OF THE NATIVITY, BETHLEHEM. ANOTHER COPY FROM THE SHROUD? Pic: Sr Damian of the Cross (Dr Eugenia Nitowski) 2 SHROUD NEWS No 54 (August 1989) EDITORIAL The last issue of Shroud News was well received in the many countries it now reaches. In the past few years the number of regular newsletters and magazines on the subject of the Shroud has increased as more and more people in different parts of the world come to grips with the inescapable fact that Sindonology - the study of the Turin Shroud - is more than a passing fad or an interest for a few scientific specialists or religious fanatics. Indeed most people in most places now know something about the Shroud as a result of its rather sensationalised recent history since 1978 and particularly since the far from satisfactory carbon-dating tests which took place last year. Thus study groups are still springing up and some of them produce regular communications. Amongst those received at the Shroud News office are the new Belgian Soudarion which is a large format, well printed magazine in Flemish. Another new American news-sheet is Friends of the Shroud Newsletter, a quarterly mimeographed series of notes and offprints of press items. Amongst the more prestigious and authoritative journals, Shroud Spectrum International No. 30, March 1989, contains two important papers: one on medical aspects of the arm-position by Dr Gilbert Lavoie and yet another intriguing historical debate by the indefatigable Dorothy Crispino who has also presented on the front cover a rare and beautiful miniature painting of Geoffroy I de Charny.
    [Show full text]
  • THE SHROUD of TURIN Its Implications for Faith and Theology
    I4o THEOLOGICAL TRENDS THE SHROUD OF TURIN Its implications for faith and theology ACK IN I967, a notable Anglican exegete, C; F. D. Moule, registered a B complaint about some of his contemporaries: 'I have met otherwise intelligent men who ask, apparently in all seriousness, whether there may not be truth in what I would call patently ridiculous legends about.., an early portrait of Jesus or the shroud in which he is supposed to have been buried'. 1 Through the 195os into the 196os many roman Catholics, if they had come across it, would have agreed with Moule's verdict. That work of fourteen volumes on theology and church history, which Karl Rahner and other German scholars prepared, Lexikon fiir Theologie un d Kirehe (i957-68), simply ignored the shroud of Turin, except for a brief reference in an article on Ulysse Chevalier (1841-1923). Among his other achievements, the latter had gathered 'weighty arguments' to disprove the authenticity of the shroud. Like his english jesuit contemporary, Herbert Thurston, Chevalier maintained that it was a fourteenth-century forgery. The classic Protestant theological dictionary, Die Religion in Gesehichte und Gegenwart, however, took a different view. The sixth volume of the revised, third edition, which appeared in 1962 , included an article on the shroud by H.-M. Decker-Hauff. ~ The author summarized some of the major reasons in favour of its authenticity. In its material and pattern, the shroud matches products from the Middle East in the first century of the christian era. In the mid-fourteenth century the prevailing conventions of church art would not have allowed a forger or anyone else to portray Jesus in the full nakedness that we see on the shroud.
    [Show full text]
  • El Rostro De Cristo Y La Santa Faz De Alicante
    Archivo Ibero-Americano 75, nº 280 (2015): 327-358 ISSN 0004-0452 IMÁGENES DE FACTURA DIVINA: EL ROSTRO DE CRISTO Y LA SANTA FAZ DE ALICANTE IMAGES OF DIVINE CRAFTSMANSHIP: THE PORTRAIT OF CHRIST AND THE HOLY FACE OF ALICANTE (SPAIN) RAÚL MORALES SANES Universidad de Murcia [email protected] RECIBIDO: 7/07/2016 ACEPTADO: 14/11/2016 Para citar este artículo: Morales Sanes, Raúl. «Imágenes de factura divina: el rostro de Cristo y la Santa Faz de Alicante». Archivo Ibero-Americano 75, nº 280 (2015): 327-358. RESUMEN: ABSTRACT: El presente trabajo pretende hacer un repaso por This paper has the primary intention to offer las principales imágenes acheiropoietai refe- an overview of the main acheiropoeitai images ridas al rostro de Cristo con el fin de elaborar related to the portrait of Christ. Secondly, we have un contexto donde estas se pongan en relación analysed the particular case of the Santa Faz in con la Santa Faz de Alicante. Para la construc- Alicante. In order to explore the context in which ción de dicho marco se abordan temas como el these images were created, we have also studied proceso de legitimación de la imagen en la Edad the strategies of legitimization of images in the Media, las principales imágenes milagrosas no Middle Ages, the most prominent acheiropoietai hechas por manos humanas y las leyendas que a images and the legends that justified many estas acompañan. Finalmente, partiendo de estos particular cases. Finally, we have explored the parámetros, se aborda la llegada de estos cultos motifs and features that accompanied this kind of a tierras hispanas y se lleva a cabo una interpre- images in a Hispanic context and have carried out tación sobre el lienzo alicantino tras cotejar las a more thorough study of the Alicante image by versiones que nos ofrecen los distintos cronistas comparing the different local chronicles referring de dicha ciudad.
    [Show full text]
  • Forensic Aspects and Blood Chemistry of the Turin Shroud Man
    Scientific Research and Essays Vol. 7(29), pp. 2513-2525, 30 July, 2012 Available online at http://www.academicjournals.org/SRE DOI: 10.5897/SRE12.385 ISSN 1992 - 2248 ©2012 Academic Journals Review Forensic aspects and blood chemistry of the Turin Shroud Man Niels Svensson* and Thibault Heimburger 1Kalvemosevej 4, 4930 Maribo, Denmark. 215 rue des Ursulines, 93200 Saint-Denis, France. Accepted 12 July, 2012 On the Turin Shroud (TS) is depicted a faint double image of a naked man who has suffered a violent death. The image seems to be that of a real human body. Additionally, red stains of different size, form and density are spread all over the body image and in a few instances outside the body. Forensic examination by help of different analyzing tools reveals these stains as human blood. The distribution and flow of the blood, the position of the body are compatible with the fact that the Turin Shroud Man (TSM) has been crucified. This paper analyses the already known essential forensic findings supplied by new findings and experiments by the authors. Compared to the rather minute gospel description of the Passion of the Christ, then, from a forensic point of view, no findings speak against the hypothesis that the TS once has enveloped the body of the historical Jesus. Key words: Blood chemistry, crucifixion, forensic studies, Turin Shroud. INTRODUCTION The interest of the forensic examiners for the Turin Edwards et al.,1986; Zugibe, 2005). The TSM imprint is Shroud Man (TSM) image began with Paul Vignon and made of two different kinds of features: Yves Delage at the very beginning of the 20th century, after the remarkable discovery of the “negative” charac- i) The image itself, which has most of the properties of a teristics of the Turin Shroud (TS) image allowed by the negative “photography” and, as such, is best seen on the first photography of the TS by Secondo Pia in 1898.
    [Show full text]
  • 'Blood' Images
    The Shroud of Turin’s ‘Blood’ Images: Blood, or Paint? A History of Science Inquiry Author: David Ford <[email protected]>, a graduate of the University of Maryland Baltimore County that majored in history and philosophy. Date: 10 December 2000 Keywords: Shroud of Turin, ‘blood’ images, McCrone, iron oxide and vermilion paint, Heller & Adler, blood tests “It is the essence of scientific investigation to seek to much ‘blood’ and a clear fluid as if from a lance conform thought to the nature of its object, as wound, and seemingly unbroken legs.10 Because of encountered in its interaction with us.” this close similarity, the image is universally believed -- John Polkinghorne1 to depict Jesus,11 yet much controversy remains about whether the Shroud is Jesus’ actual burial shroud or Introduction merely a forgery. A ‘strong-authenticity’ view holds that the body image was produced by supernatural According to the New Testament’s book of means involving Jesus’ body, while a ‘weak- John, Roman soldie rs “flogged” Jesus of Nazareth, authenticity’ view holds that the body image was “twisted together a crown of thorns and put it on his produced by Jesus’ body via unusual natural head,” “struck him in the face,” and, along with two processes. In both the strong- and weak- authenticity others, “crucified him.”2 Because the next day was views, the ‘blood’ images arose via contact of the unsuitable for the display of crucified individuals, a cloth with a bloody Jesus. request that those crucified have their “legs broken” and their “bodies taken down” was made and A point of argument against the Shroud of granted.3 (With their legs broken, victims of Turin being Jesus’ actual burial cloth is that it can be crucifixion could no longer push up their bodies to traced with certainty only from about AD 1355.
    [Show full text]
  • Some Words About Our New Icons…
    Some words about our new icons… The Three Holy Youths Mural at Saint Michael Church Greensburg By Nick Papas Why is “The Three Youths” mural appropriate for Saint Michael Church and for this space above the Baptismal font specifically? Actually, I believe it is not merely appropriate, but perfect. It is perfect where it is and why it is. It’s where it is because of The Three Youths’ story’s relationship to Baptism. Its reason for being is perfect because of its relationship to being a memorial for Diana Roberts. The story of this mural comes from The Book of Daniel. It tells of Shadrach, Meshach and Abednego (The Three Holy Youths) and their sure-thing deaths, wherein they are thrown into a furnace to be killed for not submitting to an earthly king. the furnace so hot that the flames of the fire killed the soldiers who took up Shadrach, Meshach and Abednego, and these three men, firmly tied, fell into the blazing furnace. Orthodox Christians hear this story retold every Holy Saturday. It is one of the special, once-a-year, 15 Old Testament readings that are read just hours before, liturgically, the triumphant words “Christ is Risen!” are shouted with unfettered joy! The 15 readings set the stage for what will be experienced liturgically which is a thing which people of faith have experienced throughout the ages... that death is not what it appears to be! Mankind has had this inkling, even to its bones, from the time of the fall in the Garden of Eden.
    [Show full text]
  • Photographing Mary
    Photographing Mary Miraculous Photographs in the Global Marian Movement Massimo Introvigne (CESNUR) American Academy of Religion Annual Meeting San Antonio, Texas, November 20, 2016 Miraculous Images ´ “Acheiropoieta,” i.e. icons of the Virgin Mary not produced by human hands, were known since the first centuries of Christianity. Today, there are still images of the Virgin Mary (and Jesus) produced as a result of visions or special spiritual experiences, such as those painted by Illinois’ child prodigy Akiane Kramarik (born in 1994), who produced her most famous works from age 8 to 11 (left) Miraculous Photographs ´ Photography, however, created the possibility of entirely new images: actual photographs of Virgin Mary obtained in different ways ´ The more common were images where Mary was not seen by the naked eye but allegedly appeared when developing photographs and film, normally taken at the sites of Marian apparitions (left, examples from Medjugorje) A Precedent: Spirit Photographs ´ An obvious precedent, but perhaps one the Marian movement would prefer not to hear mentioned, were photographs of spirits. They appeared in pictures taken in the late 19th and early 20th century in the presence of Spiritualist mediums and “spiritual investigators” such as William Hope (1863-1933, right). Spirit photographs were often denounced as frauds, obtained through double exposures and other devious means A Photograph from Venezuela ´ Similar claims started appearing after World War II after developing photographs taken at the sites of Marian apparitions.
    [Show full text]
  • Icons and Saints of the Eastern Orthodox Church Pdf, Epub, Ebook
    ICONS AND SAINTS OF THE EASTERN ORTHODOX CHURCH PDF, EPUB, EBOOK Alfredo Tradigo | 384 pages | 01 Sep 2006 | Getty Trust Publications | 9780892368457 | English | Santa Monica CA, United States Icons and Saints of the Eastern Orthodox Church PDF Book In the Orthodox Church "icons have always been understood as a visible gospel, as a testimony to the great things given man by God the incarnate Logos". Many religious homes in Russia have icons hanging on the wall in the krasny ugol —the "red" corner see Icon corner. Guide to Imagery Series. Samuel rated it really liked it Jun 21, It did not disappoint on this detail. Later communion will be available so that one can even utilize the sense of taste during worship. Statues in the round were avoided as being too close to the principal artistic focus of pagan cult practices, as they have continued to be with some small-scale exceptions throughout the history of Eastern Christianity. The Art of the Byzantine Empire — A Guide to Imagery 10 , Bildlexikon der Kunst 9. Parishioners do not sit primly in the pews but may walk throughout the church lighting candles, venerating icons. Modern academic art history considers that, while images may have existed earlier, the tradition can be traced back only as far as the 3rd century, and that the images which survive from Early Christian art often differ greatly from later ones. Aldershot: Ashgate. In the Orthodox Church an icon is a sacred image, a window into heaven. Purple reveals wealth, power and authority. Vladimir's Seminary Press, The stillness of the icon draws us into the quiet so that we can lay aside the cares of this world and meditate on the splendor of the next.
    [Show full text]
  • A Critical Summary of Observations, Data and Hypotheses
    TThhee SShhrroouudd ooff TTuurriinn A Critical Summary of Observations, Data and Hypotheses If the truth were a mere mathematical formula, in some sense it would impose itself by its own power. But if Truth is Love, it calls for faith, for the ‘yes’ of our hearts. Pope Benedict XVI Version 4.0 Copyright 2017, Turin Shroud Center of Colorado Preface The purpose of the Critical Summary is to provide a synthesis of the Turin Shroud Center of Colorado (TSC) thinking about the Shroud of Turin and to make that synthesis available to the serious inquirer. Our evaluation of scientific, medical forensic and historical hypotheses presented here is based on TSC’s tens of thousands of hours of internal research, the Shroud of Turin Research Project (STURP) data, and other published research. The Critical Summary synthesis is not itself intended to present new research findings. With the exception of our comments all information presented has been published elsewhere, and we have endeavored to provide references for all included data. We wish to gratefully acknowledge the contributions of several persons and organizations. First, we would like to acknowledge Dan Spicer, PhD in Physics, and Dave Fornof for their contributions in the construction of Version 1.0 of the Critical Summary. We are grateful to Mary Ann Siefker and Mary Snapp for proofreading efforts. The efforts of Shroud historian Jack Markwardt in reviewing and providing valuable comments for the Version 4.0 History Section are deeply appreciated. We also are very grateful to Barrie Schwortz (Shroud.com) and the STERA organization for their permission to include photographs from their database of STURP photographs.
    [Show full text]
  • Mastergroupflyanddrive.Pdf
    Monumento al Marinaio di Taranto Dedicated to the sailors of the Italian Navy. Apulia Tour / Apulia Baia delle Zagare - FG 1st Day 4th Day Arrival at Bari Airport. Arrival and check-in at hotel in Bari area. In the Breakfast at hotel. Transfer on your own by car to the Itria Valley - land of afternoon visit of Bari. The program of visit, includes among others, fairy trulli. Drive to Martina Franca, a charming town, where besides the Romanesque Basilica of St. Nicholas, Romanesque - Gothic cathedral of famous trulli there is also the center of the city. Walk around the town and San Sabino, a medieval castle of the Emperor Frederick II, Teatro visit the beautiful Basilica of San Martino. Transfer to Ostuni the white Petruzzelli. Dinner on your own and overnight stay at your hotel picturesque town situated on top of a hill. Walk around the city, a visit to accommodation. the baroque Cathedral and the ruins of the twelfth-century castle. Then 2nd Day drive to Alberobello, a town inscribed on the World Heritage List of Breakfast at hotel. Transfer on your own by car to Trani, visiting the UNESCO, for the famous trulli, unique little houses with conical roofs of beautiful cathedral of St. Nicholas, the most outstanding example of gray slate. In the evening return to your hotel. Dinner on your own and Romanesque apulian architecture and Castello Svevo. Return to Bari. The overnight stay at your hotel accommodation. program of visit, includes among others, Romanesque Basilica of St. 5th Day Nicholas, Romanesque - Gothic cathedral of San Sabino, a medieval castle Breakfast at hotel.
    [Show full text]
  • Biographical Memoirs Saint John Bosco
    The Biographical Memoirs of Saint John Bosco by REV. GIOVANNI BATTISTA LEMOYNE, S.D.B. AN AMERICAN EDITION TRANSLATED FROM THE ORIGINAL ITALIAN REV. DIEGO BORGATELLO, S.D.B. Editor-in-chief Volume V \ . 1854-1858 SALESIANA PUBLISHERS NEW ROCHELLE, NEW YORK 1969 27. RT, C A t IMPRIMI POTEST: Very Rev. John S. Malloy, S.D.B. Provincial OBSTAT: Daniel V. Flynn, J.C.D. Censor Librorum IMPRIMATUR: Joseph P. O'Brien, S.T.D. Vicar General, Archdiocese of New York NEW YORK, N.Y., April 19, 1969 The nihil obstat and imprimatur are official declarations that a book or pamphlet is free of doctrinal or moral error. No implication is contained therein that those who have granted the nihil obstat and imprimatur agree with the contents, opinions or statements expressed. Copyright © 1969 by the Salesian Society, Inc. Library of Congress Catalog Card No. 65-3104rev All Rights Reserved Manufactured in the United States of America FIRST EDITION Elebtrateb WITH PROFOUND GRATITUDE TO THE LATE, LAMENTED, AND HIGHLY ES IEEMED "VERY REVEREND FELIX L. PENNA, S.D.R. (1904-1962) TO WHOSE WISDOM, FORESIGHT, AND NOBLE SALESIAN HEART THE ENGLISH TRANSLATION OF THE BIOGRAPHICAL MEMOIRS OF SAINT JOHN BOSCO IS A LASTING MONUMENT This Volume Is Dedicated TO FATHER AMBROSE ROSSI, S.D.B. (1893-1964) Salesian Provincial In The Eastern United States From 1933 to 1941 *** His Stalwart Leadership And Dedication To Salesian Ideals Left An Indelible Mark In North And Central America, His Field Of Labor For Thirty Years Editor's Preface to the First Nine Volumes !SAINT JOHN BOSCO, the central figure of this vastly extensive biography, was a towering person in the affairs of both Church and State during the critical 19th century in Italy.
    [Show full text]