Native American Fiction

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From Native American writers: Fiction Native American Authors Sherman Alexie Stephen Graham Jones Leslie Marmon Silko Paula Gunn Allen John Joseph Mathews Cynthia Leitich Smith Charles Eastman N. Scott Momaday David and Aimee Thurlo Louise Erdich David Treuer Duane Niatum Joy Harjo Velma Wallis Sara Sue Hoklotubbe Simon J. Ortiz James Welch Fiction Novels The Plague of Doves* Extra Indians People of the Whale Louise Erdrich Eric L. Gansworth Linda Hogan A Yellow Raft in Blue Water Ledfeather Ceremony Michael Dorris Stephen Graham Jones Leslie Marmon Silko More Fiction The Lone Ranger and Tonto Fistfight in Heaven* The Ones That Got Away* Sherman Alexie Stephen Graham Jones The Round House* Savage Land: Louise Erdrich Western Stories [LP] Fred Grove From: Non-Native American Mystery Authors Margaret Coel [Arapahoe] Anne Hillerman [Navajo] Kirk Mitchell [Havasupai & Others] James D. Doss [Ute] Tony Hillerman [Navajo] Kathleen O'Neal Gear & W. Michael Gear [Anasazi & Others] Judith A. Jance [Cochise County, AZ] Thomas Perry [Seneca] An * after a title indicates it is also available in our Digital Collection as an eBook. Abbreviations after titles indicate a shelf location other than Fiction or Non-Fiction. B = Biography; CD = CD Book; LP = Large Print From Native American writers: Biography + Non-Fiction Biography and Memoir Cherokee Thoughts, Honest Crazy Brave [B] Rez Life: An Indian's Journey and Uncensored Joy Harjo Through Reservation Life Robert J. Conley 811.54 H282C David Treuer 970.3 C522CO 323.1197 T811R The Woman Who Watches Over the Geronimo: Leadership Strategies of an World: A Native Memoir [B] To You We Shall Return: Lessons Linda Hogan American Warrior [B] about our Planet from the Lakota 818.5409 H714W Mike Leach [CD Book] 979.004972 G377L Joseph Marshall, III 970.3 L192MA History Lasting Echoes: An Oral History of The Journey of Crazy Horse: A Two Leggings: The Making of a Crow Native American People Lakota History Warrior Joseph Bruchac Joseph Marshall Two Leggings 970.1 B887L 970.2 C911M 970.3 C953TW The Inconvenient Indian: A Curious Code Talker [B] Brave Are My People: Indian Heroes Account of Native People in North Chester Nez Not Forgotten America 940.545973 NEZ Frank Waters Thomas King 970.2 W329B 970.00497 K54I Legends The Way to Rainy Mountain The Telling of the World: Native Native Universe: Voices of Indian N. Scott Momaday American Stories and Art America 970.3 K56MO W.S. Penn Gerald McMaster and 398.208997 T276 Clifford E. Trafzer 970.1 N278 Art Contemporary Native American Dreaming in Indian: Contemporary Artists Native American Voices Suzanne Deats Mary Beth Leatherdale and 704.039707 D285C Lisa Charleyboy Poetry What I've Stolen, Favor of Crows: New and Collected Voices of the Rainbow: Contemporary Poetry by What I've Earned Haiku Poems Native Americans Sherman Alexie Gerald Vizenor Kenneth Mark Rosen, R.C. Gorman, and 811.54 A384W 811.54 V864F Aaron Yava 811.5408 V889 2012 Visit ppld.org/reading-lists to find other lists you might enjoy! Revised February 2017 .

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Creating an Osage Future: Art, Resistance, and Self-Representation
CREATING AN OSAGE FUTURE: ART, RESISTANCE, AND SELF-REPRESENTATION Jami C. Powell A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Anthropology. Chapel Hill 2018 Approved by: Jean Dennison Rudi Colloredo-Mansfeld Valerie Lambert Jenny Tone-Pah-Hote Chip Colwell © 2018 Jami C. Powell ALL RIGHTS RESERVED ii ABSTRACT Jami C. Powell: Creating an Osage Future: Art, Resistance, and Self-Representation (Under the direction of Jean Dennison and Rudolf Colloredo Mansfeld) Creating an Osage Future: Art, Resistance, and Self-Representation, examines the ways Osage citizens—and particularly artists—engage with mainstream audiences in museums and other spaces in order to negotiate, manipulate, subvert, and sometimes sustain static notions of Indigeneity. This project interrogates some of the tactics Osage and other American Indian artists are using to imagine a stronger future, as well as the strategies mainstream museums are using to build and sustain more equitable and mutually beneficial relationships between their institutions and Indigenous communities. In addition to object-centered ethnographic research with contemporary Osage artists and Osage citizens and collections-based museum research at various museums, this dissertation is informed by three recent exhibitions featuring the work of Osage artists at the Denver Art Museum, the Field Museum of Natural History, and the Sam Noble Museum at the University of Oklahoma. Drawing on methodologies of humor, autoethnography, and collaborative knowledge-production, this project strives to disrupt the hierarchal structures within academia and museums, opening space for Indigenous and aesthetic knowledges.
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