SAC Media Catalogue Neu.Xlsx

Total Page:16

File Type:pdf, Size:1020Kb

SAC Media Catalogue Neu.Xlsx SAC Media Please note that this page lists the digital media available in the SAC. CD-Audios, CD-ROMs, DVD-ROMs and DVD-Videos are available through the supervisor. Digitalized versions of video tapes (shelfmarks starting with 'VID') are available on a 'video server' (accessible as drive r:, folder \Digitalisierte Video-Kassetten\). To search this database please use the 'find text' function your pdf-viewer / browser! title author / comment shelf mark mediatype Kooky 1 (2 Cds) CD-Audio 1.01 [1+2] CD-Audio Kooky 2 (2 Cds) CD-Audio 1.02 [1+2] CD-Audio Englisch in der Grundschule Institut für Schulpädagogik und Grundschuldidaktik CD-Audio 1.03 CD-Audio Password Red 5: Hörverstehens-CD CD-Audio 1.04 [1] CD-Audio Password Red 5: Schülerbuch-CD CD-Audio 1.04 [2] CD-Audio Password Red 6: Hörverstehens-CD CD-Audio 1.05 [1] CD-Audio Password Red 6: Schülerbuch-CD CD-Audio 1.05 [2] CD-Audio Concession in spoken English Barth-Weingarten, Dagmar CD-Audio 1.06 CD-Audio Englisch Lernen mit Benjamin Blümchen CD-Audio 1.07 CD-Audio Bausteine Magic 3 CD-Audio 1.08 CD-Audio My Way 1 Leni Dam, Lienhard Legenhausen, Clara Schott CD-Audio 1.09 CD-Audio In the Know. Understanding and Using Idioms CD-Audio 1.10 CD-Audio Learner English - A teacher's guide to Editors: Michael Swan and Bernhard Smith CD-Audio 1.11 [2 Ex.] CD-Audio Towards Proficiency: Student's Book Audio CD May, Peter CD-Audio 1.12 [1] CD-Audio Towards Proficiency: Teacher's Book Practice Tests Audio CD May, Peter CD-Audio 1.12 [2] CD-Audio CAE Study Pack: Audio CD 1 MacAndrew, Richard CD-Audio 1.13 [1] CD-Audio CAE Study Pack: Audio CD 2 MacAndrew, Richard CD-Audio 1.13 [2] CD-Audio Proficiency Masterclass: Audio Cassesdttes 1 & 2 Kathy Gude and Michael Duckworth CD-Audio 1.14 [1+2] CD-Audio Cambridge Young Learners English Tests: Starters Cliff, Petrina CD-Audio 1.15 [1] CD-Audio Cambridge Young Learners English Tests: Movers Cliff, Petrina CD-Audio 1.15 [2] CD-Audio New Focus on Success: Ausgabe Technik CD-Audio 1.16 [1-3] CD-Audio Challenge 21, Band 1 - Neue Ausgabe: Skills and Tasks CD-Audio 1.17 CD-Audio English Phonetics and Phonology: A Practical Course (third Roach, Peter CD-Audio 1.18 [1-2] CD-Audio edition) English G 21 A1 - Audio-CD Schülerfassung Verlagsredaktion: Gareth Evans CD-Audio 1.19 CD-Audio English G 21 A2 Audio CD, Schülerfassung Cornelsen CD-Audio 1.20 CD-Audio RAAbits Englisch CD 4 Raabe, Joseph CD-Audio 1.22 CD-Audio World Englishes Kirkpatrick, Andy CD-Audio 1.23 CD-Audio Deep Water - A horror story set in the US Midwest Gardiner, Caroline CD-Audio 1.24 CD-Audio The Deal 1/2 Taylor, Carl CD-Audio 1.25 CD-Audio The Deal 2/2 Taylor, Carl CD-Audio 1.26 CD-Audio The house of dolls - A place where dream and reality meet Rayner, Howard CD-Audio 1.27 CD-Audio Deep, blue and deadly - An eco-thriller set in the Maldives Aziz, Hamida CD-Audio 1.28 CD-Audio warm up - cool down CD-Audio 1.29 CD-Audio Practical Classroom English CD-Audio 1.30 CD-Audio how to teach pronounciation Kelly, Gerald CD-Audio 1.31 CD-Audio Creating Chants and Songs Graham, Carolyn CD-Audio 1.32 CD-Audio Crossing Cultures 1/2 Borsbey, Janet/ Swan, Ruth CD-Audio 1.33 CD-Audio Crossing Cultures 2/2 Borsbey, Janet/ Swan, Ruth CD-Audio 1.34 CD-Audio how to teach listening Wilson, JJ CD-Audio 1.35 CD-Audio Learning and Teaching English CD-Audio 1.36 CD-Audio Pronounciation Practice Activities Hewings, Martin CD-Audio 1.37 CD-Audio TIMESAVER - Common European Framework Assessment Tests CD-Audio 1.38 CD-Audio The Gruffalo and friends Donaldson, Julia CD-Audio 1.39 CD-Audio The Gruffalo Donaldson, Julia CD-Audio 1.40 CD-Audio The Princess and the Wizard Donaldson, Julia CD-Audio 1.41 CD-Audio The Gruffalo`s Child Donaldson, Julie/ Scheffer, Axel CD-Audio 1.42 CD-Audio Mowgli learns to swim CD-Audio 1.43 CD-Audio Dawn over the outback Howard Rayner CD-Audio 1.44 CD-Audio Red earth, white bone Hamida Aziz CD-Audio 1.45 CD-Audio Help Me Find Henri! Gila Hoppenstedt CD-Audio 1.46 CD-Audio Englischwörterbuch für Grundschulkinder CD-Audio 1.47 CD-Audio teach yourself: old english Mark Atherton CD-Audio 1.48 CD-Audio Writing Jamaican the Jamaican Way/Ou fi Rait Jamiekan The Jamaican Language Unit CD-Audio 1.49 CD-Audio A Practical Guide to Teaching Shakespeare Wilfried Brusch CD-Audio 1.50 CD-Audio Training für mündliche Prüfungen CD-Audio 1.51 CD-Audio Teaching Skills Listening CD-Audio 1.52 CD-Audio A Handbook of Spoken Grammar Ken Paterson et.al. CD-Audio 1.53 CD-Audio Frankenstein – The ELT Graphic Novel Jason Cobley CD-Audio 1.54 CD-Audio Aladdin and the Lamp (Level 3) Primary Classic Readers CD-Audio 1.55 [1+2] CD-Audio Ali Baba and the Forty Thieves (Level 3) Primary Classic Readers CD-Audio 1.56 [1+2] CD-Audio Pinocchio (Level 3) Primary Classic Readers CD-Audio 1.57 [1+2] CD-Audio Puss in Boots (Level 2) Primary Classic Readers CD-Audio 1.58 [1+2] CD-Audio Sleeping Beatuy (Level 2) Primary Classic Readers CD-Audio 1.59 [1+2] CD-Audio Snow White and the Seven Dwarfs (Level 2) Primary Classic Readers CD-Audio 1.60 [1+2] CD-Audio Sinbad the Sailor (Level 2) Primary Classic Readers CD-Audio 1.61 [1+2] CD-Audio Hansel and Gretel (Level 2) Primary Classic Readers CD-Audio 1.62 [1+2] CD-Audio Alice in Wonderland (Level 3) Primary Classic Readers CD-Audio 1.63 [1+2] CD-Audio The Three Spinners (Level 3) Primary Classic Readers CD-Audio 1.64 [1+2] CD-Audio The Three Little Pigs (Level 1) Primary Classic Readers CD-Audio 1.65 [1+2] CD-Audio Little Red Riding Hodd (Level 1) Primary Classic Readers CD-Audio 1.66 [1+2] CD-Audio Goldilocks and the Three Bears (Level 1) Primary Classic Readers CD-Audio 1.67 [1+2] CD-Audio The Ugly Duckling (Level 1) Primary Classic Readers CD-Audio 1.68 [1+2] CD-Audio Jack and the Beanstalk (Level 1) Primary Classic Readers CD-Audio 1.69 [1+2] CD-Audio Macbeth - The ELT Graphic Novel John McDonald CD-Audio 1.70 CD-Audio Great Expectations - The ELT Graphic Novel Jen Green CD-Audio 1.71 [1-3] CD-Audio Henry V - The ELT Graphic Novel John McDonald CD-Audio 1.72 [1+2] CD-Audio Pop Songs 2 - 10 Pop Sogs for the Classroom CD-Audio 1.73 CD-Audio Grammar Songs & Raps Herbert Puchta et al. CD-Audio 1.74 [1+2] CD-Audio Teaching Skills - Mediation CD-Audio 1.75 CD-Audio The Complete Adventures of Curious George H.R. Rey CD-Audio 1.76 [1+2] CD-Audio Discussions A-Z Wallwork, Adrian CD-Audio 1.77 CD-Audio Advanced Skills Haines, Simon CD-Audio 1.78 CD-Audio English Songs - Neue Lieder für den Englischunterricht. 3. und 4. Cremer, Tanja CD-Audio 1.79 CD-Audio Schuljahr New Headway Pronunciation - Upper Intermediate Bowler, Bill / Cunningham, Sarah CD-Audio 1.80 [1+2] CD-Audio Cambridge Academic English (Intermediate) Craig, Thaine CD-Audio 1.81 CD-Audio Cambridge Academic English (Upper Intermediate) Craig, Thaine CD-Audio 1.82 CD-Audio Cambridge Academic English (Advanced) Craig, Thaine CD-Audio 1.83 CD-Audio English Pronunciation in Use (Advanced) Hewings, Martin CD-Audio 1.84 [1-5] CD-Audio English Pronunciation in Use (Intermediate) Hancock, Mark CD-Audio 1.85 [1-5) CD-Audio Ikuru 1 Cornelsen CD-Audio 1.86[1+2] CD-Audio Ikuru 2 Cornelsen CD-Audio 1.87[1-3] CD-Audio Ikuru 3 Cornelsen CD-Audio 1.88[1+2] CD-Audio Ikuru 4 Cornelsen CD-Audio 1.89[1+2] CD-Audio Be Understood! Maurer Smolder, Christina CD-Audio 1.90 CD-Audio Instant Academic Skills Lane, Sarah CD-Audio 1.91 CD-Audio Ship or Sheep? An intermediate pronunciation course Baker, Ann CD-Audio 1.92 [1-4] CD-Audio English Matters. For CSEC Examinations CD-Audio 1.93 CD-Audio Green Line 2, Workbook Audio-CD 1 +2 CD-Audio 1.94 CD-Audio Orange Line 6, Audio CD zu den Standardaufgaben CD-Audio 1.95 CD-Audio Orange Line 1 , Audio CD Workbook CD-Audio 1.96 CD-Audio Orange Line 2, Audio CD Workbook CD-Audio 1.97 CD-Audio Orange Line 6, Audio CD für Schüler, Erweiterungskurs CD-Audio 1.98 CD-Audio Orange Line 6, Audio CD für Schüler, Erweiterungskurs CD-Audio 1.99 CD-Audio Green Line 1, Trainigsbuch Klett CD-Audio 1.100 CD-Audio Green Line 3, Workbook Audio CD 1+2 CD-Audio 1.101 CD-Audio Orange Line 5, Audio CD für Schüler CD-Audio 1.102 CD-Audio Orange Line 5, Audio CD für Schüler CD-Audio 1.103 CD-Audio Orange Line 4, Audio-CD zu den Standardaufgaben CD-Audio 1.104 CD-Audio Orange Line 4, Audio-CD für Schüler Erweiterungskurs CD-Audio 1.105 CD-Audio Orange Line 4, Audio-CD für Schüler Erweiterungskurs CD-Audio 1.106 CD-Audio Orange Line 4, Audio-CD für Schüler Grundkurs CD-Audio 1.107 CD-Audio Orange Line 4, Audio-CD für Schüler Grundkurs CD-Audio 1.108 CD-Audio Orange Line 1, Audio-CD für Schüler CD-Audio 1.109 CD-Audio Orange Line 1, Audio-CD für Schüler CD-Audio 1.110 CD-Audio Orange Line 1, Audio-CD für Schüler Zu D-7G.441 d CD-Audio 1.111 CD-Audio Orange Line 1, Audio-CD für Schüler Zu D-7G.441 d CD-Audio 1.112 CD-Audio Orange Line 1, Vorschläge zur Leistungsmessung CD-Audio 1.113 CD-Audio Orange Line 1, Vorschläge zur Leistungsmessung CD-Audio 1.114 CD-Audio Orange Line 2, Audio-CD für Schüler CD-Audio 1.115 CD-Audio Orange Line 2, Audio-CD für Schüler CD-Audio 1.116 CD-Audio Orange Line 3, Audio-CD zu den Standardaufgaben CD-Audio 1.117 CD-Audio Orange Line 3, Audio-CD für Schüler Grundkurs CD-Audio 1.118 CD-Audio Orange Line 3, Audio-CD für Schüler Grundkurs CD-Audio 1.119 CD-Audio Orange Line 3, Audio-CD für Schüler Erweiterungskurs CD-Audio 1.120 CD-Audio Orange Line 3, Audio-CD für Schüler Erweiterungskurs CD-Audio 1.121 CD-Audio Orange Line 5, Audio-CD für Schüler Grundkurs CD-Audio 1.122 CD-Audio Orange Line 5, Audio-CD für Schüler Grundkurs CD-Audio 1.123 CD-Audio Orange Line 5, Audio-CD zu den Standardaufgaben CD-Audio 1.124
Recommended publications
  • Drake Plays 1927-2021.Xls
    Drake Plays 1927-2021.xls TITLE OF PLAY 1927-8 Dulcy SEASON You and I Tragedy of Nan Twelfth Night 1928-9 The Patsy SEASON The Passing of the Third Floor Back The Circle A Midsummer Night's Dream 1929-30 The Swan SEASON John Ferguson Tartuffe Emperor Jones 1930-1 He Who Gets Slapped SEASON Miss Lulu Bett The Magistrate Hedda Gabler 1931-2 The Royal Family SEASON Children of the Moon Berkeley Square Antigone 1932-3 The Perfect Alibi SEASON Death Takes a Holiday No More Frontier Arms and the Man Twelfth Night Dulcy 1933-4 Our Children SEASON The Bohemian Girl The Black Flamingo The Importance of Being Earnest Much Ado About Nothing The Three Cornered Moon 1934-5 You Never Can Tell SEASON The Patriarch Another Language The Criminal Code 1935-6 The Tavern SEASON Cradle Song Journey's End Good Hope Elizabeth the Queen 1936-7 Squaring the Circle SEASON The Joyous Season Drake Plays 1927-2021.xls Moor Born Noah Richard of Bordeaux 1937-8 Dracula SEASON Winterset Daugthers of Atreus Ladies of the Jury As You Like It 1938-9 The Bishop Misbehaves SEASON Enter Madame Spring Dance Mrs. Moonlight Caponsacchi 1939-40 Laburnam Grove SEASON The Ghost of Yankee Doodle Wuthering Heights Shadow and Substance Saint Joan 1940-1 The Return of the Vagabond SEASON Pride and Prejudice Wingless Victory Brief Music A Winter's Tale Alison's House 1941-2 Petrified Forest SEASON Journey to Jerusalem Stage Door My Heart's in the Highlands Thunder Rock 1942-3 The Eve of St.
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • At Play Spring-Summer 06.Indd
    rating Seventy Y representing the american theatre by eleb ears publishing and licensing the works C of new and established playwrights 70th Anniversary Issue D ram 06 ati – 20 sts Play Service, Inc. 1936 Issue 12, Spring/Summer 2006 AN INTERVIEW WITH Austin Pendleton Director of Professional Rights Robert Lewis Vaughan and Director of Publications Michael Q. Fellmeth talk with Austin Pendleton about his New York hit, Orson’s Shadow, and his life as a consummate man of the theatre. ROBERT. Orson’s Shadow had an amazing run here in New York at The Barrow Street Theatre following Tracy Letts’ fantastic Bug (also represented by DPS). Tracy was in your play, in the role of Kenneth Tynan. Two hits in a row — two actor/playwrights in a row — one theatre. What do you have to say about that? AUSTIN. There’s more to it than that. Tracy Letts caused this to happen. He told our producers (Scott Morfee, Chip Meyrelles, Tom Wirtshafter) about Orson’s Shadow. He put together a reading with the Chicago cast, directed by the Chicago director, in Chicago, for Scott, Chip and Tom to come and see and hear … Continued on page 3 NEWPLAYS Serving the American Theatre Since 1936: A Brief History of Dramatists Play Service, Inc. Rob Ackerman DISCONNECT. Goaded by the women they love “The Dramatists Play Service came into being at exactly the right moment and haunted by memories they can no longer for the contemporary playwright and the American theatre at large.” suppress, two men at a dinner party confront the —Audrey Wood, renowned agent to Tennessee Williams lies of their lives.
    [Show full text]
  • The Political History of Classical Hollywood: Moguls, Liberals and Radicals in The
    The political history of Classical Hollywood: moguls, liberals and radicals in the 1930s Professor Mark Wheeler, London Metropolitan University Introduction Hollywood’s relationship with the political elite in the Depression reflected the trends which defined the USA’s affairs in the interwar years. For the moguls mixing with the powerful indicated their acceptance by America’s elites who had scorned them as vulgar hucksters due to their Jewish and show business backgrounds. They could achieve social recognition by demonstrating a commitment to conservative principles and supported the Republican Party. However, MGM’s Louis B. Mayer held deep right-wing convictions and became the vice-chairman of the Southern Californian Republican Party. He formed alliances with President Herbert Hoover and the right-wing press magnate William Randolph Hearst. Along with Hearst, Will Hays and an array of Californian business forces, ‘Louie Be’ and MGM’s Production Chief Irving Thalberg led a propaganda campaign against Upton Sinclair’s End Poverty in California (EPIC) gubernatorial election crusade in 1934. This form of ‘mogul politics’ was characterized by the instincts of its authors: hardness, shrewdness, autocracy and coercion. 1 In response to the mogul’s mercurial values, the Hollywood community pursued a significant degree of liberal and populist political activism, along with a growing radicalism among writers, directors and stars. For instance, James Cagney and Charlie Chaplin supported Sinclair’s EPIC campaign by attending meetings and collecting monies. Their actions reflected the economic, social and political conditions of the era, notably the collapse of US capitalism with the Great Depression, the New Deal, the establishment of trade unions, and the emigration of European political refugees due to Nazism.
    [Show full text]
  • Hooray for Hollywood the Sequel
    Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66).
    [Show full text]
  • Did Hollywood Take Theatre "By Hook Or by Crook?"" (2018)
    BearWorks MSU Graduate Theses Fall 2018 AsDid with Hollywood any intellectual T prakoject,e Theatr the contente "b andy Hook views expr oressed by Cr inook?" this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been Catherine S. Wright Missourijudged t oState hav eUniv academicersity, Catherine845@liv value by the student’e.missouristate.edus thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the Acting Commons, Applied Ethics Commons, Art Education Commons, Business and Corporate Communications Commons, Business Law, Public Responsibility, and Ethics Commons, Collective Bargaining Commons, Comparative Philosophy Commons, Digital Humanities Commons, Dramatic Literature, Criticism and Theory Commons, E-Commerce Commons, Ethics and Political Philosophy Commons, History of Philosophy Commons, Intellectual History Commons, International and Comparative Labor Relations Commons, Legal Commons, Metaphysics Commons, Other Business Commons, Other Classics Commons, Other Film and Media Studies Commons, Other Theatre and Performance Studies Commons, Performance Management Commons, Philosophy of Science Commons, Playwriting Commons, Public History Commons, Screenwriting Commons, Social and Behavioral Sciences Commons, Social History Commons, Technical and Professional Writing Commons, Television Commons, Theatre History Commons, Unions Commons, and the United States History Commons Recommended Citation Wright, Catherine S., "Did Hollywood Take Theatre "by Hook or by Crook?"" (2018). MSU Graduate Theses. 3320. https://bearworks.missouristate.edu/theses/3320 This article or document was made available through BearWorks, the institutional repository of Missouri State University.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • The WKNO-TV Collection
    The Theatre Memphis Programs Collection Processed by Joan Cannon 2007 Memphis and Shelby County Room Memphis Public Library and Information Center 3030 Poplar Avenue Memphis, Tennessee 38111 Scope and Content The Theatre Memphis Programs Collection was donated to the Memphis Public Library and Information Center by many individual donors over several years. Consisting of programs from performances at Theatre Memphis between the years 1975 and 2007, the collection provides invaluable information on the operation of community theatre in Memphis. Each program includes the names of the director, cast and crew as well as information on the production. Theatre Memphis was established as the Little Theatre in 1921. For several years plays were performed in a variety of locations in Memphis including Germania Hall and the Nineteenth Century Club. In 1929 the Little Theatre was headquartered at the Pink Palace Museum Playhouse where they would remain until the mid-1970s. When the Pink Palace closed for renovations, the theatrical company opened their own venue on Perkins Extended in East Memphis. Changing their name to Theatre Memphis, productions resumed in 1975 and have continued until the present day. 2 THEATRE MEMPHIS PROGRAMS COLLECTION BOX 1 Folder 1 Items 6 1975-1976 (56th Season) SUNSHINE BOYS by Neil Simon. Directed by Sherwood Lohrey. Cast: Archie S. Grinalds, Jerry Chipman, Ed Cook, Frank B. Crumbaugh, III, Andy Shenk, James Brock, Holly Shelton, Patricia Gill, Sam Stock. n.d. DESIRE UNDER THE ELMS by Eugene O’Neill. Directed by Sherwood Lohrey. Cast: Jay Ehrlicher, Don Barber, Carl Bogan, John Malloy, Janie Paris, Merle Ray, Ralph Brown.
    [Show full text]
  • Putney Swope
    THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE.
    [Show full text]
  • Drama Winners the First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No Award Given  1965 the Subject Was Roses by Frank D
    The Pulitzer Prizes Drama Winners The First 50 Years: 1917-1966 Pulitzer Drama Checklist 1966 No award given 1965 The Subject Was Roses by Frank D. Gilroy 1964 No award given 1963 No award given 1962 How to Succeed in Business Without Really Trying by Loesser and Burrows 1961 All the Way Home by Tad Mosel 1960 Fiorello! by Weidman, Abbott, Bock, and Harnick 1959 J.B. by Archibald MacLeish 1958 Look Homeward, Angel by Ketti Frings 1957 Long Day’s Journey Into Night by Eugene O’Neill 1956 The Diary of Anne Frank by Albert Hackett and Frances Goodrich 1955 Cat on a Hot Tin Roof by Tennessee Williams 1954 The Teahouse of the August Moon by John Patrick 1953 Picnic by William Inge 1952 The Shrike by Joseph Kramm 1951 No award given 1950 South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan 1949 Death of a Salesman by Arthur Miller 1948 A Streetcar Named Desire by Tennessee Williams 1947 No award given 1946 State of the Union by Russel Crouse and Howard Lindsay 1945 Harvey by Mary Coyle Chase 1944 No award given 1943 The Skin of Our Teeth by Thornton Wilder 1942 No award given 1941 There Shall Be No Night by Robert E. Sherwood 1940 The Time of Your Life by William Saroyan 1939 Abe Lincoln in Illinois by Robert E. Sherwood 1938 Our Town by Thornton Wilder 1937 You Can’t Take It With You by Moss Hart and George S. Kaufman 1936 Idiot’s Delight by Robert E. Sherwood 1935 The Old Maid by Zoë Akins 1934 Men in White by Sidney Kingsley 1933 Both Your Houses by Maxwell Anderson 1932 Of Thee I Sing by George S.
    [Show full text]
  • SS Library Anthologies
    Titles An Anthology of Greek Drama: First Series (Edited by C.A. Robinson Jr.) Aeschylus: Agamemnon Sophocles: Oedipus the King, Antigone Euripides: Medea, Hippolytus Aristophones: Lysistrata An Anthology of Greek Drama: Second Series (Edited by C.A. Robinson Jr.) Aeschylus: Prometheus Bound, Choephoroe, Eumenides Sophocles: Philoctetes, Oedipus at Colonus Euripes: The Trojan Women, The Bacchae Aristophanes: The Clouds, The Frogs Greek Drama (Edited by Moses Hadas) Aeschylus: Agamemnon, Summary of Choephoroe, Eumenides Sophocles: Antigone, Oedipus the King, Summary of Oedipus at Colonus, Philoctetes Euripides: Medea, Hippolytus, The Trojan War Aristophanes: The Frogs Greek Tragedies, Volume I (Edited by Grene & Lattimore) Aeschylus: Agamemnon, Prometheus Bound Sophocles: Oedipus the King, Antigone Euripides: Hippolytus Classical Comedy, Greek and Roman (Edited by Robert W. Corrigan) Aristophones: Lysistrata, The Birds Menander: The Grouch Plautus: The Menaechmi, Mostellaria Terence: The Self-Tormentor Masters of Ancient Comedy (Edited by Lionel Casson) Aristophenes: The Acharnians Mendander: The Grouch, The Woman of Sarnos, The Arbitration, She Who Was Shorn Plautus: The Haunted House, The Rope Terence: Phormio, The Brothers Farces, Italian Style (Edited by Bari Rolfe) The Phantom Father Dr Arlecchino or the Imaginary Autopsee The Dumb Wife The Kind Father in Spite of Himself The Lovers of Bologna Commedia Dell'Arte (Edited by Bari Rolfe) 20 Lazzi 35 Scenes The Lovers of Verona Drama of the English Renaissance (Edited by M.L. Wine) Christopher Marlowe: Doctor Faustus Thomas Dekker: The Shoemaker's Holiday, A Pleasant Comedy of the Gentle Craft Ben Jonson: Volpone or The Foe Francis Beaumont: The Knight of the Burning Pestle Ben Jonson: The Masque of Blackness Francis Beaumont & John Fletcher: Philaster John Webster: The Duchess of Malfi Thomas Middleton & William Rowley: The Changeling John Ford: The Broken Heart Four English Tragedies (Edited by J.M.
    [Show full text]
  • Introduction
    Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
    [Show full text]