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Edgar Huntly and the Enlightenment Abby Sherwood
Undergraduate Review Volume 3 Article 19 2007 Inverting the Cave: Edgar Huntly and the Enlightenment Abby Sherwood Follow this and additional works at: http://vc.bridgew.edu/undergrad_rev Part of the Literature in English, North America Commons Recommended Citation Sherwood, Abby (2007). Inverting the Cave: Edgar Huntly and the Enlightenment. Undergraduate Review, 3, 118-121. Available at: http://vc.bridgew.edu/undergrad_rev/vol3/iss1/19 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Copyright © 2007 Abby Sherwood Inverting the Cave: Edgar Huntly and the Enlightenment Abby Sherwood Abby is a Senior majoring in English riters of post-Revolutionary America used their work to explore and minoring in Secondary Education. the changing atmosphere of the newly formed republic. Like This piece was completed as a final paper several of his contemporaries, Charles Brockden Brown uses for Dr. Ann Brunjes’ seminar, The Rise of the his writing to examine and comment on the political debate American Novel. Abby is planning to attend surrounding American independence. Brown’s work demonstrates distrust in graduate school after graduation and will Wthe American Enlightenment, the philosophy accepted by many Republican eventually pursue a career teaching high school English. optimists such as Thomas Jefferson. Brown’s skepticism is grounded in the contextual, political debate between Federalism and Republicanism. In Edgar Huntly or Memoirs of a Sleep-walker, Brown challenges the fundamental beliefs of the Enlightenment and aligns himself with the Federalists. Through Edgar’s quest for truth, Brown explores the motif of light versus darkness and attempts to invert the Platonic ascension to enlightenment. -
Postcolonial Dynamics in Charles Brockden Brown's Monthly Magazine and American Review Steven Frye
Constructing Indigeneity: Postcolonial Dynamics in Charles Brockden Brown's Monthly Magazine and American Review Steven Frye Charles Brockden Brown was the first professional author in the United States, one of the early lights in the tradition of the American novel, and the founder and major contributor to a number of early American periodicals such as The Monthly Magazine and American Review and The Literary Magazine and American Register. In this regard, he provides a gauge of the conflicts, tensions, and issues that characterize American culture in the decades following the Revolutionary War. Brown was born in Philadelphia in 1771 in the midst of increasing political conflict. The son of Quaker parents, he experienced both religious training and exposure to the practical realities of eighteenth-century urban mercantile culture. His father, Elijah, entertained radical political sympa thies, but like other Quakers he did not actively support the Revolution. The family business suffered as a result, and Brown grew up in an environment where both Christian and political idealism clashed in a conflict of ambivalent values. Brown reached early adolescence as the war came to a close, and after an education in law he embarked upon the precarious career as a man of letters. His literary efforts lasted for about a decade—from 1792 to 1802—a period following the constitutional crisis between Federalists and Anti-Federalists, but a time still reflecting many of its ideological tensions. Brown's editorial work in The Monthly Magazine and American Review reflects the temper of the age, mirroring the uncertainty of a nation split by political battles and party faction, by the conflicts that naturally arise as a new nation attempts to construct a cultural identity through the appropriation and modification of imperial influ ences. -
Peter Anastas Papers
PETER ANASTAS PAPERS Creator: Peter Nicholas Anastas Dates: 1954-2017 Quantity: 26.0 linear feet (26 document boxes) Acquisition: Accession #: 2014.077 ; Donated by: Peter Anastas Identification: A77 ; Archive Collection #77 Citation: [Document Title]. The Peter Anastas Papers, [Box #, Folder #, Item #], Cape Ann Museum Library & Archives, Gloucester, MA. Copyright: Requests for permission to publish material from this collection should be addressed to the Librarian/Archivist. Language: English Finding Aid: Peter Anastas Biographical Note Peter Nicholas Anastas, Jr. was born in Gloucester, Massachusetts in 1937. He attended local schools, graduating in 1955 from Gloucester High School, where he edited the school newspaper and was president of the National Honor Society. His father Panos Anastas, a restaurateur, was born in Sparta, Greece in 1899, and his mother, Catherine Polisson, was born in Gloucester of native Greek parents, in 1910. His brother, Thomas Jon “Tom” Anastas, a jazz musician, arranger and composer, was born in Gloucester, in 1939, and died in Boston, in 1977. Anastas attended Bowdoin College, in Brunswick, Maine, on scholarship, majoring in English and minoring in Italian, philosophy and classics. While at Bowdoin, he wrote for the student Peter Anastas Papers – A77 – page 2 newspaper, the Bowdoin Orient, and was editor of the college literary magazine, the Quill. In 1958, he was named Bertram Louis, Jr. Prize Scholar in English Literature, and in 1959 he was awarded first and second prizes in the Brown Extemporaneous Essay Contest and selected as a commencement speaker (his address was on “The Artist in the Modern World.”) During his summers in college, Anastas edited the Cape Ann Summer Sun, published by the Gloucester Daily Times, and worked on the waterfront in Gloucester. -
Mcdowell Title Page
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 Permalink https://escholarship.org/uc/item/5mf693nb Author McDowell, Tara Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 By Tara Cooke McDowell A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Emerita Anne M. Wagner, Chair Professor Emeritus T.J. Clark Professor Emerita Kaja Silverman Spring 2013 Abstract House Work: Domesticity, Belonging, and Salvage in the Art of Jess, 1955-1991 by Tara McDowell Doctor of Philosophy in History of Art University of California, Berkeley Professor Emerita Anne M. Wagner, Chair This dissertation examines the work of the San Francisco-based artist Jess (1923-2004). Jess’s multimedia and cross-disciplinary practice, which takes the form of collage, assemblage, drawing, painting, film, illustration, and poetry, offers a perspective from which to consider a matrix of issues integral to the American postwar period. These include domestic space and labor; alternative family structures; myth, rationalism, and excess; and the salvage and use of images in the atomic age. The dissertation has a second protagonist, Robert Duncan (1919-1988), preeminent American poet and Jess’s partner and primary interlocutor for nearly forty years. Duncan and Jess built a household and a world together that transgressed boundaries between poetry and painting, past and present, and acknowledged the limits and possibilities of living and making daily. -
Uconn Libraries Newsletter Volume 18 Number 1
University of Connecticut OpenCommons@UConn UConn Libraries Newsletter UConn Library Spring 2012 UConn Libraries Newsletter Volume 18 Number 1 Follow this and additional works at: https://opencommons.uconn.edu/libr_news Part of the Library and Information Science Commons Recommended Citation "UConn Libraries Newsletter Volume 18 Number 1" (2012). UConn Libraries Newsletter. 48. https://opencommons.uconn.edu/libr_news/48 UNIVERSITY OF CONNECTICUT YourLIBRARIES Information CONNection www.lib.uconn.edu Spring 2012 Historical Aerial Photos of Connecticut’s Coast Now Online Result of MAGIC and DEEP Collaboration In August 2011, Tropical Storm Irene coast, major waterways, and natural resources Long Island Sound Programs (OLISP) of took a hard swipe at Connecticut’s are much easier to understand now that his- the Connecticut Department of Energy and 350 miles of coastline, eroding dunes torical aerial photographs of the state’s coast Environmental Protection (DEEP). and redistributing sand to the extent covering the past 40 years are available online. Since 1974, OLISP has conducted aerial that the state’s coastline appeared to The new resource is the result of collaboration surveys of the state’s coastline approxi- be altered. The consequences of such between UConn Libraries Map and Geographic major weather events on Connecticut’s taken in color infrared, a format that pres- mately every five years. The photos are ents vegetation as shades of red and water Information Center (MAGIC) and the Office of in black, making it easier to identify natural Aerial views of Griswold resources and the demarcation between Point, Old Lyme, CT, water and land. They are widely used for a barrier beach at the site reviews and assessments that sup- mouth of the Connecticut port permitting and planning activities, to River, taken more than 25 years apart, are now 1974 2000 available online. -
The Library of America the American Poets Project
T he L ibrary of a merica & T he a merican P oeTs P rojecT The Library of America fosters appreciation and pride in America’s literary heritage by publishing, and keep - ing permanently in print, authoritative editions of America’s best and most significant writing. An independ - ent nonprofit organization, it was founded in 1979 with seed money from the National Endowment for the Humanities and the Ford Foundation. Browse these titles online at www.loa.org. For details on titles in the American Poets Project series, visit www.americanpoetsproject.org . The Library of america The Debate on the Constitution: Part One: September 1787 to February 1788 multi-author anthologies The Debate on the Constitution: American Earth: Environmental Writing Since Part Two: January to August 1788 Thoreau Reporting Civil Rights: American Journalism American Fantastic Tales: Terror and the Uncanny 1941–1963 from Poe to the Pulps Reporting Civil Rights: American Journalism American Fantastic Tales: Terror and the Uncanny 1963–1973 from the 1940s to Now Reporting Vietnam: American Journalism American Poetry: The Seventeenth and Eighteenth 1959–1969 Centuries Reporting Vietnam: American Journalism American Poetry: The Nineteenth Century, 1969–1975 volume one : Freneau to Whitman Reporting World War II: American Journalism American Poetry: The Nineteenth Century, 1938–1944 volume two : Melville to Stickney, American Reporting World War II: American Journalism Indian Poetry, Folk Songs and Spirituals 1944–1946 American Poetry: The Twentieth Century, Slave Narratives volume one : Henry Adams to Dorothy Parker American Poetry: The Twentieth Century, henry adams volume two : E.E. Cummings to May Swenson History of the United States During the The American Revolution: Writings from the War of Administrations of Jefferson (1801–1809) Independence History of the United States During the American Sermons: The Pilgrims to Martin Luther Administrations of Madison (1809–1817) King Jr. -
Prometheus Unbound and the Gothic Novel 15
From the Sublime to the Numinous A Study of Gothic Qualities in the Poetry and Drama of Shelley's Italian Period A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in English in the University of Canterbury by Robert Percival University of Canterbury 2000 Contents Page Acknowledgements Abstract Introduction 1 I. Prometheus Unbound and the Gothic Novel 15 II. Prometheus Unbound and the Classical Gothic 29 III. Prometheus Unbound- Heroes and Villains 50 IV. The Cenci - An Absence of the Numinous 64 V. Leonardo's Medusa and the Limits of the Sublime 78 VI. The West Wind-Poet as Prophet and Enchanter 90 VII. Adonais - Flight from the City of Death 101 VIII. Adonais - The Hunter Hunted 112 IX. The Triumph ofLife - The Living Dead and the Car of Life 130 X. The Triumph ofLife - Rousseau, the Shape, and the "shape all light" 146 Conclusion 159 Bibliography - (Primary and Secondary Sources) 164 Acknowledgements I would like to thank my wife, Hannah, for her limitless patience, and for her unfailing practical and moral support, without which this thesis would never have been completed; and my supervisor, Dr Gordon Spence, for his continuing encouragement, his unobtrusive guidance, and the generous spirit in which he always shared his time and erudition. Abstract In this thesis I consider six poems which Shelley wrote in Italy, between 1818 and his death in 1822: Prometheus Unbound, The Cenci, "On the Medusa of Leonardo da Vinci in the Florentine Gallery", "Ode to the West Wind", Adonais, and The Triumph ofLife. -
On Michael Rumaker
IAN BRINTON | PB Breaking Out I Ian Brinton When Michael Rumaker was kicked out of his home in Gloucester County, south of the Delaware River, in 1950 it was an expulsion directed by his father and with his mother’s tacit assent. It was for not going to church and for being queer. A year later he heard Ben Shahn give a lecture at the Philadelphia Museum of Art extolling the virtues of the unconventional and innovative educational establishment in the western hills of North Carolina: Black Mountain College. Arriving on a work scholarship in 1952 he later recorded his initial reactions: The place was in many ways just as I had envisioned it: steep mountains with isolated buildings along the slopes, a sense of vast wilderness-like space and isolation. Soon picking up on the unusual sense of educational space being provided he “also recognized, with a delicious excitement of my well-hidden but naturally rebellious heart, that there was something going on in this isolated backwoods called Black Mountain College that I had never conceived of in the world outside.” Going on to describe how he learned his first lesson at Black Mountain he 126 | GOLDEN HANDCUFFS REVIEW IAN BRINTON | PB remembered “When confronted with objects of creation beyond my comprehension to keep my mouth firmly shut and my eyes and ears open.” The latter part of that observation he kept firmly to throughout his writing career. Travelling into Ashville with Charles and Connie Olson on the first Friday night after starting he felt that “maybe here I could finally learn to -
Henry Wadsworth Longfellow
Henry Wadsworth Longfellow By Thomas Wentworth Higginson HENRY WADSWORTH LONGFELLOW CHAPTER I LONGFELLOW AS A CLASSIC THE death of Henry Wadsworth Longfellow made the first breach in that well- known group of poets which adorned Boston and its vicinity so long. The first to go was also the most widely famous. Emerson reached greater depths of thought; Whittier touched the problems of the nation’s life more deeply; Holmes came personally more before the public; Lowell was more brilliant and varied; but, taking the English-speaking world at large, it was Longfellow whose fame overshadowed all the others; he was also better known and more translated upon the continent of Europe than all the rest put together, and, indeed, than any other contemporary poet of the English-speaking race, at least if bibliographies afford any test. Add to this that his place of residence was so accessible and so historic, his personal demeanor so kindly, his life so open and transparent, that everything really conspired to give him the highest accessible degree of contemporary fame. There was no literary laurel that was not his, and he resolutely declined all other laurels; he had wealth and ease, children and grandchildren, health and a stainless conscience; he had also, in a peculiar degree, the blessings that belong to Shakespeare’s estimate of old age,—“honor, love, obedience, troops of friends.” Except for two great domestic bereavements, his life would have been one of absolutely unbroken sunshine; in his whole career he never encountered any serious rebuff, while such were his personal modesty and kindliness that no one could long regard him with envy or antagonism. -
2019 Annual Report
2019 ANNUAL REPORT Dear Friends, This has been another year of unparalleled exhibitions and performances, a celebration of what’s possible in our new home and with the support of our community. At the beginning of 2019, we were in the last few weeks of the inaugural exhibition at 120 College Street, Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College, which was a major accomplishment in its scope and its expansion of community partnerships. Next, we presented an intimate look at the school’s political dimensions, both internal and external, through the exhibition Politics at Black Mountain College. During the same time period, the exhibition Aaron Siskind: A Painter’s Photographer and Works on Paper by BMC Artists revealed the photographer’s elegant approach to abstraction alongside works by others in his circle of influence. From June through August, our galleries filled with sound as part of Materials, Sounds + Black Mountain College, an exploration of contemporary experimental and material-based processes rooted in theories and practices developed at Black Mountain College. We closed out the year with VanDerBeek + VanDerBeek, an exhibition that bridges the historic and contemporary through an intergenerational artistic conversation. 2019 also marked the 100th birthday of Merce Cunningham, and 100 years since the founding of the Bauhaus, which closed in the same year Black Mountain College opened, seeding the latter with its faculty and utopian values. Both centennials sparked global celebrations, transcending geographic and disciplinary boundaries to honor the impact of courageous communities and collaborators. Image credit: Come Hear NC (NCDNCR) | Ken Fitch We joined the world in these celebrations through a special installation of historic dance films of the Cunningham Dance Company at this year’s {Re}HAPPENING, the exhibition BAUHAUS 100, and a virtual reality exploration of the Bauhaus Dessau building, on loan from the Goethe- Institut. -
American Book Awards 2004
BEFORE COLUMBUS FOUNDATION PRESENTS THE AMERICAN BOOK AWARDS 2004 America was intended to be a place where freedom from discrimination was the means by which equality was achieved. Today, American culture THE is the most diverse ever on the face of this earth. Recognizing literary excel- lence demands a panoramic perspective. A narrow view strictly to the mainstream ignores all the tributaries that feed it. American literature is AMERICAN not one tradition but all traditions. From those who have been here for thousands of years to the most recent immigrants, we are all contributing to American culture. We are all being translated into a new language. BOOK Everyone should know by now that Columbus did not “discover” America. Rather, we are all still discovering America—and we must continue to do AWARDS so. The Before Columbus Foundation was founded in 1976 as a nonprofit educational and service organization dedicated to the promotion and dissemination of contemporary American multicultural literature. The goals of BCF are to provide recognition and a wider audience for the wealth of cultural and ethnic diversity that constitutes American writing. BCF has always employed the term “multicultural” not as a description of an aspect of American literature, but as a definition of all American litera- ture. BCF believes that the ingredients of America’s so-called “melting pot” are not only distinct, but integral to the unique constitution of American Culture—the whole comprises the parts. In 1978, the Board of Directors of BCF (authors, editors, and publishers representing the multicultural diversity of American Literature) decided that one of its programs should be a book award that would, for the first time, respect and honor excellence in American literature without restric- tion or bias with regard to race, sex, creed, cultural origin, size of press or ad budget, or even genre. -
Canadian Woman Studies Feminist Journalism Ies Cahiers De La Femme
Feminist Collections A Quarterly of Women's Studies Resources Volume 18, No.4, Summer 1997 CONTENTS From the Editors Book Reviews The Hearts and Voices of Midwestern Prairie Women by Barbara Handy-Marchello Not Just White and Protestant: Midwestern Jewish Women by Susan Sessions Rugh Beyond Bars and Beds: Thriving Midwestern Queer Culture by Meg Kavanaugh Multiple Voices: Rewriting the West by Mary Neth The Many Meanings of Difference by Mary Murphy Riding Roughshod or Forging New Trails? Two Recent Works in Western U.S. Women's History by Katherine Benton Feminist Visions Flipping the Coin of Conquest: Ecofeminism and Paradigm Shifts by Deb Hoskins Feminist Publishing World Wide Web Review: Eating Disorders on the Web by Lucy Serpell Computer Talk Compiled by Linda Shult New Reference Works in Women's Studies Reviewed by Phyllis Holman Weisbard and others Periodical Notes Compiled by Linda Shult Items of Note Compiled by Amy Naughton Books Recently Received Supplement: Index to Volume 18 FROMTHE EDITORS: About the time we were noticing a lot of new book titles corning out about the history of women in the U.S. West and Midwest, a local planning committee for University of Wisconsin-Extension was starting to pull together a conference focusing on Midwest women's history. That conference took place in early June and included some really exciting research. There were sessions on the interactionslcultural exchange between missionary women and Dakota women in the Minnesota area; Illinois women in the legal profession around 1869; violations of class, race, and gender expectations by prostitutes in Mis- souri, Catholic Sisters teaching in public schools in 19th-century Wisconsin; Midwestern women's clubs; Hmong women's history and culture in the Mid- west; Twin Cities working women in the early 20th century; the world of Harriet and Dred Scott; and so much more territory was covered in this two-day get- together.