TUESDAY, OCTOBER 11, 2016 lifestyle

MUSIC & MOVIES

Roger Waters is joined onstage by children as he performs his song ‘Another Brick in the Wall’ during his closing performance on day 3 of the 2016 Desert Trip music festival.

Pete Townshend (right) and Roger Daltrey perform with their band . An inflatable pig flies above the crowd during Roger Waters’ closing performance. — AP/AFP photos ‘Donald Trump is a Pig’: Roger Waters on attack at mega-fest

ocker Roger Waters savaged Donald Trump with a pig balloon caricature as he vowed to make the most of his Rplatform Sunday at a first-of-a-kind festival of rock eld- ers. The former Pink Floyd songwriter, who also renewed his longstanding criticism of Israel, closed out the first three-day weekend of Desert Trip which earlier brought and Paul McCartney to the vast stage in the Southern California desert. As Waters played “Pigs (Three Different Ones),” Pink Floyd’s 1977 assault on power mongers, an over- size swine-like balloon floated into the crowd with a sketch on it of the Republican presidential candidate. “Ignorant, lying, racist, sexist,” ran the words on the bal- loon’s side, as overhead screens flashed inflammatory quotes by Trump including his boasts of groping women that were recently aired in an explosive video. Unflattering drawings of Trump-in one he is naked with a miniscule member and in another he androgynously has developed breasts-also appeared on screens before the message in bold letters: “Donald Trump is a Pig.” Waters drove home the point with a notch more subtlety as he performed Pink Floyd’s classic “Another Brick in the Wall,” bringing to stage a troupe of singing teenagers, mostly ethnic minorities, who wore T-shirts Roger Daltrey and The Who perform during the third day of the Desert Trip music festival. Pete Townshend performs with The Who. that read “Derriba El Muro”-Spanish for “tear down the wall.” “I’m going to send out all my most heartfelt love and sup- ‘My generation’ Pete Townshend his 360-degree arm-swings of his guitar-but Trump, who is running against Democrat Hillary Clinton in the port to all those young people on the campuses of the univer- Politics aside, Waters crafted the festival’s most intricate the septuagenarians showed no reserve in joking about their November 8 election, launched his campaign on promises to sities of California who are standing up for their brothers and presentation with the stage transformed into a “dark side of age. build a wall on the Mexican border as he alleged that undocu- sisters in Palestine,” Waters said, hoping the boycott move- the Moon” and echoing voices reinforcing the music’s sense of Introducing “I Can See For Miles” as their first hit in the mented immigrants were rapists. ment would “encourage the government of Israel to end the dislocation. Desert Trip, which will take place again next week- United States, Townshend quipped: “We were sort of 1967’s occupation.” Israel and a number of US Jewish groups strongly end with an identical lineup, is forecast to be the most lucra- version of Adele or Lady Gaga or or Justin Bieber.” Using his platform oppose the movement and recently won a victory when tive festival ever with aging baby-boomers paying premium And Townshend remembered that the weekend would have “The Wall,” Pink Floyd’s rock opera, takes the barrier as a California barred companies that do business with the state prices for the so-called “Oldchella.” Other performers were Bob been the birthday of bassist John Entwistle-found dead by a symbol of personal isolation but it has since frequently from shunning individual countries. While Waters’s anti-Trump Dylan, and, on Sunday, The Who, the other pio- Las Vegas stripper after a cocaine overdose in 2002. Wherever become a political metaphor, with Waters proudly an activist. stance elicited cheers, albeit not universally, his statement on neers alongside Pink Floyd of the rock opera. he is, Townshend said, “Have a line for me, John.” — AFP Speaking to the 75,000-strong crowd, Waters hailed California Israel drew a more muted response with some fans clapping The Who offered an ultra-abridged tour through the baby- students at the forefront of the so-called Boycott, Divestment but others booing and at least one proudly waving an Israeli boomers’ world with news clips showing events from the and Sanctions campaign that aims to exert economic and cul- flag as a counter-protest. Waters is well-known for his criticism Vietnam War to last year’s Paris attacks as the group played a tural pressure on Israel. “It’s rare that somebody like me gets a of Israeli policy and in 2013 came under fire from Israel sup- blistering “The Rock” from its “Quadrophenia” opera. Singer platform like this, so I’m going to use this platform,” said the porters for putting a Star of David on the inflatable pig. Roger Daltrey still managed his intense, gritty screams and 73-year-old British rocker. Solange earns first number one with surprise album Busan: Who is behind olange, the funk singer who has long endured music with electronica, psychedelica and dark New releases, with her latest blockbuster album the Lee Yong-kwan comparisons with superstar sister Beyonce, Wave and has been a frequent performer at alter- “Lemonade” paired with a made-for-television Son Sunday earned her first number-one native rock-dominated festivals. “A Seat at the Table” movie. sticker campaign? album with an innovative and introspective work is interspersed with spoken word, including a snip- “A Seat at the Table” sold 72,000 copies or the she surprise-released. “A Seat at the Table,” in which pet in which her father Matthew Knowles recalls his equivalent in downloads and streaming during the ee Yong-kwan, deposed earlier this year as head of the Solange examines both the role of African anger at being roughed up by police and the Ku week, Nielsen Music said. It edged out by just 1,000 Busan Film Festival, may not even be in town this week. American women and her own despair, debuted at Klux Klan as a child. Solange segues into “Mad,” a copies a more anticipated release-Bon Iver’s “22, A But there are still several people showing their quiet number one on the US Billboard album chart for track featuring rapper Lil Wayne that reflects on Million.” Best known for sorrowful folk rock, Bon Iver L support in the form of stickers. The circular red or while stick- the week through Thursday, tracking service African Americans’ struggles when faced with accu- went in a more oblique and complicated direction ers with hashtags “#Support BIFF #Support Mr Lee” were Nielsen Music said. “A Seat at the Table” is Solange’s sations that they are too angry. with its latest album, which is filled with synthe- made by some members of the so called ‘Korean Film first full-length album since 2008, and she said she Solange explores her self-doubts on “Cranes in sized loops and symbolic messaging that reflects Groups’ Emergency Committee for Defending BIFF’s spent years working on it, starting with extended the Sky,” in which she explains how she turned to on the nature of the universe. Bon Iver previewed Independence.’ sessions in which she would experiment to bases of drinking, shopping and other vices in her quest to the album-whose titles all cryptically involve num- They were mailed to film industry professionals in sound effects. heal inner wounds. The singer found a unique way bers-in July at the Eaux Claires festival run by front- September, and veteran filmmaker Jung Ji-young walked The 30-year-old singer is believed to have a to announce “A Seat at the Table”-she mailed a man Justin Vernon in his native Wisconsin. — AFP the red carpet with the sticker on his chest on Oct. 6. There warm relationship with her older sister but has hardcover book with the lyrics to 86 fans picked off were more people wearing them at opening night recep- resented the constant comparisons, saying she is her website, releasing the album four days later on tions and other events. The ‘Emergency Committee’ had Solange pursuing her own path. Solange has infused her September 30. Beyonce is also a master of surprise organized a boycott of the festival, but the boycott was only partially observed after an early August vote split it down the middle. Some industry members have stayed away from the festival completely this year. Others have decided to voice their continued dissatisfaction with the outcome through the sticker campaign. Oscar-winning Polish film director Wajda dies aged 90 “The reason we made these stickers is to say that even if the BIFF is happening this year, it doesn’t mean everything ilm director Andrzej Wajda, best known ation of the Solidarity union and the fall of an artist struggling to overcome the pres- has been normalized,” said director-producer Kim Jho for chronicling Poland’s struggle for communism, was awarded the Palme d’Or at sures of Stalinist dogma on art shortly after Gwang-soo, who is also a member of the emergency com- Fdemocracy during half a century of the Cannes festival. In 2000, Wajda received World War Two. mittee. “We wanted to the mayor, the film industry and also communist rule, has died at the age of 90. an Academy Honorary Award in 2000, in Wajda, who has spent decades using sub- the current BIFF organizers understand that having Lee back Wajda won international acclaim for “Man of recognition of five decades of work, the first tle cinematic language and hidden meanings is very important.” However, others think that a sticker cam- Iron” (1981), which tells the story of the anti- eastern European director to win the lifetime to avoid overt clashes with the communist paign does not go far enough. “Even if I understand that Communist Solidarity movement, and the achievement Oscar. Wajda’s films also won a authorities, has drawn parallels between there are different ways of supporting Lee, I cannot support film’s subversive predecessor “Man of Marble” Silver Bear at the Berlin International Film Strzemi ski’s efforts and the current conserva- the campaign 100%,” said a filmmaker who spoke to Variety (1977). Fans, film-makers and political leaders Festival and four nominations for Academy tive government’s policy of promoting on the condition of anonymity. “What we demanded when rushed online to pay tribute after his death Awards, among other prizes. “national culture”. “We are facing a moment boycotting the BIFF was an action taken to help Lee regain was announced late on Sunday. “We all stem when the authorities are trying to influence his damaged reputation. What is the point of spreading such from Wajda. We looked at Poland and at our- “One of the greatest” art,” Wajda, who has criticized the Law and message at a festival that is happening without Lee himself?” selves through him. And we understood bet- “He was one of the greatest Polish artists, Justice (PiS) government on several occa- Earlier, renowned producer Lee Joon-dong posted on ter. Now it will be more difficult,” Poland’s for- one of the best known in the world. Poland sions, told the local PAP news agency in social media that he would not attend the BIFF without Lee. mer prime minister and the current head of was his passion,” film director and head of the September. “‘National art’ is being discussed, “A festival is a party, after all. I cannot with any grace enjoy the European Council, Donald Tusk, said on Polish Filmmakers’ Association Jacek Bromski what is art and what isn’t. I made a film about the party and simply ignore Lee, who is suffering political social media. told TVN24 broadcaster. “For us, for the com- the past which says that influencing art is not retaliation all alone,” he wrote on Aug 30. At Lee’s recent trial Communist authorities censored the “Man munity he was a pillar of strength, everybody the role of a government. Artists should do on charges of embezzlement, on Sep 28, prosecutors sought of Marble”, angered by its portrayal of politi- gathered around him. He was always present art, not the authorities.” “Afterimage” has been one year of imprisonment. The final sentence is to be passed cal corruption in the early 1950s Stalinist peri- in the life of the film-making community, he submitted as Poland’s candidate for best This file photo taken on March 26, 2000 on Oct 26.—Reuters od, shown through the fall from grace of a was a mentor, a paragon.” Wajda’s last film, Foreign Language Oscar. — Reuters shows Polish filmmaker Andrzej Wajda Stakhanovite bricklayer. “Man of Iron,” which “Afterimage”, a biopic about avant-garde poses with his Honorary Oscar at the portrays the 1980 strikes that led to the cre- painter Wadysaw Strzemiski, tells a story of Shrine Auditorium in Los Angeles. — AFP