DOCSLIB.ORG

SLIDE LIST III BAROQUE ART 2018 Chapter 7 Genre Painting 1. Judith Leyster, the Proposition, 1631 2. Judith Leyster, Young F

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
SLIDE LIST III BAROQUE ART 2018 Chapter 7 Genre Painting 1. Judith Leyster, the Proposition, 1631 2. Judith Leyster, Young F SLIDE LIST III BAROQUE ART 2018 Chapter 7 Genre Painting 1. Judith Leyster, The Proposition, 1631 2. Judith Leyster, Young Flute Player, 1635 3. Adriaen Brouwer, The Bitter Draught, 1635 4. Carel Fabritius, The Goldfinch, 1654 5. Vermeer, Woman in Blue Reading a Letter, 1662 6. Vermeer, The Procuress, 1656 7. Vermeer, Little Street, 1660 8. Vermeer, View of Delft, 1661 9. Vermeer, The Milkmaid, 1658 10. Vermeer, Young Woman with a Water Jug, 1662 11. Vermeer, Woman holding a Balance, 1662 12. Vermeer, Woman at a Virginal with a Man (Music Lesson), 1665 13. Vermeer, The Art of Painting, 1665 14. Pieter de Hooch, Maid with a Child in a Courtyard of Delft, 1658 15. Pieter de Hooch, Mother lacing her Bodice beside a Cradle, 1661 16. Pieter de Hooch, Two Women beside a Linen Chest, 1663 17. Gerard ter Borch, Parental Admonition, 1654 18. Gerard ter Borch, Man offering a Woman Coins (Gallant Officer), 1662 19. Gerard ter Borch, The Music Lesson, 1675 20. Gabriel Metsu, The Sick Child, 1660 21. Gabriel Metsu, Man writing a Letter, 1662 22. Gabriel Metsu, Woman reading a Letter, 1662 23. Steen, Self Portrait as a Lutenist, 1660 24. Steen, A Burgher of Delft, his Daughter, and Two Beggars, 1655 25. Steen, Leiden Baker Arent Oostwaert and hisWife, 1658 26. Steen, Feast of St. Nicholas, 1665 27. Steen, ‘Young Ones Chirp as the Old Ones Sing,’ 1663 Chapter 8 Landscapes 1. Avercamp, Winter Scene on a Canal, 1615 2. Van Goyen, Dunes, 1629 3. Van Goyen, View of Dordrecht, 1649 4. Jacob van Ruisdael, Jewish Cemetery, 1655 5. Jacob van Ruisdael, Windmill at Wijk bij Duurstede, 1668 6. Jacob van Ruisdael, View of Haarlem with Bleaching Fields, 1670 7. Hobbema, The Avenue, Middleharnis, 1689 8. Cuyp, Evening Landscape with Horsemen and Shepherds, 1655 9. Cuyp, Hilly Landscape with Cows and Herders, 1655 Chapter 9 Marine Painting 1. Jan Porcellis, Shipwreck on a Beach, 1631 2. Jan van de Cappelle, The State Barge Saluted by the Home Fleet, 1650 3. William van de Velde the Younger, The Ij at Amsterdam, the “Golden Lion”, 1686 4. William van de Velde the Younger, The Cannon Shot, 1680 5. Willaim van de Velde the Younger, English Ship Driven before a Gale, 1678 Chapter 10 Italianate and Classical Painting 1. Cornelis Poelenburgh, Rest on the Flight into Egypt, 1640 2. Jan Both, Italian Landscape with Artist Sketching, 1650 3. Nicolaes Berchem and Jacob van Ruisdael, The Great Oak, 1652 4. Nicolaes Berchem, Italian Landscape at Sunset, 1670 Chapter 12 Architectural Painting 1. Saenredam, Interior of the Choir of St. Bavo at Haarlem, 1660 2. Saenredam, St. Mary’s Square and St. Mary’s Church at Utrecht, 1662 3. Houckgeest, The New Church at Delft with the Tomb of William the Silent, 1650 4. Hendrick van Vliet, The Old Church at Delft, the Tomb of Admiral Trompe, 1658 5. Emanuel de Witte, The Old Church at Delft during a Sermon, 1651 Chapter 13 Still Life 1. Torrentius, Still Life Allegory of Temperance, 1614 2. Bosschaert, Bouquet in an Arched Window, 1620 3. Pieter Claesz, Still Life (Breakfast Piece), 1636 4. Heda, Still Life, 1648 5. Jan Davidsz de Heem, Still Life (Le Dessert), 1640 6. Kalf, Still Life with a Nautilus Cup and a Wan-Li Bowl, 1662 .
Load more

Recommended publications
  • Verbal Pentimento in Donna Tartt’S the Goldfinch
    Vilnius University Faculty of Philology Department of English Philology Marija Petravičiūtė The Art of Mourning: Verbal Pentimento in Donna Tartt’s The Goldfinch Thesis submitted in partial fulfilment of requirements for the degree of MA in English Studies Academic advisor: dr. Rūta Šlapkauskaitė 2017 Contents: Abstract ................................................................................................................. 3 1. Introduction ..................................................................................................... 4 2. The Matter of Matter: A Theoretical Frame ................................................. 11 3. The Denial of Death: Art and the Illusion of Presence ................................. 20 4. Conclusions ................................................................................................... 36 Summary in Lithuanian ....................................................................................... 37 References ........................................................................................................... 38 Appendix ............................................................................................................. 40 2 Abstract The present MA paper aims to examine Donna Tartt’s The Goldfinch (2013), a novel which is primarily preoccupied with the themes of art and death. Seeing as one of the purposes of this thesis is to establish relevant connections between the logic of still life paintings, the protagonist’s life choices and, consequently, his
    [Show full text]
  • Educator's Guide: Orion
    Legends of the Night Sky Orion Educator’s Guide Grades K - 8 Written By: Dr. Phil Wymer, Ph.D. & Art Klinger Legends of the Night Sky: Orion Educator’s Guide Table of Contents Introduction………………………………………………………………....3 Constellations; General Overview……………………………………..4 Orion…………………………………………………………………………..22 Scorpius……………………………………………………………………….36 Canis Major…………………………………………………………………..45 Canis Minor…………………………………………………………………..52 Lesson Plans………………………………………………………………….56 Coloring Book…………………………………………………………………….….57 Hand Angles……………………………………………………………………….…64 Constellation Research..…………………………………………………….……71 When and Where to View Orion…………………………………….……..…77 Angles For Locating Orion..…………………………………………...……….78 Overhead Projector Punch Out of Orion……………………………………82 Where on Earth is: Thrace, Lemnos, and Crete?.............................83 Appendix………………………………………………………………………86 Copyright©2003, Audio Visual Imagineering, Inc. 2 Legends of the Night Sky: Orion Educator’s Guide Introduction It is our belief that “Legends of the Night sky: Orion” is the best multi-grade (K – 8), multi-disciplinary education package on the market today. It consists of a humorous 24-minute show and educator’s package. The Orion Educator’s Guide is designed for Planetarians, Teachers, and parents. The information is researched, organized, and laid out so that the educator need not spend hours coming up with lesson plans or labs. This has already been accomplished by certified educators. The guide is written to alleviate the fear of space and the night sky (that many elementary and middle school teachers have) when it comes to that section of the science lesson plan. It is an excellent tool that allows the parents to be a part of the learning experience. The guide is devised in such a way that there are plenty of visuals to assist the educator and student in finding the Winter constellations.
    [Show full text]
  • III. RAPHAEL (1483-1520) Biographical and Background Information 1. Raffaello Santi Born in Urbino, Then a Small but Important C
    III. RAPHAEL (1483-1520) Biographical and background information 1. Raffaello Santi born in Urbino, then a small but important cultural center of the Italian Renaissance; trained by his father, Giovanni Santi. 2. Influenced by Perugino, Leonardo da Vinci, and Michelangelo; worked in Florence 1504-08, in Rome 1508-20, where his chief patrons were Popes Julius II and Leo X. 3. Pictorial structures and concepts: the picture plane, linear and atmospheric perspective, foreshortening, chiaroscuro, contrapposto. 4. Painting media a. Tempera (egg binder and pigment) or oil (usually linseed oil as binder); support: wood panel (prepared with gesso ground) or canvas. b. Fresco (painting on wet plaster); cartoon, pouncing, giornata. Selected works 5. Religious subjects a. Marriage of the Virgin (“Spozalizio”), 1504 (oil on roundheaded panel, 5’7” x 3’10”, Pinacoteca de Brera, Milan) b. Madonna of the Meadow, c. 1505 (oil on panel, 44.5” x 34.6”, Kunsthistorisches Museum, Vienna) c. Madonna del Cardellino (“Madonna of the Goldfinch”), 1506 (oil on panel, 3’5” x 2’5”, Uffizi Gallery, Florence) d. Virgin and Child with St. Sixtus and St. Barbara (“Sistine Madonna”), 1512-13 (oil on canvas, 8’8” x 6’5”, Gemäldegalerie, Dresden) 6. Portraits a. Agnolo Doni, c.1506 (oil on panel, 2’ ¾” x 1’5 ¾”, Pitti Palace, Florence) b. Maddalena Doni, c.1506 (oil on panel, 2’ ¾” x 1’5 ¾”, Pitti Palace, Florence) c. Cardinal Tommaso Inghirami, c. 1510-14 (oil on panel, 2’11 ¼” x 2’, Pitti Palace, Florence) d. Baldassare Castiglione, c. 1514-15 (oil on canvas, 2’8” x 2’2”, Louvre Museum, Paris) e.
    [Show full text]
  • Reputations on the Line in Van Diemen's Land
    REPUTATIONS ON THE LINE IN VAN DIEMEN’S LAND: a dissertation on the general theme of the Rule of Law as it emerged in a young penal colony with particular emphasis on the law of defamation by ROSEMARY CONCHITA LUCADOU-WELLS LLB., (Queensland), B.Ed., (Tasmania), MA., (Murdoch), PhD., (Deakin) This thesis is presented for the degree of Master of Laws of Murdoch University, 2012. I declare that this thesis is my own account of my research and contains as its main content work which has not been submitted for a degree at any tertiary education institution. Rosemary Conchita Lucadou-Wells ABSTRACT This research focuses on the development of the jurisprudence of the infant colony of Van Diemen’s Land now known as Tasmania, with particular interest on the law of defamation. During the first thirty years of this British penal colony its population was subject to changes. There were the soldiery, who provided the basis of government headed by a Lieutenant Governor, the indigenous people, the convicts, and gradually an influx of settlers who came enthused by governmental promises of grants of land. In addition to these free settlers there were a selection of convicts who, under a process of something akin to manumission under Roman Law, became upon completion of their sentence, eligible for freedom and possibly a grant of land. There developed a spirit of competition amongst the settlers, each wanted to become more successful than the others. The favourite means of distinguishing oneself was the uttering or publication of damaging words against a person who was perceived to be a rival.
    [Show full text]
  • Carel Fabritius (Middenbeemster 1622 – 1654 Delft)
    Carel Fabritius (Middenbeemster 1622 – 1654 Delft) How To Cite Bakker, Piet. "Carel Fabritius." In The Leiden Collection Catalogue. Edited by Arthur K. Wheelock Jr. New York, 2017. https://www.theleidencollection.com/archive/. This page is available on the site's Archive. PDF of every version of this page is available on the Archive, and the Archive is managed by a permanent URL. Archival copies will never be deleted. New versions are added only when a substantive change to the narrative occurs. In studying the life and work of Carel Fabritius, one soon notices that scholarly interest in his artistry focuses on two different “periods”: a real one and an imagined one. Naturally, the most attention is given to Carel’s actual career, which began around 1641 and ended in 1654. Then there is the great speculation regarding the period that never existed, but which could have, had his life not been cut short by the devastating explosion of the powder magazine in Delft in 1654. Only thirteen paintings have been firmly attributed to him, and his limited artistic legacy is sorely lamented. Famous paintings likeThe Goldfinch[1] andThe Sentry[2] bespeak such originality and artistic quality that we can only regret all the works he never painted. Unfortunately, his untimely death has made it virtually impossible to determine whether his talent would have eventually been great enough to equal, if not surpass, that of his teacher, Rembrandt van Rijn (1606–69). Fabritius’s parents were Pieter Carelsz and Barbertje van der Maes. He was baptized in Middenbeemster, a village just north of Amsterdam, on 27 February 1622.[3] His father worked there as a sexton, a schoolteacher and, in “the spare time outside school,” also as a painter.[4] Thus Carel, like his brothers Barent (1624–73) and Johannes, must have received his first painting lessons from his father.
    [Show full text]
  • 2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
    National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening.
    [Show full text]
  • Painting in the Dutch Golden
    NATIONAL GALLERY OF ART | DIVISION OF EDUCATION Age Golden Dutch the in Painting DEPARTMENT OF EDUCATION PUBLICATIONS Painting in the Dutch Golden Age Classroom Guide Classroom Guide NATIO N AL GALLERY OF OF GALLERY AL A RT, WASHI RT, NATIONAL GALLERY OF ART NG WASHINGTON TO N Painting in the Dutch Golden Age Classroom Guide NATIONAL GALLERY OF ART, WASHINGTON Contents How to Use This Booklet 1 1 Profile of the Dutch Republic 3 BACKSTORY Topography 4 A Unique Land 5 The Challenges of Water Today 7 BACKSTORY Cities 8 Location, Location, Location 9 BACKSTORY Government 13 A New Republican Government 15 Parallels between Dutch and U.S. Independence 16 Terms, Supplemental Materials, and Other Resources 18 2 A Golden Age for the Arts 21 BACKSTORY 22 What Do You Know and What Can You See? 23 Why Do We Like It? 25 Forged! 27 Where We Look at Art 29 Stories behind the Art 29 Terms, Supplemental Materials, and Other Resources 30 3 Life in the City and Countryside 31 7 Portraiture 59 BACKSTORY 32 BACKSTORY 60 One Skater, Two Skaters... 35 Fashion, Attitude, and Setting — Then and Now 61 Seventeenth-Century Winters 36 What Might Each Picture Tell You about Terms and Other Resources 38 Its Subject? 63 Supplemental Materials and Other Resources 64 4 Landscape Painting 39 BACKSTORY 40 8 History Painting 65 Approaches to Landscape Painting 41 BACKSTORY 66 Narrative and Non-narrative Painting 43 Rembrandt and Biblical Stories 68 Terms and Supplemental Materials 44 Contrasting Narrative Strategies in History Painting 69 5 Genre Painting 45 Picturing the
    [Show full text]
  • 17Th Century Self-Portraits Exhibited As the Original "Selfies" by Associated Press, Adapted by Newsela Staff on 10.23.15 Word Count 609 Level 1040L
    17th century self-portraits exhibited as the original "selfies" By Associated Press, adapted by Newsela staff on 10.23.15 Word Count 609 Level 1040L A woman admires paintings during a press preview of an exhibition called "Dutch Self-Portraits — Selfies of the Golden Age" at the Mauritshuis museum in The Hague, Netherlands, Oct. 7, 2015. AP/Mike Corder THE HAGUE, Netherlands — A new museum exhibit features "selfies" from the 17th century Dutch Golden Age of art. These days, anybody with a smartphone can snap a selfie in a second and post it on the Internet. Four hundred years ago, the Dutch Golden Age was a highpoint for trade, science, military and art in the Netherlands. Back then, the selfies were called self-portraits. They were painted by highly trained artists who thought long and hard about every detail. A First Of Its Kind The Mauritshuis museum is staging an exhibition focused solely on these 17th century self- portraits. The exhibit highlights the similarities and the differences between modern-day snapshots and historic works of art. The museum's director, Emilie Gordenker, said that this is the first time a museum has exhibited Dutch Golden Age self-portraits like this. The Mauritshuis was eager to tie the paintings to the modern-day selfie phenomenon, she said. The exhibition opened October 8 and runs through January 3. It features 27 self-portraits by artists ranging from Rembrandt van Rijn, who painted dozens of self-portraits, to his student Carel Fabritius and Judith Leyster. Her self-portrait is on loan from the National Gallery of Art in Washington, D.C.
    [Show full text]
  • "MAN with a BEER KEG" ATTRIBUTED to FRANS HALS TECHNICAL EXAMINATION and SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian
    Centre for Conservation and Technical Studies Fogg Art Museum Harvard University 1'1 Ii I "MAN WITH A BEER KEG" ATTRIBUTED TO FRANS HALS TECHNICAL EXAMINATION AND SOME ART HISTORICAL COMMENTARIES • by Daniel Fabian July 1984 ___~.~J INDEX Abst act 3 In oduction 4 ans Hals, his school and circle 6 Writings of Carel van Mander Technical examination: A. visual examination 11 B ultra-violet 14 C infra-red 15 D IR-reflectography 15 E painting materials 16 F interpretatio of the X-radiograph 25 G remarks 28 Painting technique in the 17th c 29 Painting technique of the "Man with a Beer Keg" 30 General Observations 34 Comparison to other paintings by Hals 36 Cone usions 39 Appendix 40 Acknowl ement 41 Notes and References 42 Bibliog aphy 51 ---~ I ABSTRACT The "Man with a Beer Keg" attributed to Frans Hals came to the Centre for Conservation and Technical Studies for technical examination, pigment analysis and restoration. A series of samples was taken and cross-sections were prepared. The pigments and the binding medium were identified and compared to the materials readily available in 17th century Holland. Black and white, infra-red and ultra-violet photographs as well as X-radiographs were taken and are discussed. The results of this study were compared to 17th c. materials and techniques and to the literature. 3 INTRODUCTION The "Man with a Beer Keg" (oil on canvas 83cm x 66cm), painted around 1630 - 1633) appears in the literature in 1932. [1] It was discovered in London in 1930. It had been in private hands and was, at the time, celebrated as an example of an unsuspected and startling find of an old master.
    [Show full text]
  • Dutch Art, 17Th Century
    Dutch Art, 17th century The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first section is characterized by the Thirty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century. The transition by the Netherlands to the foremost maritime and economic power in the world has been called the "Dutch Miracle" by historian K. W. Swart. Adriaen van Ostade (1610 – 1685) was a Dutch Golden Age painter of genre works. He and his brother were pupils of Frans Hals and like him, spent most of their lives in Haarlem. A01 The Painter in his Workshop 1633 A02 Resting Travelers 1671 David Teniers the Younger (1610 – 1690) was a Flemish painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history, genre, landscape, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians. A03 Peasant Wedding 1650 A04 Archduke Leopold Wilhelm in his gallery in Brussels Gerrit Dou (1613 – 1675), also known as Gerard and Douw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders.
    [Show full text]
  • BRUSSELS, LUXEMBOURG and STRASBOURG October 4 to 13, 2021
    BRUSSELS, LUXEMBOURG AND STRASBOURG October 4 to 13, 2021 Gain unprecedented access to the frontlines of international governance while traveling beside faculty leader Christophe Crombez, PhD ’94, a political economist who specializes in the European Union. Marvel at the architectural mastery of the Strasbourg Hemicycle, the seat of the European Parliament, during a personalized briefing on the body’s powers and then sit in on a parliamentary session. Attend a hearing of the International Criminal Court in The Hague and learn about this august court’s inner workings from a member of the staff. Savor regional specialties at a private chocolate-making workshop in Brussels and a wine tasting in the heart of Alsace. FACULTY LEADER Cristophe Crombez Christophe Crombez, PhD ’94, is a specialist in European Union politics and business- government relations in Europe and has been a visiting professor at the Forum on Contemporary Europe at the Freeman Spogli Institute for International Studies at Stanford University since 1999. He teaches Introduction to European Studies and the Future of the European Union in Stanford’s Program in International Relations and is responsible for the minor in European studies and the Undergraduate Internship Program in Europe. Professor Crombez has been in the business and economics department at the University of Leuven Catholic University of Leuven (KU Leuven) in Belgium since 1994, where he is a professor of political economy who also teaches political business strategy and applied game theory. His research focuses on EU institutions and their impact on policies, EU institutional reform, lobbying in the EU, and electoral laws and their consequences for voter representation, party politics and government formation.
    [Show full text]
  • Press Release
    SPECIAL EXHIBITION SHOP FOR VERMEER, REMBRANDT, AND HALS Open through January 19, 2014 For the first time in the institution’s history, the Frick has opened an additional Museum Shop space within the building to accompany a special exhibition. Here, visitors will find a rich array of gift items inspired by works in the highly attended fall and winter show Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis. These gifts include mugs, tote bags, t-shirts, watches, calendars, and wooden puzzles. Among the related stationary items are note cards, notebooks, and sketch pads. At the heart of the exhibition is Vermeer’s Girl with a Pearl Earring, and interest in seeing this work―which has not been shown in New York City in almost thirty years―has resulted in an offering of pearl-related gifts as well as a showcase of cultured and natural pearl jewelry. The exhibition shop also carries a wide selection of publications. A top seller is the beautifully illustrated exhibition catalogue, which guides readers through the highlights of the magnificent collection of the Royal Picture Gallery Mauritshuis in The Hague. The book features thirty-five masterpieces of portraiture, landscape, genre painting, history, and still-life painting. Together the essays and entries offer an overview of the extraordinary world of the seventeenth-century Dutch Golden Age. Also available in the shop is the critically acclaimed novel The Goldfinch, by Donna Tartt, inspired by the Carl Fabritius painting of the same name. Fans of the painting―which has proven to be a highlight of the exhibition―will find in the shop a Goldfinch tote bag, mug, and other related items.
    [Show full text]