lana del rey born to die album acapella download Lana del rey born to die album acapella download. Lana Del Rey Born To Die Zip Download Full direct album, free link. Born to Die is the second studio album and major label debut by American singer-songwriter Lana DelRey. It was released on January 27, 2012, through Interscope Records and Polydor Records. The album was reissued on November 9, 2012,as an expanded version subtitled The Paradise Edition. The album's point of view-- if you could call it that-- feels awkward and out of date. Whether you take a line like "Money is the reason we exist/ Everybody knows that it's a fact/ Kiss kiss" with a 10-carat grain of salt is up to you, but even as ajab at the chihuahua-in-Paris-Hilton's-handbag lifestyle, it feels limp and pointless (unlike, say, Lily Allen's mock-vapid but slyly observant 2008 single "The Fear" . The album's recurring themes ooze out of every note: sex, drugs, and glitter hover in the yawning atmosphere around Del Rey's breathy vocals. There are strings and trip-hop beats and bits of 1950s twang, and the melodies, assembled with assistance from hired-gun songwriters like Mike Daly (Plain White Ts, Whiskeytown) and Rick Nowels (Belinda Carlisle's"Heaven Is a Place on Earth" are built to stick. Artist: Lana Del Rey Album: Born To Die (Deluxe) Genre: Alternative Pop Year: 2012 Quality: 320Kbps. Track list: 1. Born To Die 2. Off To The Races 3. Blue Jeans 4. Video Games 5. Diet Mountain Dew 6. National Anthem 7. Dark Paradise 8. Radio 9. Carmen 10. Million Dollar Man 11. Summertime Sadness 12. This Is What Makes Us Girls 13. Without You 14. Lolita 15. Lucky Ones. Born To Die. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £12.49. Lana Del Rey is a femme fatale with a smoky voice, a languorous image, and a modeling contract. Not coincidentally, she didn't lack for attention leading up to the release of her Interscope debut, Born to Die. The hype began in mid-2011 with a stunning song and video for "Video Games," and it kept on rising, right up to her January 2012 performance on Saturday Night Live (making her the first artist since Natalie Imbruglia in 1998 to perform on SNL without an album available). Although it's easy to see the reasons why Del Rey got her contract, it's also easy to hear: her songwriting skills and her bewitching voice. "Video Games" is a beautiful song, calling to mind Fiona Apple and Anna Calvi as she recounts another variation on the age-old trope of female-as-sex-object. Her vacant, tired reading of the song rescues it from any hint of exploitation, making it a winner. Unfortunately, the only problem with Born to Die is a big one. There is a chasm that separates "Video Games" from the other material and performances on the album, which aims for exactly the same target -- sultry, sexy, wasted -- but with none of the same lyrical grace, emotional power, or sympathetic productions. Del Rey doesn't mind taking chances, varying her vocalizing and delivery, toying with her lines and reaching for cinematic flourishes ("he loves me with every beat of his cocaine heart," "Pabst Blue Ribbon on ice"), and even attempting to rap. But she's unable to consistently sell herself as a heartbreaker, and most of the songs here sound like cobbled retreads of "Video Games." An intriguing start, but Del Rey is going to have to hit the books if she wants to stay as successful as her career promised early on. © John Bush /TiVo. Born To Die. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £9.99. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. Larry Gold, String Arranger, AssociatedPerformer - Emile Haynie, Producer, Drums, Keyboards, AssociatedPerformer - John Davis, Mastering Engineer, StudioPersonnel - Ken Lewis, Additional Vocals, AssociatedPerformer - Jeff Bhasker, Guitar, AssociatedPerformer - Justin Parker, Producer, Additional Producer, ComposerLyricist - Dan Grech-Marguerat, Mixer, StudioPersonnel - Brent Kolatalo, Recording Engineer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Duncan Fuller, Assistant Mixer, StudioPersonnel - Steve Tirpak, String Arranger, AssociatedPerformer. ℗ 2012 Lana Del Rey. Emile Haynie, Producer, Drums, Additional Keyboards, AssociatedPerformer - Patrik Berger, Producer, Guitar, Bass Guitar, Percussion, Synthesizer, Drum Programming, Sampler, AssociatedPerformer - John Davis, Mastering Engineer, StudioPersonnel - Erik Holm, Viola, AssociatedPerformer - Dan Grech-Marguerat, Mixer, StudioPersonnel - Tim Larcombe, Producer, Additional Producer, ComposerLyricist - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Carl Bagge, String Arranger, AssociatedPerformer - Fredrik Syberg, Violin, AssociatedPerformer - Duncan Fuller, Assistant Mixer, StudioPersonnel - Pelle Hansen, Cello, AssociatedPerformer. ℗ 2012 Lana Del Rey. Emile Haynie, Producer, Drums, Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - John Davis, Mastering Engineer, StudioPersonnel - Dan Grech-Marguerat, Mixer, StudioPersonnel - Brent Kolatalo, Drums, AssociatedPerformer - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dan Heath, String Arranger, AssociatedPerformer, ComposerLyricist - Duncan Fuller, Assistant Mixer, StudioPersonnel. ℗ 2012 Lana Del Rey. John Davis, Mastering Engineer, StudioPersonnel - Justin Parker, ComposerLyricist - Elizabeth Grant, ComposerLyricist - RoboPop, Producer, Mixer, StudioPersonnel - Lana Del Rey, Vocalist, MainArtist, AssociatedPerformer - Sterling Fox, Producer. ℗ 2012 Lana Del Rey. Mike Daly, Producer, ComposerLyricist - Larry Gold, String Arranger, AssociatedPerformer - Emile Haynie, Producer, Drums, Additional Keyboards, AssociatedPerformer - MANNY MARROQUIN, Mixer, StudioPersonnel - Erik Madrid, Engineer, StudioPersonnel - John Davis, Mastering Engineer, StudioPersonnel - Ken Lewis, Drums, AssociatedPerformer - Jeff Bhasker, Producer, Guitar, Keyboards, Co-Producer, AssociatedPerformer - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Tirpak, String Arranger, AssociatedPerformer - Ben Kolatalo, Drums, AssociatedPerformer. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - David Sneddon, Background Vocalist, AssociatedPerformer - Emile Haynie, Producer, Drums, Keyboards, AssociatedPerformer - MANNY MARROQUIN, Mixer, StudioPersonnel - Erik Madrid, Assistant Mixer, StudioPersonnel - John Davis, Mastering Engineer, StudioPersonnel - Jeff Bhasker, Producer, Guitar, Additional Keyboards, Additional Producer, AssociatedPerformer - James Bauer-Mein, Producer, Background Vocalist, AssociatedPerformer - Justin Parker, ComposerLyricist - Chris Galland, Assistant Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Dan Heath, String Arranger, AssociatedPerformer - The Nexus, Producer, ComposerLyricist - Steve Tirpak, String Arranger, AssociatedPerformer - Emilie Bauer- Mein, Background Vocalist, AssociatedPerformer. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - Maria Vidal, Additional Vocals, AssociatedPerformer - Emile Haynie, Producer, Drums, Keyboards, AssociatedPerformer - Devrim Karaoglu, Drums, Synthesizer, AssociatedPerformer - Patrick Warren, Strings, AssociatedPerformer - MANNY MARROQUIN, Mixer, StudioPersonnel - Erik Madrid, Assistant Mixer, StudioPersonnel - John Davis, Mastering Engineer, StudioPersonnel - Rick Nowels, Producer, Guitar, Co-Producer, AssociatedPerformer, ComposerLyricist - Dean Reid, Synthesizer, AssociatedPerformer - Chris Galland, Assistant Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Tirpak, String Arranger, AssociatedPerformer. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - Emile Haynie, Producer, Drums, Guitar, Keyboards, AssociatedPerformer - John Davis, Mastering Engineer, StudioPersonnel - Justin Parker, Producer, ComposerLyricist - Dan Grech-Marguerat, Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Duncan Fuller, Assistant Mixer, StudioPersonnel - Steve Tirpak, String Arranger, AssociatedPerformer. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - Emile Haynie, Producer, Drums, Guitar, Keyboards, AssociatedPerformer - MANNY MARROQUIN, Mixer, StudioPersonnel - Erik Madrid, Engineer, StudioPersonnel - John Davis, Mastering Engineer, StudioPersonnel - Jeff Bhasker, Producer, Additional Keyboards, Additional Producer, Strings, AssociatedPerformer - Justin Parker, Producer, ComposerLyricist - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Tirpak, String Arranger, AssociatedPerformer - Lenha Labelle, Vocals, AssociatedPerformer. ℗ 2012 Lana Del Rey. Chris Braide, Producer, Guitar, Piano, Strings, Drum Programming, AssociatedPerformer, ComposerLyricist - Emile Haynie, Producer, Drums, Additional Keyboards, AssociatedPerformer - John Davis, Mastering Engineer, StudioPersonnel - Dan Grech-Marguerat, Mixer, StudioPersonnel - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Duncan Fuller, Assistant Mixer, StudioPersonnel. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - Emile Haynie, Producer, Drums, Keyboards, AssociatedPerformer - Devrim Karaoglu, Synthesizer, AssociatedPerformer - Patrick Warren, Guitar, Keyboards, Strings, AssociatedPerformer - John Davis, Mastering Engineer, StudioPersonnel - Rick Nowels, Producer, Co-Producer, Strings, AssociatedPerformer, ComposerLyricist - Dan Grech-Marguerat, Mixer, StudioPersonnel - Elizabeth Grant, ComposerLyricist - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer - Dan Heath, Flute, AssociatedPerformer - Duncan Fuller, Assistant Mixer, StudioPersonnel - Steve Tirpak, String Arranger, AssociatedPerformer. ℗ 2012 Lana Del Rey. Larry Gold, String Arranger, AssociatedPerformer - Jim Irvin, ComposerLyricist - Emile Haynie, Producer, Drums, Additional Keyboards, Ambient Percussion, AssociatedPerformer - MANNY MARROQUIN, Mixer, StudioPersonnel - Erik Madrid, Assistant Mixer, StudioPersonnel - John Davis, Mastering Engineer, StudioPersonnel - Al Shux, Producer, Guitar, Keyboards, Programming, AssociatedPerformer, Bass (Vocal) - Chris Galland, Assistant Mixer, StudioPersonnel - Tim Larcombe, ComposerLyricist - Lana Del Rey, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - Steve Tirpak, String Arranger, AssociatedPerformer. ℗ 2012 Lana Del Rey. About the album. 1 disc(s) - 12 track(s) Total length: 00:49:28. © 2012 Lana Del Rey ℗ 2012 Lana Del Rey. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. 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Our acapellas come as mp3 & some in WAV, they are perfect for using in the studio, we work hard to collect as many studio quality acapellas & isolated vocals as we can! our samples are used by studio professionals all over the world including sound engineers, sound designers, students in music production and sound engineering schools and classes, bedroom producers, world famous DJ's and many more. If you are looking to remix or make a bootleg of Lana Del Rey – Born To Die (Acapella), please make sure you check out our legal page which you can find in the footer of this page. The majority of our members use voclr.it to search for acapellas & isolated vocalsfor remixing and sampling! *The BPM, Key & Genre may not be 100% accurate, by downloading this acapella you are agreeing to our terms and conditions. Born to Die. After last year's hit "Video Games" and the endless remixes, leaks, think-pieces, and controversy that followed, it's finally here: the major-label debut from Lana Del Rey. What happens to a dream fulfilled? More specifically, an American dream fulfilled, rags turning to riches with the snap of a manicured finger, kissing James Dean in Gatsby's swimming pool, getting played on the radio. This is a central question animating Lana Del Rey's Born to Die . Our heroine has all the love, diamonds, and Diet Mountain Dew she could ask for, yet still sings, "I wish I was dead," sounding utterly incapable of joy. To paraphrase Liz Phair, if you get everything you wish for and you're still unhappy, then you know that the problem is you. Given the waves of hype and backlash over the last six months, it can be easy to forget that we're here, first and foremost, because of a song. "Video Games" struck a nerve not just because it was an introduction to Del Rey's captivating voice but because it seemed to suggest something as-yet-unarticulated about the way we live today. Whatever her intention, as a metaphor about disconnect and detachment from our own desires, "Video Games" felt frank, pointed, and true, and it had a chord progression and melody to match. The ultimate disappointment of Born to Die , then, is how out of touch it feels not just with the world around it, but with the simple business of human emotion. The singer born Elizabeth "Lizzy" Grant may have made her mark with a grainy homemade video that brought to mind other grainy homemade videos in the indie sphere, but the slick sound and sentiment of "Radio", Born to Die 's most straightforward statement of purpose ("Baby love me 'cause I'm playing on the radio/ How do you like me now?"), places it firmly within the realm of big-budget chart pop. Born to Die was produced by Emile Haynie, whose credits include Eminem, Lil Wayne, and Kid Cudi, and the album's impressively lush atmosphere might be the one thing that will unite its detractors and apologists. The album's recurring themes ooze out of every note: sex, drugs, and glitter hover in the yawning atmosphere around Del Rey's breathy vocals. There are strings and trip-hop beats and bits of 1950s twang, and the melodies, assembled with assistance from hired-gun songwriters like Mike Daly (Plain White Ts, Whiskeytown) and Rick Nowels (Belinda Carlisle's "Heaven Is a Place on Earth") are built to stick. But for an album that aims for fickle radio listeners, many of its pop signifiers feel stale and ill-fitting. On "Million Dollar Man", Del Rey drawls like a highly medicated Fiona Apple, and "Diet Mountain Dew" and "Off to the Races" aim for chatty, sparkling opulence, this singer doesn't have the personality to bring it off. The album's point of view-- if you could call it that-- feels awkward and out of date. Whether you take a line like "Money is the reason we exist/ Everybody knows that it's a fact/ Kiss kiss" with a 10-carat grain of salt is up to you, but even as a jab at the chihuahua-in-Paris-Hilton's-handbag lifestyle, it feels limp and pointless (unlike, say, Lily Allen's mock-vapid but slyly observant 2008 single "The Fear"). Still, the dollar signs in its eyes aren't an inherent strike against Born to Die : Even in the wake of an international debt crisis and the Occupy movement, it was hard not to fall for Watch the Throne . But that's because Jay and Kanye made escapist fantasy sound so fun . Del Rey's gem-encrusted dreamworld, meanwhile, relies on clichés ("God you're so handsome/ Take me to the Hamptons") rather than specific evocations. It's a fantasy world that makes you long for reality. And speaking of fantasy: The conversation surrounding Lana Del Rey has underscored some seriously depressing truths about sexism in music. She was subjected to the kind of intense scrutiny-- about her backstory and especially her appearance-- that's generally reserved for women only. But the sexual politics of Born to Die are troubling too: You'd be hard pressed to find any song on which Del Rey reveals an interiority or figures herself as anything more complex than an ice-cream-cone-licking object of male desire (a line in "Blue Jeans", "I will love you till the end of time/ I would wait a million years," sums up about 65% of the album's lyrical content). Even when Del Rey offers something that could be read as a critique ("This is what makes us girls/ We don't stick together 'cause we put our love first"), she asks that we make no effort to change, escape, or transcend the way things are ("Don't cry about it/ Don't cry about it.") In terms of its America-sized grandeur and its fixation with the emptiness of dreams, Born to Die attempts to serve as Del Rey's own beautiful, dark, twisted fantasy, but there's no spark and nothing at stake. The critic Ellen Willis once wrote of Bette Midler: "Blatant artifice can, in the right circumstances, be poignantly honest, and she expresses the tension between image and inner self that all of us-- but especially women-- experience." But Born to Die never allows tension or complexity into the mix, and its take on female sexuality ends up feeling thoroughly tame. For all of its coos about love and devotion, it's the album equivalent of a faked orgasm-- a collection of torch songs with no fire.