Ai Weiwei Exhibit Beatrix Farrand Gardens Diversity
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The Edible Garden Permaculture Design Project Report; Malvik, October 2017 Stephen Barstow
The Edible Garden Permaculture Design Project Report; Malvik, October 2017 Stephen Barstow The Edible Garden is a long term ongoing evolving project in Malvik, Trøndelag some 17 km east of the city of Trondheim with a view over the Trondheimsfjord (63°26'25"N, 10°39'15"E) at about 32m above sea level. When myself and my then wife and lifelong friend Eileen Stoupe were looking at a place to buy in 1984, the wish, as young vegetarians, was to be as self-sufficient as possible, and at that time this meant preferably flat land on which to grow traditional annual vegetables, as well as fruit and berries. We had rented a place nearby since autumn 1981 in the same climate zone. I was also very interested in birds and wild plants. The property we finally bought had a lot of trees in which the previous owners had set up around 25 nest boxes for birds. The house and garden were far from our perceived ideal as there was limited space suitable for growing traditional vegetables and the soil was shallow, but I had recently been introduced to the concept of raised bed gardening which could significantly improve the growing conditions (I had been a member of the UK based organic gardening organisation Henry Doubleday Research Association, HDRA since 1979). It was however a fantastic piece of land with a lot of interesting plants, notably Hazel, known to attract a good range of wild life, and Hepatica (blåveis), indicative of neutral to basic soil and an early spring was to be expected. -
National Register of Historic Places
NP8 Form 10400 OVf MO. 101+0019 (Rw. £M) United States Department of the Interior National Park Service National Register of Historic Places rorm NATIONAL HISTORIC LANDMARK NOMINATION Thia form la for uaa In nominating or raquaating datarmlnatlona of allglblllty for Individual propartlaa or diatrlota, 8aa Inatruotlona In Gu/cHaJfnaa for Competing National flag/afar Forma (National Raglatar Bullttin 16). Complata aaoh Itam by marking "x" In tha approprlata box or by antaring tha raquaatad Information. If an Itam doaa not apply to tha proparty balng dooumantad, antar "N/A" for "not applicable" For functions, aty(aa, matariaJa, and araaa of algnlfleanoa, antar only tha catagorlaa and auboatagorlaa llatad In tha Inatruetlona. For additional apaoa uaa oontlnuatlon ahaata (Form 10-OOOa). Typa all antrlaa. 1. Name of Property "" """""" """""" ~ ~"" hlatorlc nama Hill-Stead othar names/site numbar 2. Location Street & number 35 Mnnn-t-ain Road NA not for publication CltY, tOWn F A T~m i n q-H on TSJA vicinity atata CT_ coda coda zip code nsn 79 3. Classification Ownarshlp of Proptrty Category of Property Number of Resources within Property £ prlvatt _x bulldlng(8) Contributing Noncontrlbutlng public-local district i buildings public-State site ____sites public-Federal structure ____ structures L_ object ____objects __1_ Total Name of related multiple property listing: Number of contributing resources previously Included in Fa.nnincrton Historic; District listed in the National Register 1 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, i hereby certify that this EH nomination EH request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth In 36 CFR Part 60. -
Farmington Town Clerks and Their Times CT
/-i-?f /{/C/•'{'> \-OtXcx FARMINGTON TOWN CLERKS' AND THEIR TIMES Of this book there have been printed four hundred copies of which this is Number':3.^^-^ ii t:? » — — '* • * ^I ■ * % ^ ^ '\ --^lAniy,-. 'tS Icn^^o-. P.^'^S-.;ivl''/^ ' jCc kii.iAUiM.i::'i.c^ heUoxYj- ike 'rrp^Kf^' 'S> ^" ■ tCboai-e/i loiliem-ion. /AG i-oo- X^tf.r ^(i^e- ^ fee ^ ^' X' fywtne^r //^Y ^^ •pLOjSf^'. xrKa^--YOttS h) ^'''ir ^'ty^^—'y'^^'^'nff/lt-nS'Sv'Z ^•'tmtrrv^^t oi- ine sj?>ft''*''»^'. ^ ^Z' pia6t'>oi/t Je^>^'^kk,p^« •-ptW:•^o^e^on. ff i:^(-{^ '{^(' £ef'j Mtrtidif^'lp ^n. ^AtLe-. p'?rtS-/' »vr ^ - -l-A-CS ^2y»tj Aoen.'. -ini Jriiriinx.^ U aU.C.'ite ■ /('iiij oik-etr- qx'ttu-.Sf^ ax\<^-%KCi(^:/^sff-S it/irAi a Ar- -p£i't-;i'^i^^»o'>^' ^ Ckiiit tuuif. \^tCc '•■- - f r*«f- ( - ~jr ^ ^ fl # • / -j-^ wteriftrx i*iri[£ ^ •■}\n^defm. bctC\f~ ! ^ ''Jo V^l?"'"'".-, bj^ati—. Af" •t;a/ZE ' o-'~" * J^"'";.-' / " •' '. -/a'c £ettde'. tif ■/'***^ AttrL <yf> ■ ♦ '-y /i -i-/.r ytd^n US ^f^J£2r^kc^ .y i i . J/ ♦/ /- ^...•_Z/x /_Z «^«>a h<?v!l ^I "W .£* cf Uifn > ' wtA:;, tti>j Ac A»t'- ^^/'is»«-5' ih'entfj^A hit'T-: Sf/n "-yiCCyi ^ /v/iLtt— i-it- iv'-^' *;.i * '"' :^, . ■ I 'tuLir^h.- (J'ARMINGTON TOWN GLERKR AND THEIR TIMES ■JS M (1645-1940) •UAH - L MH--VV-- • fSiJ-iJAr ,•.. .. .■: RSk''^. V ■ T BY MABEL S. H URLBURT A'y*: ■ . i;.'.-^ :- = ' ^ J-^'^.- V«^- a ^'/ s^apA of record dated 1650, of the agreement of distribution of land to the Tunxis Indians. -
OSU Gardening with Oregon Native Plants
GARDENING WITH OREGON NATIVE PLANTS WEST OF THE CASCADES EC 1577 • Reprinted March 2008 CONTENTS Benefi ts of growing native plants .......................................................................................................................1 Plant selection ....................................................................................................................................................2 Establishment and care ......................................................................................................................................3 Plant combinations ............................................................................................................................................5 Resources ............................................................................................................................................................5 Recommended native plants for home gardens in western Oregon .................................................................8 Trees ...........................................................................................................................................................9 Shrubs ......................................................................................................................................................12 Groundcovers ...........................................................................................................................................19 Herbaceous perennials and ferns ............................................................................................................21 -
CINDEX Index
Index 2000-Feb. 2019 Actaea Ahlgren, Kathy (rose gardener), May A cordifolia, Sep 12:28 09:42 Aarestad, Paul, Nov 16:37 fall bloomer, Sep 18:15 Air plants, Jan 17:18, Nov 14:31 Abies for foliage, Sep 09:14 Ajuga balsamea, Nov 07:12 matsumurae, Nov 15:14 perennial groundcover, Jan 07:17 as Christmas tree, Nov 02:31 pachypoda, Sep 07:12 reptans, Jan 12:11, May 07:24, Jul 18:35 concolor, Jun 03:16, Nov 06:40 for shade garden, Jan 19:35 Akebia quinata lasiocarpa var. arizonica, Nov 06:40 racemosa perennial vine, Jan 18:19 varieties for northern regions, May 11:32 'Atropurpurea,' Jan 16:37 plant profile, Oct 00:10 for winter landscape, Jan 02:31 'Chocoholic,' Mar 17:24 vine for shade, May 18:44 Aby, Katherine (Master Gardener), Nov fall bloomer, Sep 06:12, Sep 12:27 Alcea 13:20 giant, Jul 08:40 heirloom, May 04:31, Jul 15:37 Acer naturalizing, Jul 06:28 for midsummer, Jul 02:14 anthracnose on, May 14:24 plant profile, Sep 11:16 must-have plant, Nov 07:38 'Autumn Spire,' Jan 01:30 for shade, Jul 09:16 rosea, Jan 04:27, Mar 00:37, Jul 08:40, dissectum, Jan 13:19 rubra, Sep 07:12 Jul 15:37 for fall color, Sep 02:25 simplex, Sep 06:12 rust on, Jun 03:18 foliar diseases, Jan 08:18, Mar 00:12, Apr Actinidia Alchemilla 03:10 arguta, Jan 11:38, Mar 00:8 mollis, Jun 04:45 ginnala kolomikta, Jan 11:38 splendens, Jun 04:45 fall color, Sep 02:25 vine for sun or light shade, May 18:44 vulgaris, May 04:31 fall standout, Sep 17:36 Aculeate, Mar 08:8 Alder, Mar 17:24 for hedges, Mar 02:13 Ada Garden Club, Sep 11:10 Alderman, William Horace native replacement for, Nov 16:12 Addison, Betty Ann (horticulturist), Jul 16:12 small tree, big impact, Feb 02:9, Apr beating buckthorn, Jan 18:36 Alexandria Garden Club, Mar 09:12 03:26 elevate your garden, Mar 18:30 Alien plants. -
The NAT ION AL
The NAT ION A L HORTICUL TURAL MAGAZINE JANUARY -- - 1928 The American Horticultural Society A Union of The National Horticultural Society and The American Horticultural Society, at Washington, D. C. Devoted to the popularizing of all phases of Horticulture: Ornamental Gardening, including Landscape Gardening and Amateur Flower Gar:dening; Professional Flower Gardening or Floriculture; Vegetable Gardening; Fruit Growing and all activities allied with Horticulture. PRESENT ROLL OF OFFICERS AND DIRECTORS March 1, 1927 OFFICERS President, F. L. Mulford, 2552 Tunlaw Road, Washington, D. C. First Vice-President, Mrs. Fannie Mahood Heath, Grand Forks, N. D. Second Vice-President, H. A. Fiebing, Milwaukee, Wis. Secretary, D. Victor Lumsden, 1629 Columbia Road N. W., Washington, D. C. Treasurer, Otto Bauer, 1216 H Street N. W., Washington, D. C. DIRECTORS TERM EXPIRING IN 1928 Mrs. Pearl Frazer, Grand Forks, N. D. David Lumsden, Battery Park, Bethesda, Md. J. Marion Shull, 207 Raymond Street, Chevy Chase, Md. Hamilton Traub, University Farm, St. Paul, Minn. A. L. Truax, Crosby, N. D. TERM EXPIRING IN 1929 G. E. Anderson, Twin Oaks, Woodley Road, Washington, D. C. Mrs. L. H. Fowler, Kenilworth, D. C. V. E. Grotlisch, Woodside Park, Silver Spring, Md. Joseph J. Lane, 19 W. 44th Street, New York City. O. H. Schroeder, Faribault, Minn. Editorial Committee: B. Y. Morrison, Chairman; Sherman R. Duffy, V. E. Grotlisch, P. L. Ricker, J. Marion Shull, John P. Schumacher, Hamilton Traub. Entered as seoond-ola•• matter Maroh 22, 1927, at the Post Offioe a.t Washington, D. C" under the Act of August 24, 1912. 2 THE NATIONAL HORTICULTURAL MAGAZINE Jan. -
Beatrix Farrand's Early Years at the Arnold Arboretum
Lady into Landscape Gardener: Beatrix Farrand’s Early Years at the Arnold Arboretum Jane Brown One of America’s great landscape gardeners, Beatrix Farrand was deeply influenced by Professor C. S. Sargent, the Arboretum’s first director. For the whole of her long and successful refers to herself as "the old lady" whose mind career, Beatrix Farrand was consistently and works very slowly-are dated in the spring of loyally appreciative of the place she regarded 1953, just six years before her death. as her alma mater, the Arnold Arboretum. This well-documented relationship of her Her gratitude and affection shine through her later years will be the subject of a future public writings, from a piece she called "The Arnoldia article, but for the moment, I would Debt of Landscape Art to a Museum of Trees" like to concentrate upon how it all began. For for the Architectural Record of November my forthcoming book on Beatrix Farrand’s life 1918/ to her pieces for Arnoldia in 1949, and work, I have had to piece together much describing her work on the azalea border and more elusive evidence on how she came to her layout plan for Peters Hill.2 Her friendship study at the Arnold in the 1890s and what she with Professor Charles Sprague Sargent, her did there. She left no diaries or letters of that adored "Chief," who had taught her "by time, and her references to it were persistently precept and example," was maintained until vague, even to the drafting of what amounted the end of his life in 1927; and after that, she to her own obituary, for the Reef Point Bulle- conducted a lengthy and vigorous correspon- tin, where she mentioned "a fortunate meet- dence with Alfred Rehder and Karl Sax, and ing" (one of many in her life) with Mrs. -
Yale University B0082
U.S. Department of Education Washington, D.C. 20202-5335 APPLICATION FOR GRANTS UNDER THE National Resource Centers and Foreign Language and Area Studies Fellowships CFDA # 84.015A PR/Award # P015A180082 Gramts.gov Tracking#: GRANT12659441 OMB No. , Expiration Date: Closing Date: Jun 25, 2018 PR/Award # P015A180082 **Table of Contents** Form Page 1. Application for Federal Assistance SF-424 e3 2. Standard Budget Sheet (ED 524) e6 3. Assurances Non-Construction Programs (SF 424B) e8 4. Disclosure Of Lobbying Activities (SF-LLL) e10 5. ED GEPA427 Form e11 Attachment - 1 (1244-GEPA Statement2018) e12 6. Grants.gov Lobbying Form e13 7. Dept of Education Supplemental Information for SF-424 e14 8. ED Abstract Narrative Form e15 Attachment - 1 (1246-CES FLAS Abstract) e16 9. Project Narrative Form e18 Attachment - 1 (1245-CES FLAS Budget Narrative) e19 10. Other Narrative Form e67 Attachment - 1 (1234-InformationToMeetStatutoryRequirements (9)) e68 Attachment - 2 (1235-FLAS Applicant Profile) e71 Attachment - 3 (1236-Acronyms ESC) e72 Attachment - 4 (1237-Bojanowska CV 2018) e74 Attachment - 5 (1238-BIOS ForAPPwithTOC_YaleESC) e85 Attachment - 6 (1239-LetterOfReferenceMinjinHashbat) e244 Attachment - 7 (1240-LetterOfReferenceNellekeVanDeusen-Scholl) e246 Attachment - 8 (1241-LetterOfReferenceConstantineMuravnik) e248 Attachment - 9 (1242-CouncilMemberList) e250 Attachment - 10 (1243-CourseListForAPP_ALLYaleESC) e253 11. Budget Narrative Form e317 Attachment - 1 (1247-Section C Budget Narrative) e318 This application was generated using the PDF functionality. The PDF functionality automatically numbers the pages in this application. Some pages/sections of this application may contain 2 sets of page numbers, one set created by the applicant and the other set created by e-Application's PDF functionality. -
Beatrix Farrand at the Arnold Arboretum, Part 2 Lane Brown
The Lady as Landscape Gardener: Beatrix Farrand at the Arnold Arboretum, Part 2 lane Brown "Your trust in my training is the greatest honor of my fifty years of active practice:’1 -Beatrix Farrand to Dr. Paul C. Mangelsdorf, May 15, 1946, on her appointment as Consultant Landscape Gardener to the Arboretum Having launched the young Beatrix Jones on illuminated by Mildred Bliss at the very start her career in the late 1890s, Professor Charles of the commission for Dumbarton Oaks: hav- Sprague Sargent, her "Chief as she called ing put forward all her design ideas, Beatrix him, was a continuing benefactor in her was keen to make a brave start and wrote to progress. Beatrix and her mother, Mary Cad- Mrs. Bliss, sending photographs of three walader Jones, invariably visited Holm Lea for cedars, which she could obtain from the the rhododendron parties each June, on their Arboretum for $300 each for digging and pack- annual northward migration from New York ing. Mrs. Bliss replied promptly in favor of the to summer in Bar Harbor. (Beatrix, in her turn, cedars, noting that if "Mr. Sargent loves you most frequently used the hybrids connected enough to part with them," then go ahead.2 with her friends, Mrs. C. S. Sargent, Ignatius When Charles Sargent died, aged eighty-five Sargent, and Louisa Hunnewell in plantings and still working, in March 1927, Beatrix was for her clients.) The Professor never failed, it about to embark on a major diversion from seemed, to give her a discreet good recommen- her life’s pattern because of Max Farrand’s dation where he could, and even gave her appointment as Director of the Henry E. -
Tabletop Rock Garden
LEARN FROM ROCK GARDEN HOME In Japan, gardening is seen as an art form used to balance and highlight the natural landscape. There are two major types of Japanese gardens: water gardens and rock gardens. Water gardens typically feature a waterfall or pond surrounded by flowers, grasses, and trees to create a lush and organic environment. Rock gardens involve— you guessed it—rocks! Long associated with Buddhist traditions, rock gardens provide a calming space often used to practice meditation. One of the most impressive features of rock gardens is their carefully raked and arranged patterns of sand or gravel. These wavy and undulating patterns mimic the movements of water. Surrounding, and sometimes inside, these raked patterns are larger rocks arranged in odd-number groupings. All these larger rocks also represent natural forms like islands, mountains, waterfalls, or trees. JAPANESE ROCK GARDEN DESIGN TECHNIQUES STANDARDS: Today, Japanese garden designers use some of the following VA.4.H.1.3 techniques in their rock garden design: VA.68.S.2.1 • Rocks are the backbone of rock garden composition • Triangular rocks and rock groupings are best, as the form of a triangle can represent the earth, man, and the divine • Odd-numbered groupings of rocks or objects are preferred • The total number of groupings should also be odd • The largest rock in each cluster is placed first, then smaller rocks can be placed in relation to that rock • Asymmetry in the design should be carefully considered and incorporated Discover more activities at ringling.org MATERIALS: ACTIVITY SAND/ROCKS/PEBBLES, FORK, CONTAINER DIFFICULTY LEVEL: (SHALLOW BOX, PLATE, OR DISH), CENTERPIECE MODERATE ROCK GARDEN (SMALL FAKE TREE, DINOSAUR TOY) BUILD A TABLETOP ROCK GARDEN The act of raking and creating designs in the gravel of a rock garden can help people relax and focus on the moment, which is one of the reasons these gardens are used to practice meditation. -
Visual Perception in Japanese Rock Garden Design
Axiomathes (2005) 15:353–371 Ó Springer 2005 DOI 10.1007/s10516-004-5448-8 GERT J. VAN TONDER and MICHAEL J. LYONS VISUAL PERCEPTION IN JAPANESE ROCK GARDEN DESIGN ABSTRACT. We present an investigation into the relation between design princi- ples in Japanese gardens, and their associated perceptual effects. This leads to the realization that a set of design principles described in a Japanese gardening text by Shingen (1466), shows many parallels to the visual effects of perceptual grouping, studied by the Gestalt school of psychology. Guidelines for composition of rock clusters closely relate to perception of visual figure. Garden design elements are arranged into patterns that simplify figure-ground segmentation, while seemingly balancing the visual salience of subparts and the global arrangement. Visual ‘ground’ is analyzed via medial axis transformation (MAT), often associated with shape perception in humans. MAT analysis reveals implicit structure in the visual ground of a quintessential rock garden design. The MAT structure enables formal com- parison of structure of figure and ground. They share some aesthetic qualities, with interesting differences. Both contain naturalistic asymmetric, self-similar, branching structures. While the branching pattern of the ground converges towards the viewer, that of the figure converges in the opposite direction. KEY WORDS: figure-ground, multi-scale, segmentation, tree structure, visual grouping ‘There is ... a basic issue that is only very seldomly discussed: What do we mean by ‘‘visual experience’’? Very often the problem of vision is oversimplified, and to ‘‘see’’ a scene is identified with the task of computing a verbal description of it. This problem is difficult enough, but it is important to recognize that there is much more in visual perception than assigning verbal labels to ‘‘objects’’.’ J.L. -
DUTCHESS DIRT VISITS ROSEVIEW DRESSAGE in MILLBROOK, NY by Sue Grumet, Master Gardener Volunteer
DDuuttcchheessss DDiirrtt A gardening newsletter from: Issue #59, June 2012 THROUGH THE HEDGEROW: DUTCHESS DIRT VISITS ROSEVIEW DRESSAGE IN MILLBROOK, NY By Sue Grumet, Master Gardener Volunteer “Dressage” is defined as the guiding of a horse through a series of complex maneuvers by slight movements of the rider’s hands, legs, and weight. Not only must these movements by the rider be imperceptible to the viewer, but both the horse and rider must appear relaxed and natural while performing them. This type of training is a disciplined exercise and requires a great deal of skill on the part of the rider to fully execute. The desired effect is one of seemingly effortless grace, much like a ballet performance, which draws the viewer in with its incredible beauty. One might also say that the same discipline and techniques that are employed in dressage are also evident in the garden design of a pair of local horse enthusiasts with deep roots in the Millbrook community, only in this case instead of using a horse; their maneuvers are achieved through the juxtapositions of their gardens. The equestrians who enjoy garden design are David and Judy Sloan, owners of Roseview Dressage in Millbrook, New York. But lest you think that the road to these delightful gardens was a smooth one, you would need to know the back story first. What has been achieved here in so short a time is truly amazing. Seven years ago when David and Judy began their project, their then modest house was located on the grounds of a former gravel quarry.