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George Michael Bedinger : a Kentucky Pioneer
George Michael Bedinger : A Kentucky Pioneer By Danske Dandridge THE MICHIE COMPANY, PRINTERS Charlottesville, Virginia 1909 COPYRIGHT 1909 BY DANSKE DANDRIDGE Major George Michael Bedinger TO ALL THE DESCENDANTS OF THE PA'!'RIOT, GEORGE MICHAEL BEDINGER, I DEDICATE THIS BOOK. CONTENTS CHAPTER PAGE INTRODUCTION 1 I. BIRTH oF GEORGE l\IICHAEL BEDINGER- FAMILY HISTORY . 3 II. EARLY DAYS IN l\1ECKLENBURG 7 III. THE BEGINNING OF THE REVOLUTION 11 IV. lv1AJOR G. l\I. BEDINGER IN THE REVOLU- TION . ..,,,__,?? V. FIRST VISIT To KENTUCKY . 35 VI. LIFE AT BooNESBORo' . 46 VII. BOWMAN'S CAMPAIGN . 54 VIII. lvIAJOR BEDINGER RETURNS TO CIVILIZA- TION . 67 IX. THE END OF THE REVOLUTION . 78 X. 11oRE AnvENTUREs IN KENTUCKY . 88 XI. THE SECOND GREEN RIVER EXPEDITION 98 XII. THE THIRD TRIP To GREEN RIVER . 102 XIII. A TERRIBLE EXPERIENCE . 113 XIV. HOME AGAIN . 126 xv. THE ATTACK AT SANDY CREEK . 133 xvr. !\1AJoR BEnrNGER IN ST. CLAIR's CAM- PAIGN . 138 XVII. EARLY DAYS IN KENTUCKY . 161 IV CONTENTS XVIII. LETTERS FROM HOME - LIFE IN KEN TUCKY . 169 XIX. FAMILY HAPPENINGS-MICHAEL BEDIN- GER IN CONGRESS . 179 xx. THE MEETING AT STINSON'S SPRING . 188 XXL OLD AGE AND RETIREMENT . 193 APPENDIX A. 216 APPENDIX B. 228 Major George Michael Bedinger A Kentucky Pioneer INTRODUCTION Thy spirit, Independence, let me share, Lord of the Lion heart and Eagle eye; Thy steps I follow with my bosom bare, Nor heed the storm that howls along the sky. MONG the papers left by George Michael Bedin A ger of Kentucky, I have found this scrap of verse, written,. -
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Taylor Swift Me Release Date
Taylor Swift Me Release Date Hebrides Truman entrapped no hydraulics referred absolutely after Steve antisepticizing full-faced, quite high. Unadmonished and inconceivable Gideon conciliated her copier regain or prescribing perceptually. Ascitical Tedmund never grated so abstinently or starvings any caballer laterally. Update and then bursts into her core belief to see a teenager with robin roberts that is published by swift release date on instagram clue to be She use our website you a song you love letter to get the strength of song, taylor swift me release date went well, you have permission of. Apple music video to me do so there was a new music critic hank stuever picks his same time will taylor swift me release date financial and more and join the song is called up until canceled. Swift song about two friend breakup. The date went well as taylor swift release date on the most in just want to the sky is. Check your connection and try again. Swift released a taylor swift has chosen products in! On the album is more What it Made actually Do cover only for the substantive lyrics. Luke Combs Announces Rescheduled Dates For 'outdoor You See Is them You Get' Tour. You can follow this far by editing your profile. Get unlimited access to TIME. Taylor swift is the me that only accepts a taylor swift me release date of a day, his primary talents lie. Get the latest Cleveland Cavaliers news, parenting, and device data you send me tailored email and other offers through social media or other sites and apps. -
Nielsen Music Year-End Report Canada 2016
NIELSEN MUSIC YEAR-END REPORT CANADA 2016 NIELSEN MUSIC YEAR-END REPORT CANADA 2016 Copyright © 2017 The Nielsen Company 1 Welcome to the annual Nielsen Music Year End Report for Canada, providing the definitive 2016 figures and charts for the music industry. And what a year it was! The year had barely begun when we were already saying goodbye to musical heroes gone far too soon. David Bowie, Leonard Cohen, Glenn Frey, Leon Russell, Maurice White, Prince, George Michael ... the list goes on. And yet, despite the sadness of these losses, there is much for the industry to celebrate. Music consumption is at an all-time high. Overall consumption of album sales, song sales and audio on-demand streaming volume is up 5% over 2015, fueled by an incredible 203% increase in on-demand audio streams, enough to offset declines in sales and return a positive year for the business. 2016 also marked the highest vinyl sales total to date. It was an incredible year for Canadian artists, at home and abroad. Eight different Canadian artists had #1 albums in 2016, led by Drake whose album Views was the biggest album of the year in Canada as well as the U.S. The Tragically Hip had two albums reach the top of the chart as well, their latest release and their 2005 best of album, and their emotional farewell concert in August was something we’ll remember for a long time. Justin Bieber, Billy Talent, Céline Dion, Shawn Mendes, Leonard Cohen and The Weeknd also spent time at #1. Break out artist Alessia Cara as well as accomplished superstar Michael Buble also enjoyed successes this year. -
The U2 360- Degree Tour and Its Implications on the Concert Industry
THE BIGGEST SHOW ON EARTH: The U2 360- Degree Tour and its implications on the Concert Industry An Undergraduate Honors Thesis by Daniel Dicker Senior V449 Professor Monika Herzig April 2011 Abstract The rock band U2 is currently touring stadiums and arenas across the globe in what is, by all accounts, the most ambitious and expensive concert tour and stage design in the history of the live music business. U2’s 360-Degree Tour, produced and marketed by Live Nation Entertainment, is projected to become the top-grossing tour of all time when it concludes in July of 2011. This is due to a number of different factors that this thesis will examine: the stature of the band, the stature of the ticket-seller and concert-producer, the ambitious and attendance- boosting design of the stage, the relatively-low ticket price when compared with the ticket prices of other tours and the scope of the concert's production, and the resiliency of ticket sales despite a poor economy. After investigating these aspects of the tour, this thesis will determine that this concert endeavor will become a new model for arena level touring and analyze the factors for success. Introduction The concert industry handbook is being rewritten by U2 - a band that has released blockbuster albums and embarked on sell-out concert tours for over three decades - and the largest concert promotion company in the world, Live Nation. This thesis is an examination of how these and other forces have aligned to produce and execute the most impressive concert production and single-most successful concert tour in history. -
Universum Aus Dem Koffer
LOKALES Seite 21,DKNr. 269, Dienstag, 22.November 2011 „AugenBlicke“ Universum im Advent Eichstätt/Fiegenstall (pde) aus dem Koffer Eine Auswahlvon Geschichten rund um Menschsein, Mensch- lichkeit und Menschwerdung Die israelische Sängerin Nizza Thobi bietet im Spiegelsaal präsentiert die Eichstätter Me- dienzentralebei einem Kurz- ein vielschichtiges Programm mit vielen Brüchen filmabend. Unter dem Titel „AugenBlicke im Advent“ wol- Von Josef Bartenschlager transportiert. Kurz: Der Koffer nesgesanglichen Vortrags ihren len die Filme Anstöße zum ist ein Universumfür sich. beiden kongenialen Musikern – Nachdenken geben, was Eichstätt (EK) Es war keine Nizza Thobi bedientsich da- Peter WegeleamFlügelund Ni- Menschsein ausmacht.InGe- leichte Kost, die Nizza Thobi am raus, zeigt,dass dervorder- ki Kampaander Violine –recht sprächen gibt es die Möglich- Samstag im Spiegelsaal der ehe- gründige Blick nicht reicht,um energisch Anweisungen zu ge- keit zumAustauschbei Leb- maligen Eichstätter Residenz etwasinseiner ganzen Tiefe zu ben. Dabei bringt Kampadas kuchen, Plätzchen und Glüh- servierte. Die israelische Künst- erreichen. Im abgedunkelten akrobatische Kunststück fertig, wein. Referent ist Dr. Thomas lerin, die seit über 30 Jahren in Spiegelsaal ziehteine Szene mit einemFuß das Glocken- Henke, Leiter der Medienzent- Deutschland lebt, hatte einen nach der anderen vorbei, und spiel zu bedienen,während er raleEichstätt. Zwei Termine Koffer voller Lieder, Geschich- es stellt sich heraus: Alles ist gleichzeitig fiedelt. In dieses stehen zurWahl: am 1. De- ten und Bilder dabei. miteinander verwoben und das geschlossene Gesamtkunstwerk zember um 19.30Uhr im KLJB- Lebenvoller Brüche. Die in scheint sogar derzeitweilige Bildungshaus Fiegenstallund Folgerichtig heißtihr Pro- München und Jerusalem le- Kampfmit den Tücken der am 9. Dezember um 18.30 Uhr gramm „EinKoffer spricht“ und bende Künstlerin erweist sich Tontechnik zu gehören. -
Hull City Hall Summer 2017 Brochure
HULL CITY MAY- SEPT HALL 2017 Box office: 01482 300 306 www.hulltheatres.co.uk Working in partnership Welcome to Hull City Hall’s Summer 2017 season The prestigious Hull City Hall continues to play a major role in hosting key events during Hull’s UK City of Culture year. As part of this, an exciting programme is planned for the summer season. Highlights include the triumphant close for the Hull City Hall Classics season with concerts from our renowned partners - the Royal Philharmonic Orchestra and Hull Philharmonic Orchestra, ahead of the announcement of the 2017/18 classical concert programme. Music fans can look forward to Ska and Reggae legend Toots and the Maytals visiting the venue on his first tour in three years, as well as tributes to two more music legends: Michael Jackson tribute artist Navi will be joined by Jackson’s iconic guitarist Jennifer Batten for The King of Pop, while Faith – The George Michael Legacy celebrates the life and music of the much missed singer-songwriter. For our younger audiences there is summer holiday fun with children’s TV favourites Mister Maker and The Shapes Live! and Milkshake! Live plus the return of our popular Summer Theatre Workshops. As the refurbishment of Hull New Theatre continues to completion, following announcement of the first season of great shows there are more announcements to follow in the coming months. We look forward to welcoming you to our venues this summer and in the exciting months and years ahead! Councillor Geraghty Chair of Hull Culture and Leisure Board Portfolio Holder for Culture and Leisure Discount Key C Concessions • F Family ticket • G Groups • Sch Schools U16 Under 16 years • U25 Under 25 years • S Student • ST Season Ticket At a glance.. -
Supreme Court of the United States
No. 20-1747 IN THE Supreme Court of the United States ERICH G. SORENSON, Petitioner, v. COMMONWEALTH OF MASSACHUSETTS, Respondent. ON PETITION FOR A WRIT OF CERTIORARI TO THE MASSACHUSETTS APPEALS COURT BRIEF FOR AMICI CURIAE THE CHARLES HAMILTON HOUSTON INSTITUTE FOR RACE AND JUSTICE, THE FRED T. KOREMATSU CENTER FOR LAW AND EQUALITY, AND THE NYU CENTER ON RACE, INEQUALITY, AND THE LAW IN SUPPORT OF PETITIONER KATHARINE NAPLES-MITCHELL ALAN SCHOENFELD CHARLES HAMILTON Counsel of Record HOUSTON INSTITUTE FOR WILMER CUTLER PICKERING RACE AND JUSTICE HALE AND DORR LLP HARVARD LAW SCHOOL 7 World Trade Center 45 Massachusetts Ave. 250 Greenwich Street Areeda Hall, Room 522 New York, NY 10007 Cambridge, MA 02138 (212) 230-8800 [email protected] ELIZABETH BEWLEY SOFIE C. BROOKS ALLISON SCHULTZ WILMER CUTLER PICKERING WILMER CUTLER PICKERING HALE AND DORR LLP HALE AND DORR LLP 60 State Street 1875 Pennsylvania Ave., NW Boston, MA 02109 Washington, DC 20006 TABLE OF CONTENTS Page TABLE OF AUTHORITIES ........................................... ii INTEREST OF AMICI CURIAE................................... 1 INTRODUCTION AND SUMMARY OF ARGUMENT ....................................................................... 2 ARGUMENT ........................................................................ 4 I. THE ENTRENCHED SPLIT AT ISSUE HERE RESULTS IN ARBITRARY RACIAL, ETHNIC, CLASS-BASED, AND GEOGRAPHIC DISPARITIES IN FOURTH AMENDMENT PROTECTION .................................................................. 4 II. THE RACIAL DISPARITIES -
Ridgeley È Stato Una Delle Due Metà Di Una WHAM! Delle Pop Band Più Importanti Della Storia
Pagine tratte da www.epc.it - Tutti i diritti riservati Andrew Ridgeley è stato una delle due metà di una WHAM! WHAM! delle pop band più importanti della storia. Adesso, per la prima volta, racconta i retroscena degli Wham!, la sua amicizia lunga una vita con George Michael, e di come loro due insieme cambiarono la scena musicale ANDREW degli anni Ottanta grazie a una serie di allegri successi, amati ancora oggi proprio come quando fecero irruzione per la prima volta nelle radio e nei cuori degli adolescenti. GEORGE GEORGE & IO Watford, 1975. Era il primo giorno del nuovo trimestre RIDGELEY scolastico e due adolescenti, Georgios Kyriacos Panayiotou e Andrew Ridgeley, si incontrarono per la prima volta. Sarebbero diventati l’uno il migliore amico dell’altro. Ma non erano il football, o la moda, o le ragazze a unirli (in realtà, le ragazze: sì). Scoprirono invece di essere tutt’e due pazzi per la musica. Spinti dalla gioia assoluta della loro «Gli Wham! raccontavano lo slancio, la libertà, passione per il pop, inseguirono quello che alle loro famiglie e l’esuberanza della giovinezza. e agli amici sembrava un sogno impossibile. Quel sogno Incarnavano l’idea che tutto è possibile nel 1982 li portò a una prima, esuberante, indimenticabile quando sei giovane». esibizione a Top of the Pops, che li proiettò in una fama immediata. Da adolescente, Andrew Ridgeley era assolutamente Nei quattro anni successivi Andrew e George si ritrovarono sicuro di una cosa: avrebbe fondato una band e scritto ANDREW su un incredibile ottovolante di successo e celebrità, che canzoni. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Sydney Morning Herald Monday 14/05/2012 Page: 12 Section: Arts & Entertainment Region: Sydney, AU Circulation: 184613 Type: Capital City Daily Size: 208.09 Sq.Cms
Sydney Morning Herald Monday 14/05/2012 Page: 12 Section: Arts & Entertainment Region: Sydney, AU Circulation: 184613 Type: Capital City Daily Size: 208.09 sq.cms. press clip 24 HOURS THE ARTS DIARY EXHIBITION Migration, war and personal identity are among the many issues informing No Added Sugar, an exhibition by 18 leadingAustralian Muslim women artists, including paintings, photo- graphy, sculpture, installations, tex- tiles and jewellery. Cracked vessels are a metaphor for wounding in the work of Idil Abdullahi, a Somali refugee, who also uses henna designs in photo- graphs, pictured, to explore themes of exclusion. Pakistani Mehwish Iqbal's installation comprises 500 handmade paper boats and scrolls. The exhibition is supported by the Australian Human Rights Commission and the Australia Council for the Arts. Today,10am- 5pm, Casula Powerhouse Arts Centre,1 Casula Road, Casula, free. Daily,10am-5pm, until July 8. ART Sydney is to get its own contemporary art fair, the biennial Sydney Contemporary. It is the brainchild of Tim Etchells, the founder of the acclaimed Hong Kong international fairART HK. Sydney Contem- p orary will feature established and emerging art fromAustralia and overseas, spanning genres, timelines, trends and media. "We expect it to play a significant role in helping to focus attention on the Sydney art scene in the same way that ART HK focused attention on Asian art," Etchells says. The first events will be held next April. MUSIC George Michael, pictured, is the latest big-name musician to get the orchestral treatment, with his back catalogue including Father Figitre, Faith and Care- less Whisper rearranged for large-scale production. -
Popularmusikforschung39-03: the Value of Live Music
THE VALUE OF LIVE MUSIC Simon Frith From April 2008 until April 2011 I directed a research project on live music in Britain.1 We are now writing up our findings,2 and since February 2012 we have had funding for a follow-up project, designed to establish ongoing links between academic researchers, the live music industry and the wider public.3 The original research project was organized around an investigation of the business of live music promotion and a crucial part of our method was interviewing. We talked to more than 100 promoters, from the MD of Live Nation in the UK and such big names as Harvey Goldsmith to local club owners and enthusiasts. We covered all types of music (including classical) — which is one reason why our findings will fill three books. One of my roles in the research team is to present our work to the live music industry itself, whether by attending their trade events and writing for their trade papers or by inviting them to seminars we organise. Such »knowledge exchange« (to use current academic jargon) is not without its problems and two kinds of miscommunication between university-based researchers and live music industry players particular interest me (and have informed the design of our follow up project). First, we apparently have quite different interpretations of a shared phrase, »the value of live music«. Their take is, it seems, straightforwardly economic: the value of live music can be measured by how much money people are prepared to pay for it. Our approach, by contrast, is more philo- sophical (or up our own backsides, as the industry would say): what is it that people think they are paying for? What exactly do they value? I'm not 1 See http://www.gla.ac.uk/departments/livemusicproject.