DOCSLIB.ORG

Joseph Fiedler-Trombonist, Composer, Arranger, Educator 1821 Maple Avenue 917.806.5370 Peekskill, New York 10566 [email protected] USA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Joseph Fiedler-Trombonist, Composer, Arranger, Educator 1821 Maple Avenue 917.806.5370 Peekskill, New York 10566 [email protected] USA www.joefiedler.com Curriculum Vitae EDUCATION Master of Arts, Jazz Studies 2005 Queens College, Flushing, NY Bachelor of Science, Mathematics 1987 University of Pittsburgh, Pittsburgh, PA Trombone Teachers • Ray Anderson, Conrad Herwig, Matty Shiner, Randy Purcell Arranging Teachers • Michael Phillip Mossman, Nathan Davis Academic Honors and Awards • Graduate Teaching Assistantship, University of Pittsburgh, 1989-1990 • Ann Walker Memorial Scholarship, Queens College 2003 COLLEGE/UNIVERSITY TEACHING EXPERIENCE University of Pittsburgh, Pittsburgh, PA 2016 • Clinician-Jazz Improvisation Sacred Heart University, Fairfield, CT 2015 • Guest Lecturer-Arranging for television Rutgers, Piscataway, NY 2015 • Guest Lecturer-Arranging and composing for television Hunter College, New York, NY 2008-2012 • Jazz Ensemble-Substitute director for College Jazz Big Band • Guest Lecturer-History of Free Jazz Temple University/Boyer College of Music and Dance, Philadelphia, PA 2006-2008 • Trombone-Substitute instructor for jazz trombone majors • Jazz Combo-Substitute coach for student ensembles SUNY-Purchase/Conservatory of Music, Purchase, NY 2006-2008 • Latin Jazz Orchestra-Substitute director for the Conservatory Latin Jazz Orchestra • Jazz History-Substitute lecturer for undergraduate course on Jazz History • Lab Band-Substitute director for Conservatory “Reading” band • Jazz Combo-Substitute coach for various student ensembles Mount Saint Mary College, Newburgh, NY 2008 • Guest Lecturer-“Finding truth and knowledge” in music Joseph Fiedler 1 University of Pittsburgh, Pittsburgh, PA 1988-1989 • Jazz History-Teaching assistant and lecturer for undergraduate course on Jazz history • Jazz Ensemble-Teaching assistant and substitute director for the University Jazz ensemble ADDITIONAL MUSIC TEACHING EXPERIENCE Private Trombone Instructor 1985-Present • Topics stressed include improvisation, chop building, endurance, air, trombone/body integration, and extended techniques Clinician 2000-Present • Led clinics on jazz studies, trombone techniques and foundations of Latin music for various local and regional schools and arts centers including: • University of Pittsburgh 2016 Guest Artist, Clinician and Adjudicator for Jazz Big Band Festival • Georgetown Day School 2016 Clinician for annual Jazz Festival • Randolph High School 2016 Guest Artist and Clinician for annual Jazz Festival • Charles Mingus High School Competition 2014 Clinician and Adjudicator for visiting Jazz Ensembles • Hunter College 2013 Guest Artist and Clinician for annual Brass Day • FORTE Festivals 2012-2013 Clinician and Adjudicator for visiting Concert Bands, Jazz Ensembles, and Orchestras Jeckyl Foundation Jazz Program, New York, NY 2007-2008 • Director and coordinator of High School Jazz program • Responsible for hiring and managing teaching artists • Developed and implemented new “vocal jazz” component to the program Maine Jazz Camp, Farmington, ME 2001-2006 • Coach for Jazz Combos, conductor of trombone master classes and lecturer on practice techniques Summer Institute for the Gifted, Vassar College, Poughkeepsie, NY 2006 • Director of Institute Instrumental Ensemble Midori & Friends, New York, NY 2004-2007 • Program Coordinator for in-school “Making Music” instrumental instruction programs. • Designed and wrote curriculum for pilot program “Creative Composition” • Oversaw and mentored teaching artists for instrumental music programs New York Pops, New York, NY 2000-2006 • Substitute teaching artist for “Create A Symphony” Program—Assisted students in composing original music for orchestra • Substitute teaching artist for “Salute to Music” Program—Directed brass choir and taught low brass techniques Joseph Fiedler 2 ARTICLES PUBLISHED • Composing for Latin Jazz Trombone Without Riding the Clave Downbeat Magazine, March 2008 PERFORMANCE EXPERIENCE AS A LEADER Joe Fiedler Quintet 2015-Present • Recorded Like, Strange-Multiphonics Music 2016 o “Among trombonist Joe Fiedler’s! many talents is his uncanny ability !to blur the line between avant-garde! and mainstream jazz.”—Downbeat Magazine • East Coast Tour 2017 • Numerous New York Club appearances 2015-Present Joe Fiedler Trio 1995-Present • Recorded I’m In-Multiphonics Music 2015 o “(Fiedler’s) equally facile playing inside and outside, but just as important, he likes and respects both. The trio’s fourth recording marks out a boundary where these elements can cordially coexist, and then throws a party inside that perimeter.”— Downbeat Magazine • Recorded Sacred Chrome Orb-Yellow Sound Label 2010 o “Excellent new CD.”—Boston Globe • Recorded The Crab-Clean Feed 2007 o “With The Crab, the trombonist has made one of the small group jazz discs of the year.”—Village Voice • Recorded Joe Fiedler Trio Plays the Music of Albert Mangelsdorff-Clean Feed 2004 o “(4" out of 5 Stars) Fiedler has created a memorable and brilliant tribute. – “Highly recommended.”—All Music Guide • Recorded 110 Bridge St.-CIMP 1998 o “110 Bridge St. marks the entry of a new trombone sound on the scene.”— Cadence Magazine • European Tour 2008 • Numerous New York Club and Regional Jazz Festival appearances 1995-Present Big Sackbut 2009-Present • Recorded Joe Fiedler’s Big Sackbut-Yellow Sound Label 2012 o “Fun music that takes some chances. Recommended.”—eMusic • Recorded Sackbut Stomp-Multiphonics Music 2013 o “Great playing and great writing and arranging by Fiedler make this low brass high class.”—Winnipeg Free Press • Numerous New York Club and Regional Jazz Festival appearances 2009-Present Solo Trombone 1994-Present • Recorded Solo 1994 and Alone in Queens 2006 • Performances at New York Jazz Venues, including The Knitting Factory 1995-Present Joseph Fiedler 3 AS A CO-LEADER In Formation Network (John Irabagon-Saxophone & Todd Neufeld-Guitar) 2017-Present • Recorded In Formation Network-Nuscope Recordings 2017 AS A SIDEMAN SMALL ENSEMBLES • Lee Konitz/Andreas Schmidt Quartet • Anthony Braxton Nonet • Roswell Rudd/Borah Bergman Trio • Bob Stewart’s First Line Band • Craig Harris’ God’s Trombones • Michael Phillip Mossman Sextet • Brian Lynch/Eddie Palmieri Project • Jeff Lederer’s Brooklyn Blowhards • Matt Pavolka’s Horns Band • Gary Lucas’ Fleisherei • Lucian Ban Quintet • Bobby Sanabria’s Ascension • Phillip Johnston’s New Big Trouble • Fast ‘n Bulbous—The Captain Beefheart Project • Ralph Irizarry and Timbalaye • Matt Darriau’s Ballin’ the Jack • Andy Laster’s Hydra • Chris Jonas’ The Sun Spits Cherries • Ed Ware's Tree BIG BANDS/LARGE ENSEMBLES • Maria Schneider • Roy Hargrove • Vanguard Jazz Orchestra • Kenny Wheeler • The Lincoln Center Jazz Orchestra • Cecil Taylor • Mingus Big Band • Mingus Orchestra • Butler, Bernstein & the Hot 9 • Darcy James Argue’s Secret Society • Charles Tolliver • Michel Legrand • Jason Lindner • Miguel Zenon • Guillermo Klein • Lionel Hampton • Satoko Fujii • Andrew Hill • Anthony Braxton • Pedro Giraudo • Charli Persip Joseph Fiedler 4 • Ed Palermo • Joey Sellers • Chico O'Farrill • Bobby Sanabria • David Weiss’ Endangered Species • TILT Brass Ensemble AFRO-CARRIBBEAN • Eddie Palmieri’s Salsa Orchestra • Eddie Palmieri y La Perfecta • Celia Cruz • Willie Colon • Dave Valentin • Larry Harlow and the Latin Legends • The Spanish Harlem Orchestra • Alfredo De La Fe • Jimmy Bosch • The Latin Giants of Jazz • The Mambo Legends Orchestra • Nestor Torres • La India • Viento De Agua POP ENSEMBLES • Jennifer Lopez • Marc Anthony • John Legend • Michael Buble • Little Louis Vega • Wycleff Jean • Firewater • The Animators • Delta Rae • Vienna Teng • Block • The Four Tops • Leslie Gore • Ann Magnuson SELECTED THEATER/RECORDING/COMMERCIAL WORK • BROADWAY SHOWS o In the Heights o A Christmas Story • BROADWAY SHOWS (SUBSTITUTE) o Memphis o Priscilla Queen of the Desert o Anything Goes o How to Succeed in Business Without Trying o Elf Joseph Fiedler 5 o Hair • FILM SOUNDTRACKS o Hail Caesar o Zoolander 2 o The Secret Life of Walter Mitty • TELEVISION o Sesame Street (PBS) o The Electric Company (PBS) o Hello World! (The Discovery Channel) o Nature Cat (PBS) o Julie’s Green Room (Netflix) o Blues Clues (Nickelodeon) o Super Why (Nickelodeon) o Golf Channel o Fox Sports • NATIONAL COMMERCIALS o Dunkin Donuts o Jantzen o State Farm o Marriott Hotels o Puffs SELECTED JAZZ FESTIVAL APPEARANCES • North Sea Jazz Festival (Den Haag/Rotterdam, The Netherlands) • Copenhagen Jazz Festival (Copenhagen, Denmark) • Umbria Jazz Festival (Perugia/Cortona, Italy) • Sexiel Jazz Festival (Sexiel, Portugal) • Jazz Em Agosto (Lisbon, Portugal) • Torino Jazz Festival (Torino, Italy) • Umea Jazz Festival (Umea, Sweden) • Saalfelden Jazz Festival (Saalfelden, Austria) • Monterey Jazz Festival • Newport Jazz Festival • Detroit Jazz Festival • JVC Jazz Festival (New York) • Montreaux/Atlanta Jazz Festival • Discover Jazz Festival (Burlington, Vermont) SELECTED JAZZ CLUB APPEARANCES • Dizzy’s • The Knitting Factory • The Blue Note • Sweet Basil • Village Vanguard • Iridium • Jazz Gallery Joseph Fiedler 6 • Yoshi’s SELECTED DISCOGRAPHY AS A LEADER • Like, Strange (Multiphonics Music, 2016) • I’m In (Multiphonics Music, 2015) • Sackbut Stomp (Multiphonics Music, 2013) • Joe Fiedler’s Big Sackbut (Yellow Sound Label, 2012) • Sacred Chrome Orb (Yellow Sound Label, 2011) • The Crab (Clean Feed, 2007) • Plays the Music of Albert Mangelsdorff (Clean Feed, 2005) • 110 Bridge St. (CIMP, 1998) AS A CO-LEADER • In Formation Network (Nuscope
Recommended publications
  • Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long

    Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long

    MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler.
  • NYC Jazz Record

    NYC Jazz Record

    execution. Added inventiveness is found on Dresser’s GLOBE UNITY: BRAZIL composition “Yeller Grace”, which blends “Yellow Rose of Texas”, “Amazing Grace” and the National Anthem into a barely recognizable yet fully engaging mix. And they show plenty of versatility, as piano and bass converse equally well within the sweeping, legato passages of “For My Mother” or the jarring, playful bounces of “Big Mama”. But the true highlight is their interplay on Dresser’s composition “Mattress on a Stick”, which leads with a breathtakingly lyrical bass introduction, over Moser’s sparse and haunting choice Patience of chords. Each tune was recorded straight to two Stéphane Kerecki/John Taylor (Zig-Zag Territoires) entirely clean, un-mixed tracks, the depth of the tones All Strung Out astounding, providing a truly intimate experience. Piano Masters Series, Vol. 2 Denman Maroney/Dominic Lash (Kadima Collective) Philippe Baden Powell (Adventure Music) Duetto Mark Dresser/Diane Moser (CIMP) For more information, visit outhere-music.com/zigzag, Tempo (feat. Eddie Gomez) Tania Maria (Naïve) by Sam Spokony kadimacollective.com and cimprecords.com. Moser and Constelação Brazilian Trio (Motéma Music) In these three albums, we find each piano/bass duo Dresser are at Cornelia Street Café Sep. 6th. See Calendar. by Tom Greenland approaching the world of free improvisation with The world’s fifth largest country, home of bossa different modes of thought and intensity. nova, samba and birthplace of Tom Jobim, Airto Patience, by French bassist Stéphane Kerecki and Moreira, Milton Nascimento and Hermeto Pascoal British pianist John Taylor, reveals the strong influence (to name only a few), Brazil has deeply impacted of the classic dynamic that once existed between jazz.
  • Upcoming Events in Denmark Last Updated: January 25, 2019

    Upcoming Events in Denmark Last Updated: January 25, 2019

    Upcoming events in Denmark Last updated: January 25, 2019 JAN 29.01 -01.02 Copenhagen Fashion Week Copenhagen More info 31.01-06.02 DIIS Docs & Talks film and research festival Cinemateket, Copenhagen More info FEB 01-24.02 Winter in Tivoli Copenhagen More info 01-24.02 Winter Jazz Copenhagen More info 01-24.02 Copenhagen Light Festival Copenhagen More info 02-03.02 Cyclo Cross World Championship Bogense, Fyn More info 12-13.02 Test run at CopenHill (artificial ski slope) Copenhagen More info 10-17.02 Dining Week and Cocktail Week Nationwide More info MAR 14.03 The Danish Government hosts Digitalt Topmøde 2019 Copenhagen More info 18-20.03 Danish State Visit to Argentina Argentina More info APR SCHEDULED - Arrival of two pandas in Copenhagen Zoo's new panda enclosure DATE TBC Zoologisk Have, Copenhagen More info MAY 10-12.05 Elle Style Award 2019 Copenhagen More info 23.05-01.06 CPH Stage Copenhagen More info 26.05 Election for European Parliament Nationwide More info 29.05-02.06 Distortion Copenhagen More info JUN 01.06 HRH Crown Prince Frederik in Faroe Islands to kick off Royal Run Klaksvík, Faroe Islands More info 06-16.06 Copenhagen Photo Festival Copenhagen More info 10.06 Royal Run Aarhus, Aalborg, Copenhagen, Rønne More info 19-22.06 Copenhell (heavy metal music festival) Copenhagen More info 29.06-06.07 Roskilde Festival Roskilde Dyreskueplads More info JUL 07-16.07 Copenhagen Jazz Festival Copenhagen More info SCHEDULED - Opening of Metro Cityringen DATE TBC Copenhagen More info AUG 13-18.08 Copenhagen Pride Copenhagen More info 23.08-01.09 Copenhagen Cooking and Food Festival Copenhagen More info SEP 04-06.09 MAST Northern Coasts Cooperation (maritime conference) Copenhagen More info OCT SCHEDULED - C40 Summit in Copenhagen DATE TBC Copenhagen More info NOV No November events listed DEC No December events listed The list upcoming events from the International Press Centre in Copenhagen is aimed at foreign editors, correspondents and photographers covering Denmark, highlighting some of the events that might be of interest.
  • Proud Activist Kirsten Ussery Is Detroit Dynamo

    Proud Activist Kirsten Ussery Is Detroit Dynamo

    FREE | SEPT. 29, 2011 | VOL. 1939 2011 | VOL. 29, | SEPT. EXCLUSIVE CHAT WITH FIrst OPENLY GAY BISHOP AIDS WALK MICHIGAN RAISES MORE THAN $100K GlorIA EstefAN TALKS TARGET GAFFE, NEW CD PROUD ACTIVIst COME OUT, KIrsteN USSERY IS DETROIT DYNAMO step UP PRIDESOURCE.COM 2 Between The Lines • September 29, 2011 9.29.2011 10 15 19 Cover story Life 6 | From closeted activist to Detroit dynamo 15 | Gloria Reaches Out to the Gays Kirsten Ussery urges people of In this exclusive chat, the Queen of Latin color to come out and step up Pop talks conservative upbringing, gay BTL photo: Andrew Potter marriage and Target controversy News 18 | ‘Ordinary’ gays in ‘extraordinary’ musical Relationships examined in new 5 | Speak Out Kalamazoo musical Progress is possible 19 | Hear Me Out 7 | First openly gay bishop talks death threats, Erasure succeeds with new sound. Plus: 9/11 Tori Amos’ best album in years 9 | Partner benefits for state employees 20 | Happenings Featured: Vienna Teng on Oct. 7 at could cost $600K The Power Center in Ann Arbor 11 | AIDS Walk Michigan raises more than 21 | Curtain Calls $100K Reviews of “Unlocking Desire” and “A Day in Hollywood/A Night in Ukraine” 12 | Police probe bullying after 14-year-old commits suicide 13 | State Equality Dinner award winners Rear View announced 22 | Dear Jody 23 | Horoscopes Opinions 24 | Puzzle 8 | BTL Editorial GOP’s argument against partner benefits is cheap 25 | Classifieds 8 | Thinking Out Loud Who are you calling a hater? 27 | Deep Inside Hollywood 10 | S/he said Politics, discrimination 10 | Heard on Facebook We’re sad to report that a New York teen who made an “It Gets Better” video committed suicide.
  • Jazz at Lincoln Center with Wynton Dave Liebman Explained from His Seat at Jazz at Marsalis Fêted Mccoy Tyner and Charles Mcpherson Kitano’S Bar (Apr

    Jazz at Lincoln Center with Wynton Dave Liebman Explained from His Seat at Jazz at Marsalis Fêted Mccoy Tyner and Charles Mcpherson Kitano’S Bar (Apr

    new york @ nigHt To provide healthcare and disaster relief for needy Jazz these days can be found most anywhere, from musicians, Wendy Oxenhorn and the Jazz Foundation hallowed concert hall to basement dive bar screaming o f of America must repeatedly replenish the non-profit’s fire-code violations. But perhaps the best place to hear FrEeDoM Sound coffers. The 17th annual “A Great Night in Harlem” creative musicians is in the company of other creations, benefit, held at the Apollo Theater on the anniversary like an art gallery or bookstore. There is an analogue of Martin Luther King’s 1968 assassination (Apr. 4th), between the notes and lines being generated by the could have been a somber occasion, but the mood was instruments and the colors and textures of a painting celebratory. Harry Belafonte (not present), Tony or sentences and themes of a novel. This synergy is Bennett and the late Hugh Masekela were honored for what drove local jazz journalist and all-around lifelong commitment to humanitarian causes, each an enthusiast Luigi Santosuosso to form a partnership agent for political change through music. Indeed, in with Rizzoli Books, one of the city’s most charming his remembrances of Belafonte and King, erstwhile purveyors of print. His series is in its ninth month and Civil Rights activist/ambassador Andrew Young fills a need for afternoon jazz appropriate for both quoted Paul Robeson: “Artists are the gatekeepers of aficionados and families striving to become so. On the truth.” The music, casual but passionate, scripted yet first gorgeous weekend of 2019, a large crowd came to freeform, reinforced the political spirit.
  • Miguel Zenón Quartet

    Miguel Zenón Quartet

    Jimmy Katz Jimmy MIGUEL ZENÓN QUARTET Miguel Zenón Alto Sax Luis Perdomo Piano Hans Glawischnig Bass Henry Cole Drums PROGRAM There will be no intermission. Saturday, February 11 @ 7 PM and 9:30 PM Prince Theatre Part of the African Roots, American Voices series. 16/17 SEASON 5 PROGRAM NOTES Miguel Zenón’s new album, Típico, is above all a celebration of his longstanding quartet. His previous releases have augmented the core unit with additional instrumentalists as Zenón looked outward to explore various aspects of his Puerto Rican heritage. This new album feels more intimate. Its focus stays closer to home, with nods to Zenón’s own personal and professional life as it zeroes in on what makes his band unique. Zenón’s quartet has been developing a common language for more than a decade. Pianist Luis Perdomo and bassist Hans Glawischnig have been with Zenón since the turn of the millennium; drummer Henry Cole joined the band in 2005. Their language is thoroughly fluent in modern jazz, with instrumental prowess. The dialect of rhythmic and harmonic complexity they’ve created together through the years is distinctive. ABOUT THE ARTISTS Miguel Zenón (Alto Sax) Multiple Grammy® nominee and Guggenheim and MacArthur Fellow Miguel Zenón represents a select group of musicians who have masterfully balanced and blended the often contradictory poles of innovation and tradition. Widely considered as one of the most groundbreaking and influential saxophonists of his generation, he has also developed a unique voice as a composer and as a conceptualist, concentrating his efforts on perfecting a fine mix between Latin American folkloric music and jazz.
  • Albert Mangelsdorff Übungsstunden Im Jazzkel- Ler Frankfurt

    Albert Mangelsdorff Übungsstunden Im Jazzkel- Ler Frankfurt

    JAZZ-PORTRAIT unabhängig davon, dass Ten- denzen des Jazz aus dem Her- kunftsland USA nach dem Zweiten Weltkrieg in Europa wie normative Ideen rezipiert wurden: »Erstens ist es nicht hier gewachsen, zweitens ist es ja eine Musik, von der man eigentlich weg wollte. Was man als Jazz-Musiker will, ist doch immer die eigene Mu- sik«, sagte er einst im Ge- spräch mit Joachim Ernst Be- rendt (in: »Ein Fenster aus Jazz«). Doch Folklore, ebenso wie seine klassische Ausbil- dung, war nur bedingt ein Thema für Albert Mangels- dorff, wie Wolfram Knauer in seinem Essay »Zum Umgang von Jazz-Musikern mit deut- scher Musiktradition« (in: »Tension«) dessen minde- stens skeptische Haltung be- schrieb. Mangelsdorff be- kannte sich ostentativ dazu, »dass die eigentlichen Ele- mente des Jazz nicht verges- sen werden«. Durch seine kritische Abgrenzung von Imitationen, nicht aber die Ablehnung der afro-amerika- nischen Tradition, und seine Hinwendung zu eigenen Ressourcen gab Albert Man- gelsdorff entscheidende und nachhaltige Impulse für die Emanzipation des europäi- Photo: Sven Thielmann schen Jazz. Eigenes entstand für ihn zunächst einzeln, und zwar durch seine legendären Albert Mangelsdorff Übungsstunden im Jazzkel- ler Frankfurt. Von diesen täg- uperlative umgaben Albert Man- ausgezeichnet, sondern er war auch stets lichen Exerzitien war Albert Mangels- gelsdorff (1928 - 2005) schon zu eine kulturell integrative Persönlichkeit. dorff »abhängig, einfach um den S Lebzeiten wie einen Nimbus. Ido- Seine respektierte Autorität wirkte Standard zu halten« für
  • Dave Burrell, Pianist Composer Arranger Recordings As Leader from 1966 to Present Compiled by Monika Larsson

    Dave Burrell, Pianist Composer Arranger Recordings As Leader from 1966 to Present Compiled by Monika Larsson

    Dave Burrell, Pianist Composer Arranger Recordings as Leader From 1966 to present Compiled by Monika Larsson. All Rights Reserved (2017) Please Note: Duplication of this document is not permitted without authorization. HIGH Dave Burrell, leader, piano Norris Jones, bass Bobby Kapp, drums, side 1 and 2: b Sunny Murray, drums, side 2: a Pharoah Sanders, tambourine, side . Recording dates: February 6, 1968 and September 6, 1968, New York City, New York. Produced By: Alan Douglas. Douglas, USA #SD798, 1968-LP Side 1:West Side Story (L. Bernstein) 19:35 Side 2: a. East Side Colors (D. Burrell) 15:15 b. Margy Pargy (D. Burrell 2:58 HIGH TWO Dave Burrell, leader, arranger, piano Norris Jones, bass Sunny Murray, drums, side 1 Bobby Kapp, drums side 2. Recording Dates: February 6 and September 9, 1968, New York City, New York. Produced By: Alan Douglas. Additional production: Michael Cuscuna. Trio Freedom, Japan #PA6077 1969-LP. Side: 1: East Side Colors (D. Burrell) 15:15 Side: 2: Theme Stream Medley (D.Burrell) 15:23 a.Dave Blue b.Bittersweet Reminiscence c.Bobby and Si d.Margie Pargie (A.M. Rag) e.Oozi Oozi f.Inside Ouch Re-issues: High Two - Freedom, Japan TKCB-70327 CD Lions Abroad - Black Lion, UK Vol. 2: Piano Trios. # BLCD 7621-2 2-1996CD HIGH WON HIGH TWO Dave Burrell, leader, arranger, piano Sirone (Norris Jones) bass Bobby Kapp, drums, side 1, 2 and 4 Sunny Murray, drums, side 3 Pharoah Sanders, tambourine, side 1, 2, 4. Recording dates: February 6, 1968 and September 6, 1968, New York City, New York.
  • Frameworks for the Downtown Arts Scene

    Frameworks for the Downtown Arts Scene

    ACADEMIC REGISTRAR ROOM 261 DIVERSITY OF LONDON 3Ei’ ATE HOUSE v'Al i STREET LONDON WC1E7HU Strategy in Context: The Work and Practice of New York’s Downtown Artists in the Late 1970s and Early 1980s By Sharon Patricia Harper Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of the History of Art at University College London 2003 1 UMI Number: U602573 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U602573 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The rise of neo-conservatism defined the critical context of many appraisals of artistic work produced in downtown New York in the late 1970s and early 1980s. Although initial reviews of the scene were largely enthusiastic, subsequent assessments of artistic work from this period have been largely negative. Artists like Keith Haring, Jean-Michel Basquiat and Kenny Scharf have been assessed primarily in terms of gentrification, commodification, and political commitment relying upon various theoretical assumptions about social processes. The conclusions reached have primarily centred upon the lack of resistance by these artists to post­ industrial capitalism in its various manifestations.
  • Iq Flash Music 4-15 464 Songs, 1.2 Days, 3.33 GB

    Iq Flash Music 4-15 464 Songs, 1.2 Days, 3.33 GB

    Page 1 of 13 iQ Flash Music 4-15 464 songs, 1.2 days, 3.33 GB Name Time Album Artist 1 001 Pester Karneval 10:40 Waves Of The Danube (CD13002) 2 002 Hungarian Dance No.6 3:22 Waves Of The Danube (CD13002) 3 003 Hungarian Dance No.5 5:25 Waves Of The Danube (CD13002) 4 004 Hungarian Dance No.1 3:10 Waves Of The Danube (CD13002) 5 005 Emperor Waltz 11:23 Waves Of The Danube (CD13002) 6 006 Blue Danube Waltz 12:57 Waves Of The Danube (CD13002) 7 007 Sonata in F Maj K505 2:33 The Sonata: Domenico Scarlatti (PD3021) 8 008 Sonata in E Maj K496 4:19 The Sonata: Domenico Scarlatti (PD3021) 9 009 Sonata in E Maj K495 3:08 The Sonata: Domenico Scarlatti (PD3021) 10 010 Sonata in C Maj K502 3:52 The Sonata: Domenico Scarlatti (PD3021) 11 011 Sonata in C Maj K501 4:57 The Sonata: Domenico Scarlatti (PD3021) 12 012 Sonata in C Maj K487 3:38 The Sonata: Domenico Scarlatti (PD3021) 13 013 Sonata in C Maj K486 4:19 The Sonata: Domenico Scarlatti (PD3021) 14 014 Sonata in BbMaj K504 2:21 The Sonata: Domenico Scarlatti (PD3021) 15 015 Sonata in BbMaj K488 3:17 The Sonata: Domenico Scarlatti (PD3021) 16 016 Sonata in b min K498 3:11 The Sonata: Domenico Scarlatti (PD3021) 17 017 Sonata in b min K497 3:38 The Sonata: Domenico Scarlatti (PD3021) 18 018 Sonata in A Maj K500 3:22 The Sonata: Domenico Scarlatti (PD3021) 19 019 K576 - Allegro 3:45 The Great Composers: W.A.
  • 2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS

    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT for the ARTS

    2015 NEA Jazz Masters 2015 NATIONAL ENDOWMENT FOR THE ARTS 2015 Fellows Carla Bley George Coleman Charles Lloyd Joe Segal NEA Jazz Masters 2015 Contents Introduction ..............................................................................1 A Brief History of the Program ................................................2 Program Overview ...................................................................5 2015 NEA Jazz Masters............................................................7 Carla Bley .......................................................................................8 George Coleman............................................................................9 Charles Lloyd ...............................................................................10 Joe Segal ......................................................................................11 NEA Jazz Masters, 1982–2015..............................................12 NEA Jazz Masters Awards Ceremony ...................................14 Pianist Jason Moran and guitarist Bill Frisell perform 2014 NEA Jazz Master Keith Jarrett’s “Memories of Tomorrow” at the 2014 awards concert. Photo by Michael G. Stewart The NEA is committed to preserving the legacy of jazz not just for this ”generation, but for future generations as well. ” IV NEA Jazz Masters 2015 IT IS MY PLEASURE to introduce the 2015 class of NEA Jazz Masters. The NEA Jazz Masters awards—the nation’s highest recognition of jazz in America—are given to those who have reached the pinnacle of their art: musicians
  • The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By

    The Death of Postfeminism : Oprah and the Riot Grrrls Talk Back By

    The death of postfeminism : Oprah and the Riot Grrrls talk back by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English Montana State University © Copyright by Cathy Sue Copenhagen (2002) Abstract: This paper addresses the ways feminism operates in two female literary communities: the televised Oprah Winfrey talk show and book club and the Riot Grrrl zine movement. Both communities are analyzed as ideological responses of women and girls to consumerism, media conglomeration, mainstream appropriation of movements, and postmodern "postfeminist" cultural fragmentation. The far-reaching "Oprah" effect on modem publishing is critiqued, as well as the controversies and contradictions of the effect. Oprah is analyzed as a divided text operating in a late capitalist culture with third wave feminist tactics. The Riot Grrrl movement is discussed as the potential beginning of a fourth wave of feminism. The Grrrls redefine feminism and femininity in their music and writings in zines. The two sites are important to study as they are mainly populated by under represented segments of "postfeminist" society: middle aged women and young girls. THE DEATH OF "POSTFEMINISM": OPRAH AND THE RIOT GRRRLS TALK BACK by Cathy Sue Copenhagen A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSITY Bozeman, MT May 2002 ii , ^ 04 APPROVAL of a thesis submitted by Cathy Sue Copenhagen This thesis has been read by each member of a thesis committee and has been found to be satisfactory regarding content, English Usage, format, citations, bibliographic style, and consistency, and is ready for submission to the College of Graduate Studies.