Read Book the Art and Soul of Blade Runner 2049
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Blade II" (Luke Goss), the Reapers Feed Quickly
J.antie Lissow- knocks Starbucks, offers funny anecdotes By Jessica Besack has been steadily rising. stuff. If you take out a whole said, you might find "Daddy's bright !)ink T -shirt with the Staff Writer He is now signed under the shelf, it will only cost you $20." Little Princess" upon closer sparkly words "Daddy's Little Gersh Agency, which handles Starbucks' coffee was another reading. Princess" emblazoned across the Comedian Jamie Lissow other comics such as Dave object of Lissow's humor. He In conclusion to his routine, front. entertained a small audience in Chappele, Jim Breuer and The warned the audience to be cau Lissow removed his hooded You can read more about the Wolves' Den this past Friday Kids in the Hall. tious when ordering coffee there, sweatshirt to reveal a muscular Jamie Lissow at evening joking about Starbucks Lissow amused the audience since he has experienced torso bulging out of a tight, http://www.jamielissow.com. coffee, workout buffs, dollar with anecdotes of his experi mishaps in the process. stores and The University itself. ences while touring other col "I once asked 'Could I get a Lissow, who has appeared on leges during the past few weeks. triple caramel frappuccino "The Tonight Show with Jay At one college, he performed pocus-mocha?"' Lissow said, Leno" and NBC's "Late Friday," on a stage with no microphone "and the coffee lady turned into a opened his act with a comment after an awkward introduction, newt. I think I said it wrong." about the size of the audience, only to notice that halfway Lissow asked audience what saying that when he booked The through his act, students began the popular bars were for University show, he presented approaching the stage carrying University students. -
Super Ticket Student Edition.Pdf
THE NATION’S NEWSPAPER Math TODAY™ Student Edition Super Ticket Sales Focus Questions: h What are the values of the mean, median, and mode for opening weekend ticket sales and total ticket sales of this group of Super ticket sales movies? Marvel Studio’s Avi Arad is on a hot streak, having pro- duced six consecutive No. 1 hits at the box office. h For each data set, determine the difference between the mean and Blade (1998) median values. Opening Total ticket $17.1 $70.1 weekend sales X-Men (2000) (in millions) h How do opening weekend ticket $54.5 $157.3 sales compare as a percent of Blade 2 (2002) total ticket sales? $32.5 $81.7 Spider-Man (2002) $114.8 $403.7 Daredevil (2003) $45 $102.2 X2: X-Men United (2003) 1 $85.6 $200.3 1 – Still in theaters Source: Nielsen EDI By Julie Snider, USA TODAY Activity Overview: In this activity, you will create two box and whisker plots of the data in the USA TODAY Snapshot® "Super ticket sales." You will calculate mean, median and mode values for both sets of data. You will then compare the two sets of data by analyzing the differences graphically in the box and whisker plots, and numerically as percents of ticket sales. ©COPYRIGHT 2004 USA TODAY, a division of Gannett Co., Inc. This activity was created for use with Texas Instruments handheld technology. MATH TODAY STUDENT EDITION Super Ticket Sales Conquering comic heroes LIFE SECTION - FRIDAY - APRIL 26, 2002 - PAGE 1D By Susan Wloszczyna USA TODAY Behind nearly every timeless comic- Man comic books the way an English generations weaned on cowls and book hero, there's a deceptively unas- scholar loves Macbeth," he confess- capes. -
Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels Over 95% †
International Journal of Turbomachinery Propulsion and Power Article Experiments of Transpiration Cooling Inspired Panel Cooling on a Turbine Blade Yielding Film Effectiveness Levels over 95% † Augustin Wambersie 1,*, Holt Wong 1 , Peter Ireland 1 and Ignacio Mayo 2 1 Department of Engineering Science, University of Oxford, Oxford OX1 3PJ, UK; [email protected] (H.W.); [email protected] (P.I.) 2 Rolls-Royce PLC, Derby DE24 8BJ, UK; [email protected] * Correspondence: [email protected] † This paper is an extended version of our meeting paper published in the 14th European Turbomachinery Conference, Gdansk, Poland, 12–16 April 2021. Abstract: Panels were tested at different locations around the turbine blade, on both suction and pressure surfaces. Three different surface porosities were also tested. Results demonstrated that the approach can be very successful with high levels of film cooling effectiveness, exceeding 95%, achieved using low coolant mass flow rates. Increasing the surface porosity also proved to be an important parameter in the panel’s performance. Additionally, staggering the film holes lead to signif- icant positive interactions between individual films, resulting in much improved panel performance. Keywords: transpiration cooling; turbine blade; film cooling; pressure sensitive paint Citation: Wambersie, A.; Wong, H.; Ireland, P.; Mayo, I. Experiments of 1. Introduction Transpiration Cooling Inspired Panel The need to design turbine blades able to endure the ever increasing temperatures Cooling on a Turbine Blade Yielding found in the next generation of turbine engines has long motivated continuous improve- Film Effectiveness Levels over 95% . ment in cooling and material technology. -
Blade Runner and the Right to Life Eli Park Sorensen
Blade Runner and the Right to Life Eli Park Sorensen Trans-Humanities Journal, Volume 8, Number 3, October 2015, pp. 111-129 (Article) Published by University of Hawai'i Press DOI: https://doi.org/10.1353/trh.2015.0012 For additional information about this article https://muse.jhu.edu/article/635253/summary [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Blade Runner and the Right to Life Eli Park SORENSEN (Seoul National University) Ⅰ. Introduction One of the most debated issues in connection with Ridley Scott’s sci-fi masterpiece Blade Runner (1982) is whether Deckard — the protagonist, played by Harrison Ford — is a replicant or not. Allegedly, Ford was strongly opposed to Scott’s decision to include the famous unicorn scene in the film, which apparently confirms that Deckard — like Rachael — possesses “implants,” synthetic memories; a scene anticipating the film’s ending, during which Deckard finds an origami unicorn left by detective Gaff, who thus reveals that he knows about Deckard’s real identity — that he is in fact a replicant (Sammon 362). In this article, I suggest that although much of the scholarship and criticism on Blade Runner tends to focus on this particular issue, it nonetheless remains one of the least interesting aspects of the film. Or, to put it differently, whether Deckard is a replicant is a question whose real purpose rather seems to be covering a far more traumatic issue, which Michel Foucault in the first volume of History of Sexuality addresses thus: “The ‘right’ to life, to one’s body, to health, to happiness, to the satisfactions of needs, and beyond all the oppressions or ‘alienations,’ the ‘right’ to rediscover what one is and all that one can be” (145). -
Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration
FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves. -
On the Postmodern Condition
1 Journal of Undergraduate Research and Scholarly Works Volume 7 December 2020 On the Postmodern Condition Sean Carroll Abstract University of Texas at San Antonio As a cultural movement, Postmodernism begun to solidify itself since the 1970s. Despite what some may say of its necessarily unstructured nature, coherent reflection about it is useful. While there is a growing literature on this topic, the present study, as suggested by David Harvey, seeks to use an historical, materialist framework, as developed by Karl Marx, to interpret postmodern culture. To do this, I began with the studies of the substructures of postmodern culture (political-economic and material conditions), and then sought to find reflective cohesion among its ‘aesthetic’ superstructures (social, philosophical, cinematic, literary, and musical) and their underlying conditions. As a result, from these studies, I found that the aesthetic sentiments of postmodern culture quite neatly map onto the material conditions, which inform its context. These sentiments imply a complicit disposition towards many aspects of late capitalism (such as consumerism and alienation). These findings are significant because it forces postmodernism to take a more honest look at itself, and become self-aware of its implications. My findings imply that if postmodern sentiments truly want to harbor an activism toward the status quo, it must first realign itself with more unifying attitudes. While a single resolution has yet to be concluded, the present study provides some general directions -
Ideology As Dystopia: an Interpretation of "Blade Runner" Author(S): Douglas E
Ideology as Dystopia: An Interpretation of "Blade Runner" Author(s): Douglas E. Williams Source: International Political Science Review / Revue internationale de science politique, Vol. 9, No. 4, (Oct., 1988), pp. 381-394 Published by: Sage Publications, Ltd. Stable URL: http://www.jstor.org/stable/1600763 Accessed: 25/04/2008 20:30 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sageltd. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org InternationalPolitical ScienceReview (1988), Vol. 9, No. 4, 381-394 Ideology as Dystopia: An Interpretation of Blade Runner DOUGLASE. -
Jo-Ann Macneil CV
JO-ANN MACNEIL +44 (0)7539 274156 Makeup Designer [email protected] Jo-Ann’s current project is Guillermo del Toro's feature "Nightmare Alley" and has just completed Denis Villeneuve's "Dune" as Key Make Up. Her recent films as Makeup Designer include the DC Comic feature film "Shazam" with Zachary Levi and Mark Strong. The Netflix original How It Ends with Forest Whitaker and Theo James and The Headhunter’s Calling with Gerard Butler. She has also recently completed Denis Villeneuve’s Blade Runner 2049 as Key Makeup in which she was nominated for A MUAHS guild award. David Ayer’s DC comic epic Suicide Squad as Makeup Head of Department. Suicide Squad won an Academy Award in 2017 for Achievement in Makeup. In 2014, Jo-Ann won a Canadian Screen Award for her work on The Mortal Instruments: City of Bones. Jo-Ann has always prided herself on an impeccable attention to detail that helps bring every one of her projects to life. Much in demand, she is based in the UK and available for work worldwide. Jo-Ann is a member of IATSE Local 873. Selected recent credits include: Director / Production company Date / Production Head of Department / Makeup Designer Feature Films Guillermo del Toro/Tyrone Productions 2020 Nightmare Alley 2019 SHAZAM David Sandberg / Jellystone Films 2018 HOW IT ENDS David Rosenthal / Netflix 2017 XXX: THE RETURN OF XANDER CAGE DJ. Caruso / Maple Cage Productions 2017 A FAMILY MAN Mark Williams/Zero Gravity Productions David Ayer / Atlas Entertainment 2016 SUICIDE SQUAD ** Academy Award for Achievement in Make Up 2017 Chris Colombus / Columbia Pictures 2014 PIXELS Paul W.S. -
Download Press Release
Philip Martin Gallery Tis Synthetic Moment (Replicant) Curated by David Hartt July 13 - August 24, 2019 Press Release Philip Martin Gallery is pleased to present an exhibition curated by David Hartt. Chino Amobi, Lewis Baltz, Kwame Brathwaite, Lynne Cohen, Andrew Esiebo, Rick Farin, David Hartt, Joanne Petit-Frére, Gabriella Torres-Ferrer, Wilmer Wilson IV and Christopher Wool. Tere will be an opening reception Saturday, July 13 from 6-8pm. Te opening reception will be followed by a conversation between David Hartt and musician, songwriter and producer Van Dyke Parks at 8pm. A music and video performance by Tomory Dodge and Cheryl Cambras will then follow the conversation. At the beginning of the flm Blade Runner (1982) - following the expository opening crawl - a place and date fash briefy onto screen: Los Angeles, November, 2019. Ten fade-up with a burst of fames spewing forth from the Hades landscape of an oil refnery that blends indiscernibly with the city as a fying craft streams off toward illuminated twin pyramids on the horizon. Ridley Scott speaks of fying into Manhattan in a helicopter and landing on the Pan Am building as 2712 S. La Cienega Blvd., Los Angeles, CA 90034 (310) 559-0100 [email protected] Philip Martin Gallery inspiration for the dense polluted megalopolis that appears in the movie. “We used to drift in over the city, very close to the buildings, and it felt like the way of the future.” William Gibson, whose early noir/ science fction shares thematic and textural similarities with the flm has said that “Te future is already here – it’s just not evenly distributed.” Te myths of the future have arrived, they’re just very different looking and their analog is someplace else. -
Blade Runner 2049 to Open the 46Th Festival Du Nouveau Cinéma
Press release For immediate release A special presentation of Denis Villeneuve’s BLADE RUNNER 2049 Opening film of the 46th Montreal Festival du nouveau cinéma (FNC) Montreal, September 21, 2017 – Montreal Festival du nouveau cinéma (FNC) is pleased to announce that Denis Villeneuve’s latest work, BLADE RUNNER 2049, will be presented at a special screening on October 4 at Théâtre Maisonneuve de la Place des Arts as the opening film of its 46th edition, which runs from October 4 to 15, 2017. After screening his first movies, the FNC is proud to welcome the Quebec director back to his hometown with his latest opus, his fourth American feature, and one of the most highly anticipated films of the year. BLADE RUNNER 2049 is a sequel to the acclaimed classic Blade Runner, directed by Ridley Scott in 1982. In the new film, a young blade runner's discovery of a long-buried secret leads him on a quest to track down former blade runner, Rick Deckard, who has been missing for thirty years. BLADE RUNNER 2049 features a star-studded cast, led by Ryan Gosling (Drive, La La Land) and Harrison Ford (the Star Wars saga, Indiana Jones), reprising his role as Rick Deckard. Also starring in the movie, are Ana de Armas (War Dogs), Sylvia Hoeks (Renegades), Robin Wright (House of Cards, Wonder Woman), Mackenzie Davis (The Martian), Carla Juri (Brimstone), and Lennie James (The Walking Dead), with Dave Bautista (the Guardians of the Galaxy films), and Jared Leto (Dallas Buyers Club, Suicide Squad). BLADE RUNNER 2049 was produced by Andrew A. -
LET US ENTERTAIN YOU Your Ultimate Guide to This Month’S Superb Selection of Movies, TV, Music and Games
LET US ENTERTAIN YOU Your ultimate guide to this month’s superb selection of movies, TV, music and games All on board and right at your fi ngertips Movies New Releases and Recent Movies p1166––117 Made in Belgium p118 World Cinema p119 TV Programmes See the full list p120-121 News and Sports See highlights on p121 Music See the full list on p1222 Games See the full list on p1222 © 2017 TWENTIETH CENTURY FOX FILM CORPORATION. ALL RIGHTS RESERVED ALL FILM CORPORATION. FOX TWENTIETH CENTURY 2017 © Welcome! Switch on to switch off and relax on your Brussels Airlines fl ight today with our extensive range of top entertainment options. MURDER ON THE ORIENT EXPRESS THE ORIENT MURDER ON Thiss month’s faantasttic liine--upp innclluddees the much-anticcipateed scci-fifi seequuel BLAADDEE RUNNNER 2049, star--studddeed mmuurdder mysstery MURDER ON THHE OORIENNTT EXPPRESS, Frencch bioopic GAAUUGGUIIN, wwhiich explores the artist’s timme in Taahiti, aand BLAACK-ISH, thee hilarrious sitcoom sttarriing Anthony Anderson. © 2017 WARNER BROTHERS. ALL RIGHTS RESERVED, RIGHTS RESERVED, ALL BROTHERS. WARNER 2017 © BLADE RUNNER FEBRUARY 2018 115 LLH_BI_115-122H_BI_115-122 IFE.PDV.inddIFE.PDV.indd 111515 222/01/20182/01/2018 112:462:46 FEATURED MOVIES Blade Runner 2049 (2017) Director Denis Villeneuve Cast Ryan Gosling, Harrison Ford, Jared Leto, Ana de Armas Languages EN, FR, DE, ES, IT, PT, NL A sequel more than 30 years in the making, director Denis Villeneuve’s visually stunning fi lm follows ‘blade runner’ K (Ryan Gosling) as he tries to uncover a secret that could rip a futuristic Los Angeles apart. -
{PDF} Do Androids Dream of Electric Sheep?, Volume 2: Dust to Dust
DO ANDROIDS DREAM OF ELECTRIC SHEEP?, VOLUME 2: DUST TO DUST PDF, EPUB, EBOOK Chris Roberson,Robert Adler | 112 pages | 12 Apr 2011 | Boom Town | 9781608866182 | English | United States Do Androids Dream of Electric Sheep?, Volume 2: Dust to Dust PDF Book Don't miss this science fiction milestone that fleshes out Philip K. Rick Deckard. When Deckard returns home, he finds Iran grieving because Rachael Rosen arrived while he was gone and killed their goat. In the novel, the android antagonists are indeed more human than [the] human protagonist, intentionally. Christopher Palmer [20] emphasizes Dick's speech to bring to attention the increasingly dangerous risk of humans becoming "mechanical". Other books in the series. Welcome back. Get to Know Us. Setting was cool. Jun 18, Rick rated it liked it. From HPB Inc. A faithful adaptation of the story Mario rated it really liked it Mar 31, Enlarge cover. Send me an email when my question is answered. The trend of increased empathy has coincidentally motivated a new technology-based religion called Mercerism, which uses "empathy boxes" to link users simultaneously to a virtual reality of collective suffering, centered on a martyr -like character, Wilbur Mercer, who eternally climbs up a hill while being hit with crashing stones. In addition to the "empathy boxes", inhabitants of the novel's fictional future world use "Penfield Mood Organs" to precisely adjust their moods according to a dynamic range of available settings. Your feedback helps us make Walmart shopping better for millions of customers. Niv, Tal Therefore, human anxiety about androids expresses uncertainty about human identity and society.