Plays by the Harrogate Dramatic Society, 1946-2018

Total Page:16

File Type:pdf, Size:1020Kb

Plays by the Harrogate Dramatic Society, 1946-2018 Plays by the Harrogate Dramatic Society, 1946-2018 No. Year Date Play Director Venue 305 2018 24-26 May Celebration by Keith Waterhouse & Willis Hall Harrogate Theatre 304 2018 13-17 February The Arsonists by Max Frisch (translated by Alistair Beaton Harrogate Studio Theatre 303 2017 26-28 October The Ghost Train by Arnold Ridley Sue Rawson Harrogate Theatre 302 2017 27 June – 1 July Othello by William Shakespeare John Colston Harrogate Studio Theatre 301 2017 25-27 May Brief Encounter by Noel Coward (adapted by Emma Rice) Stuart Kellet Harrogate Theatre 300 2017 4-8 April Entertaining Angels by Richard Everett Gill McVey Harrogate Studio Theatre 31 January – 4 Death of a Salesman by Arthur Miller Rachel Conyers Harrogate Studio Theatre 299 2017 February 298 2016 2-5 November Are You Being Served by Jeremy Lloyd & David Croft Chris Rawson Harrogate Theatre 297 2016 26-30 July Quartet by Ronald Harwood Stuart Kellet Harrogate Theatre 296 2016 25-28 May The History Boys by Alan Bennett Sue Rawson Harrogate Theatre 295 2016 12-16 April Someone Who’ll Watch Over Me by Frank McGuinness Rachel Conyers Harrogate Studio Theatre 294 2016 26-30 January The Kitchen Sink by Tom Wells Pauline Chick Harrogate Studio Theatre 5-7 November Pygmalion by Bernard Shaw Stuart Kellett, John Colston Harrogate Theatre 293 2015 & Richard Naylor 292 2015 27-30 May Beyond Reasonable Doubt by Jeffrey Archer Frank Moorby Harrogate Theatre 291 2015 25-28 March The God of Carnage by Yasmina Reza Judith Kenley Harrogate Studio Theatre 290 2015 27-31 January The Merry Wives of Windsor by William Shakespeare John Colston Harrogate Studio Theatre 289 2014 6-8 November Neighbourhood Watch by Alan Ayckbourn Chris Rawson Harrogate Theatre 288 2014 5-7 June When We are Married by J.B. Priestley Brian Foster Harrogate Theatre 287 2014 2-5 April Lettice and Lovage by Peter Shaffer Rachel Conyers Harrogate Studio Theatre 286 2014 22-25 January The Sunshine Boys by Neil Simon John Wilford Harrogate Studio Theatre 285 2013 2-5 October Season’s Greetings by Alan Ayckbourn Stuart Kellett Harrogate Studio Theatre 284 2013 8 June The Lover by Harold Pinter Stuart Kellett Knaresborough Frazer Theatre 283 2013 1-4 May Oh What a Lovely War by Joan Littlewood Chris Rawson Harrogate Theatre 27 February – 2 The Birthday Party by Harold Pinter Ian Rattee Harrogate Studio Theatre 282 2013 March 281 2012 12-15 December Macbeth by William Shakespeare John Colston Harrogate Studio Theatre 280 2012 3-6 October Calendar Girls by Tim Firth Stuart Kellett Harrogate Theatre 2-5 May Wind in the Willows by Kenneth Grahame Rachel Conyers & Robin Harrogate Theatre 279 2012 Green 278 2012 22-25 February Ghosts by Henrik Ibsen Frank Moorby Harrogate Studio Theatre 277 2011 7-10 December The Beauty Queen of Leenane by Martin McDonagh Stuart Kellett Harrogate Studio Theatre 276 2011 5-8 October Dad’s Army by Jimmy Perry & David Croft Paul Dunstan Harrogate Theatre 275 2011 12-14 May Gaslight by Patrick Hamilton Chris Rawson Harrogate Theatre 274 2011 2-5 March Suddenly Last Summer by Tennessee Williams Ian Rattee Harrogate Studio Theatre 273 2010 3-6 November Absurd Person Singular by Alan Ayckborn Richard Naylor Harrogate Studio Theatre 272 2010 15-18 September Abigail’s Party by Mike Leigh Joan Percival Harrogate Studio Theatre 271 2010 12-15 May Habeus Corpus by Alan Bennett Stuart Kellett Harrogate Theatre 270 2010 3-6 March The Deep Blue Sea by Terence Rattigan Frank Moorby Harrogate Studio Theatre 269 2009 9-12 December How the Other Half Loves by Alan Ayckbourn Sylvia Iveson Harrogate Studio Theatre 30 September – 3 Brassed Off by Paul Allen Paul Dunstan Harrogate Theatre 268 2009 October 267 2009 24-27 June Copenhagen by Michael Frayn Richard Naylor Harrogate Studio Theatre 266 2009 13-16 May The Importance of Being Earnest by Oscar Wilde Brian Foster Harrogate Theatre 3-7 March The Cage Birds by David Campton & The Underground Stuart Kellet & Ian Rattee Harrogate Studio Theatre 265 2009 Lovers by Jean Paul Tardieu 264 2008 3-6 December A Doll’s House by Henrik Ibsen Frank Moorby Harrogate Studio Theatre 263 2008 1-4 October ‘Allo, ‘Allo by Jeremy Lloyd & David Croft Joan Percival Harrogate Theatre 262 2008 14-17 May Stepping Out by Richard Harris Stuart Kellett Harrogate Theatre 261 2008 4-8 March Rosencrantz & Guildenstern are Dead by Tom Stoppard Chris Rawson Harrogate Studio Theatre 31 October – 3 Amadeus by Peter Shaffer Ian Rattee & Richard Naylor Harrogate Theatre 260 2007 November 259 2007 18-22 September Playhouse Creatures by April de Angelis Dermot Hill Harrogate Studio Theatre 258 2007 2-5 May Present Laughter by Noel Coward Ian Rattee Harrogate Theatre 257 2007 6-10 March The Seagull by Anton Chekhov Frank Moorby Harrogate Studio Theatre 256 2006 5-9 December The Anniversary by Bill McIllwraith Sylvia Iveson Harrogate Studio Theatre 255 2006 27-30 September She Stoops to Conquer by Oliver Goldsmith Robin Green Harrogate Theatre 254 2006 10-13 May Move Over Mrs Markham by Ray Cooney & John Chapman Joan M. Mallett Harrogate Theatre 253 2006 7-11 March Barefoot in the Park by Neil Simon Frank Moorby Harrogate Studio Theatre 252 2006 10-14 January Humble Boy by Charlotte Jones Ian Rattee Harrogate Studio Theatre 251 2005 12-15 October A Midsummer Night’s Dream by William Shakespeare Chris Rawson Harrogate Theatre 250 2005 11-14 May Ring Round the Moon by Jean Anouihl Joan M. Mallett Harrogate Theatre 249 2005 1-5 March The House of Bernarda Alba by Frederico Garcia Lorca Judy Methven Harrogate Studio Theatre 248 2004 23-27 November Quartet by Ronald Harwood Stuart Kellett Harrogate Studio Theatre 247 2004 6-9 October Blithe Spirit by Noel Coward Brian Foster Harrogate Theatre 246 2004 12-15 May Hobson’s Choice by Harold Brighouse Paul Dunstan Harrogate Studio Theatre 245 2004 9-13 March Under Milk Wood by Dylan Thomas Michael Garside Harrogate Studio Theatre 244 2003 25-29 November The Memory of Water by Shelagh Stephenson Ian Rattee Harrogate Studio Theatre 243 2003 8-11 October Bedroom Farce by Alan Ayckbourn Sylvia Iveson Harrogate Theatre 242 2003 14-17 May Twelfth Night by William Shakespeare Joan M. Mallett Harrogate Theatre 241 2003 11-15 March Private Lives by Noel Coward Iris Mitchell Harrogate Studio Theatre 240 2002 3-7 December Hedda Gabler by Henrik Ibsen Ian Rattee Harrogate Studio Theatre 239 2002 9-12 October Dangerous Corner by J.B. Priestley Brain Foster Harrogate Theatre 238 2002 15-18 May Outside Edge by Richard Harris Sylvia Iveson Harrogate Theatre 237 2002 19-23 March Amy’s View by David Hare Frank Moorby Harrogate Studio Theatre 236 2001 4-8 December All My Sons by Arthur Miller Joan M. Mallett Harrogate Theatre 235 2001 10-13 October The Heiress by Henry James Ian Rattee Harrogate Theatre 234 2001 16-19 May Hay Fever by Noel Coward Brian Foster Harrogate Theatre 233 2001 7-10 March 84 Charing Cross Road by Helene Hanff Iris Mitchell Harrogate Studio Theatre 232 2000 5-9 December The Cemetery Club by Ian Menchell Frank Moorby Harrogate Studio Theatre 231 2000 11-14 October The Winslow Boy by Terence Rattigan Stuart Kellett Harrogate Theatre 230 2000 17-20 May Billy Liar by Keith Waterhouse & Wallis Hall Paul Dunstan Harrogate Theatre 229 2000 7-11 March Home Truths by David Lodge Harrogate Studio Theatre 228 2000 January An Inspector Calls by J.B. Priestley Brian Foster Harrogate Studio Theatre 227 1999 November What Brute’s Men Are/Lord Arthur Saville’s Crime 226 1999 September Wait Until Dark by Frederick Knott Ian Rattee Harrogate Theatre 19-22 May The Clandestine Marriage by George Coleman & David Frank Moorby Harrogate Theatre 225 1999 Garrick 224 1999 24-27 March Time of My Life by Alan Ayckbourn Sylvia Iveson Harrogate Studio Theatre 223 1999 27-30 January Dead Guilty by Richard Harris Alan Harewood Harrogate Studio Theatre 222 1998 28-31 October Rumours by Neil Simon Joan M. Mallett Harrogate Theatre 221 1998 13-16 May Dear Octopus by Dodie Smith Brian Foster Harrogate Theatre 220 1998 February Uncle Vanya by Anton Chekhov Ian Rattee Harrogate Studio Theatre 219 1997 December Season’s Greetings by Alan Ayckbourn Harrogate Theatre 218 1997 May When We are Married by J.B. Priestley Joan M. Mallett Harrogate Theatre 217 1997 March Relatively Speaking by Alan Ayckbourn Iris Mitchell Harrogate Studio Theatre 216 1997 January They Don’t Grow on Trees by Ronald Miller Christopher Cowling Harrogate Studio Theatre 215 1996 November Johnny Belinda by Elmer Harris Sylvia Iveson Harrogate Studio Theatre 214 1996 May Lady’s Windermere’s Fan by Oscar Wilde Brian Foster Harrogate Theatre 213 1996 March The Glass Menagerie by Tennessee Williams Iris Mitchell Harrogate Studio Theatre 212 1996 February Bedroom Farce by Alan Ayckbourn Frank Moorby Harrogate Studio Theatre November Still Life & Shadow Play by Noel Coward Peter Wilson & Joan M. Harrogate Studio Theatre 211 1995 Mallett 210 1995 May The Cure for Love by Walter Greenwood Joan M. Mallett Harrogate Theatre 209 1995 March Dancing at Lughnasa by Brian Friel Frank Moorby Harrogate Studio Theatre 208 1995 January Absurd Person Singular by Alan Ayckbourn Sylvia Iveson Harrogate Studio Theatre 207 1994 November The Sleeping Prince by Terence Rattigan Iris Mitchell Harrogate Studio Theatre 206 1994 May Noises Off by Michael Frayne Joan M. Mallett Harrogate Theatre 205 1994 March Fallen Angels by Noel Coward Olive Richardson Harrogate Studio Theatre 204 1994 January Whose Life is it Anyway by Brain Clark Peter Wilson Harrogate Studio Theatre 203 1993 November Separate Tables by Terence Rattigan Brain Foster Harrogate Studio Theatre 202 1993 May The Royal Baccarat Scandal by Royce Ryton Frank Moorby Harrogate Studio Theatre 201 1993 March Lettice and Lovage by Peter Shaffer Harrogate Studio Theatre 200 1993 January Dear Charles by Alan Melville Judy Methven Harrogate Studio Theatre 199 1992 November Ring Round the Moon by Jean Anouihl Joan M.
Recommended publications
  • September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 Min)
    September 6, 2011 (XXIII:2) Anthony Asquith and Leslie Howard, PYGMALION (1938, 96 min) Directed by Anthony Asquith and Leslie Howard Written by George Bernard Shaw (play, scenario & dialogue), W.P. Lipscomb, Cecil Lewis, Ian Dalrymple (uncredited), Anatole de Grunwald (uncredited), Kay Walsh (uncredited) Produced by Gabriel Pascal Original Music by Arthur Honegger Cinematography by Harry Stradling Edited by David Lean Art Direction by John Bryan Costume Design by Ladislaw Czettel (as Professor L. Czettel), Schiaparelli (uncredited), Worth (uncredited) Music composed by William Axt Music conducted by Louis Levy Leslie Howard...Professor Henry Higgins Wendy Hiller...Eliza Doolittle Wilfrid Lawson...Alfred Doolittle Marie Lohr...Mrs. Higgins Scott Sunderland...Colonel George Pickering GEORGE BERNARD SHAW [from Wikipedia](26 July 1856 – 2 Jean Cadell...Mrs. Pearce November 1950) was an Irish playwright and a co-founder of the David Tree...Freddy Eynsford-Hill London School of Economics. Although his first profitable writing Everley Gregg...Mrs. Eynsford-Hill was music and literary criticism, in which capacity he wrote many Leueen MacGrath...Clara Eynsford Hill highly articulate pieces of journalism, his main talent was for Esme Percy...Count Aristid Karpathy drama, and he wrote more than 60 plays. Nearly all his writings address prevailing social problems, but have a vein of comedy Academy Award – 1939 – Best Screenplay which makes their stark themes more palatable. Shaw examined George Bernard Shaw, W.P. Lipscomb, Cecil Lewis, Ian Dalrymple education, marriage, religion, government, health care, and class privilege. ANTHONY ASQUITH (November 9, 1902, London, England, UK – He was most angered by what he perceived as the February 20, 1968, Marylebone, London, England, UK) directed 43 exploitation of the working class.
    [Show full text]
  • Sir Terence Rattigan, CBE 1911 – 1977
    A Centenary Service of Celebration for the Life and Work of Sir Terence Rattigan, CBE 1911 – 1977 “God from afar looks graciously upon a gentle master.” St Paul’s Covent Garden Tuesday 22nd May 2012 11.00am Order of Service PRELUDE ‘O Soave Fanciulla’ from La Bohème by G. Puccini Organist: Simon Gutteridge THE WELCOME The Reverend Simon Grigg The Lord’s Prayer Our Father, who art in heaven, hallowed be thy name. Thy kingdom come, thy will be done, on earth as it is in heaven. Give us this day our daily bread; and forgive us our trespasses, as we forgive them that trespass against us. And lead us not into temptation, but deliver us from evil. For thine is the kingdom, the power and the glory, for ever and ever. Amen. TRIBUTE DAVID SUCHET, CBE written by Geoffrey Wansell 1 ARIA ‘O Mio Babbino Caro’ from Gianni Schicchi by G. Puccini CHARLOTTE PAGE HYMN And did those feet in ancient time Walk upon England's mountains green? And was the holy Lamb of God On England's pleasant pastures seen? And did the countenance divine Shine forth upon our clouded hills? And was Jerusalem builded here Among those dark satanic mills? Bring me my bow of burning gold! Bring me my arrows of desire! Bring me my spear! O clouds, unfold! Bring me my chariot of fire! I will not cease from mental fight, Nor shall my sword sleep in my hand, Till we have built Jerusalem In England's green and pleasant land. ADDRESS ‘The Final Test’ SIR RONALD HARWOOD, CBE 2 HYMN I vow to thee, my country, all earthly things above, Entire and whole and perfect, the service of my love: The love that asks no question, the love that stands the test, That lays upon the altar the dearest and the best; The love that never falters, the love that pays the price, The love that makes undaunted the final sacrifice.
    [Show full text]
  • The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)
    Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism.
    [Show full text]
  • Shail, Robert, British Film Directors
    BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter.
    [Show full text]
  • Women in Transit – Notes
    ‘Moving Back to “Home” and “Nation:” Women Dramatists, 1938-1945’ Rebecca D’Monté At the height of the Battle of Britain in August 1940, Winston Churchill commended the RAF, but also rallied the nation, by stating that ‘This is a war of the unknown warriors….The whole of the warring nations are engaged, not only soldiers, but the entire population, men, women and children. The fronts are everywhere. The trenches are dug in the towns and streets.’ (Calder 1969: 17). Implicit within this was the way the Second World War brought about a greater blurring of the political and domestic spheres than ever before, with men, women and children involved in what became known as the ‘People’s War.’ This was stressed in the media of the time, with radio, advertising, magazines, films, and plays, all working to boost the country’s morale through depictions of national and personal heroism, social cohesion, and domestic bliss. Commentators such as Angus Calder and Alan Sinfield have argued that this mythopoesis hid the evidence of what happened when war broke away from its previous parameters of front line/home front. In relation to this, Judy Giles has recorded a series of further oppositional forces, which had implications for the positioning and representation of women during and after the War: ‘home/away (journey or voyage), stasis/movement, everyday/exceptional, private/public, traditional/modern, dependence/independence, feminine/masculine’ (Giles 2004: 141). It is possible to identify two forms of female ‘transit’ here. Women’s geographical movement can be described as ‘centrifugal’ as they travelled away from familiar, secure centres; a journey depicted, for example, in the films Millions Like Us and The Gentle Sex (both 1943), posters for female Service workers, and Laura Knight’s paintings.
    [Show full text]
  • Downloaded from Manchesterhive.Com at 09/30/2021 03:22:22PM Via Free Access
    Adaptable Terence Rattigan: Separate Tables, separate entities? dominic shellard T R’ has essentially been that of a theatre writer, and a conservative one, who is supposed to have avoided the darker themes that invaded the British stage after (roughly) the arrival of Look Back in Anger in 1956. This view of Rattigan is by now surely on its way out. His relation to the theatre and the so-called New Wave is undoubtedly more complex. However, his track record as a screenwriter, sometimes but not always adapting his own plays, should not be forgotten. In 1939 we have French Without Tears, then Quiet Wedding (1940), The Day Will Dawn (1942), Uncensored (1942), English Without Tears (1944), Journey Together (1945), The Way to the Stars (1945), While the Sun Shines (1947), Brighton Rock (1947, from Greene’s novel), Bond Street (1948), and then a wonderful version of his own play The Winslow Boy (1948). In the 1950s he wrote The Browning Version (1951), The Sound Barrier (1952), The Final Test (1953), then disappointingly The Man Who Loved Redheads (1954), but trium- phantly another adaptation of his own play The Deep Blue Sea (1955). The Prince and the Showgirl (1957), starring Marilyn Monroe and Laurence Olivier, who also directed, is often seen as the end of his film career. (It was an unsatisfactory, though intermittently charming, tardy revival of his Festival of Britain stage play that celebrated nation and the Oliviers – Vivien Leigh had the Monroe role – called The Sleeping Prince.) But actually his last film was much more distinguished: Separate Tables (1959), an American adaptation by Rattigan himself – but see below – of his own play (or rather two one- acters) of the same name.
    [Show full text]
  • File Stardom in the Following Decade
    Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole.
    [Show full text]
  • West Chiltington Dramatic Society Past Productions
    West Chiltington Dramatic Society Autumn 1963 They came to a City Spring 1978 Rape of the Belt Spring 1964 Friends and Neighbours Autumn 1978 Waiting in the Wings Past Productions Autumn 1964 Danger Inside Spring 1979 Suddenly at Home Spring 1965 Pickle in Paradise April 1979 Inca of Perusalem Spring 1949 Cuckoo in the Nest Autumn 1965 If This Be Error Autumn 1979 My Fair Lady (Musical) , Autumn 1949 Quiet Wedding February 1966 Faithful Widow of Ephesus Spring 1980 Table Manners Spring 1950 The Corn is Green Spring 1966 Revue Autumn 1980 Separate Tables Autumn 1950 The Wishing Well Autumn 1966 Murder at Midnight Spring 1981 The Orchestra Spring 1951 The Shop at Sly Corner Spring 1967 Yes and No Spring 1981 There's a Girl in My Soup Autumn 1951 The Happiest Days of Your Autumn 1967 What's Cooking Autumn 1981 She Stoops to Conquer Life Autumn 1968 Pool's Paradise Spring 1982 Double Bill: Black Spring 1952 On Monday Next Spring 1969 Pink String and Sealing Comedy/Miss.Julie Autumn 1952 Flare Path Wax May 1982 4 One-Acts: Orange Spring 1953 The Late Christopher Bean Autumn 1969 No Time for Fig Leaves Blossom/ Shelter/ Mother Autumn 1953 Worm's Eye View Spring 1970 A Letter for the General Figure/ Gosforth's Fete Spring 1954 Autumn Crocus Autumn 1970 The Holly and the Ivy Autumn 1982 Bedroom Farce Spring 1955 Many Happy Returns Spring 1971 Birthday Honours March 1983 Double Double/One Hour to Autumn 1955 Half a Loaf Autumn 1971 Flowering Cherry Dusk Spring 1956 The Happy Prisoner Spring 1972 Count Your Blessings Spring 1983 Murder on the Nile
    [Show full text]
  • Siriuria 1 ROYAL WEDDING in LONDON a BRILLIANT EVENT
    WHERE TO GO TO-NIGHT WEATHER FORECAST Columbia—The Young Rajah. 1WJ00 Royal—Me and My Oal. tor 86 hours ending 6 p m., ÿriday: Siriuria Dominion—Prodigal Daughters. Victoria and vicinity—Fresh to strong Capitol—Robin Hood. weeterty. winds, generally fair and mild. PRICE FIVE CENTS VOL 62. NO. 100 VICTORIA, B. ■Cn THURSDAY, APRIL 26, 1923 1 ROYAL WEDDING IN LONDON A BRILLIANT EVENT FUNDS TO RAISE The Duke of York and His Bride COLORFUL SCENES IN SEARCH IS MADE OFF U. S. NAVY GUNS NOT USED FOR THAT WORK Washington. April 26—The ap­ LONDON TO-DAYWHEN propriation made by Congress at AFRICAN COAST FOR the last session for elevaCtlng the guns of the United States fleet will not be used for that purpose. Sec­ retary Denby announced to-day, because of the unintended er­ DUKE OF YORK WED 237 IN LIFEBOATS roneous statements made by navy representatives in recommending the appropriation. Kifig and Queen, Prince of Wales, Leading Figures In Portuguese Steamship Mossamedes Found Abandoned Britain and Personages of Other Lands In Abbey and Aground at Cape 'Frio, Southwest Africa,; No During Ceremony To-day ; Throngs In Streets Gave Trace Yet of Passengers and Crew; No Landing Duke and Duchess an Ovation. Places Nearby. ____________ London, April 26.—A Reuter dispatch from Cape Town says ÏÎ London, April 26.—Prince Albert, Duke of York, was united the Portuguese mail steamship Mossamedes, which grounded in marriage with Lady Elizabeth Bowes-Lyon in Westminster aeveral days ago at Cape Frio, Southwest Africa, has been found Word of Removal of Crew of Abbey at noon to-day with a pomp and panoply reminiscent of abandoned, with no sign of the 237 passengers She carried.
    [Show full text]
  • Canterbury Players Amateur Dramatic Society Scripts Catalogue
    Canterbury Players Amateur Dramatic Society Scripts Catalogue Recent Purchases copies title author acts male female type 1 Are You Being Served Jeremy Lloyd & David Croft 2 10 6 1 Birthday Suite Robin Hawdon 3 2 Comedy 1 Born In The Gardens Peter Nicholls 2 2 Comedy 1 Curtain Up! Peter Quilter 5 C 1 Death By Design Rob Urbinati 4 4 C 1 Falling Off A Log Georgina Reid 2 3 Comedy 1 Father's Day Eric Chappell 2 2 C 1 Ghost On Tiptoe Robert Morley 4 4 Comedy 1 Going Straight Richard Harris 2 3 D 1 Good Grief Peter Waterhouse 2 2 Dramatic comedy 1 Happy Birthday Marc Camoletti & Beverley Cross 2 3 C 1 Hi-De-Hi Jimmy Perry David Croft 9 8 C 1 Hotel Mystère Bettine Manktelow 4 3 Comedy 1 Inspector Drake's Last Case David Tristram 2 7 5 C 1 Life And Beth Alan Ayckbourn 2 3 3 C 1 London Suite Neil Simon 4 3 3 C 1 Marking Time Michael Snelgrove 3 2 Comedy 1 Murder, Margaret and Me Philip Meeks 2 3 C 1 Murder By Appointment Frank Williams 4 2 T 1 My Old Lady Israel Horovitz 1 2 D 1 Nativity Ivy C Meynell 1 9 1 P 1 Nativity Jonathan Hall 1 2 3 C 1 Neighbourhood Watch Alan Ayckbourn 4 4 C 1 One Last Card Trick Stewart Permutt 4 Comedy 1 Pastimes Brian Jeffries 2 3 Comedy 1 Pint Size Plays Vol.1 various 1 Pint Size Plays Vol.2 various 1 Proscenophobia Bettine Manktelow 1 Pulling The Wool Frank Vickery 2 3 3 C 8 Relatively Speaking Alan Ayckbourn 2 2 2 C 1 Run For Your Wife Ray Cooney 2 6 2 C 1 Strangers On A Train Craig Warner 2 5 2 D 1 The 39 Steps Patrick Barlow 3 1 F 1 The Cocktail Hour A R Gurney 2 2 Comedy 1 The Flint Street Nativity Tim Firth
    [Show full text]
  • Movie Museum JUNE 2006 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
    Movie Museum JUNE 2006 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY HEAR MY SONG INCANTATO Tax Freedom Day Celebrating R.C. Sherriff's HEAR MY SONG A WEDDING (1991-US/British) aka Il Cuore Altrove Birthday (1991-US/British) (1978) in widescreen (2003-Italian) in widescreen THE DAM BUSTERS In Italian with English in widescreen with Desi Arnaz, Jr., Carol (1954-British) with Ned Beatty, Adrian subtitles & in widescreen with Ned Beatty, Adrian Dunbar, Shirley Anne Field, Dunbar, Shirley Anne Field, Burnett, Geraldine Chaplin, full-length British version Tara Fitzgerald, David with Neri Marcore, Giancarlo Tara Fitzgerald, David John Considine, Mia Farrow, with Richard Todd, Michael McCallum, William Hootkins. Giannini, Vanessa Incontrada. McCallum, William Hootkins. Vittorio Gassman, Lillian Gish. Redgrave, Ursula Jeans, Basil Sidney. Directed by Written and Directed by Directed by Directed by Directed by Peter Chelsom. Pupi Avati. Peter Chelsom. Robert Altman Michael Anderson. 2, 4, 6 & 8pm 1 2, 4, 6 & 8pm 2 2, 4, 6 & 8pm 34 12:30, 3, 5:30 & 8pm 12:30, 3, 5:30 & 8pm 5 DECISION BEFORE CONFESSIONS OF A INCANTATO Extremely Rare Classic!! CONFESSIONS OF A QUIET WEDDING DAWN DANGEROUS MIND aka Il Cuore Altrove DANGEROUS MIND (2003-Italian) (1941-Britsh) (1952) (2002) (2002) with Richard Basehart, Gary In Italian with English with Margaret Lockwood, in widescreen Derek Farr, Marjorie Fielding, in widescreen Merrill, Oskar Werner, subtitles & in widescreen with Sam Rockwell, Drew with Neri Marcore, Giancarlo A.E. Matthews, Athene Seyler, with Sam Rockwell, Drew Hildegarde Neff, Dominique Barrymore, George Clooney, Giannini, Vanessa Incontrada, David Tomlinson, Bernard Barrymore, George Clooney, Blanchar, Klaus Kinski.
    [Show full text]
  • A Midsummer Night's Dream Saloon Bar Cinderella
    1947 A Midsummer Night's Dream Saloon Bar 1948 Cinderella (YA) Quiet Weekend The Barretts of Wimpole Street The Poltergeist Holiday Scrap-Book (YA) The Importance of Being Earnest No Medals Playgoers & Waggle Taggle (YA) 1949 The Babes In the Wood (YA) Twelfth Night When We Are Married Dear Brutus Arsenic and Old Lace Princess and the Woodcutter (YA) Women at War (YA) 1950 Red Riding Hood Hay Fever Much Ado About Nothing Playbill - Browning Version Great Day Harlequinade Alice in Wonderland (YA) Princess Parker Gossop's Glory & the Little Maid (YA) Tomorrow (YA) 1951 Dick Whittington Quiet Wedding She Stoops to Conquer The Winslow Boy The Happiest Days of Your Life Birds Of A Feather (YA) The Browning Version (YA) Joint Owners In Spain (YA) Happy Journey & Street Scene 1952 The Queen of Hearts The Taming of the Shrew Flare Path Grand National Night Worm's Eye View Joint Owners In Spain Let's Make an Opera (YA) The Rehearsal (YA) 1953 Robinson Crusoe The Rivals A Midsummer Night's Dream Revue Bonaventure All in Good Time Stew for Simon & Orange Blossom (YA) 1954 Jack & Jill Harvey A Winter's Tale The Man Who Came to Dinner St Joan and All for Art (YA) 1955 Jack and the Beanstalk For Better or Worse The Beaux' Stratagem Triolot All the Tea in China (YA) Wedding at Pemberley (YA) 1956 New Year Revelations (Revue) Book of the Month Romeo and Juliet The School for Scandal The Corn is Green The Big Scene The Thistle in the Donkey Field A Phoenix too Frequent Daddy Long Legs (YA) Quartet - They Went Forth (YA) There's Rue for You (YA) 1957 Cinderella
    [Show full text]