Excavations at Phlius, 1970
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The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; Proquest Pg
The Conditions of Dramatic Production to the Death of Aeschylus Hammond, N G L Greek, Roman and Byzantine Studies; Winter 1972; 13, 4; ProQuest pg. 387 The Conditions of Dramatic Production to the Death of Aeschylus N. G. L. Hammond TUDENTS of ancient history sometimes fall into the error of read Sing their history backwards. They assume that the features of a fully developed institution were already there in its earliest form. Something similar seems to have happened recently in the study of the early Attic theatre. Thus T. B. L. Webster introduces his excellent list of monuments illustrating tragedy and satyr-play with the following sentences: "Nothing, except the remains of the old Dionysos temple, helps us to envisage the earliest tragic background. The references to the plays of Aeschylus are to the lines of the Loeb edition. I am most grateful to G. S. Kirk, H. D. F. Kitto, D. W. Lucas, F. H. Sandbach, B. A. Sparkes and Homer Thompson for their criticisms, which have contributed greatly to the final form of this article. The students of the Classical Society at Bristol produce a Greek play each year, and on one occasion they combined with the boys of Bristol Grammar School and the Cathedral School to produce Aeschylus' Oresteia; they have made me think about the problems of staging. The following abbreviations are used: AAG: The Athenian Agora, a Guide to the Excavation and Museum! (Athens 1962). ARNon, Conventions: P. D. Arnott, Greek Scenic Conventions in the Fifth Century B.C. (Oxford 1962). BIEBER, History: M. Bieber, The History of the Greek and Roman Theatre2 (Princeton 1961). -
Faunal Remains
This is a repository copy of Faunal remains. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/169068/ Version: Published Version Book Section: Halstead, P. orcid.org/0000-0002-3347-0637 (2020) Faunal remains. In: Wright, J.C. and Dabney, M.K., (eds.) The Mycenaean Settlement on Tsoungiza Hill. Nemea Valley Archaeological Project (III). American School of Classical Studies at Athens , Princeton, New Jersey , pp. 1077-1158. ISBN 9780876619247 Copyright © 2020 American School of Classical Studies at Athens, originally published in The Mycenaean Settlement on Tsoungiza Hill (Nemea Valley Archaeological Project III), by James C. Wright and Mary K. Dabney. This offprint is supplied for personal, noncommercial use only. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Copyright © 2020 American School of Classical Studies at Athens, originally published in The Mycenaean Settlement on Tsoungiza Hill (Nemea Valley Archaeological Project III), by James C. -
The Hyporcheme of Pratinas
The Classical Review http://journals.cambridge.org/CAR Additional services for The Classical Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here The Hyporcheme of Pratinas H. W. Garrod The Classical Review / Volume 34 / Issue 7-8 / November 1920, pp 129 - 136 DOI: 10.1017/S0009840X00014013, Published online: 27 October 2009 Link to this article: http://journals.cambridge.org/abstract_S0009840X00014013 How to cite this article: H. W. Garrod (1920). The Hyporcheme of Pratinas. The Classical Review, 34, pp 129-136 doi:10.1017/S0009840X00014013 Request Permissions : Click here Downloaded from http://journals.cambridge.org/CAR, IP address: 193.61.135.80 on 07 Apr 2015 The Classical Review NOVEMBER—DECEMBER, 1920 ORIGINAL CONTRIBUTIONS THE HYPORCHEME OF PRATINAS. ATHE.VAEUS 617b, 8 : Upanva<; Se o strangely to our ears—of ' Pindar and <£>\tao-jo5, avXrjTcov Kal yppevrSyv Karexov- Dionysius of Thebes and Lamprus and TCOV ras opxfiaTpas, ayava/CTeiv Tivas eVt Pratinas and the other lyrists who ex- ra> Tou? av\r]Ta$ fir) ffvvavXeiv T019 celled in musical composition (irot,7)T(n Kaddirep r)v Trdrpiov, aK~Ka i j(pp Kpov/jLarav ayaOoi,),' (1146 B). He asso- %vvaheiv rots avK-qrals. ov o?iv elye dvfibv ciates Pratinas always with the theory Kara rwv ravra TTOIOVVTWV o of music and with the hyporcheme ifi<f>avL£ei Bia TOOOV rov v (1133, 1142,1134: cf. Plut. Symp. IX. 2). TIS 6 Obpvfios 85e ; ri rdSe ra ^opei^ara ; Of the Pratinas who has chiefly in- TIS ijflpis 1/ioXev eirl AiovvcriaSa TroXvirdraya Ov/j.4- terested modern scholarship, the \ ; Pratinas who wrote tragic and satyric tfiis ifids 0 Bp6/uos • i/U 5ei KfXadeiv, Se? dramas, the Pratinas who contended for iraTayetv, av' 6pea ai^evov /terd Nal'dSaw, fame with Aeschylus, he knows nothing. -
Athenaeus' Reading of the Aulos Revolution ( Deipnosophistae 14.616E–617F)
The Journal of Hellenic Studies http://journals.cambridge.org/JHS Additional services for The Journal of Hellenic Studies: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e–617f) Pauline A. Leven The Journal of Hellenic Studies / Volume 130 / November 2010, pp 35 - 48 DOI: 10.1017/S0075426910000030, Published online: 19 November 2010 Link to this article: http://journals.cambridge.org/abstract_S0075426910000030 How to cite this article: Pauline A. Leven (2010). New music and its myths: Athenaeus' reading of the Aulos revolution ( Deipnosophistae 14.616e– 617f). The Journal of Hellenic Studies, 130, pp 35-48 doi:10.1017/S0075426910000030 Request Permissions : Click here Downloaded from http://journals.cambridge.org/JHS, IP address: 147.91.1.45 on 23 Sep 2013 Journal of Hellenic Studies 130 (2010) 35−47 DOI: 10.1017/S0075426910000030 NEW MUSIC AND ITS MYTHS: ATHENAEUS’ READING OF THE AULOS REVOLUTION (DEIPNOSOPHISTAE 14.616E−617F) PAULINE A. LEVEN Yale University* Abstract: Scholarship on the late fifth-century BC New Music Revolution has mostly relied on the evidence provided by Athenaeus, the pseudo-Plutarch De musica and a few other late sources. To this date, however, very little has been done to understand Athenaeus’ own role in shaping our understanding of the musical culture of that period. This article argues that the historical context provided by Athenaeus in the section of the Deipnosophistae that cites passages of Melanippides, Telestes and Pratinas on the mythology of the aulos (14.616e−617f) is not a credible reflection of the contemporary aesthetics and strategies of the authors and their works. -
Music, Ritual, and Self-Referentiality in the Second Stasimon of Euripides’ Helen the Dionysian Necessity
Greek and Roman Musical Studies 6 (2018) 247-264 brill.com/grms Music, Ritual, and Self-Referentiality in the Second Stasimon of Euripides’ Helen The Dionysian Necessity Barbara Castiglioni Università di Torino [email protected]/[email protected] Abstract The imagery of Dionysiac performance is characteristic of Euripides’ later choral odes and returns particularly in the Helen’s second stasimon, which foregrounds its own connections with the mimetic program of the New Music and its emphasis on the emancipation of feelings. This paper aims to show that Euripides’ deep interest in con- temporary musical innovations is connected to his interest in the irrational, which made him the most tragic of the poets. Focusing on the musical aspect of the Helen’s second stasimon, the paper will examine how Euripides conveys a sense of the irratio- nal through a new type of song, which liberates music’s power to excite and disorient through its colors, ornament and dizzying wildness. Just as the New Musicians pres- ent themselves as the preservers of cultic tradition, Euripides, far from suppressing Dionysus as Nietzsche claimed, deserves to rank as the most Dionysiac and the most religious of the three tragedians. Keywords Euripides – tragedy – New Music – Dionysus – religion – choral self-referentiality Introduction The choral odes of tragedy regularly involve the Chorus reflecting upon an ear- lier moment in the play or its related myths. In Euripides’ Helen, all three sta- sima are distanced from the action by their mood. The first choral ode follows © koninklijke brill nv, leiden, 2018 | doi:10.1163/22129758-12341322Downloaded from Brill.com09/23/2021 09:44:20AM via free access 248 Castiglioni the successful persuasion of the prophetess, Theonoe, the working out of a good escape plan and high optimism on the part of Helen and Menelaus, but seems to ignore the progress of the play’s action and takes the audience back to the ruin caused by the Trojan war. -
Greek Tragedy Themes and Contexts 1St Edition Ebook, Epub
GREEK TRAGEDY THEMES AND CONTEXTS 1ST EDITION PDF, EPUB, EBOOK Laura Swift | 9781474236836 | | | | | Greek Tragedy Themes and Contexts 1st edition PDF Book For help and support relating to the University's computing resources:. After dialogue based interactions were eventually brought into development, the percentage of scripts read by the chorus tended to decrease in regards to their involvement in the play. Get A Copy. Refresh and try again. For a small book it packs a hefty punch, with a clear and engaging style that should be accessible to a wide audience. The philosopher also asserted that the action of epic poetry and tragedy differ in length, "because in tragedy every effort is made for it to take place in one revolution of the sun, while the epic is unlimited in time. Another novelty of Euripidean drama is represented by the realism with which the playwright portrays his characters' psychological dynamics. The Greek chorus of up to 50 men and boys danced and sang in a circle, probably accompanied by an aulos , relating to some event in the life of Dionysus. As elsewhere in the book, the chapter kicks off with contextual information, this time on the prevalence of choruses in ancient Greek life, and proceeds to a discussion of their tragic manifestation. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2, years after they were written. Visit the Australia site. The theatre voiced ideas and problems from the democratic, political and cultural life of Athens. -
A Complete List of Terms to Know
Classical Drama and Theatre: A Complete List of Terms to Know Terms to Know From Section 1: Chapter 1 Theatre History Theatron Historiography Institution Historia Theatrical Herodotus Language Ionian Revolution Impersonation Primary Evidence Audience Secondary Evidence Positivism Inference Progress Cogent Primitive Tripartition E.K. Chambers Battle of Thermopylae Chorus Ibn Kahldun Chapter 2 Transitional Forms Herodotus Bronislaw Malinowski The Histories Aetiological Relics Claude Levi-Strauss Fossils Structuralism Aristotle Lumpers James Frazer, The Golden Bough Splitters Anthropology Mimetic Positivism Chapter 3 Age of Tyrants Pelasgians Tyrannos Indo-Europeans Pisistratus of Athens Proto-Indo-European Attic Ionians Age of Lawgivers Athens Solon Asia Minor Sicily Dorians Black Sea Peloponnese Age of Colonization Trojan War Magna Graecia Epic Phoenicians Homer Lyric Age The Iliad Lyre Heinrich Schliemann Lyric Poetry Troy Sappho Polis Classical Age 1 Chapter 4.1 City Dionysia Thespis Ecstasy Tragoidia "Nothing To Do With Dionysus" Aristotle Year-Spirit The Poetics William Ridgeway Dithyramb Tomb-Theory Bacchylides Hero-Cult Theory Trialogue Gerald Else Dionysus Chapter 4.2 Niches Paleontologists Fitness Charles Darwin Nautilus/Nautiloids Transitional Forms Cultural Darwinism Gradualism Pisistratus Steven Jay Gould City Dionysia Punctuated Equilibrium Annual Trading Season Terms to Know From Section 2: Chapter 5 Sparta Pisistratus Peloponnesian War Athens Post-Classical Age Classical Age Macedon(ia) Persian Wars Barbarian Pericles Philip -
Excavations at Phlius, 1924 the Prehistoric Deposits
EXCAVATIONS AT PHLIUS, 1924 THE PREHISTORICDEPOSITS (PLATES 113-118) J N 1924 the AmericanSchool of ClassicalStudies undertooka test excavationat the site of ancient Phlius, which is situated in the Peloponnesos west of the site of ancient Nemea. Designed as a preliminary investigation prior to further excava- tions, the excavators sank numerous trenches on and around the hill which contains the acropolis of the ancient city. A large amount of material was recovered from the scattered trenches but it was never studied and only an abbreviated excavation report was published.' At the end of the season most of the finds from the excavation were packed in wooden boxes, without any preliminary washing, sorting or mending, and stored in the Old Museum at Old Corinth. They rested where they had been placed for forty years until they were unpacked and studied by this writer beginning in the summer of 1964.2 They were found to belong to practically all periods of Greek history, beginning with the Early Neolithic and extending to the Turkish. The boxes unfortunately yielded thoroughly mixed contents, due to the test nature of the excava- tion itself and the circumstances of storage where some mixing had occurred throtlglh collapses. The prehistoric material could, however, be readily identified and segre- gated for study and it is with this material that this article is concerned. A later article will treat a Votive Deposit datable to the seventh and sixth centuries B.C.which was also found on the site. THE EXCAVATION The site of Phlius is situated in a broad plain and consists of a long ridge, which extends westwards from the encircling hills, and the plain immediately around it on its north, south and west sides (Fig. -
The Growth of Greek Cities in the First Millennium BC
Princeton/Stanford Working Papers in Classics The growth of Greek cities in the first millennium BC Version 1.0 December 2005 Ian Morris Stanford University Abstract: In this paper I trace the growth of the largest Greek cities from perhaps 1,000- 2,000 people at the beginning of the first millennium BC to 400,000-500,000 at the millennium’s end. I examine two frameworks for understanding this growth: Roland Fletcher’s discussion of the interaction and communication limits to growth and Max Weber’s ideal types of cities’ economic functions. I argue that while political power was never the only engine of urban growth in classical antiquity, it was always the most important motor. The size of the largest Greek cities was a function of the population they controlled, mechanisms of tax and rent, and transportation technology. © Ian Morris. [email protected] 1 The growth of Greek cities in the first millennium BC Ian Morris (Stanford) 1. Introduction Greece in 1000 BC was a world of villages. Most people lived in communities of just a few dozen souls; even the largest settlement, Athens (Figure 1), was probably just 3,000 to 4,000 strong. But at the millennium’s end, the Greek east Mediterranean boasted some of the largest cities in pre-industrial history. Alexandria, Antioch, and Seleucia-on-the- Tigris probably each had 250,000-500,000 inhabitants. Figure 1. Sites in the Aegean mentioned in this chapter In this chapter I discuss the size of Greek cities and the implications of their growth. I identify three major transitions: 2 Figure 2. -
The Frame of the Phaedo Matthew Hiscock
The Frame of the Phaedo Matthew Hiscock N THE 1990S Diskin Clay and William Johnson made a new case for the significance of the frame or dramatic setting, in Phlius and Athens, of the philosophical discussion repre- I 1 sented in the Phaedo. They showed that it is one of four “com- plex” frames in the Platonic corpus; that it prefigures and reflects aspects of the philosophical debate (so Clay); and (in Johnson’s case) that it marks a gap between the “actual experience of dia- lectic […] and our experience as readers,” a gap which figures the significant (for Plato/Socrates) gap “between the act of un- derstanding in the material world and the true Understanding of the Ideal world” (591).2 This, Johnson added, does not in- validate previous readings of the frame as a means to suggest temporal distance, to underline the fictive aspects of the Phaedo, or as an expression of Plato’s “playfulness”; but it makes them seem (at least) “unsatisfactory.”3 Since the turn of the century, there has been a turn to ritual. 1 Following Friedländer, D. Clay, “Plato’s First Words,” YCS 29 (1992) 113–129, at 119–120 n.16, notes that the frames of certain dialogues have been seen as integral to their ‘philosophy’ (i.e., as more than scene-setting) since at least the time of Proclus (fifth cent.). W. A. Johnson, “Dramatic Frame and Philosophic Idea in Plato,” AJP 119 (1998) 577–598. 2 The other “complex” frames are those of Symp., Prm., and Tht. For Clay, the frame anticipates the dialectic of opposites (but see n.24 below) and sets the scene for the claim that death is a purification and release from the contagion of the body. -
The Twentieth Century Has Been So Begrudging to Timon of Phlius That He Could Be Forgiven for Identifying Himself with His Misanthropic Namesake
68 TIMON OF PHLIUS: PYRRHONIST AND SATIRIST The twentieth century has been so begrudging to Timon of Phlius that he could be forgiven for identifying himself with his misanthropic namesake. About a hundred and fifty of his 'glanzenden Sillen' (the phrase is Wilamowitz's) survive, but in Albin Lesky's Geschichte der griechischen Literatur Timon gets only a third of the space devoted to Anaximander from whom we possess one possible sentence.' Serious work on Timon largely came to a stop with Hermann Diels who edited the fragments and testimonia in Poetarum philosophorum fragmenta (Berlin, 1901), a book which is as difficult to come by as the older and much fuller study of Timon by C. Wachsmuth in Sillographorum Graecorum reliquiae (Leipzig, 1885).2 In spite of his skilful parody of Homer and his Aristophanic versatility in language (some sixty neologisms, many of them comic formations, occur in the fragments),3 Timon has been ignored by those who give such generous attention to Hellenistic poetry. Many fragments raise at least one major textual difficulty. A new edition and literary study of the material is badly needed.4 This neglect of Timon is all the more surprising since his subject matter, the philosophy of Pyrrho, continues to attract considerable interest.5 Pyrrho wrote nothing, and no-one who studies Pyrrho can avoid Timon, whose summary of Pyrrho's views, as reported by Aristocles in Eusebius, is often taken as the starting point for discussion of early scepticism.6 The authors of two recent books on Greek scepticism, Charlotte Stough and Mario Dal Pra, have properly appreciated the unique importance of Timon's evidence for understanding Pyrrho;7 and Dal Pra follows his chapter on Pyrrho with a useful survey of Timon. -
STRATEGIES of UNITY WITHIN the ACHAEAN LEAGUE By
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Utah: J. Willard Marriott Digital Library STRATEGIES OF UNITY WITHIN THE ACHAEAN LEAGUE by Andrew James Hillen A thesis submitted to the faculty of The University of Utah in partial fulfillment of the requirements for the degree of Master of Arts Department of History The University of Utah December 2012 Copyright © Andrew James Hillen 2012 All Rights Reserved The University of Utah Graduate School STATEMENT OF THESIS APPROVAL The thesis of Andrew James Hillen has been approved by the following supervisory committee members: W. Lindsay Adams , Chair June 26, 2012 Date Approved Ronald Smelser , Member June 26, 2012 Date Approved Alexis Christensen , Member June 26, 2012 Date Approved and by Isabel Moreira , Chair of the Department of History and by Charles A. Wight, Dean of The Graduate School. ABSTRACT The Achaean League successfully extended its membership to poleis who did not traditionally share any affinity with the Achaean ethnos. This occurred, against the current of traditional Greek political development, due to a fundamental restructuring of political power within the poleis of the Peloponnesus. Due to Hellenistic, and particularly Macedonian intervention, most Peloponnesian poleis were directed by tyrants who could make decisions based on their sole judgments. The Achaean League positioned itself to directly influence those tyrants. The League offered to maintain the tyrants within their poleis so long as they joined the League, or these tyrants faced relentless Achaean attacks and assassination attempts. Through the consent of this small tyrannical elite, the Achaean League grew to encompass most of the Peloponnesus.