Fontwerk Case Micro™ Type Specimen · © 2020 Fontwerk · fontwerk.com · 1/19

Case Micro Fontwerk Case Micro™ Credits & Details · fontwerk.com · 2/19

Case Micro™

For small print that is supposed to be read. The typographical proof that size does matter.

Design Design Contributions Trademarks Licensing, Pricing Modifications, Andreas Frohloff Case Micro™ is a trademark of TrialFree Test license Extensions Anja Meiners Fontwerk GmbH StandardCombined Print, Web, Available on request Ralph du Carrois Mastering, Production App and eBook license, Andreas Frohloff Design Period; Release starting at €50 Recommended Use Christoph Koeberlin 2019–2020; October 12, 2020 ExtendedLarger license Advertising & Packaging volume and additional Broad‐ Editorial & Publishing Marketing Latest Update casting, starting at €500 Small Text Ivo Gabrowitsch(Naming, Version 1.001; October 26, 2020 Further types of license Software & Gaming Conceptual Contribution, available on request Responsive Designs Copywriting, Imagery, Languages Specimen) 94 Latin (see 8) Formats Contact Lucy Beckley(English otf, woff, woff2; Further Fontwerk GmbH Translation) Per formats available on request Prenzlauer Allee 186 Loris Olivier(Graphic Design) 789 (see page 9) 10405 Berlin, Germany Variable [email protected] Styles Included in the Superfamily 8: four upright weights and package at no extra cost. Available exclusively corresponding italics Axis: weight, optical size fromfontwerk.com/ (see page 5) fonts/case-micro. File sizes(woff/woff2): 170/136kb Upright; 172/136kb Italic Bold 50 pt, Medium 16 pt, Regular 16 pt, Bold 8.5 pt, Regular 8.5 pt Fontwerk Case Micro™ Samples · fontwerk.com · 3/19

End-to-end encryption Berlin Grammar Metoprolol 100–1A SIGNATURE institut pasteur de lille 1899 Freelancer From $29.95/mo. or $719 with trade-in.* Paul Kalkbrenner Fontwerk Case Micro™ TextCase Samples Micro™ Non-Latin Samples · fontwerk.com · 4/19

Ett gigantiskt batteri som utformats École Normale Supérieure 250+ miglia (stima epa) Prospecto FINTECH Gjon Delhusa Inmunidad de Rebaño

Hamburger Straße 210, 38112 Braunschweig Fontwerk Case Micro™ Styles · fontwerk.com · 5/19

Case Micro Light ·small caps Case Micro Light Italic · Case Micro Regular ·small caps Case Micro Italic ·small caps Case Micro Medium ·small caps Case Micro Medium Italic ·small caps Case Micro Bold ·small caps Case Micro Bold Italic ·small caps

Available in 8 styles. Fontwerk Case Micro™ Samples Logos and Wordmarks · fontwerk.com · 6/19

A GAM NE IN A G T Live Broadcasting S C O A . C

AUDIOSICKLE O P 8 E 1 Frequency in Kilocycles R 0 A 2 T I E N G S I N C

Light 50 pt, Medium Italic 15 pt Regular All Caps 12.5 pt, Medium 40 pt

Bold 120 pt, Bold Italic 120 pt, Regular 15 pt Medium 23 pt, Light 23 pt, Light Italic 23 pt

Radiation Zone gir × N82

cos Big Delta Remix Certified Public Accounting and Tax Advisory Practice Fontwerk Case Micro™ Samples Body Text · fontwerk.com · 7/19

20 Mil Léguas Submarinas Bold 46 pt, Português the year 1866 was signalized by a remarkable Los hechos relativos a estas apariciones, consignados los diferentes libros de a bordo, coincidían con bastante exactitud en lo referente a la incident, a mysterious and inexplicable phe‐ estructura del objeto o del ser en cuestión, a la excepcional velocidad de nomenon, which doubtless no one has yet for‐ sus movimientos, a la sorprendente potencia de su locomoción y a la particular vitalidad de que parecía dotado. De tratarse de un cetáceo, gotten. Not to mention rumors which agitated superaba en volumen a todos cuantos especímenes de este género había the maritime population, and excited the public clasificado la ciencia hasta entonces. Ni Cuvier, ni Lacepède, ni Dumeril ni mind, even in the interior of continents, seafar‐ Quatrefages hubieran admitido la existencia de tal monstruo, a menos de haberlo visto por sus propios ojos de sabios. El promedio de las observacio‐ ing men were particularly excited. Medium 14 pt, English nes efectuadas en diferentes circunstancias una vez descartadas tanto las tímidas evaluaciones que asignaban a ese objeto una longitud de doscien‐ tos pies, como las muy exageradas que le imputaban una anchura de una Kaufleute, Reeder, Schiffskapitäne, Skipper und Master in Europa milla y una longitud de tres permitía afirmar que ese ser fenomenal, de ser und Amerika, Offiziere der Kriegsmarine aller Länder und schließ‐ cierta su existencia, superaba con exceso todas las dimensiones admitidas lich die Regierungen der verschiedenen Staaten beider Kontinen‐ hasta entonces por los ictiólogos. Regular 9 pt, Español te nahmen die Vorfälle außerordentlich ernst. Seit einiger Zeit schon waren mehrere Schiffe auf hoher See„einem gigantischen Or, il existait, le fait en lui-même n’était plus niable, et, avec ce penchant qui pousse au merveilleux la cervelle humaine, on comprendra l’émotion produite dans le monde entier par cette surnaturelle apparition. Quant à la rejeter au rang des fables, il Etwas“ begegnet, einem langen, spindelförmigen Gegenstand, fallait y renoncer. En effet, le 20 juillet 1866, le steamerGovernor-Higginson, deCalcutta and Burnach steam navigation Com‐ der bisweilen phosphoreszierte und weitaus größer und schnel‐ pany, avait rencontré cette masse mouvante à cinq milles dans l’est des côtes de l’Australie. Le capitaine Baker se crut, tout d’abord, en présence d’un écueil inconnu ; il se disposait même à en déterminer la situation exacte, quand deux colonnes ler war als ein Wal. Die Einzelheiten, die im Zusammenhang mit d’eau, projetées par l’inexplicable objet, s’élancèrent en sifflant à cent cinquante pieds dans l’air. Donc, à moins que cet écueil ne fût soumis aux expansions intermittentes d’un geyser, leGovernor-Higginson avait affaire bel et bien à quelque dieser Erscheinung in den verschiedenen Logbüchern verzeich‐ mammifère aquatique, inconnu jusque-là, qui rejetait par ses évents des colonnes d’eau, mélangées d’air et de vapeur. Pareil net worden waren, stimmten alle recht genau überein hinsicht‐ fait fut également observé le 23 juillet de la même année, dans les mers du Pacifique, par leCristobal-Colon, de West India and Pacific steam navigation Company. Donc, ce cétacé extraordinaire pouvait se transporter d’un endroit à un autre avec une lich des Äußeren des betreffenden Gegenstands oder Lebewe‐ vélocité surprenante, puisque à trois jours d’intervalle, leGovernor-Higginson etleCristobal-Colon l’avaient observé en deux sens, der unerhörten Wendigkeit seiner Bewegungen, der points de la carte séparés par une distance de plus de sept cents lieues marines. Quinze jours plus tard, à deux mille lieues de là, l’Helvetia, delaCompagnie Nationale, etleShannon,du Royal-Mail, marchant à contrebord dans cette portion de l’At‐ erstaunlichen Geschwindigkeit und der eigentümlichen Art sei‐ lantique comprise entre les États-Unis et l’Europe, se signalèrent respectivement le monstre par 42° 15′ de latitude nord, et 60° 35′ de longitude à l’ouest du méridien de Greenwich. ner Lebensäußerungen. Regular 10.5 pt, Italic 10.5 pt, Deutsch Regular 5.5 pt, Italic 5.5 pt, Français Fontwerk Case Micro™ Languages · fontwerk.com · 8/19

All of Fontwerk’s support at least 94 Latin-based European languages such as English, German, French, Spanish, Supported Czech, Polish, and Turkish. Some families also support Greek and Cyrillic (e.g. Russian, Bulgarian). If you need further languages or script systems (anything from Cyrillic and Greek to Hebrew, Languages Arabic, Thai and even Chinese, Japanese, Korean(cjk), and Devanagari), we can make custom fonts for you.

▾ Latin French Luxembourgish Rundi Volapük Friulian Luyia Rwa Vunjo Afrikaans Galician Machame Samburu Walser Albanian Ganda Makhuwa-Meetto Sango Welsh Asu German Makonde Sangu Basque Gusii Malagasy Sena Bemba Hungarian Maltese Serbian Bena Icelandic Manx Shambala Breton Inari Sami Meru Shona Catalan Indonesian Morisyen Slovak Cornish Irish North Ndebele Slovenian Croatian Italian Northern Sami Soga Czech Jola-Fonyi Norwegian Bokmål Somali Danish Kabuverdianu Norwegian Nynorsk Spanish Dutch Kalenjin Nyankole Swahili Embu Kamba Oromo Swedish English Kikuyu Polish Swiss German Esperanto Kinyarwanda Portuguese Taita Estonian Latvian Quechua Teso Faroese Lithuanian Romanian Turkish

Filipino Lower Sorbian Romansh Upper Sorbian Bold 40 pt, Regular 9 pt, Finnish Luo Rombo Uzbek Bold 9 pt Fontwerk Case Micro™ Glyphs Regular · fontwerk.com · 9/19

Latin Uppercase & Lowercase

Accented Latin Uppercase

Accented Latin Lowercase

Small Caps

Numerals & Currency Symbols

Punctuation, Mathematical Signs & Symbols

Arrows & Shapes Fontwerk Case Micro™ OpenType Features · fontwerk.com · 10/19

Stylistic Set 1#ss01 — Alternative one Small Capitals#smcp No. 1 No. 1 Chill Chill

All alternative glyphs are also available via the Small Capitals From Capitals#c2sc Access All Alternates#aalt and Stylistic Alternates#salt features. Qmax qmax Contextual Alternates#calt : FJ fj PJ pj and star (German: Variation:#smcp + #c2sc Gendersternchen) included 5:4 5:4 Bling bling Case-Sensitive Forms#case ¡¿·•/\(){}[]- –—‒‐‑«»‹›⟨⟩@included (H-o) (H-O) Fontwerk Case Micro™ OpenType Features · fontwerk.com · 11/19

Lining Figures (default)#lnum, Oldstyle Figures Scientific Inferiors#sinf #onum 169 169 CO2 CO₂ Superscript#sups, Subscript #subs Proportional Figures (default) #pnum, Tabular Figures#tnum m3 M6 m³ M₆ 317 317 Slashed Zero#zero

Fractions#frac, Numerators#numr, Denominators#dnom 7380 7380

Localized Forms#locl 4/852 4⁄852 L· Ll·l → Ŀ Lŀl (Catalan) and Ş ţ ş ţ → Ș Ț ș ț (Romanian) included Ordinals#ordn 6a 2o 6ª 2º Braşov Brașov Fontwerk Case Micro™ Story · fontwerk.com · 12/19

“The Curious Case of Erik Spiekermann”, “For lowercase, uppercase, for every case” … There are puns aplenty for a with this particular name. But we’ll spareCASE you any CASE MICRO more and concentrate onHAIRLINE theEXTRALIGHT facts.THIN LIGHT REGULAR MEDIUM BOLD HEAVY HAIRLINE EXTRALIGHT THIN LIGHT REGULAR MEDIUM BOLD HEAVY

CASE CASE

Corporate type designers know this situation all too well: Micro version for – surprise, surprise – small text. Your client wants something new, something to call their Depending on the area of use, it can guarantee readability own, something that stands out from the competition. of 5pt, in some cases, even less. However, in reality, they often end up wanting the same An important distinguishing criterion of the family thing: their own version of a Neo-Grotesque in the style members is their respective spacing. In comparison to aCASE MICRO rCASE MICRO ofHelvetica®, Akzidenz Grotesk® orUnivers®. the two versions for text applications, the main family’s Anja Meiners and Ralph du Carrois and even Erik spacing is narrow, whereas it is wider on the Text and CASE CASE Spiekermann have sat in client briefings like these. As a widest on the Micro. For better readability, both Case trio they have been responsible for numerous highly Text and Case Micro have a higher x-height, an l with a respected custom-type projects, but often they too have ‘foot’ and slightly more open shapes than its bigger found themselves depending upon such a variant or sister. The Micro has more distinguishable character adaptation. forms (r, i, j) or wider glyphs (f, t) as well as significant Case is the essence of these experiences. They left contrast at the the joints of the stems and bows. out everything that they felt was unnecessary in the A unique selling are the reala italics,CASE TEXT since they rCASE TEXT world’s most popular typeface genre but they made sure are a rarity in the genre. Type designers are often satis‐ to keep all the best bits. Building on the concentrate of fied with obliques here. Even rarer are Variable Fonts, but Text and Micro have higher x-heights the best bits, they added new ideas and conceptual solu‐ afearaaaa not, these are already included in the superfamily aaaand more open shapes. tions for a modern static grotesque. The result is the package. At no extra cost. missing element in an otherwise strained and bloated The planned extensions, some of which are already typeface should look good when set in the font itself genre: A typeface whose clear basic personality looks underway, relate to language support, the widths (at least and all Spiekermann fonts after itc Officina® only have familiar and creates trust, but at the same time is novel a Condensed and an Extended version), a monospaced four letters, the name came about almost automatically. and individual and is therefore perfect for strong brand version and drumroll please … a UniCase. A little wordplay We believe “in any case” that Case has the potential building. An ideal font for complex branding projects is allowed after all. to become a classic of tomorrow. More than 30 years after born out of years of working on such complex branding Finally, to come back to the name: one of the Erik Spiekermann’s most important classicff Meta® was projects. characteristics of all Case styles is that in order to released, its designer, together with Anja Meiners and Case is currently available in three optical sizes: the optimize some of the letters for the design of logos and Ralph du Carrois, have their sights set on the twenties. core family suitable for the vast majority of applications, wordmarks, the terminals of letters such as c, a, s and e particularly larger applications such as logos, wordmarks all have the same horizontal endings, including and headlines, the Text family for longer reads and the uppercase and small caps. And since the name of the Bold 20 pt, Regular 7.5 pt, Italic 7.5 pt Fontwerk Case Micro™ Designer · fontwerk.com · 13/19

designer Erik Spiekermann

What else can one write about the man most important independent font distrib‐ whose Wikipedia entry has been trans‐ utor and the largest library of contem‐ lated into 13 different languages? porary typefaces. The man, whose shelves are decor‐ So, there is not much left to write ated with multiple awards for his life’s about this man. Apart from the fact that work from the most renowned associ‐ Fontwerk would probably not exist with‐ ations and a beautifully framed honorary out the latter two achievements, our roots doctorate certificate. The man, whose lie in the ideals and friendships of the reference books and biography‘Hello, I first 25 years of FontShop. The fact that Am Erik’became international best‐ Erik sees his future as a type designer for sellers. The man, who has designed more our label after his enormously successful successful typefaces than most time at itc and FontFont is highly appreci‐ foundries have to offer. The man, who is ated but at the same time a hugely moti‐ © Dennis Letbetter an entertaining guest in audio, film and vating obligation for us. tv productions (e.g. the legendarybbc video). He is at home in three time zones and owns more bicycles in each place � Berlin, Germany than a large sporty family. He is the man who was heavily involved building two of � p98a.com the most relevant creative agencies, a � instagram.com/espiekermann Light 20 pt Small Caps, Bold 50 pt, Medium 10.5 pt, legendary letterpress workshop, and the � twitter.com/espiekermann Regular 10.5 pt, Italic 10.5 pt Fontwerk Case Micro™ Designer · fontwerk.com · 14/19

designer Anja Meiners

Surrounded by the crystal-clear, ice-age which she also loves to write passion‐ lakes at the gates of Berlin, Anja Meiners ately. Her passion for writing is also finds inspiration for distinct, contem‐ reflected in her subjective observations porary custom fonts. on how children learn. She lives in the tranquil surroundings Anja is very good at listening, but also of Brandenburg with family (but without at ignoring if it serves progress. She likes a dog), while she realizes her ideas to think and to think outside the box. She together with Ralph du Carrois in the is not yet satisfied with the quality of her hectic and frenetic Friedrichshain area feminist side, but it’s on her agenda for of Berlin. The duo, known asbBox Type, her thirties. are a sought-after partner for interna‐ tional brands such as zdf, Cisco,tern or Autodesk for their design of exclusive © Norman Posselt custom fonts. They are also responsible for the popular Sans for Mozilla in cooperation with Erik Spiekermann and Team. As well as a flair for corporate fonts, � Groß Köris, Germany the communication designer has a talent for organising, for example at the � bboxtype.com Light 20 pt Small Caps, Bold 50 pt, Medium 10.5 pt, monthlyTypostammtisch Berlin, for � f-learns.de Regular 10.5 pt, Italic 10.5 pt Fontwerk Case Micro™ Designer · fontwerk.com · 15/19

designer Ralph du Carrois

The graphic design studio founded by However, he doesn’t have that much Ralph and Jennifer du Carrois soon spare time, as the Carrois family are developed into a studio escaping the hustle and bustle of Berlin after an extensive corporate type to build an eco house in Brandenburg. assignment for Suzuki. Ralph made a name for himself with international clients such asde Gruyter, zdf, Cisco, Bosch,tern, Autodesk and Monotype by extending and designing fonts. His most famous project is per‐ hapsFira Sans forMozilla, which he developed together with Erik Spieker‐ mann and his team. In2017 , Ralph and his © Norman Posselt long-time colleague Anja Meiners set up bBox Type,a joint . Born in Allgäu, Germany, the graduate Product Designer now devotes more and � Potsdam, Germany more of his spare time to both his actual field of study and to his art. An example � carrois.com of his artwork isTime Is A Square, an � instagram.com/carroiscarrois Light 20 pt Small Caps, Bold 50 pt, Medium 10.5 pt, abstract and experimental time display. � twitter.com/carroiscarrois Regular 10.5 pt, Italic 10.5 pt Fontwerk Formats and Licensing · fontwerk.com · 16/19

File Formats and Licensing

All our typefaces are provided inotf (OpenType fonts with TRIAL The ‘Trial Fonts’ contain around ¾ of the actual charac‐ PostScript outlines; usually used for desktop, apps, ebooks, trial ters and usually no OpenType features. The license allows free and hardware) andwoff as well aswoff2 (Web Open Font use during the test phase. Both desktop and webfonts are Format; OpenType fonts for the use on the web) formats. Most 1 Usertesting purposes only included so that you can design mockups, websites, apps and other formats such aseot, svg, orttf are not necessary any‐ eBooks etc. and then present to the client without having to more today. However, we can generate those files in case they commit to the purchase. Only when it is clear that the font fits are really needed. CLICK HERE TO DOWNLOAD and the actual projects go live or are produced, will you need FOR FREE NOW! to purchase the Standard version. We believe we have one of the simplest licensing models in the industry. If we were sitting in the pub, we could draw it out STANDARDOur most popular license that includes use in Print on a beermat. It’s hard enough to find the right font, so we (desktop) for one user and one project for use on the Web want to make the licensing as simple as possible. What does standard (100,000 pageviews per month), in an App (1,000 downloads) this mean? No drop-down-menus, just alicense in one click. Print: 1 User and eBooks (10,000 downloads). If more users, projects, You pay just once and that’s that as long as you keep within Web: 100,000 Pageviews/mo. pageviews or downloads are required, either several Standard the boundaries of use as stated in the License. App: 1,000 Downloads licenses or an Extended license must be purchased. eBook: 10,000 Downloads Please check our websitefontwerk.com/licensing for further EXTENDED This is comparable to amul, a multi-user-license. information. Extended covers use in Print for 15 users and up to 15 projects with total use on the Web (1.5 million pageviews per month), in Apps (15,000 downloads) and eBooks (150,000 downloads). It is also the right license for use in Broadcasting (1.5 million extended viewers). Print: 15 Users Web: 1,500,000 Pageviews/mo. ENTERPRISEFor all other situations that are not covered by App: 15,000 Downloads one of these licenses, an individual agreement is necessary. eBook: 150,000 Downloads We strive to deliver them as quickly and easily as possible. Bold 40 pt, Regular 8.5 pt, Bold Small Caps 14 pt, Broadcasting: 1.5 Mio Viewers Bold 7.5 pt, Regular 7.5 pt, Bold 8.5 pt All Caps Fontwerk Contact; About Fontwerk · fontwerk.com · 17/19

Address We craft modern typefaces and Fontwerk GmbH Prenzlauer Allee 186 10405 Berlin, provide innovative font engineering Germany and type design services. Website fontwerk.com

Email We believe that convincing a perfectly fitting custom type [email protected] We work on Central communication is only possible with solution in addition to font European time, and will respond as soon the most aesthetically pleasing and engineering services. as we can. most technically sound fonts. Social Media We hope tocontribute to Instagram, Twitter, LinkedIn: @fontwerk Ourvision is to provide easy access something bigger by promoting to such fonts through free trial talented designers from around versions, a simple licensing model the world with whom we work and one of the fastest ordering under the fairest conditions. processes around. Ourmotivation is simply the Our long-lasting designs addvalue love of good design. Outstanding above and beyond the actual cost. type is our contribution to that. These fonts can be downloaded Bold 8 pt, Regular 8 pt, directly by discerning agencies, Medium 16 pt, Light 16 pt, Regular Small Caps 16 pt designers and brands or ordered as Fontwerk Case Micro™ Related Typefaces and Pairing Suggestions · fontwerk.com · 18/19

Related Typefaces Case Case Text

Pairing Suggestions Rag Raggg

Nikolai Supermarker FranziskaWeitgruber UlrikeRausch

© 2020 Fontwerk, all rights reserved. Text on page 7 taken from Jules Verne “Twenty Thousand Leagues Under the Sea”. Copyright of images: Unless otherwise stated, the images used are subject toShutterstock.com licenses. , Univers,itc Officina andff Meta are trademarks of Monotype registered in theu.s. Patent and Trademark Office and may be registered in certain other jurisdictions. Akzidenz-Grotesk is a trademark of Berthold Types Limited. Fontwerk Case Micro™ Type Specimen End ·· fontwerk.comfontwerk.com · 19/19

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