Fontwerk Case Text™ Type Specimen · © 2020 Fontwerk · fontwerk.com · 1/20

Case Text Fontwerk Case Text™ Credits & Details · fontwerk.com · 2/20

Case Text™

A modern Neo-Grotesque with exceptional legibility. The bigger sister’s perfect body text side-kick.

Design Design Contributions Trademarks Licensing, Pricing Modifications, Andreas Frohloff Case Text™ is a trademark of TrialFree Test license Extensions Anja Meiners Fontwerk GmbH Standard Combined Print, Available on request Ralph du Carrois Mastering, Production Web, App and eBook license, Andreas Frohloff Design Period; Release starting at €50 Recommended Use Christoph Koeberlin 2016–2020; October 12, 2020 ExtendedLarger license Advertising & Packaging volume and additional Broad‐ Editorial & Publishing Marketing Latest Update casting, starting at €500 Film & TV Ivo Gabrowitsch(Conceptual Version 1.001; October 26, 2020 Further types of license Logo, Branding & CI Contribution, Naming, available on request Software & Gaming Copywriting, Imagery, Languages Responsive Designs Specimen) 94 Latin (see 8) Formats Lucy Beckley(English otf, woff, woff2; Further Contact Translation) Per formats available on request Fontwerk GmbH Loris Olivier() 795 (see page 9) Prenzlauer Allee 186 Jana Kühl(Imagery) Variable 10405 , Styles Included in the Superfamily [email protected] 8: four upright weights and package at no extra cost. corresponding italics Axis: weight, optical size Available exclusively (see page 5) File sizes (woff/woff2): 170/ fromfontwerk.com/ Bold 50 pt, Medium 16 pt, Regular 16 pt, Bold 9.5 pt, Regular 9.5 pt 136kb Upright; 172/136kb Italic fonts/case-text. Fontwerk Case Text™ Samples · fontwerk.com · 3/20

Atom Heart Father Biennale of Architecture van der Smut banque centrale européenne WERKSCHAU Pure Trance Radio #256 Design Rethinking Air Song(8 am version) Fontwerk Case Text™ TextCase Samples Text™ Non-Latin Samples · fontwerk.com · 4/20 A321neo Oranje, Geel & Associates hybrid battery 1864 große Pandas TRILOGY The New Rules of Marketing andpr Miles Glacier Fontwerk Case Text™ Styles · fontwerk.com · 5/20

Case Text Light ·small caps Case Text Light Italic · Case Text Regular ·small caps Case Text Italic ·small caps Case Text Medium ·small caps Case Text Medium Italic ·small caps Case Text Bold ·small caps Case Text Bold Italic ·small caps

Available in 8 styles. Fontwerk Case Text™ Samples Logos and Wordmarks · fontwerk.com · 6/20

91% BER→CDG LØVLIN Project

Italic 35 pt

Medium 23 pt, Light 23 pt, Light Italic 23 pt ↓ Medium 70 pt

Bold 120 pt (Tracking −100%), Bold 31 pt Urologisches campus Zentrum automotive Dr. Freund-Blase cab, belfast northern ireland K3 Fontwerk Case Text™ Samples Body Text · fontwerk.com · 7/20

20 Mil Léguas Submarinas Bold 50 pt, Português the year 1866 was signalized by a See„einem gigantischen Etwas“ begegnet, einem remarkable incident, a mysterious and langen, spindelförmigen Gegenstand, der biswei‐ inexplicable phenomenon, which doubt‐ len phosphoreszierte und weitaus größer und schneller war als ein Wal. Regular 14.5 pt, Italic 14.5 pt, Deutsch less no one has yet forgotten. Not to mention rumors which agitated the Los hechos relativos a estas apariciones, consignados los maritime population, and excited the diferentes libros de a bordo, coincidían con bastante exactitud en lo referente a la estructura del objeto o del ser public mind, even in the interior of con‐ en cuestión, a la excepcional velocidad de sus movimientos, tinents, seafaring men were particularly a la sorprendente potencia de su locomoción y a la particular vitalidad de que parecía dotado. De tratarse de un cetáceo, excited. Medium 18 pt, English superaba en volumen a todos cuantos especímenes de este género había clasificado la ciencia hasta entonces. Ni Cuvier, ni Lacepède, ni Dumeril ni Quatrefages hubieran admitido la Kaufleute, Reeder, Schiffskapitäne, Skipperund existencia de tal monstruo, a menos de haberlo visto por sus Master in Europa und Amerika, Offiziere der Kriegs‐ propios ojos de sabios. Regular 12 pt, Español marine aller Länder und schließlich die Regierun‐ À prendre la moyenne des observations faites à diverses reprises, — en rejetant les évaluations timides qui assignaient à cet objet une longueur de deux cents pieds, et en repoussant les opinions exagérées qui le disaient gen der verschiedenen Staaten beider Kontinente large d’un mille et long de trois, — on pouvait affirmer, cependant, que cet être phénoménal dépassait de beaucoup toutes les dimensions admises jusqu’à ce jour par les ichthyologistes, — s’il existait toutefois. Or, il nahmen die Vorfälle außerordentlich ernst. Seit existait, le fait en lui-même n’était plus niable, et, avec ce penchant qui pousse au merveilleux la cervelle humaine, on comprendra l’émotion produite dans le monde entier par cette surnaturelle apparition. Quant à la rejeter au einiger Zeit schon waren mehrere Schiffe auf hoher rang des fables, il fallait y renoncer. Regular 6.5 pt, Français Fontwerk Case Text™ Languages · fontwerk.com · 8/20

All of Fontwerk’s support at least 94 Latin-based European languages such as English, German, French, Spanish, Supported Czech, Polish, and Turkish. Some families also support Greek and Cyrillic (e.g. Russian, Bulgarian). If you need further languages or script systems (anything from Cyrillic and Greek to Languages Hebrew, Arabic, Thai and even Chinese, Japanese, Korean(cjk), and Devanagari), we can make custom fonts for you.

▾ Latin French Luxembourgish Rundi Volapük Friulian Luyia Rwa Vunjo Afrikaans Galician Machame Samburu Walser Albanian Ganda Makhuwa-Meetto Sango Welsh Asu German Makonde Sangu Basque Gusii Malagasy Sena Bemba Hungarian Maltese Serbian Bena Icelandic Manx Shambala Breton Inari Sami Meru Shona Catalan Indonesian Morisyen Slovak Cornish Irish North Ndebele Slovenian Croatian Italian Northern Sami Soga Czech Jola-Fonyi Norwegian Bokmål Somali Danish Kabuverdianu Norwegian Nynorsk Spanish Dutch Kalenjin Nyankole Swahili Embu Kamba Oromo Swedish English Kikuyu Polish Swiss German Esperanto Kinyarwanda Portuguese Taita Estonian Latvian Quechua Teso Faroese Lithuanian Romanian Turkish

Filipino Lower Sorbian Romansh Upper Sorbian Bold 40 pt, Regular 10 pt, Finnish Luo Rombo Uzbek Bold 10 pt Fontwerk Case Text™ Glyphs Regular · fontwerk.com · 9/20

Latin Uppercase & Lowercase

Accented Latin Uppercase

Accented Latin Lowercase

Small Caps

Numerals & Currency Symbols

Punctuation, Mathematical Signs & Symbols

Arrows & Shapes

Ligatures Fontwerk Case Text™ OpenType Features · fontwerk.com · 10/20

Stylistic Set 1#ss01 — Alternative one Small Capitals#smcp No. 1 No. 1 Chill Chill

All alternative glyphs are also available via the Small Capitals From Capitals#c2sc Access All Alternates#aalt and Stylistic Alternates #salt features. Qmax qmax Contextual Alternates#calt : FJ fj PJ pj and star (German: Variation:#smcp + #c2sc Gendersternchen) included 5:4 5:4 Bling bling Case-Sensitive Forms#case Standard (#liga)and Discretionary Ligatures#dlig ¡¿·•/\(){}[]- –—‒‐‑«»‹›⟨⟩@included ffi ff fi ffjfjft included Luft Luft (H-o) (H-O) Fontwerk Case Text™ OpenType Features · fontwerk.com · 11/20

Lining Figures (default)#lnum, Oldstyle Figures Scientific Inferiors#sinf #onum 169 169 CO2 CO₂ Superscript#sups, Subscript #subs Proportional Figures (default) #pnum, Tabular Figures#tnum m3 M6 m³ M₆ 317 317 Slashed Zero#zero

Fractions#frac, Numerators#numr, Denominators #dnom 7380 7380

Localized Forms#locl 4/852 4⁄852 L· Ll·l → Ŀ Lŀl (Catalan) and Ş ţ ş ţ → Ș Ț ș ț (Romanian) included Ordinals#ordn 6a 2o 6ª 2º Braşov Brașov Fontwerk Case Text™ Story · fontwerk.com · 12/20

“The Curious Case of Erik Spiekermann”, “For lowercase, uppercase, for every case” … There CASE are puns aplenty for a with this HAIRLINE EXTRALIGHT THIN LIGHT REGULAR MEDIUM BOLD HEAVY particular name. But we’ll spare you any more CASE and concentrate on the facts.

aCASE MICRO Corporate type designers know this situation concentrate of the best bits, they added new all too well: Your client wants something ideas and conceptual solutions for a modern CASE new, something to call their own, something static grotesque. The result is the missing that stands out from the competition. How‐ element in an otherwise strained and ever, in reality, they often end up wanting the bloated genre: A typeface whose clear basic same thing: their own version of a Neo- personality looks familiar and creates trust, aCASE TEXT Grotesque in the style ofHelvetica®, but at the same time is novel and individual Akzidenz Grotesk® orUnivers®. and is therefore perfect for strong brand Textaaaa anda Micro have higher x-heights and more open shapes. aa Anja Meiners and Ralph du Carrois and building. An ideal font for complex branding even Erik Spiekermann have sat in client projects born out of years of working on An important distinguishing criterion of briefings like these. As a trio they have been such complex branding projects. the family members is their respective spac‐ responsible for numerous highly respected Case is currently available in three optical ing. In comparison to the two versions for custom-type projects, but often they too sizes: the core family is suitable for the vast text applications, the main family’s spacing have found themselves depending upon majority of applications, especially larger is narrow, whereas it is wider on the Text and such a variant or adaptation. applications such as logos, wordmarks and widest on the Micro. For better readability, Case is the essence of these experi‐ headlines, the Text family for longer reads both Case Text and Case Micro have a higher ences. They left out everything that they felt and the Micro version for – surprise, surprise – x-height, an l with a ‘foot’ and slightly more was unnecessary in the world’s most small text. Depending on the area of use, it open shapes than its bigger sister. The Micro popular typeface genre but they made sure can guarantee readability of 5pt, in some to keep all the best bits. Building on the cases, even less. Bold 20 pt, Regular 10.5 pt, Italic 10.5 pt Fontwerk Case Text™ Story · fontwerk.com · 13/20

has more distinguish‐ Finally, to come back to the name: one of We believe “in any case” that Case has able character forms (r, the characteristics of all Case styles is that in the potential to become a classic of tomor‐ BOLD i, j) or wider glyphs (f, t) order to optimize some of the letters for the row. More than 30 years after Erik Spieker‐ as well as significant design of logos and wordmarks, the termi‐ mann’s most important classicff Meta® t contrast at the the nals of letters such as c, a, s and e all have was released, its designer, together with Anja t joints of the stems and the same horizontal endings, including Meiners and Ralph du Carrois, have their bows. uppercase and small caps. And since the sights set on the twenties. CASE MICRO CASE TEXT tCASE A unique selling name of the typeface should look good are the real when set in the font itself and all Spieker‐ MEDIUM italics, since they are a mann fonts afteritc Officina® only have four rarity in the genre. Type letters, the name came about almost auto‐ r designers are often matically. r satisfied with obliques here. Even rarer are CASE MICRO CASE TEXT rCASE Variable Fonts, but fear not, these are already REGULAR included in the super‐ family package. At no i extra cost. case esa cses i The planned exten‐ sions, some of which CASE MICRO CASE TEXT iCASE are already underway, relate to language sup‐ LIGHT port, the widths (at sa CSGJCSGJ least a Condensed and l an Extended version), a l monospaced version The terminals of letters such as c, a, s and e – hence the name – all have the same horizontal endings. CASE MICRO CASE TEXT lCASE and drumroll please … a UniCase. A little word‐

play is allowed after all. Regular 10.5 pt, Italic 10.5 pt Fontwerk Case Text™ Designer · fontwerk.com · 14/20

designer Erik Spiekermann

What else can one write about the man independent font distributor and the whose Wikipedia entry has been trans‐ largest library of contemporary typefaces. lated into 13 different languages? So, there is not much left to write about The man, whose shelves are decorated this man. Apart from the fact that Fontwerk with multiple awards for his life’s work would probably not exist without the latter from the most renowned associations and two achievements, our roots lie in the a beautifully framed honorary doctorate ideals and friendships of the first 25 years certificate. The man, whose reference of FontShop. The fact that Erik sees his books and biography‘Hello, I Am Erik’ future as a type designer for our label after became international bestsellers. The his enormously successful time at itc and man, who has designed more successful FontFont is highly appreciated but at the typefaces than most foundries have to same time a hugely motivating obligation offer. The man, who is an entertaining for us. © Dennis Letbetter guest in audio, film andtv productions (e.g. the legendarybbc video). He is at home in three time zones and owns more bicycles in each place than a large sporty � Berlin, Germany family. He is the man who was heavily involved building two of the most relevant � p98a.com creative agencies, a legendary letterpress � instagram.com/espiekermann Light 20 pt Small Caps, Bold 50 pt, workshop, and the most important � twitter.com/espiekermann Medium 11 pt, Regular 11 pt, Italic 11 pt Fontwerk Case Text™ Designer · fontwerk.com · 15/20

designer Anja Meiners

Surrounded by the crystal-clear, ice-age writing is also reflected in her subjective lakes at the gates of Berlin, Anja Meiners observations on how children learn. finds inspiration for distinct, contempor‐ Anja is very good at listening, but also ary custom fonts. at ignoring if it serves progress. She likes She lives in the tranquil surroundings of to think and to think outside the box. She Brandenburg with family (but without a is not yet satisfied with the quality of her dog), while she realizes her ideas together feminist side, but it’s on her agenda for her with Ralph du Carrois in the hectic and thirties. frenetic Friedrichshain area of Berlin. The duo, known asbBox Type, are a sought- after partner for international brands such aszdf, Cisco,tern orAutodesk for their design of exclusive custom fonts. They are © Norman Posselt also responsible for the popularFira Sans forMozilla in cooperation with Erik Spiekermann and Team. As well as a flair for corporate fonts, the communication designer has a talent for � Groß Köris, Germany organising, for example at the monthly

Typostammtisch Berlin, for which she also � bboxtype.com Light 20 pt Small Caps, Bold 50 pt, loves to write passionately. Her passion for � f-learns.de Medium 11 pt, Regular 11 pt, Italic 11 pt Fontwerk Case Text™ Designer · fontwerk.com · 16/20

designer Ralph du Carrois

The graphic design studio founded by However, he doesn’t have that much spare Ralph and Jennifer du Carrois soon time, as the Carrois family are escaping developed into a studio after the hustle and bustle of Berlin to build an an extensive corporate type assignment eco house in Brandenburg. for Suzuki. Ralph made a name for himself with international clients such asde Gruyter, zdf, Cisco, Bosch,tern, Autodesk and Monotype by extending and designing fonts. His most famous project is perhaps Sans forMozilla, which he developed together with Erik Spiekermann and his team. In2017 , Ralph and his long-time © Norman Posselt colleague Anja Meiners set upbBox Type, a joint . Born in Allgäu, Germany, the graduate Product Designer now devotes more and � Potsdam, Germany more of his spare time to both his actual field of study and to his art. An example of � carrois.com his artwork isTime Is A Square, an � instagram.com/carroiscarrois Light 20 pt Small Caps, Bold 50 pt, abstract and experimental time display. � twitter.com/carroiscarrois Medium 11 pt, Regular 11 pt, Italic 11 pt Fontwerk Formats and Licensing · fontwerk.com · 17/20

File Formats and Licensing

All our typefaces are provided inotf (OpenType fonts with are included so that you can design mockups, websites, PostScript outlines; usually used for desktop, apps, ebooks, trial apps and eBooks etc. and then present to the client without and hardware) andwoff as well aswoff2 (Web Open Font 1 Usertesting purposes only having to commit to the purchase. Only when it is clear that Format; OpenType fonts for the use on the web) formats. the font fits and the actual projects go live or are produced, Most other formats such aseot, svg, orttf are not neces‐ will you need to purchase the Standard version. sary anymore today. However, we can generate those files in CLICK HERE TO DOWNLOAD case they are really needed. FOR FREE NOW! STANDARDOur most popular license that includes use in Print (desktop) for one user and one project for use on the We believe we have one of the simplest licensing models in Web (100,000 pageviews per month), in an App (1,000 the industry. If we were sitting in the pub, we could draw it standard downloads) and eBooks (10,000 downloads). If more users, out on a beermat.It’s hard enough to find the right font, so projects, pageviews or downloads are required, either sev‐ Print: 1 User we want to make the licensing as simple as possible. What Web: 100,000 Pageviews/mo. eral Standard licenses or an Extended license must be pur‐ does this mean? No drop-down-menus, just alicense in App: 1,000 Downloads chased. one click. You pay just once and that’s that as long as you eBook: 10,000 Downloads keep within the boundaries of use as stated in the License. EXTENDED This is comparable to amul, a multi-user-license. Extended covers use in Print for 15 users and up to 15 Please checkfontwerk.com/licensing for further information. projects with total use on the Web (1.5 million pageviews per month), in Apps (15,000 downloads) and eBooks TRIAL The ‘Trial Fonts’ contain around ¾ of the actual char‐ extended (150,000 downloads). It is also the right license for use in acters and usually no OpenType features. The license allows Print: 15 Users Broadcasting (1.5 million viewers). free use during the test phase. Both desktop and webfonts Web: 1,500,000 Pageviews/mo. App: 15,000 Downloads eBook: 150,000 Downloads ENTERPRISEFor all other situations that are not covered by Bold 40 pt, Regular 9.5 pt, Bold 9.5 pt, Bold Small Caps 14 pt, Broadcasting: 1.5 Mio Viewers one of these licenses, an individual agreement is necessary. Bold 8.5 pt, Regular 8.5 pt, Medium 8.5 pt All Caps We strive to deliver them as quickly and easily as possible. Fontwerk Contact; About Fontwerk · fontwerk.com · 18/20

Address We craft modern typefaces and Fontwerk GmbH Prenzlauer Allee 186 provide innovative font engineering 10405 Berlin, Germany and type design services.

Website fontwerk.com We believe that convincing perfectly fitting custom type Email communication is only possible with solution in addition to font [email protected] We work on Central the most aesthetically pleasing and engineering services. European time, and most technically sound fonts. will respond as soon We hope tocontribute to as we can. Ourvision is to provide easy access something bigger by promoting Social Media to such fonts through free trial talented designers from around Instagram, Twitter, LinkedIn: @fontwerk versions, a simple licensing model the world with whom we work and one of the fastest ordering under the fairest conditions. processes around. Ourmotivation is simply the love Our long-lasting designs add value of good design. Outstanding type above and beyond the actual cost. is our contribution to that. These fonts can be downloaded Bold 9 pt, Regular 9 pt, directly by discerning agencies, Medium 17 pt, Light 17 pt, Regular Small Caps 17 pt designers and brands or ordered as a Fontwerk Case Text™ Related Typefaces and Pairing Suggestions · fontwerk.com · 19/20

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© 2020 Fontwerk, all rights reserved. Text on page 7 taken from Jules Verne “Twenty Thousand Leagues Under the Sea”. Copyright of images: Unless otherwise stated, the images used are subject toShutterstock.com licenses. , Univers,itc Officina andff Meta are trademarks of Monotype registered in theu.s. Patent and Trademark Office and may be registered in certain other jurisdictions. Akzidenz-Grotesk is a trademark of Berthold Types Limited. Fontwerk Case Text™ Type Specimen End ·· fontwerk.comfontwerk.com · 20/20

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