Hbresumetemplate1 Copy.Pages

Total Page:16

File Type:pdf, Size:1020Kb

Hbresumetemplate1 Copy.Pages HUBERT BOORDER STUNT COORDINATOR / FIGHT CHOREOGRAPHER 416.894.3140 | [email protected] | Actra Member 04-20364 STAR TREK: DISCOVERY TV SERIES (2017) CREDIT FIGHT CHOREOGRAPHER / CO-STUNT COORDINATOR Exec Producer: Akiva Goldsman | Co-producer: Olatunde Osunsanmi Producer: Thom J. Pretak | Co-Producer: Frank Siracusa ___________________________________________________________________________________________ SHADOWHUNTERS TV SERIES (2017-2018) CREDIT FIGHT CHOREOGRAPHER Exec Producer: Matt Hastings | Line Producer: Chris Hatcher _________________________________________________________________________________________ TRANSYLVANIA PILOT (2016) CREDIT FIGHT CHOREOGRAPHER / CO-STUNT COORDINATOR Show runner: Jason Ensler | Line Producer: Frank Siracusa _________________________________________________________________________________________ BEAUTY & THE BEAST TV SERIES (2013-2015) CREDIT STUNT COORDINATOR / FIGHT CHOREOGRAPHER Show runner: Stuart Gillard | Line Producer: Kevin Lafferty & Wanda Chaffey NIKITA TV SERIES (2010-2011) CREDIT STUNT COORDINATOR / FIGHT CHOREOGRAPHER Producer: Mark David Alpert | Co Exec Producer: David Solomon _________________________________________________________________________________________ ACTOR CREDITS BEEBA BOYS BITTEN THE FIRM COVERT AFFAIRS XIII THE SERIES LOST GIRL KICK-ASS CONNOR UNDERCOVER THE SHEPHERD stunt performer credits ROBOCOP XXX RETURN OF XANDER NIKITA CAGE BRAVEN STAR TREK DISCOVERY SHADOW HUNTERS POND INCORPORATED SUICIDE SQUAD DARK MATTER REIGN X-MEN APOCOLYPSE BITTEN THE EXPANSE HEROES REBORN TRANSYLVANIA WARRIOR GRIDLOCKED BEEBA BOYS BEAUTY AND THE BEAST ROGUE DEFIANCE KILLJOYS HANNIBAL SUPERNATURAL 12 MONKEYS ASSASSINS’S CREED UNITY ICE SOLDIERS CARRIE WAREHOUSE 13 CRACKED SILENT HILL REVELATION COVERT AFFAIRS RESIDENT EVIL RETRIBUTION ALPHAS THE LISTENER THE FIRM DDEFIANCE IMMORTALS XIII THE SERIES THANK YOIU BREAKOUT KINGS SUCKER PUNCH THE ETERNAL VOID LOST GIRL RED SCOTT PILGRIM VS THE REPO MEN WORLD KICK ASS CONNOR UNDERCOVER FLASHPOINT SPLIE AARON STONE THE WEIGHT DARK PLANET REBILLION THE LINE DRAGONBALL EVOLUTION CYBORG SOLDIER XIII THE CONSPIRACY DEATH RACE OUTLANDER THE LOVE GURU ZOOM LOVE THY NEIGHBOR G-SPOT 1-800-MISSING THE CHRONICLES OF RIDDICK STARHUNTER FOOLPOOF NOTHING MUTANT X BULLETPROOF MONK THE ONE THE RECRUIT ADVENTURE INC WISH YOU WERE DEAD JETT JACKSON THE MOVIE RELIC HUNTER special skill: Martial Arts, Hap Ki Do/Karate Black Belt, Filipino Martial Arts (Kali, Arnis, Escrima), World Stick Fighting Champion, Thai Boxing, Sword, Knife Specialist, tactical fire arm training, film and edit Action choreography,, Hong Kong Wire Work, Actor Training and Conditioning.
Recommended publications
  • Collision Course
    FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS.
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • TEEN FEMINIST KILLJOYS? Mapping Girls' Affective Encounters With
    Á 6 TEEN FEMINIST KILLJOYS? Mapping Girls’ Aff ective Encounters with Femininity, Sexuality, and Feminism at School Jessica Ringrose and Emma Renold International research has documented the phenomenon of contem- porary young women repudiating or disinvesting from identifi cations with feminism (Jowett 2004: 99; Baker 2008; Scharff 2012). Indeed, femi- nism is frequently constituted as both abject and obsolete by a postfem- inist media context that suggests women are now equal in education, the workplace, and the home (McRobbie 2008; Ringrose and Renold 2010). Most of the scholarship on the relationship between new fem- ininities (Gill and Scharff 2011) and diff erent forms of feminism or postfeminism (Budgeon 2011), does not, however, explicitly deal with adolescence and teen girls’ relationships to feminism, although there is some writing on how the girl and associations with girlishness have historically been set in contradiction to a feminist identity, and the need to overcome this and take girls’ political subjectivities seriously (Baumgardner and Richards 2004; Eisenhauer 2004). One particularly promising area is a growing literature exploring girls’ political, activist, or counter-cultural subjectivities, via girls’ on- line identity formation (Weber and Mitchell 2008; Currie et al. 2009) through new media practices such as blogging, zines, and digital social networking (Piepmeier, 2009; Zaslow 2009; Ringrose 2011; Keller 2012; see also Keller’s contribution to this volume, among others). However, there is still a limited amount of research that focuses on teenage girls explicitly taking up feminist activist identities and practices. Indeed, much research, including our own, has focused on what Currie et al. call “de facto feminism” (2008: 39) that is, discursive traces of feminist ideology or resistance in the talk and experiences of teen girls, even if they do not explicitly identify with or defi ne themselves as feminist (Renold and Ringrose 2008, 2011).
    [Show full text]
  • Farscape Series 1 Cast
    Farscape series 1 cast click here to download Farscape (TV Series –) cast and crew credits, including actors, actresses, directors, writers and more. Astronaut John Crichton's "Farscape-1" space module is swallowed by a wormhole and spat out on the other side of the universe into the middle of a space battle. Zhaan (Virgina Hey) giving Crichton (Ben Browder) a "Delvian ear kiss" in Episode 1 ("Pilot") Scenes of D'Argo (Anthony. With Ben Browder, Claudia Black, Anthony Simcoe, Lani John Tupu. the Peacekeeper Alliance has but one hope: reassemble human astronaut John Crichton, once sucked into the Peacekeeper galaxy. Complete series cast summary. With Ben Browder, Claudia Black, Virginia Hey, Anthony Simcoe. Crichton has landed on Season 1 | Episode 7. Previous Episode complete credited cast. John Crichton (Ben Browder) – An astronaut from present-day Earth. At the start of the series, a test flight involving an. This article contains information about fictional characters in the television series Farscape. Toward the end of season one, Crichton encounters a mysterious alien race known only as The Ancients, who hide .. Wayne Pygram seemed to confirm this during an interview on the Farscape DVD set; while Dominar Rygel XVI. Farscape is a science fiction television show. Four regular seasons were produced, from to Each season consists of 22 episodes. Each episode is intended to air in a one-hour television timeslot (with Characters · Races · Peacekeepers. Spin-offs. Farscape: The Game · Farscape Roleplaying Game · The. Ben Browder, John Crichton, Farscape, WATN, Where are they now? © Getty Images. One of four people – alongside Claudia Black, Anthony Simcoe and Lani Tupu – to Browder has since been seen in series seven episode of Doctor Who , For most of Farscape, Wayne Pygram's hybrid Scorpius – a.
    [Show full text]
  • Pryvtrsrch-1-Fight-The-Future-Single-Page-For-Printing.Pdf
    Fight the Future THIS IS FULL OF SPIDERS... I mean, spoilers. Inside Logan The Future Composts The Past 6 Event Horizon Flags in Space 10 A Haunted House in Space 12 Pirates of the Caribbean & Event Horizon “Part of the ship, part of the crew.” 15 Avatar DeExtinction and Alienation in Space 16 Terminus A Positive Panspermia Tale 20 The Shannara Chronicles Setting the post-apocalyptic scene 24 Dark Matter & Killjoys The Future of Humanity in Space 27 Image Credits 31 Index 33 PRYVT.RSRCH - FIGHT THE FUTURE The Future Composts The Past Logan Logan isn’t a Sci-Fi, it’s a Western that just Grounding it as a progression from the happens to be set forward in time. Its setting present establishes that they’re in our world, is one of the many excellent characters in the not a sci-fi superhero universe full of marvels film. Its design fiction elements just one of separate from that of mortal’s. the standout performances. Phones look the same as today. They still go Logan’s vision of 2029 proves Bruce flat at inconvenient moments. Needing to find Sterling’s line that “the future composts the a charger breaks up the back story infodump. past” in the most effective way sinceLooper . There’s no futureshock in this film. TVs aren’t holographic. 6 PRYVT.RSRCH - FIGHT THE FUTURE There are no sharks eating Marty McFly on Showing the autotrucks as “cabinless trucks” the sidewalk as in Back To The Future II’s recalls how cars were first presented as 1989 vision of 2015.
    [Show full text]
  • The Promise of Happiness
    3 The Promise of Happiness SARA AHMED Duke University Press Durham and London 2010 © 2010 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by C. H. Westmoreland Typeset in Whitman by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. 3 For Audre Lorde For teaching me so much about everything 3 CONTENTS Acknowledgments ix Introduction: Why Happiness, Why Now? 1 1. Happy Objects 21 2. Feminist Killjoys 50 3. Unhappy Queers 88 4. Melancholic Migrants 121 5. Happy Futures 160 Conclusion: Happiness, Ethics, Possibility 199 Notes 225 References 283 Index 301 3 ACKNOWLEDGMENTS I WOULD LIKE TO THANK the Arts and Humanities Research Council (AHRC) for funding my research leave in 2007–8; my department, Media and Communications, Goldsmiths College, for allowing a lengthy absence; as well as my colleagues and friends at Goldsmiths, especially Lisa Adkins, Lisa Blackman, Gavin Butt, Nick Couldry, Natalie Fenton, Mariam Fraser, Angela McRobbie, Rachel Moore, Simon O’Sullivan, Beverley Skegs, Richard Smith, and Gareth Stanton. My appreciation to the Department of Women’s and Gen- der Studies at Rutgers University for providing a calm and stimulating place to complete this book and to Mary Hawkesworth for making my visit possible. For helping New York live up to its promise, thanks to Ann Pellegrini, Jasbir Puar, and Sarah Schulman. For friendship, thanks to Clare Hemmings, Shona Hunter, Jonathan Keane, Catharina Landström, Elena Loizidou, Mimi Sheller, and Elaine Swan. For the creation of an intellectual home, thanks to all those who participate in Black British Feminism, including Suki Ali, Heidi Mirza, Gail Lewis, Ann Phoenix, Nirmal Puwar, and Shirley Tate.
    [Show full text]
  • Meticulous World-Building in Space: the Expanse, and the Current Resurgence of Science Fiction on TV Tobias Steiner, Cstonline, March 17, 2016
    http://cstonline.tv/sci-fi-tv Meticulous world-building in Space: The Expanse, and the current resurgence of Science Fiction on TV Tobias Steiner, CSTOnline, March 17, 2016 It’s been one of those days. The Christmas holidays had been lurking around the corner, and finally I had some free time on my hands, between the formal end of the academic calendar of 2015, and the big celebration rush that we tend to throw ourselves into, meeting up with family and long-time friends.Free time - priceless. And somewhere, somehow, I had come across an announcement that a new SciFi show would be airing on SyFy; title: The Expanse. Rumour had it this show would be the next big thing, with ambitions to fill the shoes of the mighty mid-2000s re-imagination of Battlestar Galactica (SyFy, 2003/4-9). Battlestar Galactica (or, simply, “BSG” as it used to be called by its loyal fans), one of those early specimens of “ComplexTV” (Mittell, 2015) that, back then, had left me tremendously impressed with its unique, gritty way of storytelling, visual composition, and a narrative that invited audiences to engage in quasi-philosophical questions of technological determinism, religion, existentialism, and Othering in relation to the Here and Now. Over the years, a veritable collection of reviews, essays and anthologies such as Cylons in America or BSG and Philosophy, accumulated a diverse spectrum of academic perspectives, dissecting the layered multiplicity of the narrative, and its cultural relevance as a Science Fiction allegory on post-9/11 United States and the War on Terror.
    [Show full text]
  • Support for the 2016 Season of the Festival Theatre Is
    SUPPORT FOR THE 2016 SEASON OF THE FESTIVAL THEATRE IS GENEROUSLY PROVIDED BY CLAIRE & DANIEL BERNSTEIN PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY JANE PETERSEN BURFIELD & FAMILY, BY BARBARA & JOHN SCHUBERT, BY THE TREMAIN FAMILY, AND BY CHIP & BARBARA VALLIS UNIVERSITY OF WATERLOO What do we mean by victory – and AFTER THE its tragic corollary, defeat? And what happens in their wake? From the fall on the VICTORY of Troy in The Aeneid to the Second World War in All My Sons, conflicts in history or legend have inspired several “When the hurly-burly’s done, of the works on our 2016 playbill. But world stage When the battle’s lost and won.” in every case, what fascinates us is not the struggle against an external foe but This is a place where imagination – MACBETH the conflict within. In drama, humanity meets innovation — where itself is the ultimate battlefield: no unconventional approaches push defeat can be more devastating than performance to new heights and the vanquishing of the spirit; no victory allow talent to soar. more exhilarating than the triumph of the heart. Through research, teaching and public engagement, University Like John Gabriel Borkman or Argan of Waterloo is a proud supporter in The Hypochondriac, we can be our of culture and community. own worst enemies – and our greatest victories consist not of making others less but of making ourselves more. From Solitary to Solidarity: When we overcome a failing, when we Unravelling the Ligatures of Ashley Smith find true love, when we free ourselves University of Waterloo Drama from the compulsions and obsessions Faculty of Arts that distort our lives, when we see ourselves clearly for the first time: these are the victories that truly transform us.
    [Show full text]
  • Predicting User Loyalty in an Education Support Web Application Based on Usage Data
    U NIVERSITYOF T WENTE M ASTER T HESIS Predicting user loyalty in an education support web application based on usage data Author: Supervisors: Karim M. E L A SSAL Dr.ir. M. VAN K EULEN Dr. K. S CHILDKAMP External supervisors: L.D.J. N IESINK E.R.G. VANDER V EEN A thesis submitted in fulfillment of the requirements for the degree of Master of Science in the Databases Research Group Department of Computer Science April 24, 2018 iii Declaration of Authorship I, Karim M. E L A SSAL, declare that this thesis titled, “Predicting user loyalty in an education support web application based on usage data” and the work presented in it are my own. I confirm that: • This work was done wholly or mainly while in candidature for a research degree at this university. • Where any part of this thesis has previously been submitted for a degree or any other qualification at this university or any other institution, this hasbeen clearly stated. • Where I have consulted the published work of others, this is always clearly attributed. • Where I have quoted from the work of others, the source is always given. With the exception of such quotations, this thesis is entirely my own work. • I have acknowledged all main sources of help. • Where the thesis is based on work done by myself jointly with others, I have made clear exactly what was done by others and what I have contributed my- self. Signed: Date: v vii University of Twente Abstract Faculty of Electrical Engineering, Mathematics and Computer Science Department of Computer Science Master of Science Predicting user loyalty in an education support web application based on usage data by Karim M.
    [Show full text]
  • DEREK ROBERTSON SCRIPT COORDINATOR / 1St ASSISTANT PRODUCTION COORDINATOR C: 647.298.5628 [email protected]
    DEREK ROBERTSON SCRIPT COORDINATOR / 1st ASSISTANT PRODUCTION COORDINATOR C: 647.298.5628 [email protected] Page 1 – Script Coordinating Experience Page 2 – Production Coordinator / 1st Assistant Production Coordinating Experience Page 3 – Production Secretary (2nd Assistant Production Coordinator) + Additional Experience Technical Qualifications: Proficient with Final Draft, Movie Magic Screenwriter, Microsoft Word, Microsoft Excel, Scenechronize, Dropbox, OneDrive SCRIPT COORDINATOR Story Editor Killjoys Season 3 | Syfy / Space | Temple Street | September 2016 – May 2017 Writers: Michelle Lovretta, Adam Barken, Niko Troubetzkoy, Andrew De Angelis, Julie Puckrin, Shernold Edwards, Ashley Park, Julian Doucet, Vivian Lin Story Coordinator Killjoys – Season 3 Development Room Series | Syfy / Space | Temple Street | August 2016 Writers: Michelle Lovretta, Adam Barken, Julian Doucet Script Coordinator The Bold Type (fka Issues) TV Pilot | Freeform Disney | NBCUniversal | July – August 2016 Writer: Sarah Watson Script Coordinator The Kennedy’s After Camelot Mini-Series | Reelz | Muse Entertainment | April – June 2016 Writers: Stephen Kronish, Sandra Chwialkowska Story Coordinator Killjoys Season 2 | Syfy / Space | Temple Street | September 2015 – April 2016 Writers: Michelle Lovretta, Adam Barken, Jeremy Boxen, Sean Reycraft, Jon Cooksey, Julian Doucet, Priscilla White Script Coordinator Lewis & Clark Mini-Series | HBO | May 2015 Writers: Edward Norton, John Curran, Stephen Ambrose, Michelle Ashford, John Collee Derek Robertson – Script
    [Show full text]
  • Susan Hayward Department Make-Up
    Susan Hayward Make-Up Department Cell : (416) 828-2782 2017 Between Earth and Sky Feature Film Head of Department Blumhouse Entertainment Producers • Jason Blum Actors • Peter Sarsgaard • Alix Madigan • Mireille Enos • Aaron Barnett • Joey King Director • Veena Sud Prod Mgr • Effy Papadopoulos Girlfriend Experience, The (Season 2) Television Series Head of Department GFE34 Productions Inc. Producers • Andrew Fierberg Actors • Anna Friel • Lodge Kerrigan • Louisa Krause • Steven Soderbergh Director • Lodge Kerrigan Prod Mgr • Shauna Jamison Condor (Season 1) Television Series Key Make-Up Skydance MGM Producers • Frank Siracusa Actors • Mira Sorvino • John Weber • Gabe Hogan • Sean Ryerson • Max Irons Directors • Various Prod Mgr • Jim Mauro 2016 Nutcracker Christmas M.O.W. Head of Department HB Nutcracker Productions/Hallmark Producers • Steve Solomos Actors • Amy Acker • Michael Larkin • Sascha Radetsky • Sophia Lucia • Catherine Mary Stewart Director • Michael Lembeck Prod Mgr • Deborah Marks Susan Hayward Make-Up Department 2016 Eyewitness Television Series Head of Department Eyewitness North Productions Producer • Steve Solomos Actors • Julianne Nicholson • Gil Bellows • Tyler Young • James Paxton Directors • Various Prod Mgr • Deborah Marks KillJoys (Season 2) Television Series Key Make-up KillJoys II Productions Ltd. Producers • Karen Troubetzkoy Actors • Thom Allison • Michelle Lovretta • Sarah Power • D.J. Carson • Rob Stewart • Maiko Nyguyen • Morgan Kelly Directors • Various Prod Mgr • Gina Fowler 2015- 11/22/63 Mini Series Key
    [Show full text]
  • Bay Lands Second Aerospace Facility
    LOCAL & DISTRICT UNVEILS HALF-CENT TAX PRIORITIES STATE | A3 PANAMA CITY LOCAL & STATE | A3 MINI GOLF A HOLE IN ONE FOR GLENWOOD CHILDREN Thursday, August 9, 2018 www.newsherald.com @The_News_Herald facebook.com/panamacitynewsherald 75¢ Bay lands second TDC planning $703,500 for aerospace facility sports events Events bring The breakdown thousands of visitors to PCB each year, but Much of the budget is dedi- come at a price cated to bids and fees for hosting events, which ring By Tyra L. Jackson up to $301,500. Offi cials also 850-522-5121 | @TyraJackPCNH have allocated a hefty por- [email protected] tion of the budget, $204,000, to the sponsorship of sport- PANAMA CITY BEACH ing events that promote — Tourism officials dis- tourism in the city. About cussed money, sports 29 percent of the funds are and more sports, as they related to conferences and approved the Fiscal Year pulling in different events 2019 sports marketing to the area throughout the budget and the new sports year. park budget at a combined Tourist Development Council and Convention and Visitors Bureau meet- Much of the budget is ing Wednesday. dedicated to bids and fees “This budget is an inte- for hosting events, which gral part of marketing ring up to $301,500, Feeney the destination, and has said. proven itself throughout “For example of that the years. These events $301,500, about 45 percent bring visitors throughout of that goes to bringing the year, specifically in IRONMAN and IRONMAN the non-summer months. 70.3 to the destination Panama City Beach plans alone,” she said.
    [Show full text]