Showcase Announces Start of Production on New Canadian Original Series Travelers Starring Eric Mccormack and Created and Written by Brad Wright

Total Page:16

File Type:pdf, Size:1020Kb

Showcase Announces Start of Production on New Canadian Original Series Travelers Starring Eric Mccormack and Created and Written by Brad Wright Showcase Announces Start of Production on New Canadian Original Series Travelers Starring Eric McCormack and Created and Written by Brad Wright New Sci-Fi Drama Produced by Peacock Alley Entertainment Inc. in Association with Showcase and Netflix For additional media material visit: http://www.corusent.com/properties Follow us on Twitter at @CorusPR To share this socially, please copy/use the following URL: http://bit.ly/20R4O91 TORONTO, April 19, 2016 – Showcase announced today the start of production on the new Canadian original sci-fi series Travelers. Shooting on location in Vancouver, the time-traveling sci-fi drama is produced by Peacock Alley Entertainment Inc., in association with Showcase and Netflix. The series will air exclusively on Showcase in Canada and stream on Netflix internationally later this year. Broadcast and streaming details will be announced at a later date. “Travelers joins Showcase’s critically acclaimed roster of hit dramatic series and we’re thrilled to work with such an esteemed group of Canadians to create this new, homegrown drama,” said Daniel Eves, Senior Vice President, Kids and General Entertainment Content. Hundreds of years from now, the last surviving humans discover the means of sending consciousness back through time, directly into people in the 21st century. These "travelers" assume the lives of seemingly random people, while secretly working as teams to perform missions in order to save humanity from a terrible future. The travelers are: FBI Special Agent Grant MacLaren (Eric McCormack), the team's leader; Marcy (Mackenzie Porter), a young, intellectually disabled woman in the care of her social worker, David (Patrick Gilmore); Trevor (Jared Paul Abrahamson), a high school quarterback; Carly (Nesta Marlee Cooper), a single mom in an abusive relationship; and Philip (Reilly Dolman), a heroin- addicted college student. Armed only with their knowledge of history and an archive of social media profiles, the travelers discover that 21st century lives and relationships are as much a challenge as their high-stakes missions. "My old friend Brad Wright has created a fantastic, complex story with some very rich and complicated characters, and I’m awfully happy to be one of them,” said Eric McCormack. “We’re thrilled to be working with Showcase and Netflix and are so proud that Travelers was originally developed at the CFC Prime Time TV Program with Canadian writers,” said Brad Wright, Series Writer and Creator. “We’re excited to work with this amazing cast led by Eric McCormack. It's all a dream come true for a Scarborough boy like me.” The series is written, created and produced by WGC and Gemini Award winner Brad Wright, co-creator of the Emmy Award-nominated Stargate SG-1 and its related franchises Stargate: Atlantis and SGU, and features a heavily Canadian cast led by Emmy Award winner Eric McCormack (Will and Grace). Other confirmed cast members include: Jared Abrahamson, J. Alex Brinson, Nesta Cooper, Reilly Dolman, Patrick Gilmore, Arnold Pinnock, Dylan Playfair, MacKenzie Porter, and Ian Tracey. The pilot is being directed by Nick Hurran (Sherlock), with Canadians Andy Mikita (Lost Girl), Helen Shaver (Vikings), Martin Wood (Killjoys), Will Waring (Continuum), and Amanda Tapping (Continuum) all tapped to direct episodes in the inaugural season. Travelers is produced by Peacock Alley Entertainment Inc., in association with Showcase and Netflix, and is distributed by Sky Vision. - 30 - Connect/Social Media Follow Corus PR on Twitter @CorusPR Watch full episodes and see exclusive content at Showcase.ca Subscribe to Showcase’s YouTube channel: YouTube.com/user/Showcasedotca Follow Showcase on Twitter @Showcasedotca and Facebook Facebook.com/Showcasedotca Corus Entertainment Inc. Corus Entertainment Inc. (TSX: CJR.B) is a leading media and content company that creates and delivers high quality brands and content across platforms for audiences around the world. The company’s portfolio of multimedia offerings encompasses 45 specialty television services, 39 radio stations, 15 conventional television stations, a global content business, digital assets, live events, children’s book publishing, animation software, technology and media services. Corus’ roster of premium brands include Global Television, W Network, OWN: Oprah Winfrey Network Canada, HGTV Canada, Food Network Canada, HISTORY®, Showcase, National Geographic Channel, Q107, CKNW, Fresh Radio, Disney Channel Canada, YTV and Nickelodeon Canada. Visit Corus at www.corusent.com. About Netflix Netflix is the world’s leading Internet television network with over 75 million members in over 190 countries enjoying more than 125 million hours of TV shows and movies per day, including original series, documentaries and feature films. Members can watch as much as they want, anytime, anywhere, on nearly any Internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments. Peacock Alley Entertainment Inc. Peacock Alley Entertainment creates prime-time scripted and factual content for both domestic and international channels. Company President, Carrie Mudd and Chairman, Neil Court, launched Peacock Alley in 2012, bringing their development, production and distribution experience across multiple genres to the packaging of premium content. Peacock Alley’s roster of successful, critically acclaimed programming includes series such as Unusually Thicke (HGTV & POP), Illusions of Grandeur (OLN), Brave New Girls (E!) and Money Moron (Slice Network). About Sky Vision Sky Vision is the production and distribution arm of Sky. The distribution arm represents around 5,000 hours of quality primetime programming from Sky Originals and independent third party production, across all key primetime genres (drama, entertainment, factual entertainment and factual). The business also has equity investments in seven production businesses in the UK and US; Love Productions, Blast! Films, Sugar Films and Sky Vision Productions in the UK; and in the US, Jupiter Entertainment, Talos Films and Znak & Jones. In addition to its equity investments, Sky Vision works extensively with independent producers in the UK and US and has development deals with a number of production companies; including Asylum Entertainment and Peacock Alley in North America; and Avanti Media, back2back productions, Chalkboard, Hungry Bear Media, LittleRock Pictures, Merman Films, Spring Films, and Roughcut TV in the UK. For more information, please contact: Michelle McTeague Meg Campbell Publicity Manager Associate Publicist Corus Entertainment Corus Entertainment 416.966.7724 416.966.7724 [email protected] [email protected] .
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Collision Course
    FINAL-1 Sat, Jul 7, 2018 6:10:55 PM Your Weekly Guide to TV Entertainment for the week of July 14 - 20, 2018 HARTNETT’S ALL SOFT CLOTH CAR WASH Collision $ 00 OFF 3ANY course CAR WASH! EXPIRES 7/31/18 BUMPER SPECIALISTSHartnett's Car Wash H1artnett x 5` Auto Body, Inc. COLLISION REPAIR SPECIALISTS & APPRAISERS MA R.S. #2313 R. ALAN HARTNETT LIC. #2037 DANA F. HARTNETT LIC. #9482 Ian Anthony Dale stars in 15 WATER STREET “Salvation” DANVERS (Exit 23, Rte. 128) TEL. (978) 774-2474 FAX (978) 750-4663 Open 7 Days Mon.-Fri. 8-7, Sat. 8-6, Sun. 8-4 ** Gift Certificates Available ** Choosing the right OLD FASHIONED SERVICE Attorney is no accident FREE REGISTRY SERVICE Free Consultation PERSONAL INJURYCLAIMS • Automobile Accident Victims • Work Accidents • Slip &Fall • Motorcycle &Pedestrian Accidents John Doyle Forlizzi• Wrongfu Lawl Death Office INSURANCEDoyle Insurance AGENCY • Dog Attacks • Injuries2 x to 3 Children Voted #1 1 x 3 With 35 years experience on the North Insurance Shore we have aproven record of recovery Agency No Fee Unless Successful While Grace (Jennifer Finnigan, “Tyrant”) and Harris (Ian Anthony Dale, “Hawaii Five- The LawOffice of 0”) work to maintain civility in the hangar, Liam (Charlie Row, “Red Band Society”) and STEPHEN M. FORLIZZI Darius (Santiago Cabrera, “Big Little Lies”) continue to fight both RE/SYST and the im- Auto • Homeowners pending galactic threat. Loyalties will be challenged as humanity sits on the brink of Business • Life Insurance 978.739.4898 Earth’s potential extinction. Learn if order can continue to suppress chaos when a new Harthorne Office Park •Suite 106 www.ForlizziLaw.com 978-777-6344 491 Maple Street, Danvers, MA 01923 [email protected] episode of “Salvation” airs Monday, July 16, on CBS.
    [Show full text]
  • The Nominees for Best Feature Length Drama
    2012 LEO AWARDS NOMINEES & WINNERS BEST FEATURE LENGTH DRAMA WINNER Sisters&Brothers Carl Bessai, James Brown, Emily Alden - Producers NOMINEES Daydream Nation Christine Haebler, Trish Dolman - Producers Doppleganger Paul Katherine Hazon, Oliver Linsley, Dylan Akio Smith, Kris Elgstrand - Producers Marilyn Christopher Petry, Kaleena Kiff, Bruce Borland - Producers The Odds Simon Davidson, Kirsten Newlands, Oliver Linsley - Producers Page 1 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST DIRECTION FEATURE LENGTH DRAMA WINNER Carl Bessai Sisters&Brothers NOMINEES Dylan Akio Smith, Kris Elgstrand Doppleganger Paul Paul A. Kaufman Magic Beyond Words: The J.K. Rowling Story Christopher Petry Marilyn Simon Davidson The Odds Page 2 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST SCREENWRITING FEATURE LENGTH DRAMA WINNER Kris Elgstrand Doppleganger Paul NOMINEES Melodie Krieger, Jim Cliffe Donovan's Echo Christopher Petry Marilyn Aaron Houston Sunflower Hour Simon Davidson The Odds Page 3 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST CINEMATOGRAPHY FEATURE LENGTH DRAMA WINNER Jon Joffin Daydream Nation NOMINEES Michael C. Blundell Hamlet Pieter Stathis Hit 'n Strum Mathias Herndl Magic Beyond Words: The J.K. Rowling Story Norm Li The Odds Page 4 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST PICTURE EDITING FEATURE LENGTH DRAMA WINNER Sabrina Pitre Sisters&Brothers NOMINEES Jamie Alain Daydream Nation Mark Shearer Donovan's Echo Kirby Jinnah Marilyn Greg Ng Sunflower Hour Page 5 of 78 2012 LEO AWARDS NOMINEES & WINNERS BEST OVERALL SOUND FEATURE LENGTH
    [Show full text]
  • As Writers of Film and Television and Members of the Writers Guild Of
    July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C.
    [Show full text]
  • Andy Mikita Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Andy Mikita 电影 串行 (大全) 2010 https://zh.listvote.com/lists/film/movies/2010-1489273/actors Air https://zh.listvote.com/lists/film/movies/air-862245/actors Enemy at the Gate https://zh.listvote.com/lists/film/movies/enemy-at-the-gate-3204945/actors Threads https://zh.listvote.com/lists/film/movies/threads-7797182/actors Heroes https://zh.listvote.com/lists/film/movies/heroes-3145055/actors New Order https://zh.listvote.com/lists/film/movies/new-order-3333359/actors Gauntlet https://zh.listvote.com/lists/film/movies/gauntlet-3549438/actors Citizen Joe https://zh.listvote.com/lists/film/movies/citizen-joe-5122561/actors Blockade https://zh.listvote.com/lists/film/movies/blockade-3230420/actors Proving Ground https://zh.listvote.com/lists/film/movies/proving-ground-6089046/actors Heroes: Part 1 https://zh.listvote.com/lists/film/movies/heroes%3A-part-1-5896352/actors Cure https://zh.listvote.com/lists/film/movies/cure-1030075/actors Heroes: Part 2 https://zh.listvote.com/lists/film/movies/heroes%3A-part-2-5896348/actors New Order: Part 1 https://zh.listvote.com/lists/film/movies/new-order%3A-part-1-6041518/actors New Order: Part 2 https://zh.listvote.com/lists/film/movies/new-order%3A-part-2-6041516/actors Morning Show Mysteries: Murder https://zh.listvote.com/lists/film/movies/morning-show-mysteries%3A-murder-ever-after-107033028/actors Ever After Morpheus https://zh.listvote.com/lists/film/movies/morpheus-1179209/actors Lifeline https://zh.listvote.com/lists/film/movies/lifeline-3023880/actors Avalon https://zh.listvote.com/lists/film/movies/avalon-3497445/actors
    [Show full text]
  • Callum Blue Photo: CB2020
    191 Wardour Street London W1F 8ZE Phone: 020 7439 3270 Email: [email protected] Website: www.olivia-bell.co.uk Callum Blue Photo: CB2020 Green Card Appearance: White Greater London, England, United Location: Other: SAG Kingdom Eye Colour: Green Height: 6'1" (185cm) Hair Colour: Light/Mid Brown Weight: 12st. 7lb. (79kg) Hair Length: Short Playing Age: 35 - 45 years Television 2019, Television, Owen Booth, BLINDSPOT (SEASON 4), NBC, Christoper Place 2018, Television, George Farmer, RANSOM, CBS, James Genn 2015, Television, Peter Van Owen, PROOF (Series Regular), TNT, Alex Graves, Allison Anders 2015, Television, Rainer, THE RED DRESS, Entertainment One TV, Leif Bristow 2013, Television, Milos Kuester Ratenicz, ROYAL PAINS (SEASON 5), Universal, Various 2012, Television, Pastor Dan, SECRET LIVES OF WIVES, Warner Bros., Liz Freilander 2011, Television, Alex, SECRET DIARY OF A CALL GIRL (regular - series 2), ITV/Showtime, Various Directors 2011, Television, General Zod, SMALLVILLE (Season Regular), Warner Bros., Various Directors 2011, Television, Carlo Fagioli, ZEN, BBC TV, Jon Jones 2010, Television, Edward Forsythe, SANCTUARY: KALI (PART 1, 2 & 3), SyFy, Martin Wood 2010, Television, General Zod, SMALLVILLE (Series Regular), Warner Bros., Various Directors 2009, Television, Jack, BOOK CLUB, Novel Ruby Productions, Katey Wheelhouse 2009, Television, Lord Marchwood, THE SARAH JANE ADVENTURES, BBC TV, Alice Troughton 2008, Television, Graham Duncan, DIRT, ABC Studios, David Arquette 2008, Television, Anthony Knivert, THE TUDORS (Series
    [Show full text]
  • This Is a Test
    ‘GOODNIGHT FOR JUSTICE: QUEEN OF HEARTS’ PRODUCTION BIOS LUKE PERRY (Executive Producer) – In 1989, Luke Perry was chosen for a starring role on the internationally popular television series “Beverly Hills 90210,” in which he portrayed the brooding but sensitive Dylan McCay. The highly-rated program won a Golden Globe Award for Best Dramatic Television series in 1991. Perry made his feature film debut in a starring role in “8 Seconds,” the remarkable account of champion bull rider Lane Frost, which he co-produced. His serious devotion to the inspirational legend of Lane Frost led him to train vigorously for 18 months in order to master the techniques of bull riding and to be able to perform many of his own stunts during production. Other film credits include Columbia’s “Fifth Element”, directed by Luc Besson, “Riot for Showtime,” “Normal Life,” “American Strays” and “The Florentine,” in which he co-starred with Chris Penn, Jim Belushi, Michael Madsen and Mary Stuart Masterson. Perry made his debut on Broadway in the critically acclaimed musical The Rocky Horror Picture Show, where he portrayed Brad, the character originally played by Barry Bostwick in the cult film classic. In 2004, Perry appeared onstage in London opposite Allyson Hannigan in When Harry Met Sally. Not one to be typecast because of his work on “90210,” Perry’s television credits include a myriad of roles, including a lead in the NBC drama “Windfall,” HBO’s “John From Cincinnati,” starring for two seasons on “Jeremiah,” the Showtime Network sci-fi series, a multi-episode arc on HBO’s critically acclaimed series “Oz,” in which he portrayed a televangelist convicted of fraud, as well as roles in Hallmark Channel productions “Johnson County War,” “Supernova,” “A Gunfighter’s Pledge” and “Angel and the Badman.” Perry starred in “Goodnight for Justice,” Hallmark Movie Channel’s highest rated movie of all time.
    [Show full text]
  • TEEN FEMINIST KILLJOYS? Mapping Girls' Affective Encounters With
    Á 6 TEEN FEMINIST KILLJOYS? Mapping Girls’ Aff ective Encounters with Femininity, Sexuality, and Feminism at School Jessica Ringrose and Emma Renold International research has documented the phenomenon of contem- porary young women repudiating or disinvesting from identifi cations with feminism (Jowett 2004: 99; Baker 2008; Scharff 2012). Indeed, femi- nism is frequently constituted as both abject and obsolete by a postfem- inist media context that suggests women are now equal in education, the workplace, and the home (McRobbie 2008; Ringrose and Renold 2010). Most of the scholarship on the relationship between new fem- ininities (Gill and Scharff 2011) and diff erent forms of feminism or postfeminism (Budgeon 2011), does not, however, explicitly deal with adolescence and teen girls’ relationships to feminism, although there is some writing on how the girl and associations with girlishness have historically been set in contradiction to a feminist identity, and the need to overcome this and take girls’ political subjectivities seriously (Baumgardner and Richards 2004; Eisenhauer 2004). One particularly promising area is a growing literature exploring girls’ political, activist, or counter-cultural subjectivities, via girls’ on- line identity formation (Weber and Mitchell 2008; Currie et al. 2009) through new media practices such as blogging, zines, and digital social networking (Piepmeier, 2009; Zaslow 2009; Ringrose 2011; Keller 2012; see also Keller’s contribution to this volume, among others). However, there is still a limited amount of research that focuses on teenage girls explicitly taking up feminist activist identities and practices. Indeed, much research, including our own, has focused on what Currie et al. call “de facto feminism” (2008: 39) that is, discursive traces of feminist ideology or resistance in the talk and experiences of teen girls, even if they do not explicitly identify with or defi ne themselves as feminist (Renold and Ringrose 2008, 2011).
    [Show full text]
  • Survival of the Fittest
    Survival of the Fittest Sabine C. Bauer An original publication of Fandemonium Ltd, produced under license from MGM Consumer Products. Fandemonium Books PO Box 795A Surbiton Surrey KT5 8YB United Kingdom Visit our website: www.stargatenovels.com © 2011 Metro-Goldwyn-Mayer. All Rights Reserved. Photography and cover art: Copyright ©1997-2011 MGM Television Entertainment Inc./ MGM Global Holdings Inc. All Rights Reserved. METRO-GOLDWYN-MAYER Presents RICHARD DEAN ANDERSON In STARGATE SG-1™ AMANDA TAPPING CHRISTOPHER JUDGE and MICHAEL SHANKS as Daniel Jackson Executive Producers ROBERT C. COOPER BRAD WRIGHT MICHAEL GREENBURG RICHARD DEAN ANDERSON Developed for Television by BRAD WRIGHT & JONATHAN GLASSNER STARGATE SG-1 © 1997-2011 MGM Television Entertainment Inc./MGM Global Holdings Inc. STARGATE: SG-1 is a trademark of Metro-Goldwyn-Mayer Studios Inc. All rights reserved. WWW.MGM.COM No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written consent of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. To Tanya—beta extraordinaire and the one who‟s responsible for Everything! CONTENTS Prolog Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Prolog The childlike face— she‟d been a child, first and foremost, a smart, needy, tantrum-throwing teenager who‟d made an awful mistake— never moved.
    [Show full text]
  • Science Fiction on American Television
    TV Sci-Fi 16 + GUIDE This and other bfi National Library 16 + Guides are available from http://www.bfi.org.uk/16+ TV Sci-Fi CONTENTS Page IMPORTANT NOTE................................................................................................................. 1 ACCESSING RESEARCH MATERIALS.................................................................................. 2 APPROACHES TO RESEARCH, by Samantha Bakhurst ....................................................... 4 INTRODUCTION by Sean Delaney ......................................................................................... 6 AMERICAN TELEVISION........................................................................................................ 8 SCIENCE FICTION ON AMERICAN TELEVISION ................................................................. 9 AUDIENCES AND FANS......................................................................................................... 11 ANDROMEDA ......................................................................................................................... 12 BABYLON 5 ............................................................................................................................ 14 BATTLESTAR GALACTICA................................................................................................... 17 FARSCAPE ............................................................................................................................. 19 THE IRWIN ALLEN QUARTET • VOYAGE TO THE BOTTOM OF THE SEA.....................................................................
    [Show full text]
  • Plural Subjectivity in Stargate SG-1
    Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN: 2547-0044 ellids.com/archives/2020/07/3.4-Ferebee.pdf CC Attribution-No Derivatives 4.0 International License www.ellids.com “Pain in Someone Else’s Body”: Plural Subjectivity in Stargate SG-1 K.M. Ferebee Abstract Lennard Davis, in his work on visualizing the disabled body, argues that at root the body is inherently and always already fragmented. The unified “whole body” is, therefore, hallucinatory in nature—an imaginary figure through which the body’s multiplicity is repressed. There is much in this view that is consonant with posthumanism, which so often seeks to destabilize the “whole” and singular one in favor of the multiple, the fragmentary, and the hybrid. Yet despite these considerations of the body as fragmentary, little attention has been paid to the value of considering the body not only as fragmentary, but also as potential fragment. What might we learn by rejecting anthropocentric assumptions about the body-mind’s inherent completeness, and exploring the radically plural ontologies offered by visions of shared, joint, or group body-minds? This paper turns to science fiction as a source of such visions, considering depictions of symbiotic and hive minds through the non-traditional models of ontology and agency. While science fiction has traditionally represented plural being as a troubling and fearful injury to wholeness, this paper aims to highlight the symbiotic Tok’ra1 of television series Stargate SG-1 as a model of excess being that not only challenges the naturalization of the “complete” body, but also asks us to interrogate presumed boundaries between self and other.
    [Show full text]
  • Zora Dehorter CASTING DIRECTOR May 2018
    Zora DeHorter Office: + 1.323.487.9266 Agent: Theo Caesar, 90210 Talent – 1.818.738.3663 Email: [email protected] Website: http://dehortercasting.com/ http://www.imdb.com/name/nm0215008/ Casting Director FEATURE FILMS (Current) The GOSPEL TRUTH Gold Coast Productions Producers: Patrick G. Ingram, Larry Flash Jenkins, Bob Johnston Director: Larry Flash Jenkins Cast: Jazsmin Lewis, Chaz Lamar Shepherd, Kim Yarbrough, Ernest Thomas NIGHTMARE CITY Mivera Pictures / Monstaworx Entertainment Producer: Heinz Treschnitzer Director: Tom Savini Cast: Kristanna Loken, Lou Ferrigno, Ray Wise, Tony Todd TEQUILA ROSE Gin Lilly LLC Producers: Jason Smith, Michael David Lean Director: Jason Smith Cast: Tom Sizemore, Loretta Devine, John Cho, Djimon Hounsou BECKER’S FARM Noble House Entertainment Pictures Producers: Debi Roemmich, Don Driftmier Director: Mark Roemmich Cast: Jeffrey Pierce, Rachel Blanchard, Chad Lindberg, Jack Scalia FEATURE FILMS (Past Films) MICHAEL VEY Caedmon Entertainment Producers: McKay Daines, Tom Reeve Director: McKay Daines Cast: Rhys Matthew Bond, Karina Lombard, John Shea WHAT IS AND WHAT LIMS, Casket Lake Productions SHOULD NEVER BE Producers: Jimmy LIfton, Philip Martlet Directors: Jimmy Lifton, Dennis Ogle Cast: Nichelle Nichols, Thomasina Gross, Jameelah Nuriddin, Monquie Cash RED SNEAKERS LIMS, Casket Lake Productions Producers: Jimmy LIfton, Mike Tarzian Director: Dennis Ogle Cast: Kathryn Taylor, Ashford J. Thomas, Kevin Dobson ARMED If We Do Our Part LLC (co-casting director Producer: Justin Nesbitt Anissa Williams)
    [Show full text]