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The Emperor's New Clothes, Or, on Flattery and Ecomium in the Silvae
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2013 The Emperor's New Clothes, or, on Flattery and Ecomium in the Silvae Cynthia Damon University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons, and the Near Eastern Languages and Societies Commons Recommended Citation (OVERRIDE) Damon, C. (2013). The emperor's new clothes, or, on flattery and ecomium in the silvae. In J. F. Miller, C. Damon, & K. S. Myers Vertis in usum (pp. 174-188). München : Leipzig : Saur. DOI: 10.1515/ 9783110956924.174 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/44 For more information, please contact [email protected]. The Emperor's New Clothes, or, on Flattery and Ecomium in the Silvae Disciplines Arts and Humanities | Classics | Near Eastern Languages and Societies This book chapter is available at ScholarlyCommons: https://repository.upenn.edu/classics_papers/44 THE EMPEROR'S NEW CLOTHES, OR, ON FLATTERY AND ENCOMIUM IN THE SILVAE• BY CYNTHIA DAMON In the first letter of his ninth book Pliny urges his friend Maximus to hurry on the publication of a work in which Maximus attacks a certain Pompei us Planta. Planta has just died, but Pliny maintains that if Maxi mus (who has been working on this piece for some time) gets it published promptly, it will have the same effect as if it had been pub lished while its victim was still alive: in defunctum quoque tamquam in uiuentem adhuc editur, si editur statim (Ep. -
2016-Newsreel-8.Pdf
TEAMSTERS LOCAL 399 QUARTERLY NEWS JANUARY 2016 • ISSUE No 8 TEAMSTERS TEAMSTERS NEW YEAR NEW GOALS LOCAL 399 BRING ON LOCAL 399 AGREETINGS BUSY SISTERS & BROTHERS YEAR appy New Year! I hope you and your loved ones had a great hol- Trainers, Wranglers and Mechanics. Mr. Hoffa’s visit also demonstrated the iday season. Before looking ahead to 2016, I want to take a mo- great relationship we have developed, not only with the IBT, but with our ment to reflect on the year that has just passed into the history books. Joint Council as well. I want to thank all of our Members who came out To begin, when I took office 2 years ago, this Local had been losing mon- to meet and greet President Hoffa. Your presence makes a difference! ey for the previous 3 years. Since then, I have done everything I could to We are now doing more than we ever have to support our Retirees who balance our budget while, at the same time, expanding the services we are so important to this Union. We must not forget our Retirees. provide to our membership. I am very They brought us to where we are today pleased to report that we are back in the and if it were not for them, we would black! Not only did we accomplish this be much worse off today. We must re- significant goal, we did it while providing member the past and not repeat the mis- education classes, events and gatherings takes that were made. We have much to bring our great Local closer together. -
Roughwater "58"– Swan Song
http://www.curtisstokes.net Curtis Stokes & Associates - Steve Horinek Tel: (239) 887-0898 1323 SE 17th St , Suite168 Tel: 954-280-6021 Ft. Lauderdale, FL 33316, United States Fax: (954) 807-1445 [email protected] Roughwater "58"– Swan Song • Year: 1975 • Price: $ 175,000 • Location: Fort Myers, FL, United States • Hull Material: Fiberglass • Fuel Type: Diesel • YachtWorld ID: 3648218 • Condition: Used Over $350,000 of Refits and upgrades from 1999 to 2006 Additional pictures coming soon. Where to: South Pacific? Far East? Circumnavigate? Some boats say they can cross oceans, SWAN SONG HAS DONE IT!! Swan Song has cruised the entire Caribbean Sea, South America, Central America, Mexico, on to Hawaii. Then back to Long Beach CA (2800nm). Then a cruise to the Panama Canal (3400nm) and a 1700 nm winding cruise to FT Myers, FL where she currently berthed. She has been at sea as long as 2 months cruising without touching a dock A one off very custom built Roughwater 58 North Sea; 58 ft. on deck, 65 ft. overall, 12 ft. 10 inc. beam, 80,000 lbs. light with 6 ft. draft, 104,000 lbs. heavy with 7 ft. draft. A proven passagemaker! A great full-time cruising vessel! A home on the water! Swan Song is available for a new owner that would like to enjoy and use her capabilities. She can turn your worldwide cruising dreams into reality Co-designed by Ed Monk and built in Taiwan as a Roughwater 58 North Sea model trawler in 1974/5. Current owners purchased her in 1998 and did a complete refit over the next 7 years changing her from a good cruising boat into a real and exceptional self-contained offshore passagemaker. -
Dictynna, 16 | 2019 ‘Most Musicall, Most Melancholy’: Avian Aesthetics of Lament in Greek and Rom
Dictynna Revue de poétique latine 16 | 2019 Varia ‘Most musicall, most melancholy’: Avian aesthetics of lament in Greek and Roman elegy Thomas J. Nelson Electronic version URL: http://journals.openedition.org/dictynna/1914 ISSN: 1765-3142 Publisher Université Lille-3 Electronic reference Thomas J. Nelson, « ‘Most musicall, most melancholy’: Avian aesthetics of lament in Greek and Roman elegy », Dictynna [Online], 16 | 2019, Online since 29 November 2019, connection on 20 December 2019. URL : http://journals.openedition.org/dictynna/1914 This text was automatically generated on 20 December 2019. Les contenus des la revue Dictynna sont mis à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. ‘Most musicall, most melancholy’: Avian aesthetics of lament in Greek and Rom... 1 ‘Most musicall, most melancholy’: Avian aesthetics of lament in Greek and Roman elegy1 Thomas J. Nelson 1 In Il Penseroso (‘The Reflective Man’), the English poet John Milton (1608–1674) conjures a vision of poetic melancholy and contemplation. After invoking the Goddess Melancholy and picturing her attendant train (‘Peace’, ‘Quiet’ and the like), he dwells on a night-time scene of melancholic music (vv. 55–64): And the mute Silence hist along, ’Less Philomel will deign a Song, In her sweetest, saddest plight, Smoothing the rugged brow of night, While Cynthia checks her Dragon yoke, Gently o’re th’ accustom’d Oke; Sweet Bird that shunn’st the noise of folly, Most musicall, most melancholy! Thee Chauntress oft the Woods among, I woo to hear thy Eeven-Song; 2 In Milton’s thought world, reflective silence is banished by the intrusive song of the nightingale (‘Philomel’), whose melody comes alive through the incessant sibilance and alliteration of these verses. -
14. Swan Song
LISA K. PERDIGAO 14. SWAN SONG The Art of Letting Go in Glee In its five seasons, the storylines of Glee celebrate triumph over adversity. Characters combat what they perceive to be their limitations, discovering their voices and senses of self in New Directions. Tina Cohen-Chang overcomes her shyness, Kurt Hummel embraces his individuality and sexuality, Finn Hudson discovers that his talents extend beyond the football field, Rachel Berry finds commonality with a group instead of remaining a solo artist, Mike Chang is finally allowed to sing, and Artie Abrams is able to transcend his physical disabilities through his performances.1 But perhaps where Glee most explicitly represents the theme of triumph over adversity is in the series’ evasion of death. The threat of death appears in the series, oftentimes in the form of the all too real threats present in a high school setting: car accidents (texting while driving), school shootings, bullying, and suicide. As Artie is able to escape his wheelchair to dance in an elaborate sequence, if only in a dream, the characters are able to avoid the reality of death and part of the adolescent experience and maturation into adulthood. As Trites (2000) states, “For many adolescents, trying to understand death is as much of a rite of passage as experiencing sexuality is” (p. 117). However, Glee is forced to alter its plot in season five. The season begins with a real-life crisis for the series; actor Cory Monteith’s death is a devastating loss for the actors, writers, and producers as well as the series itself. -
Baudelaire's Swan Song
Baudelaire's Swan Song A lecture by Jonathan Tuck Delivered at St. John's College, Annapolis-October 13, 2006 This lecture is dedicated to the memory of Brother Robert Smith. The late Reverend J. Winfree Smith, a long-time Annapolis tutor, a historian of the New Program, an Anglican priest, a scholar and a Virginia gentleman of the old school, used to assert that Charles Baudelaire was a greater poet than Homer. Winfree's view counts for quite a lot with me, but I would not go that far. I am willing to say that Baudelaire is the greatest poet of the last two hundred years or so, the first and most essential of"modern" writers and the one who best articulates our own feelings of what it is to be modern. And I think that Le Cygne is Baudelaire's greatest poem, although perhaps not his most typical one. This valuation sets the bar quite high enough for me, for this evening at least. Thus, for about the last twenty years, I have held the writing of this lecture before me as a daunting but imperative task. I have a further reason for trepidation: I believe that it's indispensable, before discussing any poem, first to read it aloud. But I am keenly aware that, unlike some of you, I am very far from a native or even a fluent speaker of French,. My hope is that in enunciating the poem aloud, I can bring out some of its metrical features through a kind of exaggeration; that may compensate you for having to hear my accented reading. -
THE BASILISK and ITS ANTIDOTE: a STUDY of the CHANGING IMAGE of CHOPIN in LITERATURE by ALICE CAROLYN MAY WOOTTON B.A., Universi
THE BASILISK AND ITS ANTIDOTE: A STUDY OF THE CHANGING IMAGE OF CHOPIN IN LITERATURE by ALICE CAROLYN MAY WOOTTON B.A., University of Victoria, I966 A.R.CT. (Toronto), L.R.S.M. (London) A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April, 1970 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree tha permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Comparative Literature The University of British Columbia Vancouver 8, Canada Date March 17„ 1970 Supervisor: Professor Joyce Hallamore ABSTRACT One area related to Fryderyk Chopin which has received little attention is his influence upon literature. In order to de• velop two aspects of this theme a key word "basilisk" has been introduced which Robert Schumann as music critic used in explaining the unusual impression that Chopin's music first presented on the printed page. This word, with its overtones both magical and ominous, suggests the symbol for the growing wave of aestheticism with which the cult of Chopin came to be associated. Translated into literature the expression of the Chopin cult found its way into the early writings of Thomas Mann, Hermann Hesse, and John Galsworthy. -
Indian Summer of a Forsyte and in Chancery
Indian Summer of a Forsyte and In Chancery John Galsworthy Indian Summer of a Forsyte and In Chancery Table of Contents Indian Summer of a Forsyte and In Chancery.......................................................................................................1 John Galsworthy............................................................................................................................................1 i Indian Summer of a Forsyte and In Chancery John Galsworthy THE FORSYTE SAGA VOLUME II TO ANDRE CHEVRILLON Indian Summer of A Forsyte "And Summer's lease hath all too short a date." −−Shakespeare I In the last day of May in the early 'nineties, about six o'clock of the evening, old Jolyon Forsyte sat under the oak tree below the terrace of his house at Robin Hill. He was waiting for the midges to bite him, before abandoning the glory of the afternoon. His thin brown hand, where blue veins stood out, held the end of a cigar in its tapering, long−nailed fingers−−a pointed polished nail had survived with him from those earlier Victorian days when to touch nothing, even with the tips of the fingers, had been so distinguished. His domed forehead, great white moustache, lean cheeks, and long lean jaw were covered from the westering sunshine by an old brown Panama hat. His legs were crossed; in all his attitude was serenity and a kind of elegance, as of an old man who every morning put eau de Cologne upon his silk handkerchief. At his feet lay a woolly brown−and−white dog trying to be a Pomeranian−−the dog Balthasar between whom and old Jolyon primal aver−sion had changed into attachment with the years. Close to his chair was a swing, and on the swing was seated one of Holly's dolls −−called 'Duffer Alice'−−with her body fallen over her legs and her doleful nose buried in a black petticoat. -
Some Imitations of Pindar and Sappho by Horace
Some imitations of Pindar and Sappho by Horace The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Nagy, Gregory. 2015.12.31. "Some imitations of Pindar and Sappho by Horace." Classical Inquiries. http://nrs.harvard.edu/ urn-3:hul.eresource:Classical_Inquiries. Published Version https://classical-inquiries.chs.harvard.edu/some-imitations-of- pindar-and-sappho-by-horace/ Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:39699959 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Classical Inquiries Editors: Angelia Hanhardt and Keith Stone Consultant for Images: Jill Curry Robbins Online Consultant: Noel Spencer About Classical Inquiries (CI ) is an online, rapid-publication project of Harvard’s Center for Hellenic Studies, devoted to sharing some of the latest thinking on the ancient world with researchers and the general public. While articles archived in DASH represent the original Classical Inquiries posts, CI is intended to be an evolving project, providing a platform for public dialogue between authors and readers. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:Classical_Inquiries for the latest version of this article, which may include corrections, updates, or comments and author responses. Additionally, many of the studies published in CI will be incorporated into future CHS pub- lications. Please visit http://nrs.harvard.edu/urn-3:hul.eresource:CHS.Online_Publishing for a complete and continually expanding list of open access publications by CHS. -
Queer Identities and Glee
IDENTITY AND SOLIDARITY IN ONLINE COMMUNITIES: QUEER IDENITIES AND GLEE Katie M. Buckley A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of Master of Music August 2014 Committee: Katherine Meizel, Advisor Kara Attrep Megan Rancier © 2014 Katie Buckley All Rights Reserved iii ABSTRACT Katherine Meizel, Advisor Glee, a popular FOX television show that began airing in 2009, has continuously pushed the limits of what is acceptable on American television. This musical comedy, focusing on a high school glee club, incorporates numerous stereotypes and real-world teenage struggles. This thesis focuses on the queer characteristics of four female personalities: Santana, Brittany, Coach Beiste, and Coach Sue. I investigate how their musical performances are producing a constructive form of mass media by challenging hegemonic femininity through camp and by producing relatable queer female role models. In addition, I take an ethnographic approach by examining online fan blogs from the host site Tumblr. By reading the blogs as a digital archive and interviewing the bloggers, I show the positive and negative effects of an online community and the impact this show has had on queer girls, allies, and their worldviews. iv This work is dedicated to any queer human being who ever felt alone as a teenager. v ACKNOWLEDGMENTS I would like to extend my greatest thanks to my teacher and advisor, Dr. Meizel, for all of her support through the writing of this thesis and for always asking the right questions to keep me thinking. I would also like to thank Dr. -
Televisionweek Local Listing for the Week of August 8-14, 2015
PRESS & DAKOTAN n FRIDAY, AUGUST 7, 2015 PAGE 7B TelevisionWeek Local Listing For The Week Of August 8-14, 2015 SATURDAY PRIMETIME/LATE NIGHT AUGUST 8, 2015 3:00 3:30 4:00 4:30 5:00 5:30 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 12:00 12:30 1:00 1:30 BROADCAST STATIONS Brain Maker With Da- Delicious Starlight Ballroom (My Music) Performers of Daniel O’Donnell From the Heart- Ethan Bortnick Live in Concert: Joe Bonamassa: Muddy Wolf 60s & 70s Slow Songs (My Mu- Front and Center Globe PBS vid Perlmutter, MD Å Europe the swing era. (In Stereo) Å land The singer performs in Iowa. The Power of Music The 13-year- at Red Rocks Muddy Waters and sic) Love songs of the 1960s and Country music singer Trekker KUSD ^ 8 ^ (In Stereo) Å old pianist performs. Howlin’ Wolf tribute. 1970s. Å Keith Urban. KTIV $ 4 $ Motorcycle Racing Horse Racing King of News News 4 Insider Running Wild Aquarius (N) Å Hannibal (N) News 4 Saturday Night Live Å Extra (N) Å 1st Look House Motorcycle Racing Horse Racing Whitney Paid Pro- NBC KDLT The Big Running Wild With Aquarius A killer Hannibal Francis KDLT Saturday Night Live Host Jim The Simp- The Simp- KDLT (Off Air) NBC AMA Motocross Series. Invitational Handicap. gram Nightly News Bang Bear Grylls “Ed targets gay men in Los Dolarhyde contacts News Carrey; Iggy Azalea performs. (In sons sons News Å KDLT % 5 % (N) Å (N) Å News (N) (N) Å Theory Helms” Å Angeles. -
Statement from the Student Executive Board
Winter 2020 | Volume XLIV No. 1 Statement from the Student Executive Board Dear UMMGC Community, The time for action and education towards anti-racism is now. As a starting point, we The University of Michigan Men’s Glee invite you to watch –or rewatch– Joel Club Executive Board stands united with Thompson’s Seven Last Words of the our Black brothers and sisters in song and Unarmed. Then, utilize the resources the Black community across the country. available at https://sevenlastwords. We are heartbroken and disgusted by org/educational-resources/ to begin the blatant acts of violence and hatred formulating dialogues in your immediate committed against George Floyd, Ahmaud community. And most importantly, Arbery, and Breonna Taylor. Racism and continue to educate yourself, advocate, Statements from the UMMGC Student bigotry are antithetical to our values and and donate to organizations making a Executive Board and A-Net Board Pages 1-2 will never be tolerated in the Men’s Glee difference. This is a lifelong journey that Joint Statement from Outgoing Club. It is our duty and joy to celebrate we all must take together. President Jacob Emery and Incoming President Jack Riley and amplify the diverse voices in our Every person deserves respect. Every Page 3 community. person deserves to have a voice. Article from Professor Mark Stover We must realize that these recent Page 4 Every person deserves a life free from tragedies are not standalone events. discrimination and injustice. Article from Assistant Operations Manager Patrick Lovelace Racial injustice has existed for centuries, Page 5 often perpetuated, and therefore tacitly No one, regardless of the circumstances, An Introduction to Service and Engagement Chair Jeremy VandenHout condoned, by the silence and inaction of deserves to have their life ended before Page 6 large organizations.