Issue 174: December 2012
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Work in Progress (1999.03.07)
_________________________________________________________________ WORK IN PROGRESS by Cliff Holden ______________________________ Hazelridge School of Painting Pl. 92 Langas 31193 Sweden www.cliffholden.co.uk copyright © CLIFF HOLDEN 2011 2 for Lisa 3 4 Contents Foreword 7 1 My Need to Paint 9 2 The Borough Group 13 3 The Stockholm Exhibition 28 4 Marstrand Designers 40 5 Serigraphy and Design 47 6 Relating to Clients 57 7 Cultural Exchange 70 8 Bomberg's Legacy 85 9 My Approach to Painting 97 10 Teaching and Practice 109 Joseph's Questions 132 5 6 Foreword “This is the commencement of a recording made by Cliff Holden on December 12, 1992. It is my birthday and I am 73 years old. ” It is now seven years since I made the first of the recordings which have been transcribed and edited to make the text of this book. I was persuaded to make these recordings by my friend, the art historian, Joseph Darracott. We had been friends for over forty years and finally I accepted that the project which he was proposing might be feasible and would be worth attempting. And so, in talking about my life as a painter, I applied myself to the discipline of working from a list of questions which had been prepared by Joseph. During our initial discussions about the book Joseph misunderstood my idea, which was to engage in a live dialogue with the cut and thrust of question and answer. The task of responding to questions which had been typed up in advance became much more difficult to deal with because an exercise such as this lacked the kind of stimulus which a live dialogue would have given to it. -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Read, Howard (2019) The role of drawing in the regeneration of urban spaces. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/626054/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk The role of drawing in the regeneration of urban spaces Howard Read PhD 2019 The role of drawing in the regeneration of urban spaces Howard Read A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy PAHC Manchester School of Art March 2019 1 Abstract: This PhD project critically analyses processes of urban regeneration using drawing as a core research method. The methodology applies a synergy between drawing practice and theoretical writing about urban spaces, regeneration and the city. The project uses the contested regeneration of the Elephant and Castle in south east London as its primary case study. The area has an extensive historical visual record of urban change and redevelopment since the nineteenth century. The thesis integrates current theories and debates on drawing with urban regeneration. It is partly an account of the drawing process, what I have witnessed and how I recorded it, and how this relates to the theoretical aspects of the research. I have interlinked the multi-themed purposes and motivations behind urban regeneration, visual planning and the London imaginary in the thesis. Many aspects of the stages of urban regeneration have been under-observed, and official visual representations by developers and the local council dominate the flow of public information and perception of changes taking place. -
Vollume 20, No 4 2004
But I asked him to pick me up a Big Mac PEER PRESSURE! Just say yes School Nurse seeks funds for staff special needs JJ makes his mark on the school No blushes - just blooming magic! Not calves - cows! And I was onto the green in five! CONTENTS CAPTAINS OF SCHOOL 2 SWIM TEAM 66 STAFF NOTES 3 BADMINTON / SAILING 67 VALETE 4 GOLF REPORT 2004 68 OBITUARY - REVD TREVOR STEVENS 7 F IT B A ’ 69 S P E E C H DAY 8 SKI SEASON 2003-2004 70 SCHOOL HOUSES 10 GIRLS’TENNIS/CYCLING 71 RILEY HOUSE 10 BOYS' TENNIS 72 FREELAND HOUSE 12 A HAWK IN WINTER 73 NICOL HOUSE 14 EQUESTRIANISM 74 RUTHVEN HOUSE 16 SIMPSON HOUSE 18 SHOOTING 75 THORNBANK HOUSE 20 SUB AQUA 76 WOODLANDS HOUSE 22 PAST. PRESENT AND FUTURE 78 HEADMASTER S SUMMER MUSIC 2 4 A R M Y 86 MUSIC 26 TA B O R 88 THE CHAPEL CHOIR TOUR OF VISITING LECTURERS 89 THE NORTH OF ENGLAND 28 P R A G U E 90 NATIONAL YOUTH CHOIR OF SCOTLAND 29 MONTPELLIER 92 P IP IN G 30 STRATHALLIAN DAY TWELFTH NIGHT OR WHAT YOU WILL 32 /LAUNCH OF NEW WEBSITE 93 LES MISERABLES 3 4 SIXTH FORM COMMON ROOM REPORT 03-04 94 SENIOR HOUSE DRAMA 3 7 SIXTH FORM 95 SPEECH & DRAMA 3 8 TRIATHLON / IV AND V FORM REELS 96 ESSAY COMPETITION 39 WOODFAIR 97 S A LV E T E 04 40 SIXTH FORM BALL 2004 98 ART & DESIGN 4 2 SIXTH FORM 99 DESIGN & TECHNOLOGY 4 8 STRATHSTOCK 2004 100 C R IC K E T 52 A R T S H O W / FASHION SHOW EXTRAVAGANZA 102 RUGBY 56 B U R N S ’ S U P P E R MARATHON WOMAN 59 /STRATHMORE CHALLENGE 104 CROSS COUNTRY AND ATHLETICS 2004 60 FORENSIC SCIENCE TASTER DAY BOYS' HOCKEY 62 /MILLPORT 105 G IR L S ’ H O C K E Y 63 OBITUARIES 106 GIRLS’ HOCKEY TOUR 2004 64 VALETE 04 110 Volume XX No. -
Developing Ministry at North Terrace 2000–2012
CHAPTER 15 Developing Ministry at North Terrace 2000–2012 hile the health of the gatherings new and old was the central concern of the pastors led by Paul Harrington, these years saw many other efforts at developing the effectiveness of Holy Trinity’s ministry, both to its existing members and to those Wwho might join once they had heard and been convinced by the teaching on offer. This chapter examines some of those other endeavours over the decade or more since 2000. ***** Setting up and caring for the early years of the Hills congregation while maintaining a clear view of opportunities on North Terrace saw Harrington and his team maintain a fairly steady course through 2000–2001. The procedure of promoting the subsequent year’s budget by publishing a ‘Vision for Ministry’ in the spring was now well established. It permitted Harrington to promote his intentions and get responses to the draft budget from the congregation. The wardens then adjusted their plans accordingly. It made the subsequent annual vestry meetings less fraught, and meant the costs incurred before the Vestry meeting were more predictable. One immediate change saw Andrew Cole joined the team to replace Jeff Parkin, now titled site manager Cole would work with a revivified site management team that lifted the security and general health of the North Terrace buildings. A major pastoral initiative was launched by Lyn Sarah, drawing on her social work experience as well as her developing theological studies. She introduced what she called the ‘PEACE Pastoral Care’ model. Her goal was to develop a growing number of members of the congregation who were trained in a more intentional approach to pastoral care, while not ever pretending to be professional counselors. -
R.B. Kitaj Papers, 1950-2007 (Bulk 1965-2006)
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf0wf No online items Finding Aid for the R.B. Kitaj papers, 1950-2007 (bulk 1965-2006) Processed by Tim Holland, 2006; Norma Williamson, 2011; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2011 The Regents of the University of California. All rights reserved. Finding Aid for the R.B. Kitaj 1741 1 papers, 1950-2007 (bulk 1965-2006) Descriptive Summary Title: R.B. Kitaj papers Date (inclusive): 1950-2007 (bulk 1965-2006) Collection number: 1741 Creator: Kitaj, R.B. Extent: 160 boxes (80 linear ft.)85 oversized boxes Abstract: R.B. Kitaj was an influential and controversial American artist who lived in London for much of his life. He is the creator of many major works including; The Ohio Gang (1964), The Autumn of Central Paris (after Walter Benjamin) 1972-3; If Not, Not (1975-76) and Cecil Court, London W.C.2. (The Refugees) (1983-4). Throughout his artistic career, Kitaj drew inspiration from history, literature and his personal life. His circle of friends included philosophers, writers, poets, filmmakers, and other artists, many of whom he painted. Kitaj also received a number of honorary doctorates and awards including the Golden Lion for Painting at the XLVI Venice Biennale (1995). He was inducted into the American Academy of Arts and Letters (1982) and the Royal Academy of Arts (1985). -
NW NJPN Justice and Peace E Bulletin December 2015
hcmme‘hotNJPN North West Justice & Peace E-Bulletin – December 2015 The monthly e-bulletin for the North West, linked to the National Justice and Peace Network (NJPN), is produced jointly by the dioceses of Lancaster, Liverpool, Salford, Shrewsbury and Wrexham. Please send diary dates to [email protected] THE PARIS ATTACKS The attacks in Paris on 13 November have generated enormous media coverage and outrage and sadness among so many people. In a spirit of encouraging people to look under the surface of the problems, here are a couple of places to start: Paul Rogers, Professor in the Peace Studies Dept. at Bradford University, and speaker at this year’s NJPN Annual Conference, describes the attacks as a ‘blowback war’. Read the full article on the Open Democracy website: https://www.opendemocracy.net/paris-atrocity-and-after and in the Guardian on 16 November there was a thoughtful piece by Scott Atran – which raises some question marks about the more hysterical rhetoric coming from some quarters of the media. http://www.theguardian.com/commentisfree/2015/nov/15/terrorists-isis It’s also important to get these tragic events in perspective. An infographic from the Independent of a year ago gives a very different impression to what we see and read normally: http://i100.independent.co.uk/article/the-10-countries-where-terrorist- attacks-kill-the-most-people--ekK-zVZl_g The 2015 Global Terrorism Index highlights the fact that terrorism continues to rise. The total number of deaths from terrorism in 2014 reached 32,685, constituting an 80 per cent increase from the previous year. -
I: Povesteste-Mi Si Mie, Te Rog, Despre Traditiile De Craciun Si Despre
CultureTalk Romania and Moldova Video Transcripts: http://langmedia.fivecolleges.edu Christmas and New Year’s Traditions Romanian transcript: I: Povestește-mi și mie, te rog, despre tradițiile de Crăciun și despre mâncărurile tradiționale de Crăciun. M: Sărbătoarea Crăciunului este un pic diferită la oraș și la sat. De asemenea sunt particularități locale, în funcție de regiunile țării. De pildă, tradiția colindelor de Crăciun este mai puternică în Transilvania, în Maramureș. Colindele și cântecele specifice de iarnă în Moldova, și tradițiile legate de sărbătorile de iarnă în Moldova sunt cu precădere legate de Sfântul Vasile, de Anul Nou. De Crăciun, pe masa românului se află, în mod tradițional se află sarmalele făcute în frunză de varză murată și cozonacul. La care, bine înțeles, se adaugă alte preparate din carne de porc, iarăși cu specificul local. În noaptea de Ajun se colindă. Colindătorii primeau covrigi, nuci, de curând primesc bani. La oraș în Ajun se împodobește bradul. În familiile catolice există o slujbă de Crăciun, de Ajun de Crăciun seara. În familiile ortodoxe, sau familiile ortodoxe se duc la slujba de Crăciun dimineața, pe 25. I: Despre Anul Nou, câteva tradiții? M: Cum am spus, tradițiile populare de Anul Nou sunt legate, mai ales în Moldova, de o serie de obiceiuri arhaice. Este vorba de jocul cu măști, se colindă cu Ursul, cu Capra, sunt pe urmă Irozii. Pentru asta sunt o serie de… se fac o serie de măști din blană de oaie sau de capră. Li se fac niște figuri grotești, li se pun dinți din fasole. Și cu aceste măști se dansează la… în bătătura gazdei. -
What's on Winter 2019
What’s On Winter 2019 Music / Heritage / Worship / Spirituality / Community 2 southwarkcathedral.org.uk Southwark Cathedral has been a place of Christian worship for over 1000 years. The Cathedral’s patchwork architecture bears testament to its past as do the many monuments and memorials inside and outside the church. These are re- minders of the rich history of this part of London and our association with such major figures in our creative history, including Chaucer, Shakespeare and Dickens. Southwark Cathedral is a place of worship, wel- come and friendship, to rejoice in or find rest when you’re weary. We are London’s community Cathedral, a spiritual home for all at the heart of Bankside. Whatever has brought you here, you are most welcome. All events are free of charge unless stated other- wise. Tickets for Cathedral events are available from our website or the Cathedral Shop. 4 10 14 Music Worship Community 8 13 17 Heritage Spirituality Visitor Information 4 Music Music Saturday 2 November Thursday 7 November Saturday 9 November Hiromi From Britannia Verdi Requiem to Anatolia Join pianist Hiromi The Putney-based Uehara as she eclipses Soprano Basak Zengin 1885 Singers return to the boundaries of jazz. presents a stunning Southwark to perform A superstar in her native repertoire of English Verdi’s wonderfully Japan, she plays piano, and Turkish songs operatic setting of the incorporating R&B, rock, accompanied by Requiem Mass. They are and avant-garde, filled Howard Beach (piano) joined by exceptional with high voltage. Her and Emre Gokalp soloists and a full latest album offers a (classical guitar). -
The Second Sunday Before Advent
SOUTHWARK CATHEDRAL The Second Sunday before Advent An inclusive Christian community Sunday 19 November 2017 growing in orthodox faith and radical love Welcome to Southwark Cathedral. Children and young people during the We are a community that seeks to enfold 11.00am Eucharist: all people in the love of God. If you wish to Accompanied under-4s: Crèche with play mats, speak to a priest after the service, if you wish toys, songs and stories in the Education Centre. to find a corner to pray, if you wish simply to Reception class to Year 3: find some peace, please feel free and welcome JuniorXpress 1 in the to do so. Education Centre. Years 4-6: JuniorXpress 2 in the Queen Communicant members of all denominations Elizabeth Room. are welcome to receive Communion at this 11-18 s: YouthXpress 10.30am on first and service; please come forward as directed by third Sunday of the month in the John Trevor the Stewards. If you do not wish to receive Williams Room. Communion but would like a blessing, please bring the service booklet with you. Following the Choral Eucharist tea and coffee are served. Participation. If you have been a regular at the Cathedral for six months or more, Listen up! Sermons delivered in the Cathedral please ensure that your name is added to are available as text from southwark.anglican. the Cathedral Electoral Roll - ask Stewards org/cathedral/sermons, where you can also for details or email cathedral@southwark. find the weekly service sheet. They can also anglican.org be downloaded as from iTunes by searching for Southwark Cathedral Sermons. -
LSBU Alumni Association Magazine Issue 13 | Autumn 2012
GET CONNECTED | Spring 2012 | 01 connected LSBU Alumni Association magazine Issue 13 | Autumn 2012 An oAsis in the desert the LsBU alumnUs with A fresh tAke on the oiL indUstry Flight of imAginAtion Take off for THE fUtUre with Oliver Andrew’s high-tech vision LSBU looks to the future 02 | Autumn 2012 | GET CONNECTED GET CONNECTED | Autumn 2012 | 03 Welcome to Welcome from Welcome from the Connected Issue 13 the Editor Vice Chancellor 05 10 05 News iN brief 10 buildiNg the future 12 A N oAsis iN the desert 14 Flight of imAgiNAtioN 16 legAl mAtters 18 A sustAinable solutioN for ghana 14 19 19 New gAllery opeNs Welcome to the autumn issue of LSBU’s story over the last 120 years has Our commitment to our community is its doors Connected. This year we have been been one of constant student success and illustrated not only by being open to them and celebrating 120 years of learning as the innovation. As we look towards the future, working with schools and colleges to help 20 LSBU ArouNd the University marks its 120th anniversary. there are no signs that this will change. them prepare students for progression into world The last issue of Connected reflected on our This year alone, we have invested £14 higher education, but also by helping to past, whereas this issue looks at our million in transforming our campus and increase overall educational attainment and 22 whAt’s oN At LSBU contribution to the future. this will continue with the building of a aspiration in our local borough. -
POSE! Making and Taking Portraits
POSE! Making and Taking Portraits Saturday 23 November, 1:30pm-4:30pm Borough Gallery, 103 Borough Rd, SE1 0AA L - Edna Mann, Bent Figure, Charcoal on paper. Courtesy of Borough Road Gallery R - Dorothy Mead, Self Portrait, 1973. Courtesy of Borough Road Gallery ● A free afternoon of drawings and exploring portraits at Borough Road Gallery ● Live drawing sessions with local artist ● #CuratorTalks on portraiture and identity ● Art-inspired selfie booth Borough Road Gallery is hosting a drop in, free to attend art session inspired by the gallery’s collection of modern art, taking place in the gallery on Saturday 23 November. The event will explore ideas around portraiture and identity, through an afternoon of live drawing and curator talks, an art-inspired selfie station and the chance to explore the gallery’s permanent collection of paintings and drawings. Local artist Jenny Bell will run a series of interactive drawing activities asking us to rethink how we capture movement on the page - visitors will take turns modelling and drawing in charcoal to explore the many different ways the human form can be interpreted. Borough Road Gallery curator Theresa Kneppers will give short talks on artists representing the body, looking in-depth at two particular artworks by prominent female figures of the Borough Group, a collective of mid-20th-century artists from Southwark including Dorothy Mead and Edna Mann. This event is programmed by the Kids in Museums Youth Panel in association with the Borough Road Gallery. NOTES TO EDITORS For more information, images or interviews, please contact Laura Bedford at [email protected] Find all of the latest information by following the event on Facebook. -
UNIVERSITY of LEEDS the LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective Exhibitions
Handlist 74 UNIVERSITY OF LEEDS THE LIBRARY Archives of the Queen Square and Park Square Galleries, Special Collections MS 712 Part I: Collective exhibitions Mrs Sarah Gilchrist opened her commercial gallery in Queen Square, Leeds, in 1964; the enterprise flourished and she moved it to new premises in Park Square, Leeds, in 1968. She retired in 1978 though the gallery has continued under different aegis. In 1981 she was awarded an honorary degree by the University of Leeds and in the summer of 1984 through the timely intervention of Mr Stephen Chaplin of the University's Department of Fine Art, she most kindly agreed to give the accumulated archive of her galleries up to the date of her retirement to the Brotherton Library. The archive illustrates the relationship between artist and gallery, and between gallery and collector; it also illuminates taste and patronage in Yorkshire in the third quarter of the 20th century. This first part of a complete catalogue refers to collective exhibitions; further parts will deal. with one-man exhibitions, a picture lending scheme and other matters. Each catalogue will have indexes of exhibitors and of correspondents. This handlist was formerly issued in four parts, as handlists 74, 76, 84 and 85 Compiled October 1985 Digitised May 2004 CATALOGUE 1. First collective exhibition, 'Five Australian painters', April-May 1964 Work by:- Charles Blackman, Arthur Boyd, Louis James, John Perceval and Kenneth Rowell. 1-39 Correspondence, 1964. 51 ff. 40 Invitation to private view, 15 April 1964. 41 Priced catalogue, 1964. 42-43 Two photographs of exhibits, [1964]. 44-45 Mounted press-cuttings, 1964.